A business success is one that affords to keep itself afloat. These are > hobbiests (nothing wrong in that) who may make a buck at what they > do but likely will not have the endurance to do it for very long.
I think a great many MWACs keep them selves more than afloat. Unless you didn't mean "afloat in lots of new lenses". =)
It depends on what a customer wants or expects. Price is only an > indicator but not a sole arbitrator to a purchase.
Point taken. You win that paragraph. One for you, One for Dale.
But what makes that so special for a person to even spend a mere > pittance on photojournalistic snaps? Why should I as a client pay them say > even $50 when I can just snap the same sort of images with my camera?
Can you? Can you snap the same sorts of images that I can snap with the exact same setup I have? Because I can tell you that a TON of women I know who ran out and bought my camera after seeing my "snapshots" can't come close.
But that's not really even the point. The point is that given time and a little bit of talent, anyone can learn to use a DSLR (hello, EXIF anyone? check your settings, see what was off, correct the next shot...very quick learning curve). I'm still undecided on whether or not a photographic, or photojournalistic eye, can be taught. Some rules of composition, yes. Being able to anticipate when that exact right moment is going to come into your frame, I'm not so sure. And that is why some MWACs can charge $50 for an 8x10 and some can only charge $5. But they can all charge and they are all taking their slice of the pie.
Nonsense, esp. with kids, if they want to fuss they could give a rats ar$e > whether it's you snapping in the guise of a photojournalist or you setting > up a studio shot. Relaxed my ar$e a fussy kid is a fussy kid and no amount > of rhetoric trying to claim shooting photojournalist style is going to make > it easier.
{Warning, sexism ahead.} Here's the thing: women can out-finesse men with kids any day of the week and twice on Sunday. =) It's just a fact. We are good with kids, whether we have them or not. We are good with kids on backdrops as well as kids in a natural environment. But I think Dale is right...kids "perform" better for the camera if you're letting them do their thing. Sitting on a backdrop is not
any kids thing that I know of. I have the King of Fussiness, Fussy McFussterson himself and manage to get reams of great shots of him. Why? I'm an MWAC. Sorry, Frog, you lose this paragraph hands down. =)
BROAD BRUSH STROKES!!! Comparing a school portrait or a lil league > baseball portrait to what a proper studio or professional photo shooting > setting is able to arrange is a nonstarter.
Ooh, "nonstarter". Love that phrase, must find a way to work it into my next conversation. =) But you're incorrect, because this is exactly what people are comparing MWAC shots too. The really high-end artistic shots will always, always have a niche. Just like someone like me, who at the end of the day is really not that great of a programmer, will always have a nice job because I bring so much more to the table than just code-slinging. {OK, that is not meant to be as arrogant as it sounds, lol!} But Dale's comparison is spot-on: people are used to Walmart and Sears and, heaven forbid, The Picture People. What MWACs offer with their mid-range DSLR and photojournalistic style is light-years ahead of that. Gotta give the point to Dale on this one too. =)
It is IMO often a disguise for poor or unimaginative photographers to try > to make a buck.
It sometimes is, there's no doubt about that. Sometimes, women who hang out their shingle really, really suck. Those you don't have to worry about.
There is hardly an educated mother or father who if they could have had > a chance to have Josef Karsh (for one) create a Karsh portrait session for > them would not have had such done.
OK, who?
But again what do they offer that warrants even these lower prices?
They offer what women want. I am woman (hear me roar, again), and I can tell you that on the walls of all the homes around me are not studio portraits. There are blown-up "snapshots". It's just a sign of the changing times.
Snaps, disguised as photojournalism, sorry most clients can do the same > sort of stuff with their own cameras and save even more money. A good > and imaginative professional portrait photographer offers things that > clients can't get so easy or make themselves.
Didn't we just leave this party? See above where you lost paragraph three.
Gee, this is REALLY fun!! I love a good, old-fashioned debate. C'mon, PhinneasFrog, come get me!!!
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-Steph!
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'Shine! Show 'em what you've got, let them wish that they were not
On the outside lookin' bored!'