602 questions

This is getting altogether a rather wee bit too heated don't you think? My own personal view for what it is worth is that Peter is right, Fuji is a 3 million pixel camera...no more ...no less. It is a very, very good 3MP camera, with a very clever interpolation (or if you have been brainwashed by Fuji, a very clever image extrapolation). SO WHAT...... lets take some pictures and chillout, or watch you two have a fight and bite each others ears and legs....
 
You know what I've learned from this thread?
I sincerely doubt it (It deep winter here in Canada and I don't like cold :-)
That Canadians are a LOT feistier than I would have thought.

-- Ulysses
 
Hi Ulysses,

I have seen no 602 shots either.

But the sample shots from the 601 seemed to be improved wrt the 6800. Just extrapolating on that. I thought somewhere in the press release Fuji was claiming better sensitivity. That and wishful thinking maybe. I am very interested in this camera.

Time and testing will tell.

You're not thinking of replacing your DA?

Peter
I'm following this thread and this camera with interest.
The 602 seems to be better in many ways(notably in lower noise),
but time will tell.
I'm familiar with Phil's review. But how do you figure at this
point in time that the 602 is lower in noise? I may be
misunderstanding your comment here.

It's just that we have nothing to go on by the way of pics. Or did
I miss some?
--

Ulysses
 
Hahahaha!

Yes I did get a bit carried away. But what I find quite amusing is that I really like this camera and have put it on my short list. Can you imagine the mess if I didn't like it. ;-)

Its sort of like DAs little brother. If the pricing matches the old model it would be about $500 less than the 707 which puts it in my price range.

Well back to Robot Wars.

Peter
I sincerely doubt it (It deep winter here in Canada and I don't like cold :-)
That Canadians are a LOT feistier than I would have thought.

--

Ulysses
 
Hahahaha!
Heheheh....
Yes I did get a bit carried away.
Well... whethere you did or not, I didn't find anything offensive personally. You made some solid points: 3=3. I like good interpolation as well as the next guy (remember the old F505V interpolation mode?) Useful for when you didn't have any other convenient way to achieve it. Other than that....
But what I find quite amusing is
that I really like this camera and have put it on my short list.
Can you imagine the mess if I didn't like it. ;-)
Ooooooh boy.... ;-)

Like yourself, I think this is more than just a respectable camera. It could be a solid 2Mp camera for all I care. I'm watching it for its color.
Its sort of like DAs little brother. If the pricing matches the old
model it would be about $500 less than the 707 which puts it in my
price range.
They do have a lot in common.
Well back to Robot Wars.
Solid entertainment. Surprising usage of technology. And a great source of colorful metaphor. :)-- Ulysses
 
I find it very interesting that you do not own a digital camera ....
Actually, I own a Nikon Coolpix 900. I'm now shopping for a new digicam to replace it.
You emphatically state that everything Fuji's
scientest and independent labs with a high level or expertise and
indipendent testers state is false.
I've never said anything remotely resembling that.
....if interpolation doesn't work.....
I've never said that either.
Please cease and desist from attemting to prove how smart you are
That's certainly not my intent.
Your comments may have discouraged some from purchasing the Best
Prosumer Class Digicam and/or it's successor without due cause.
If that has happened, I'd be very surprised. I've praised the Fuji camera highly. Of all the digicams on the market, it is one of the two that remain in consideration for my next purchase.

I'm beginning to wonder if you've actually read any of my posts.
I sincerely hope this ends this!
And I sincerely hope that I have succeeded in educating readers here about the real benefits of Fuji's SuperCCD vs the fictional ones.
 
Thank you, yes you (and all others involved) have taught me quite a lot here. Some (a lot) of the techno speak went over my head, but I've manged to comprehend more than I thought. So yes, thank you all for the discussions and info - I'd be surprised as well, if someone were swayed from the super ccd cameras from this discussion.
Regards,
Jerry
I find it very interesting that you do not own a digital camera ....
Actually, I own a Nikon Coolpix 900. I'm now shopping for a new
digicam to replace it.
You emphatically state that everything Fuji's
scientest and independent labs with a high level or expertise and
indipendent testers state is false.
I've never said anything remotely resembling that.
....if interpolation doesn't work.....
I've never said that either.
Please cease and desist from attemting to prove how smart you are
That's certainly not my intent.
Your comments may have discouraged some from purchasing the Best
Prosumer Class Digicam and/or it's successor without due cause.
If that has happened, I'd be very surprised. I've praised the Fuji
camera highly. Of all the digicams on the market, it is one of the
two that remain in consideration for my next purchase.

