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Jarrell Conley

Jarrell Conley

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One of my favorite subjects is glassware and it's many shapes and colors. It's so easy to work with, no special equipment needed, just that fine Nikon camera you already own, a glass shelf,.... what! no glass shelf? That picture frame glass then, and your work light from the garage. You know, the one you never use anyway....



you lady photograpers already have them around, you married guys can borrow your wifes assortment of fancy little glass things that you always wondered what they were for. Spend an hour playing with it, you'll be surprised what pops up in the viewfinder. I always am.
 
A very fancy and stylish subject... well done.
  • Jarrell Conley... official inspirer for Nikon Talk Forum. :-)
Yours sincerely,
Michael Offe,
South Australia.
Jarrell Conley said:
One of my favorite subjects is glassware and it's many shapes and
colors. It's so easy to work with, no special equipment needed,
just that fine Nikon camera you already own, a glass shelf,....
what! no glass shelf? That picture frame glass then, and your
work light from the garage. You know, the one you never use
anyway....



you lady photograpers already have them around, you married guys
can borrow your wifes assortment of fancy little glass things that
you always wondered what they were for. Spend an hour playing with
it, you'll be surprised what pops up in the viewfinder. I always
am.
Click to expand...
 
If you haven't seen them, Andre Kertez has a beatiful series of B&W pictures of an absract glass sculpture. These were done in the last years of his life, & according to him, represented his deceased wife.
They are quite simple & stunning.
Kertez was one of the gods of photography.
 
Here is an example of what Jarrell's inspiration and helpful comments have helped me to create. No backdrops, just a quick setup of items in place. Think I only used one Slave and a IR filtered internal flash for this. Bounced the SB50DX off of a 3x4 frame covered in printer vellum from a quasi rear quarter position to help w/ front fill light. The frame was positioned in front of the subjects. Still much work to be done, but the good news is this amateur is improving. (or at least I hope I am!)

http://image.pbase.com/u7/isomatrix/upload/1269384.rosevase.jpg--CP5000 , OM-2n
 
Another example. My homemade 3x4 panel now in side position w/ a 75w bulb/reflector positioned behind it. Maglite flash lite focused to help highlite the glassware. This subject is no more than 6 inches tall.

Thanks for the help and inspiration Jarrell!



--CP5000, OM-2n
 
ISOMatrix said:
Another example. My homemade 3x4 panel now in side position w/ a
75w bulb/reflector positioned behind it. Maglite flash lite focused
to help highlite the glassware. This subject is no more than 6
inches tall.

Thanks for the help and inspiration Jarrell!



--
CP5000, OM-2n
Click to expand...
Thanks also go to Peter INova for his excellent tip on using processed but black 35mm transparency as a IR filter on the internal flash!
--CP5000, OM-2n
 
iso, the lighting you achieved is top notch! What is printers vellum (sp?)? Its feathering the hard shadows out very well. Doesn't the El Cheapo Dim Bulb Camera Club bulb/refector work great for still lifes!

Thomas, yes... like Michael said, I always use the 990 (since it's the only one I have). If and when I win the lottery and get a dslr, I'm still going to use the 990. I don't think the camera can take a bad macro shot. I can! But it can't.
Jarrell
ISOMatrix said:
ISOMatrix said:
Another example. My homemade 3x4 panel now in side position w/ a
75w bulb/reflector positioned behind it. Maglite flash lite focused
to help highlite the glassware. This subject is no more than 6
inches tall.

Thanks for the help and inspiration Jarrell!



--
CP5000, OM-2n
Click to expand...
Thanks also go to Peter INova for his excellent tip on using
processed but black 35mm transparency as a IR filter on the
internal flash!

--
CP5000, OM-2n
Click to expand...
 
Great work, all! I think what this shows is that the qualities of light and it's manipulation are what makes good photos, more the artist and less the camera. Not to say the camera isn't important, it is but it is just another tool. The artist who is able to use all the tools at his/her disposal with vision and creativity will certainly succeed! (Success here is not necessarily the common definition of monetary success, but maybe more a self-satisfaction of creating something of beauty.)

It is evident these works of art could have been done with film, also, the beauty lies in the subject and lighting. We are indeed fortunate, through digital cameras, to be able to check our set-up immediately, not waste resources (all that Polaroid film) and not to have to worry about color balancing filters/lighting/etc. Very inspiring!!
 
