[Q]: Pentax lenses on the Canon 5D?

Let me just add that your 31mm Limited would become a 31mm on the
5D and you would have defiled the lens even though you don't use
that actual field of view as much.
LOL

I'm sorry, mpixel, but to read the above just made me laugh. A 31mm
lens is always a 31mm lens. If you're moving to a bigger format,
yes, you'll get more field of view. All this utter nonsense about
"crop factor" and equivalence to 35mm is really really absurd to
me. I see so many confusions about this... :-)
Perhaps you should stop laughing and read what I wrote again. If you do you will see that I pointed out that he doesn't use the FIELD OF VIEW that would be afforded him on by using a 31mm lens on a 5D very much.

This is because he says that on the APS-C sensor his 31mm lens is his standard lens. On the Pentax cameras a 31mm lens would give him a field of view that is similar to the field of view that would be afforded him by a 47mm lens on a 5D.

It seems that you are the only one that is confused here.

BTW Don't need your table thanks; I already have one of my own that includes larger formats.

[...]

--
GMT
 
[on the KM A2]

Ahhh, now that's a camera that I was so close to buying back 2004.
My main issue with it was the lack of DOF control but otherwise it
had great features, manual control and the best EVF out there.
I bought my one in 2004 and it came with DOF control.
Sorry Jonas,

I meant the ability to achieve shallow DOF without having to resort to using the lens at its 200mmm equivalent FL.
The EVF is
"nearly useable" quality, the best I have seen. It did great but
when I bought my DS it felt like coming home again. I also was
never impressed by the Minolta (eq:) 28-200mm lens. Great
resolution but not exactly a bokeh to die for.

regards,

Jonas
--
GMT
 
mpixel wrote:
[...]
If you shoot A LOT with the 31mm Limited it may be worth getting
the 50mm f/1.2L however remember that the 50mm f/1.4 is a very good
lens and it is faster than the Pentax lens and so it will have the
advantage of being stopped down a little more to achieve a similar
aperture as the 31.
The FA31 is mounted to the DS as my standard lens.
Let me just add that your 31mm Limited would become a 31mm on the
5D and you would have defiled the lens even though you don't use
that actual field of view as much.
Well, it is what it is. It would, on the 5D give the same FOV as a 20mm does on our PAS-C sensor cameras today. I find that pretty useable. As we allready have concluded an EF28/1.8 might be a better choice (then I would sell the FA31, unbutchered and saved for the Pentax world, of course).

thanks,

Jonas
 
[on the KM A2]

Ahhh, now that's a camera that I was so close to buying back 2004.
My main issue with it was the lack of DOF control but otherwise it
had great features, manual control and the best EVF out there.
I bought my one in 2004 and it came with DOF control.
Sorry Jonas,

I meant the ability to achieve shallow DOF without having to resort
to using the lens at its 200mmm equivalent FL.
I didn't get you first. Ok, fair enough. But then again, what small sensors give you shallow DOF?

regards,

Jonas [rhetorical]
 
Hey hey,

stay calm now.

I took mpixels post as a reminder about what FOVs I usually work with. Honestly, I believe all of us knows that a lens stays the same FL in whatever direction we point it.

regards,

Jonas
 
[on the KM A2]

Ahhh, now that's a camera that I was so close to buying back 2004.
My main issue with it was the lack of DOF control but otherwise it
had great features, manual control and the best EVF out there.
I bought my one in 2004 and it came with DOF control.
Sorry Jonas,

I meant the ability to achieve shallow DOF without having to resort
to using the lens at its 200mmm equivalent FL.
I didn't get you first. Ok, fair enough. But then again, what small
sensors give you shallow DOF?
That's why I had to get a DSLRs.
regards,

Jonas [rhetorical]
--
GMT
 
I bought my one in 2004 and it came with DOF control. The EVF is
"nearly useable" quality, the best I have seen. It did great but
when I bought my DS it felt like coming home again. I also was
never impressed by the Minolta (eq:) 28-200mm lens. Great
resolution but not exactly a bokeh to die for.
I never had any problems with the rendering qualities or resolution of the A2 lens ...



© 2004 by Godfrey DiGiorgi
Konica Minolta A2
ISO 100 @ f/3.5 @ 1/50 sec



© 2004 by Godfrey DiGiorgi
Konica Minolta A2
ISO 100 @ f/6.3 @ 1/60 sec



© 2005 by Godfrey DiGiorgi
Konica Minolta A2
ISO 100 @ f/3.2 @ 1/60 sec

larger rendering: http://homepage.mac.com/ramarren/photo/PAW5/large/42O2-half.jpg

I still hate to let go of this camera.

Godfrey
 
Hi!

