David Kilpatrick
Veteran Member
It's not going to happen with the 28-105mm f2.8 (Tamron?) because it isn't sharp at f2.8 - it might look it on film, but it can't manage 10 megapixel digital. The 50mm f1.4 is not much good either, I have one; it's OK, but only if you want an extreme differential focus, and the focusing screen is not guide at all - it shows the depth of field as if at f6.3, even when the lens is set to f1.4, due to the clarity of the microprismatic surface. The 85mm f1.4 is the only lens in your set which I would trust to be 'tack sharp' at 1.4. The 50mm f1.4 is worth stopping down to f2 or f2.8 to remove residual aberrations from a very traditional design of lens.this waswhat i was primarly doing, shooting wide open on alot of
the shots. that were i like to shoot, crisp on the front end and
forget about the back end-----, whats the use of having fast lens',
if you cant shoot em wide open? yesterday i rented my studio out
for a couple of hours to a photographer with a old 20d and a 85mmm
1.4, he turned off the strobes and just used the modeling lights.
tack freaking sharp at 1.4. he says he shoots all the time at 1.4
around 400 and 800iso inside with great consitanty. he also shoots
a 70-200 at 2.8 all day long with tack sharp images.
since i own a 85mm 1.4g a 28-105mm 2.8, 50mm 1.4, i would like to
be able to use these, but it isnt happening with the a100....
atleast the one at best buy.....
Frankly, anyone shooting wide open on an 85mm f1.4 (Canon doesn't have one, so he can't have been - they have an f1.2 and an f1.8) will get eyelashes in focus, eyeball out of focus. 70-200mm f2.8 is not a whole lot much better at f2.8 - really, the depth of field is so limited that your focusing choices have to be very skilfull indeed.
David