Baywing, I agree absolutely. Oh, I remember those Polaroid test shots. That can get EX-PEN-SIVE! Whew!
Baywing said:
Great work, all! I think what this shows is that the qualities of
light and it's manipulation are what makes good photos, more the
artist and less the camera. Not to say the camera isn't important,
it is but it is just another tool. The artist who is able to use
all the tools at his/her disposal with vision and creativity will
certainly succeed! (Success here is not necessarily the common
definition of monetary success, but maybe more a self-satisfaction
of creating something of beauty.)

It is evident these works of art could have been done with film,
also, the beauty lies in the subject and lighting. We are indeed
fortunate, through digital cameras, to be able to check our set-up
immediately, not waste resources (all that Polaroid film) and not
to have to worry about color balancing filters/lighting/etc. Very
inspiring!!
Click to expand...
 
Jarrell Conley said:
iso, the lighting you achieved is top notch! What is printers
vellum (sp?)? Its feathering the hard shadows out very well.
Doesn't the El Cheapo Dim Bulb Camera Club bulb/refector work great
for still lifes!
Click to expand...
Thanks! These kind words coming from you have MADE MY DAY!!

Vellum is a printer paper (typically used in Computer Aided Drafting, and ole time drafting) which is more transparent than typical Bond paper. It's advantages are that it's more durable for archival purposes and also reproduces w/ blueline equipment. I've got a few rolls of 36" wide that I'll be putting to good use! My next step is to roll a bunch of it out as a seamless backdrop for underneath/behind subject.

And yes.....I'm a committed El Cheapo Dim Bulb member now. With digital cameras, nice white balance control and immediate feedback the possibilities are endless!

Thanks again for your kind words, helpful advice and inspiration!--CP5000, OM-2n
 
Hi Jarrell and All,

I spent an hour or so tonight out in the garden attempting to photograph a cactus flower. I think a few of the 60 or so shots came out rather well, but I was just going to view them on my computer and post the best one.

But, all the files on the card are unreadable, by any photo programme or even Windows Explorer! :-(
I have just downloaded PhotoRescue,
http://www.datarescue.com/photorescue

and it can see most of the lost pics, some are lost and 14 are only partly there (a small horizontal strip of pic)... but that is still pretty good recovery percentage. It can also see and salvage about 40 old pics from before my last CF format.

It looks like I will have to purchase the registration code tomorrow so I can save the files. (there goes another $60 {US$29} )

If I salvage the files I will post one of the better pics.

Have fun, I hope this problem doesn't occur with your CF card... it is a real nuisance, but at least most of them can be salvaged. :-)

Oh, yes I did try the card back in my 990, but it came up with Error and can't display the pics.

Have a good day,
Yours sincerely,
Michael Offe,
South Australia.
Jarrell Conley said:
Baywing said:
Great work, all! I think what this shows is that the qualities of
light and it's manipulation are what makes good photos, more the
artist and less the camera. Not to say the camera isn't important,
it is but it is just another tool. The artist who is able to use
all the tools at his/her disposal with vision and creativity will
certainly succeed! (Success here is not necessarily the common
definition of monetary success, but maybe more a self-satisfaction
of creating something of beauty.)

It is evident these works of art could have been done with film,
also, the beauty lies in the subject and lighting. We are indeed
fortunate, through digital cameras, to be able to check our set-up
immediately, not waste resources (all that Polaroid film) and not
to have to worry about color balancing filters/lighting/etc. Very
inspiring!!
Click to expand...
Click to expand...
 
Hi guys,

Can I join the El Cheapo Dim Bulb Camera Club? Or do I have to use the Patented Jarrell Conley - Dim Bulb Camera Club bulb/reflector?

I do use a number of other El Cheapo bit and peices, does this qualify me to become a member??? :-)

The setup I was using tonight to photograph a cactus flower looked pretty good (and cheap!)...

LOL

Michael Offe,
South Australia.
ISOMatrix said:
Jarrell Conley said:
iso, the lighting you achieved is top notch! What is printers
vellum (sp?)? Its feathering the hard shadows out very well.
Doesn't the El Cheapo Dim Bulb Camera Club bulb/refector work great
for still lifes!
Click to expand...
Thanks! These kind words coming from you have MADE MY DAY!!