I owned a D7 and now a modded D7IR with the same lens.
never impressed by the Minolta (eq:) 28-200mm lens. Great
resolution but not exactly a bokeh to die for.
The tests of the A2 against the other 8MP prosumers showed the APO lens of the Minolta as the worst resolution of the bunch.
I never had any problems with the rendering qualities or resolution
of the A2 lens ...
http://homepage.mac.com/ramarren/photo/PAW4/large/51.jpg
© 2004 by Godfrey DiGiorgi
Konica Minolta A2
ISO 100 @ f/3.5 @ 1/50 sec
Close ups always help create shallow DOF and smooth OOF areas.
http://homepage.mac.com/ramarren/photo/Others4/image/sc-wharf-in-fog.jpg
© 2004 by Godfrey DiGiorgi
Konica Minolta A2
ISO 100 @ f/6.3 @ 1/60 sec
Can't generally rely on fog to create a smooth OOF area.
http://homepage.mac.com/ramarren/photo/PAW5/large/42O2.jpg
© 2005 by Godfrey DiGiorgi
Konica Minolta A2
ISO 100 @ f/3.2 @ 1/60 sec
The resolution in the grass is kinda nice, but otherwise I find this image unappealing.
I still hate to let go of this camera.
The day I switched from my D7 to the DS was a revelation. Finally a camera that felt good to hold and use, a camera motivating me to go out and do. The D7 had a nice user interface, but still managed to get in my way. I now use it as a pure IR camera and we get along decently. The size of the body is rather small, which I don't mind, but that flimsy zoom ring and that joke of an MF solution (both better than 98% of other digicams, but still...) I disliked. OTOH, we have the eye sensor and the grip sensor of the later incarnations and as I said, a generally nice user interface. So, a very mixed bag for me, but I know a lot of people like/love that camera. Well, would be boring if everyone would buy a Canon DRebel. Oh, wait, everybody does ;)

Cheers
Jens

--

'Well, 'Zooming with your feet' is usually a stupid thing as zoom rings are designed for hands.' (Me, 2006)
http://www.jensroesner.de/
--=! Condemning proprietary batteries since 1976 !=--
 
never impressed by the Minolta (eq:) 28-200mm lens. Great
resolution but not exactly a bokeh to die for.
The tests of the A2 against the other 8MP prosumers showed the APO
lens of the Minolta as the worst resolution of the bunch.
This is nonsense. I had the Olympus C8080WZ, the Sony F828, worked with the Nikon 8800 and Canon Pro-1 as well. I've compared them all with at least a few hundred photos made with each of them. In comparative terms, the A2's deficiency was is that it had the least accurate multipattern AF and poorest JPEG rendering in camera of the four cameras. Used in the A2 with flex-spot AF and saving RAW format, it performs on par or better than the others. This was improved with the later firmware updates, but I still use it primarily with the flex-spot focusing, and I almost always capture only in RAW anyway to obtain better dynamic range. It's the only camera of this class that is actually usable when capturing in RAW due to buffered writes ... all the others are PAINFULLY slow to write and do not have buffered writes.
Close ups always help create shallow DOF and smooth OOF areas.
Not true. My tests with the Pentax DA21 show that at near-minimum focus, close up distances, the out of focus areas are smoothest when stopped down to f/5.6-f/8. The example is not a close up shot nor at wide angle ... it was about 4-5 feet away with the lens set to 43mm, the equivalent of a 170mm lens, and wide open, a medium tele range.
Can't generally rely on fog to create a smooth OOF area.
Not the point of this photo at all.
The resolution in the grass is kinda nice, but otherwise I find
this image unappealing.
Fine. I don't care whether you like the photo or not, but the resolution and imaging qualities are pretty darn nice imo.
The day I switched from my D7 to the DS was a revelation. ...
It wasn't any revelation to me. First off, the A2 is a much improved version of the D7. Second, I'd been shooting with the Canon 10D for a year and a half when I bought the Pentax DS. I bought the A2 four months before I bought the Pentax ... the Pentax is more sensitivity, interchangeable lenses in a package only marginally larger than the A2: that is one of the reasons I found it very appealing. It's performance is a nice notch above the A2 due to the improved sensitivity, buffer size, and overall responsiveness.

I still use the A2, more frequently than I've used the Canon 10D, since I bought the Pentax. You have probably seen and commented positively on a few of the photos I've made with it without knowing.