I'm beginning to wonder if you've actually read any of my posts.
I sincerely hope this ends this!
And I sincerely hope that I have succeeded in educating readers
here about the real benefits of Fuji's SuperCCD vs the fictional
ones.
-- http://www.angelfire.com/film/jhazard/http://www.pbase.com/jhazard
 
Thomas,

Thank you for the info. Just out of interest, I also downloaded the same images from the same site. I resampled the 3 mp file to 6mp in PS6 using Bicubic. The differences between the resampled 3 mp and the native 6 mp are not as distinct as the images you posted (How did you do yours?). I am more incline to say that they are very similar. (Sorry, I do not know how to embed images stored on my hard drive. Cut & Paste didn't work.) When both files are resampled to 12 mp for further comparison, then I can tell that the native 6 mp file is better. However, I cannot say that the difference is enough to justify the claim by Fuji. One other consideration is that the resampling was done from a compressed JPG file. The differences could be even less if I had an uncompressed file for resampling. I would think this is the case, because the native 6 mp file was "resampled" in the camera using original data. Further resampling is unfair to the 3 mp file.

In any case, I still think the Super CCD is a very interesting design. The 3 mp image is in the top 10% of the 3 mp prosumer digicam league and the 6 mp file is the resampling result of a very clever hardware/firmware combination. I look forward to the 602.

Shii
You can find some comparison shots between 3 and 6 mp on:
http://myalbum.ne.jp/cgi-bin/a_menu?id=fa782151 (very slow site!!).
The shots are beta samples from the F601 with the new super CCD. I
know that the optics are better on the 6900, but the difference
between 3 and 6 mp is evident. Below are two cropped samples, that
I also posted last week, of a 3 mp picture interpolated to 6 mp
compared with a native 6 mp.
I sneered at the Fuji marketing hype before but now, after
following numerous discussions on this site, I am looking at the
Super CCD with a lot of interest. Not that I am accepting the
argument that one could generate 6 mp worth of information from a 3
mp sensor, but I am interested in the argument that the Super CCD
can get more out of a 3 mp sensor than the conventional CCD can. Of
course, I understand that the hexagonal layout allows bigger sensor
area and hence better dynamic range and lower noise, etc. I am
looking at other possible benefits of a hexagonal layout. At the
risk of offending some Fuji fans here, I wonder if I could look at
the hexagonal layout, inconjunction with the proprietary software,
as a clever way of doing image resampling. In other words, this is
a hardware/software combination to image resampling rather than
just a software approach such as Bicubic and GF. I further
understand that the 6900 can generate both 3 mp and 6 mp files.
Could somebody post, or point me to a link, 3 mp and 6 mp files of
the same scene so I can "play" with them?

Thanks,

Shii
--
Thomas
http://www.pbase.com/thla/finepix2800z
 
The question remains........Should there be an additonal spec added
to the overhyped megapixel rating? Is the process of determining
of that number flawed
Actually, the megapixel rating turns out to be a pretty good predictor of the resolution capabilities of a digital camera. The Fuji is no exception to this - it uses a good design that puts it at the top of its class, but it doesn't go beyond its class. Yes, there may be a few 4mp cameras that are fairly comparable to the Fuji, but those are exceptions, not the rule.
As Ian put it.....the issue here is that Fuji seems to be giving us
a hell of alot more information from their 3.1 mp spec than the
competition's 3.1 mp spec.
"A hell of a lot"? Hmmm. It does a great job in many ways, but I don't know that I'd call its resolution "a hell of a lot" better.
The fact remains that many reviewers feel it performs as a 4 - 5 mp
camera.
Actually, I don't remember seeing anyone make that claim. There have been some vague implications of higher resolution, but nothing nearly as strong as you're putting it.
Cnet considers it a true Prosumer model.
I consider it one as well.
Somebody tell me why we are comparing a 3.1 ccd to 4 and 5 mp units?
Yes, please. Why are we? :-)
We can argue all we want.
Argue. Debate. Whatever you want to call it. Actually, that's not what I want to do here at all.