Vellum is a printer paper (typically used in Computer Aided
Drafting, and ole time drafting) which is more transparent than
typical Bond paper. It's advantages are that it's more durable for
archival purposes and also reproduces w/ blueline equipment. I've
got a few rolls of 36" wide that I'll be putting to good use! My
next step is to roll a bunch of it out as a seamless backdrop for
underneath/behind subject.

And yes.....I'm a committed El Cheapo Dim Bulb member now. With
digital cameras, nice white balance control and immediate feedback
the possibilities are endless!

Thanks again for your kind words, helpful advice and inspiration!
--
CP5000, OM-2n
Click to expand...
 
ISOMatrix wrote:

....." I've got a few rolls of 36" wide that I'll be putting to good use! My next step is to roll a bunch of it out as a seamless backdrop for underneath/behind subject......"

That's exactly what I was thinking but I didn't know if it was long enough. Oh.. I love those seamless backgrounds. :)
Jarrell
ISOMatrix said:
Jarrell Conley said:
iso, the lighting you achieved is top notch! What is printers
vellum (sp?)? Its feathering the hard shadows out very well.
Doesn't the El Cheapo Dim Bulb Camera Club bulb/refector work great
for still lifes!
Click to expand...
Thanks! These kind words coming from you have MADE MY DAY!!

Vellum is a printer paper (typically used in Computer Aided
Drafting, and ole time drafting) which is more transparent than
typical Bond paper. It's advantages are that it's more durable for
archival purposes and also reproduces w/ blueline equipment. I've
got a few rolls of 36" wide that I'll be putting to good use! My
next step is to roll a bunch of it out as a seamless backdrop for
underneath/behind subject.

And yes.....I'm a committed El Cheapo Dim Bulb member now. With
digital cameras, nice white balance control and immediate feedback
the possibilities are endless!

Thanks again for your kind words, helpful advice and inspiration!
--
CP5000, OM-2n
Click to expand...
 
Oh boy. That's scary Michael. What causes that? Anyone.
Michael Offe said:
But, all the files on the card are unreadable, by any photo
programme or even Windows Explorer! :-(
I have just downloaded PhotoRescue,
http://www.datarescue.com/photorescue
and it can see most of the lost pics, some are lost and 14 are only
partly there (a small horizontal strip of pic)... but that is
still pretty good recovery percentage. It can also see and
salvage about 40 old pics from before my last CF format.
It looks like I will have to purchase the registration code
tomorrow so I can save the files. (there goes another $60 {US$29} )

If I salvage the files I will post one of the better pics.

Have fun, I hope this problem doesn't occur with your CF card...
it is a real nuisance, but at least most of them can be salvaged.
:-)

Oh, yes I did try the card back in my 990, but it came up with
Error and can't display the pics.

Have a good day,
Yours sincerely,
Michael Offe,
South Australia.
Jarrell Conley said:
Baywing said:
Great work, all! I think what this shows is that the qualities of
light and it's manipulation are what makes good photos, more the
artist and less the camera. Not to say the camera isn't important,
it is but it is just another tool. The artist who is able to use
all the tools at his/her disposal with vision and creativity will
certainly succeed! (Success here is not necessarily the common
definition of monetary success, but maybe more a self-satisfaction
of creating something of beauty.)

It is evident these works of art could have been done with film,
also, the beauty lies in the subject and lighting. We are indeed
fortunate, through digital cameras, to be able to check our set-up
immediately, not waste resources (all that Polaroid film) and not
to have to worry about color balancing filters/lighting/etc. Very
inspiring!!
Click to expand...
Click to expand...
Click to expand...
 
You sure can! The requirement is very lax.... and besides, you're already a member.... everybody is if they have a love of the craft and they're willing to share it.

Well, today is my day to clean house, so I'll see you guys and girls later. The toilets and carpet are calling me. Have fun while I'm not. :( Why couldn't I have been born with a silver Nikon in my mouth.....
Jarrell
Michael Offe said:
I do use a number of other El Cheapo bit and peices, does this
qualify me to become a member??? :-)

The setup I was using tonight to photograph a cactus flower looked
pretty good (and cheap!)...