Godfrey
 
lens of the Minolta as the worst resolution of the bunch.
This is nonsense.
Maybe, some valid points. Phil probably won't correct his 8MP test, though.
Close ups always help create shallow DOF and smooth OOF areas.
Not true.
This is a physical law, not a point of discussion. One lens might be smoother than the other, but still.
The example is not a close up shot nor at wide angle ...
I never said anything about wide angle?!
it was about 4-5 feet away with the lens set
to 43mm, the equivalent of a 170mm lens, and wide open,
a medium tele range.
at 170mm efl, I regard 1.5m as rather close-up-ish, YMMV.
Can't generally rely on fog to create a smooth OOF area.
Not the point of this photo at all.
Ooops, my bad. I didn't see much resolution-wise so I assumed you wanted to show smooth rendering.
The resolution in the grass is kinda nice, but otherwise I find
this image unappealing.
Fine. I don't care whether you like the photo or not, but the
resolution and imaging qualities are pretty darn nice imo.
I said what I meant, meant what I said.
The day I switched from my D7 to the DS was a revelation. ...
It wasn't any revelation to me. First off, the A2 is a much
improved version of the D7.
I know. I was just telling my story, as you told yours.
since I bought the Pentax. You have probably seen and commented
positively on a few of the photos I've made with it without knowing.
Maybe, it's not impossible. In any case, I'm not anti-Minolta, nor did I say that Minolta's APO GT lens can't produce stunning results. I probably wouldn't use my D7IR if I felt this way.

Jens

--

'Well, 'Zooming with your feet' is usually a stupid thing as zoom rings are designed for hands.' (Me, 2006)
http://www.jensroesner.de/
--=! Condemning proprietary batteries since 1976 !=--
 
--
Jim King - Retired Colormonger - Suburban Detroit, Michigan, USA; GMT -4h (EDT)



* * * * *
A fanatic is one who can't change his mind and won't change the subject.
  • Sir Winston Churchill
* * * * *
The difference between genius and stupidity is that genius has its limits.
  • Albert Einstein
 
I bought my one in 2004 and it came with DOF control. The EVF is
"nearly useable" quality, the best I have seen. It did great but
when I bought my DS it felt like coming home again. I also was
never impressed by the Minolta (eq:) 28-200mm lens. Great
resolution but not exactly a bokeh to die for.
I never had any problems with the rendering qualities or resolution
of the A2 lens ...

-3 nicely rendered pictures snipped away-
Is this the same discussion as we just had about the EF50/1.4? I had a discussion about the A2 and bokeh with Vegard and others back in 2004 and I'm done with it. I can also post pictures showing a decent or good handling of the OOF areas. That doesn't mean the bokeh sometimes is bad. I remember the expression ni-sen was used back then...



©Jonas B, matching the season, Minolta A2

I know almost any lens can be provoced to give a less appealing result. What I am after is a good lens that almost never make me dissapointed. The A2 had a wonderful resolution and in most cases the GT lens works wonderful. Also with a flare problem and sometimes bad bokeh I consider it a good lens, more useable than the Pentax DA18-55 kit lens for example.
I still hate to let go of this camera.
Are there still people buying these if put up for sale? My A2 rests in a box all the time...

Jonas
 
Hi Jonas!
Are there still people buying these if put up for sale? My A2 rests
in a box all the time...
I'm pretty sure there are. Do an ebay search on completed items. A good one can fetch 400 Euros.

Cheers
Jens

--

'Well, 'Zooming with your feet' is usually a stupid thing as zoom rings are designed for hands.' (Me, 2006)
http://www.jensroesner.de/
--=! Condemning proprietary batteries since 1976 !=--
 
I don't disagree with much of what you say, however if you are suggesting Canon has stuck a full frame sensor into a body not big enough for it, you probably need to compare the size of the 5D to similar 35mm offerings from Canon. The EOS 3 is smaller, I believe, the Elans are probably smaller too.
--
Dave Lewis
 
Close ups always help create shallow DOF and smooth OOF areas.
Not true.
This is a physical law, not a point of discussion. One lens might
be smoother than the other, but still.
Please point to where this "physical law" is documented.

I'd rather see evidence, though. Here's a DA21 bokeh test, used at minimum focus distance:
http://homepage.mac.com/godders/bokeh-DA21-composite.jpg

To me it's pretty clear that at minimum focus, f/5.6-f/8 produces smoother background renderings.

Godfrey
 
I still hate to let go of this camera.
Are there still people buying these if put up for sale? My A2 rests
in a box all the time...
Closed auctions on Ebay show four of them sold within the past 10 days at prices running from $450-500. They're still considered the best of the high-end 2/3" sensor cameras. Most of the people I know who bought one refuse to sell it as they cannot buy a replacement of equal features and quality.

Godfrey
 
Hi Jonas,

My buddy, who is a photographer, has the 5D, and no doubt, it is an excellent camera. His results even impresses colleagues of his, who use the Mark II.

If you primarily use wide angle, and have good lenses in that range, I can understand why you would prefer the FF, and not the 1.5 crop factor.

The roadmap shows that telelenses will be made in DFA. This could leave options open for a Pentax FF, along the way. But that doesn’t help you now.

However, the DS and DL are entry level cameras. They are good for their use, but K10 is a semipro. Images can be enlarged 8-20 times, and still show more detail.

