Thanks Rick.
I'm not sure if I understood much about the last two paragraphs you wrote about quantatizations, gamma stretch and dark subtractions. Goes waaaay beoynd what I can comprehend this time of the hour. LOL ..but I was able to shoot the picture with out NR and remapping of hot pixels.
Ta-daa.. zero noise reduction. 168,5 sec / f7.1 / ISO 800
I left a litte more light into the room this time.
I'll do little more experimenting tomorrow.
-T
I was shooting in RAW and converting in PictureProject.
I'm not sure if I understood much about the last two paragraphs you wrote about quantatizations, gamma stretch and dark subtractions. Goes waaaay beoynd what I can comprehend this time of the hour. LOL ..but I was able to shoot the picture with out NR and remapping of hot pixels.
Ta-daa.. zero noise reduction. 168,5 sec / f7.1 / ISO 800
I left a litte more light into the room this time.
I'll do little more experimenting tomorrow.
-T
I was shooting in RAW and converting in PictureProject.
--I didn't try to quantify the light, so it's impossible to compare
results apples to apples. The f/32 really cut the light getting to
the sensor.
Are you shooting in RAW mode? How are you converting? The noise
depends more on how much light is available rather than ISO
setting. Like I've said, I use the ISO setting to adjust the
dynamic range depending on conditions. If there are no blown
highlights in ISO800 (as in your image), it's often better to shoot
at ISO1600 to minimize quantization noise at the low end (seen
sometimes as posterization of flat, dark areas). If ISO1600 is
blowing out highlights, drop it to ISO800 or ISO400...the results
will be similar if both are stretched based on their histogram.
My bright images had a fairly normal daytime looking histogram, so
they aren't very noisy. My dim images were very, very dark
unstretched. Setting a low value for a whitepoint and doing a
gamma stretch on the RAW data (presumably still 12 bit A/D on the
XTi) made them look more normal, but still very, very noisy on both
as expected. I mean, visually I could just barely see the color of
the little nascar car and with the lens at f/32, it's remarkable
what these cameras captured really.
For shooting stars, your do NOT want any noise reduction. First,
it makes calibration (dark subtraction) much, much less effective,
and second it wipes out much of the detail in the basement of the
histogram, which is where most of the data I want is. That's why I
do exposure and calibration in B&W Bayer RAW.
Rick