LOL

Michael Offe,
South Australia.
ISOMatrix said:
Jarrell Conley said:
iso, the lighting you achieved is top notch! What is printers
vellum (sp?)? Its feathering the hard shadows out very well.
Doesn't the El Cheapo Dim Bulb Camera Club bulb/refector work great
for still lifes!
Click to expand...
Thanks! These kind words coming from you have MADE MY DAY!!

Vellum is a printer paper (typically used in Computer Aided
Drafting, and ole time drafting) which is more transparent than
typical Bond paper. It's advantages are that it's more durable for
archival purposes and also reproduces w/ blueline equipment. I've
got a few rolls of 36" wide that I'll be putting to good use! My
next step is to roll a bunch of it out as a seamless backdrop for
underneath/behind subject.

And yes.....I'm a committed El Cheapo Dim Bulb member now. With
digital cameras, nice white balance control and immediate feedback
the possibilities are endless!

Thanks again for your kind words, helpful advice and inspiration!
--
CP5000, OM-2n
Click to expand...
Click to expand...
 
I am not sure what caused it. It has never happened before, and I didn't do anything different to normal, tonight.

I know Larry Berman had a similar problem recently, he said he had just had a run of 3, over the last month or so - the first he has ever had. Who knows what causes it.

Now I just have to decide if the 50 or so photos are worth the A$60. :-(

Michael Offe.
Jarrell Conley said:
Michael Offe said:
But, all the files on the card are unreadable, by any photo
programme or even Windows Explorer! :-(
I have just downloaded PhotoRescue,
http://www.datarescue.com/photorescue
and it can see most of the lost pics, some are lost and 14 are only
partly there (a small horizontal strip of pic)... but that is
still pretty good recovery percentage. It can also see and
salvage about 40 old pics from before my last CF format.
It looks like I will have to purchase the registration code
tomorrow so I can save the files. (there goes another $60 {US$29} )

If I salvage the files I will post one of the better pics.

Have fun, I hope this problem doesn't occur with your CF card...
it is a real nuisance, but at least most of them can be salvaged.
:-)

Oh, yes I did try the card back in my 990, but it came up with
Error and can't display the pics.

Have a good day,
Yours sincerely,
Michael Offe,
South Australia.
Jarrell Conley said:
Baywing said:
Great work, all! I think what this shows is that the qualities of
light and it's manipulation are what makes good photos, more the
artist and less the camera. Not to say the camera isn't important,
it is but it is just another tool. The artist who is able to use
all the tools at his/her disposal with vision and creativity will
certainly succeed! (Success here is not necessarily the common
definition of monetary success, but maybe more a self-satisfaction
of creating something of beauty.)

It is evident these works of art could have been done with film,
also, the beauty lies in the subject and lighting. We are indeed
fortunate, through digital cameras, to be able to check our set-up
immediately, not waste resources (all that Polaroid film) and not
to have to worry about color balancing filters/lighting/etc. Very
inspiring!!
Click to expand...
Click to expand...
Click to expand...
Click to expand...
 
YIKES! I wish you the best of luck Michael, as I'm looking forward to seeing your work as well!

Do you regularly swap your CF cards in/out (using a alternate CF reader). I wonder how sensitive these guys are to static electricity. On this side of the world it's cold, dry and the ESD demons are out in full force! It takes around 3,000 volts to feel a static shock, I think around 10,000 volts to see it! I regularly get zapped here this time of year!

Any thots from long time CF card users bout their sensitivity to Electro Static Discharge?--CP5000, OM-2n
 
Interesting thought... I do use the CF reader in my printer (it is an EPSON which can be used stand alone rather than with a computer, so it has a CF reader, which when the printer is connected to the computer acts as a reader). I use this method to down load my CF cards all the time.

Michael Offe.
ISOMatrix said:
YIKES! I wish you the best of luck Michael, as I'm looking forward
to seeing your work as well!

Do you regularly swap your CF cards in/out (using a alternate CF
reader). I wonder how sensitive these guys are to static
electricity. On this side of the world it's cold, dry and the ESD
demons are out in full force! It takes around 3,000 volts to feel a
static shock, I think around 10,000 volts to see it! I regularly
get zapped here this time of year!

Any thots from long time CF card users bout their sensitivity to
Electro Static Discharge?
--
CP5000, OM-2n
Click to expand...
 
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