Just read this at Wired, and I don't understand the author's viewpoint...
http://www.wired.com/news/columns/0,71599-0.html?tw=wn_index_2
He admits:

It wouldn't have been the same if he took a "boatload" of "snapshots" on film, either. Sheesh...
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Recent photos I've taken:
http://flickr.com/photos/mike_leone/sets/72157594218208901/
http://www.wired.com/news/columns/0,71599-0.html?tw=wn_index_2
He admits:
He is not talking about film having better dynamic range, or more pleasing grain, or better colors...Member said:The negative was your raw material -- ...-- but what you did with it once it was in the enlarger determined whether or not you walked out of there with a "photograph" or merely a "snapshot."
So, in his opinion, if someone manipulates a photo in a darkroom they are an artist producing art... But if the same person makes the same types of manipulations on the same image in Photoshop...Member said:In other words, it was hands-on. It required some honest sweat. It required time. When you were finished, and assuming you had done sterling work, you had produced a piece of art.
And, then he -really- "pulls my chain"...Member said:You are merely a technician with a good eye.
No it wouldn't.Member said:Maybe Ansel Adams could have uploaded a boatload of pictures from his trip to Yosemite, then fiddled around in Photoshop to make 'em real purty. But it wouldn't have been the same.
It wouldn't have been the same if he took a "boatload" of "snapshots" on film, either. Sheesh...
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Recent photos I've taken:
http://flickr.com/photos/mike_leone/sets/72157594218208901/