david mccairley
Active member
his might be interesting....
http://www.epuk.org/News/369/video-is-the-future-for-telegraph-photographers
http://www.epuk.org/News/369/video-is-the-future-for-telegraph-photographers
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Have you seen this? Twelve mexapixel Raw files at 60 fps:Video will replace still photography when you can use a frame as an
individual shot.
That wont happen soon. We will all be long dead before the
equipment reaches that level.
Let me change that statement - I will be long dead. Someone in
their twenties will probably live to see it.![]()
Have you seen this? Twelve mexapixel Raw files at 60 fps:Video will replace still photography when you can use a frame as an
individual shot.
That wont happen soon. We will all be long dead before the
equipment reaches that level.
Let me change that statement - I will be long dead. Someone in
their twenties will probably live to see it.![]()
http://red.com/
It's only $17.5k USD, less than the cost of some MF digital backs.
I haven't seen single frame examples, so I don't know if the stills
are publication-quality, but it looks like this is close, based on
specs.
The next (or competing) models will go even higher in resolution,
I'm sure. There is no reason to stop here. The Ultra HDTV spec is
now 33mp (7680x4320), which is aimed at theater projection, but
there is an obvious application there for high-res frame grabs for
reproduction as stills
I don't think HD video will immediately put all still photographers
out of work, but it's bound to have an impact on some markets. If I
was doing any kind of event or sports photography for a living, I'd
definitely be keeping an eye on where video is headed.
Architectural, product, and landscape photographers are probably
safe.![]()