What I want to do is to give the Fuji enthusiasts a framework for understanding the SuperCCD so that they can sing its praises without causing their readers to cringe. When I see someone making a statement that I know to contradict basic Information Science, I cringe. And believe me, Peter and I are not the only ones who have this reaction. We're just the most vocal of the bunch. :-)

It's as if you had told me that 2+2=5 and expected me to accept it. I can't do that.

My main point here is a mathematical one. I've looked at the images, and to me they seem to agree pretty well with what theory predicts. You may see them differently, and if so I'll accept that. But I won't accept any statement that contradicts proven mathematics.

And again, for those who are coming into this late and haven't read all the threads: I think the Fuji is a GREAT camera, and I also think that we pay far too much attention to resolution rather than looking at the camera as a whole. But the design of the Fuji seems to lead us to this discussion, so I'm trying to help everyone separate the fact from the exaggeration.
 
I am not a scientist or an electornics engineer (actually I'm an industrial engineer), but don't you think that using a different design in CCD makes a lot of difference here. This is just like the current debate on what kind of processor to use in your computer, AMD or Intel. AMD has a lower speed in terms of instruction but it accomplishes more because it increased the amount of work that it can process per amount of time. The same thing with Super CCD. Since it has a different design, it may be capturing more details than a regular CCD even if they have the same amount of megapixel.
Just my two cents!!

togsky
Yes Jim. But What is 3mp of information worth? Is the 3mp from a
Canon D30 the same as the 3mp from an average sensor when its
sensor is 12x the size?
Other than light gathering ability, size is irrelevant. As long as
the size of the CCD is matched to the image size produced by the
lens, the number of pixels in the CCD decides the maximum
resolution of the camera. It doesn't matter whether the CCD is an
inch across or a centimeter as long as the number of pixels is the
same. The larger one should be capable of better ISO, but not
better resolution.
If the SuperCCD is doing a better job than the 4mp brigade and it's
giving relatively equal images because it's more efficient, then
why not accept, as many reviewers do that the SuperCCD gives the
'equivalent' resolution of about a 4.5mp camera. We're not claiming
that it gives a true 6mp equivalent here.
No one said anything about 6mp. I haven't seen any reviewer say
that the SuperCCD gives the equivalent of a 4.5mp camera. I've
seen some imply that the Fuji approaches a higher resolution, but
it's never been that specific in the examples that I've seen.
Perhaps we should be argueing why some other cameras seem to give
less than their true resolution if that's a more acceptable way of
putting it.
That would be an interesting discussion to have, and it might shed
some light on the benefits of the SuperCCD in a more honest fashion.
 
The funniest part of this whole argument is this:

We all see the many posts by forum members comparing the 6900's
shots to the Sony 707, Nikon 5000, Canon G2, etc.

Why ? Somebody tell me why we are comparing a 3.1 ccd to 4 and 5
mp units?
Ok I will tell you. Because you and others keep making claims that
the camera is the equal of 4mp and 5mp cameras, like you just did
above. So we show pictures that clearly illustrate that it doesn't.
Then you ignore the comparisons, because they don't favour your
opinions.
Are you sure it does not have something to do with a need for you and others to justify spending 1000 USD on a camera (insert brand-name here)that is still only a consumer/prosumer piece at best and that you feel the need to justify to yourself (and/or spouse that you really did need to spend 1000 bucks?

Or maybe you just like trolling...............
http://www.dpreview.com/forums/read.asp?forum=1012&message=2160163

The 4mp and 5mp images are better than the Fuji "6mp" image. The
3mp is just about equal.
How accurate and fair are these comparisons? See my point just made on the above paragraph.
 
I am not a scientist or an electornics engineer (actually I'm an
industrial engineer), but don't you think that using a different
design in CCD makes a lot of difference here. This is just like the
current debate on what kind of processor to use in your computer,
AMD or Intel. AMD has a lower speed in terms of instruction but it
accomplishes more because it increased the amount of work that it
can process per amount of time. The same thing with Super CCD.
Since it has a different design, it may be capturing more details
than a regular CCD even if they have the same amount of megapixel.
Just my two cents!!

togsky
An IE from New Jersey...now that has to be some logical thinking!! I also was an Industial Engineer during the early years of my career and worked for 5 yearss in S. Jersey and am in complete agreement with togsky's two cents! The naysayers should take their argument to another forum where they will find some sympathy for their rantings! Of course, that's just my opinion, I could be wrong...

