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You did, indirectly.Who said anything about Moore's law?
Wake me up when you deliver my new $100 Mercedes S-class.Any device at all can be made cheaper over time because of new
processes, reclaiming initial r&d costs, economies of scale. This
has nothing to do with semiconductors in specific.
There is a lower limit. That limit is significantly lower for
smaller sensors.
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Seen in a fortune cookie:
Fear is the darkroom where negatives are developed
That's the primary way how the price of silicon devices comes down.I hardly invoked Moore's law, even indirectly!!!
Congrats. Now what does this have to do with digital image sensors?Look at it this way...
I remember getting a basic VCR in the mid 80s. I think it was
roughly $400. Then I remember getting another VCR toward the end of
the 90s for ~$150.
There is a base cost to anything. Otherwise, why can't I get a Mercedes S class for $100? Forget the S class even, how 'bout a Camry? You mean Toyota can't build a Camry for less than $100? Why not? You said "Any device at all can be made cheaper over time because of newSo explain why a mostly mechanical device, with a bit of supporting
silicon (some basic logic and what have you - JUST LIKE A DIGITAL
CAMERA) came down in price SO dramatically?
There's one coming soon, supposedly:I wonder why there are still not compact cameras available that use
a bigger sensor than the ones we're used to. I have a Fuji F30 and
while good, it's still far from beating my 20D for noise.
http://www.dpreview.com/news/0609/06092604sigmadp1.asp
There's also the (discontinued?) Sony R1, but it's hardly compact.
--
Seen in a fortune cookie:
Fear is the darkroom where negatives are developed
No, but to keep the camera compact, the lens has to be compact, which limits the maximum aperture diameter. To keep to the same lens bulk, more than doubling format size require more than doubling focal length to get the same FOV while keeping about the same maximum aperture diameter, which means more than doubling minimum aperture ratio, and so losing more than two stops of lens speed, about enough to cancel any sensor ISO speed gain.Is it really that hard for the manufacturers to put a larger sensor in the small cameras.
Cameras like the Ricoh GR1 and the Oly Stylus Epic (mju-II) had/have f/2.8 lenses.Remember that compact 35mm film cameras had very slower lenses,
often f/11 or slower at the telephoto end, so that film ISO 800 and
faster became necessary a lot of the time, and ISO 200 film came to
be advertised as for use in bright daylight!
And, these cameras used 35mm, which of course is bigger than APS-c. That reduction in sensor size should go some of the way toward addressing the more stringent angle of incidence requirements of digital.Cameras like the Ricoh GR1 and the Oly Stylus Epic (mju-II)Remember that compact 35mm film cameras had very slower lenses,
often f/11 or slower at the telephoto end, so that film ISO 800 and
faster became necessary a lot of the time, and ISO 200 film came to
be advertised as for use in bright daylight!
had/have f/2.8 lenses.
-m
But not telephoto f/2.8 lenses. Here's one with a 38-170mm f/4.8-13 lens:Cameras like the Ricoh GR1 and the Oly Stylus Epic (mju-II)Remember that compact 35mm film cameras had very slower lenses,
often f/11 or slower at the telephoto end, so that film ISO 800 and
faster became necessary a lot of the time, and ISO 200 film came to
be advertised as for use in bright daylight!
had/have f/2.8 lenses.
Sorry, I should have said that I was thinking of what most people want in a fixed lens camera: a zoom lens and a bit of telephoto ability. It is true that there is a possible niche for a fairly compact digital camera with a "DSLR sized sensor" and a fixed focal length lens of normal to moderately wide field of view.Cameras like the Ricoh GR1 and the Oly Stylus Epic (mju-II) had/have f/2.8 lenses.
Business? What about costs?I'm looking at this from a business perspective, you're looking at
it from an engineering perspective.
A smaller sensor will always cost much less. With low-margin $200 digicams, the difference between a $5 1/2.5" sensor and a $75 APS-C sensor is the difference between having a viable product or not.Obviously on a component level,
and all things being equal, a larger sensor costs more than a
smaller sensor, and neither sensor will ever cost 0.
Right. Bigger sensor means bigger lens and body, another cost. Strike two for the APS-C sensor.But the sensor
is not the only part of the camera. Lenses and other mechanical
bits are also relatively expensive on the basis of manufacturing
and assembly, moreso than just soldering a sensor and other silicon
to a circuit board.
Which they have been doing. Notice the demise of 2/3" digicams? The industry has settled on APS-C for DSLRs and 1/1.8" and 1/2.5" for compacts. The middle ground has disappeared.After a while the camera marketing and business development
departments are going to conclude that if they operate 1 or 2
sensor lines, and streamline R&D for that aspect of the product,
they will increase their own margins and sell a more desirable
product to the consumer creating more demand.
Economic realities say that you've got to go with a small sensor to make a profitable digicam.I certainly could be wrong, but I believe that digital cameras have
entered the realm of commodity electronics, and as such answer to
this market's economic realities.
Note also how large the lens appears to be, compared to the 35/2.8 of the Oly Stylus Epic.In fact, there is something like this now: the Sigma DP1, with a
13.8x20.7mm sensor and a lens of fixed focal length f=16.6mm,
aperture f/4, giving the same moderate wide angle FOV of a 28mm
lens in 35mm format.
Not the rather small maximum effective aperture diameter of 4.4mm.
Do you think that this is because a digital sensor needs lenses to be fairly telecentric, requiring more bulky retro-focus wide angle designs rather than the simple, compact symmetrical designs used for moderate wide angle lenses on film cameras without reflex mirrors?Note also how large the lens appears to be, compared to the 35/2.8 of the Oly Stylus Epic.
Or, we get rid of the zoom, and give it a prime. Or a very, very limited zoom. And we use offset microlenses so that there's no requirement for a telecentric lens. Let the exit pupil come closer to the sensor than it does in existing SLRs.No, but to keep the camera compact, the lens has to be compact,Is it really that hard for the manufacturers to put a larger sensor in the small cameras.
which limits the maximum aperture diameter.
I have one compact 35mm in my collection with a 35mm f1.4 fixed lens. It's rather small, the front element is about 30mm in diameter. And that's full frame. With a 1.5x crop, offset microlens sensor, I can picture a fixed 22mm f1.4 normal with an 18mm diameter.To keep to the same
lens bulk, more than doubling format size require more than
doubling focal length to get the same FOV while keeping about the
same maximum aperture diameter, which means more than doubling
minimum aperture ratio, and so losing more than two stops of lens
speed, about enough to cancel any sensor ISO speed gain.
Remember that compact 35mm film cameras had very slower lenses,
often f/11 or slower at the telephoto end, so that film ISO 800 and
faster became necessary a lot of the time, and ISO 200 film came to
be advertised as for use in bright daylight!
I'm not sure that this is true, I wouldn't be suprised if this camera sold more then any single long zoom cam. If ture, that might just mean there were only a handful of great prime cams, very few really afordable ones, and no comparably great long zooms.The Stylus Epic was a nice camera (I had one, and a Yashica T5),
but not nearly as popular as the long zooms.