And down the road, the K1 is also on its way; looking to be a full scale professional camera.

The 645D is also an option. As you say, it is an expensive camera. But still, if you trade in what you have now, and just purchase a few medium format lenses, then it should be within reach. I don’t know if you via adaptor, could use some of your 35mm lenses on it. Here we are talking 30 MP, and the former 645 film camera has been used by many pros.

(The weight of the old 645n was 1280 g, and the 5D is 810 grams. But no doubt, it will be less handy.)

The Nikon D200 is a camera that quite a few professionals use as a backup camera. It also has the CCD sensor. There has been a lot of criticism of it, and the first shipments were not up to notch; still there are also many that are happy with it. E.g. check out user feedbacks here :

http://www.bhphotovideo.com/bnh/controller/home?O=NavBar&A=getItemDetail&Q=&sku=407284&is=REG&si=rev#anchorToReadReviews

If Pros can live with a CCD sensor, then you should be able to also.

The 5D has an excellent viewfinder with 96% frame coverage, the K10 has 95 %.

Regarding viewfinder in the FF Canon 5D, then that was one of the main reasons that my friend left Nikon.

The 5D handles noise well, but its due to in camera noise reduction. As I understand it, many generally prefer to be able to do this via software instead. Since new RAW software programs can improve images later on, where you are more stuck with manipulated images direct from the camera.

Generally CMOS are better with fast action, with higher FPS. And conserve battery power better.

Canon admits that CMOS sensors have more noise :
http://www.robgalbraith.com/public_files/Canon_Full-Frame_CMOS_White_Paper.pdf

(From another user, on this dpreview site) :

Canon themselves, in a white paper posted on Rob Galbraith's website, wrote, and I quote, "CMOS sensors generally have the disadvantage of generating more electrical noise than CCDs, which can result in poor image quality. There are unavoidable fluctuations in the performance of the millions of photodiodes and amplifiers incorporated into a CMOS sensor, and the tiny differences in performance result in noise in the output image. To overcome this problem, Canon developed on-chip technology to record the noise of each pixel before exposure, and automatically subtract such noise from the image when it is created."

Here's a non-Canon view of the two technolgies from a company that offers both. :

http://www.dalsa.com/shared/content/pdfs/CCD_vs_CMOS_Litwiller_2005.pdf

(In this you will see how there had to be put a lot of work and money into CMOS, before it was up to the mark of CCD. [Last page in the document, start of first paragraph]).
(Courtesy of RPulley, as I remember it. And it was stated :
CMOS may well be the future, but right now it is pretty much a tie.)

(You’ll probably get more out of these papers than me, its taken from a discussion on this board, and I’m still learning).

And here is something I had copied, from a discussion on the PDML board :

“As I've said before, the FF idea is foolish, and there is really no reason
(in my humble opinion) to go jumping ship to Canon just because they have
"FF" sensors in their cameras. I've yet to see a wide-angle shot taken with
a "FF" sensor that doesn't have soft or dark edges and corners. I mean,
hell, even Leica, the king of high-priced, high-spec'd cameras, isn't using
a "FF" sensor in their dSLR and digital M and R cameras. Doesn't that tell
you something? If nothing else, I think they're trying to say this:

35mm digital sensors do not produce the kind of edge-to-edge quality
customers demand!

It's that simple.

John Celio

P.S.: a coworker of mine sold 90% of his Leica gear and bought a Canon 5D
and a couple L lenses and fast wide primes. He frequently laments to
customers how disappointed he has been with his purchase, especially how it
performs with the wide lenses. That's usually enough to get said customers
over their preconcieved notion that "FF" is better. Hell, one customer even
went on to order a Leica MP.”

Many of these things you are probably already aware of, but its just to give another opinion and input.

If you get the 5D, most likely you will be happy with it, it is for sure a fabulous camera. Even though it has no weather sealing.

My friend uses it with Leica lenses, since he has not been satisfied with the Canon lenses he used.

From your point of view, I can understand that you would find FF appealing. For me the lighter gear with the K10 sensor, e.g. pancake DA40 lmt, will be fine. And I like the tele opportunities that the crop factor gives. The 600 mm or the 250-600 zoom, would financially be out of my league.

I was skiing in Banff in minus 30 degrees Celsius, and the SLR was too heavy to sling in and out of the bag. And other times hiking in the mountains, with tent, food, etc. then it was annoying when trying to cut grams, that an SLR & lens, still was pretty heavy.

But have fun whatever you choose
Greetings from Scandinavia
Sune

P.S. please bare with me, if I got some of the technical aspects messed up. I’m still a bit new to the digital SLR notion. (And maybe it was a different kind of noise that you were discussing in the thread, than I brougt up).
Still, found the discussion interesting.
 

Keyboard shortcuts

Back
Top