Jack
 
I have two cameras, but I don't tell you what they are. I take
pictures of the same subject under exacting conditions and present
you with my pictures. In fact, I take a lot of pictures and vary
those conditions, still fairly and objectively, just to be sure
that I am not unwittingly giving one camera an advantage. I share
with you the condiitions under which they were taken and you agree
that the comparison is "fair." You look at the pictures and agree
that camera X is always superior to camera Y.
Of what significance is there at this point in comparing the mp of
the cameras?
You beat me to it.
Friend Peter did not take the wolf, errr, shill/troll bait.
There are some here who should try the news groups.
One soon learns not to respond to the spin doctors.

Ben 8)

"I lay all this while, as the reader may believe, in great uneasiness:
at length struggling to get loose, I had the fortune to break the
strings,..." typed Gulliver.
Has anybody fairly and accurately actually done this? NO!

All conditions must be exact. The only way this can be done is at the same time.

Lighting can be different. Settings incorrect. Tripod used? Flash? Sharpening?
 
Are you sure it does not have something to do with a need for you
and others to justify spending 1000 USD on a camera (insert
brand-name here)that is still only a consumer/prosumer piece at
best and that you feel the need to justify to yourself (and/or
spouse that you really did need to spend 1000 bucks?

Or maybe you just like trolling...............
Why not just stick to the debates on CCD rather than the psychoanalysis. :)

Peter is no troll, as you'll be able to see from his long history of posts. That's a rather unfounded accusation and detracts from the points you tried to make.-- Ulysses
 
...and noise and dynamic range and low light focusing ability.
Well... we'll see on the noise. Fuji makes no really serious claims about that, but it seems to be expected by potential customers to be improved over conventional CCD's.

Dynamic range? I've already got plenty of that.

But Fuji does talk about low-light capabilities. Not sure yet if that is due to the ISO 800/1600, or if the camera is truly better in low-light situations in terms of distinguishing with little contrast to work with. We'll have to see.

The color has always been a known factor with Fuji, and I'd like to see how this one does in that area. -- Ulysses
 
Actually, I really wonder why Fuji has yet to secure a single
design win when practically the whole market uses Sony CCDs. It may
be possible that they don't wan't to sell sensors?

What does this mean exactly? Do you mean they haven't sold it to anyone else or are you talking about the cameras?
As far as the SuperCCD itself is concerned it won the top scientific award for achievement in advances in CCD technology. We aren't just talking about still cameras here we're talking video too.

Maybe they aren't winning marketing awards, and maybe they don't get the public recognition, but in scientific terms they do.

Why do people use Sony? Perhaps they're just cheaper? Sony have deep pockets and their marketing/sales people are much stronger than Fuji's. For a start, they write decent English.
regards
Ian
 
Before buying the 6900 I printed of dozens and dozens of images
from the 5 cameras I was considering. With the 6900 there were some
I thought were great, some I thought were ok and some I wasn't sure
about. Then it dawned on me that I could tell which ones were the
6mp because the file size was different. So I checked and in nearly
every case the ones I liked were the 6mp images.
This to me is finally all that matters: they look better on print.
Curiously, I'm not sure I like them so much on the monitor.
I agree with Ian here regarding both prints and monitor output. Fufi's 6m prints with the existing 6900 are superb. However a little automatic sharpening and downsizing in Irfan view produces monitor images which I prefer to say a Nikon CP5000 as well.

I have just finished a 3 week session with the 5m Nikon and the 6900 outperforms it for print clarity, definition, enlargability (ie abiltiy to crop tightly), colour. The Nikon is only superior in monitor images straight from the camera. In shadow areas the Nikon smear then resharpens which looks good on the monitor but awful when printed. Oddly the 6900 prints shadow areas much much better than they appear on screen.

Lastly never underestimate the creative potential of a great 6X zoom lens. Yes the 6900 totally outperforms the Nikon lens too.

One last thing the 6900 and I assume te 602 is a dream to use ergonomically. The Nikon is a nightmare and I didn't enjoy using it all.--Best Wishes,Richard DunnWarwick UK http://www.pbase.com/rmwd/galleries
 

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