Can someone here explain to DSG why his theory of diffraction is backwards.

tammons

Veteran Member
Messages
8,726
Solutions
1
Reaction score
2,840


Hopefully someone with more technical knowledge of optical physics than I have.

His point is that lenses are softer WO due to diffraction and get sharper as you stop down. Just the opposite.

General common optical theory as it relates to diffraction states that as you stop down more and more from WO diffraction continually causes a loss of resolution.

Erwin Puts link.....

http://www.imx.nl/photosite/technical/highres.html

Referenced from this post. Read........

http://forums.dpreview.com/forums/read.asp?forum=1027&message=19298923

--
http://www.troyammons.com
http://www.pbase.com/tammons
http://www.troyammons.deviantart.com
 
Otherwise, forget it. I tried to explain paper sizing long distance from Japan, and got exactly nowhere.


Hopefully someone with more technical knowledge of optical physics
than I have.

His point is that lenses are softer WO due to diffraction and get
sharper as you stop down. Just the opposite.

General common optical theory as it relates to diffraction states
that as you stop down more and more from WO diffraction continually
causes a loss of resolution.

Erwin Puts link.....

http://www.imx.nl/photosite/technical/highres.html

Referenced from this post. Read........

http://forums.dpreview.com/forums/read.asp?forum=1027&message=19298923

--
http://www.troyammons.com
http://www.pbase.com/tammons
http://www.troyammons.deviantart.com
--
Laurence

There is a tide in the affairs of men,
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.

http://www.pbase.com/lmatson/root
http://www.pbase.com/sigmadslr/root
http://www.pbase.com/cameras/sigma/sd10
http://www.pbase.com/cameras/sigma/sd9
http://www.beachbriss.com
 
That is one of the good explainations.
And it perfectly confirms my observations!

Quote: "The sharpest image is often obtained around f/5.6–f/8, while for older standard lenses having only 4 elements (Tessar formula) stopping to f/11 will give the sharpest image."

Thanks for confirming that!

The reason is obviously a compromise between abberation and diffraction but it does'nt really matter what causes it the fact is that virtually all lenses are sharper stopped down than WO, which is what I have been saying all along and what Troy cant seem to grasp, because his source material is wrong.

The exact point of best compromise, often called the "sweet point", varies from lens to lens though...Some are best at f2.8, some at f4, some at f5.6, most at f8 and some at f11, it all depends on how well abberations are controlled...Leica lenses may cost a fortune but their worth it because they are sharp WO!

Regards

DSG

--
http://sigmasd10.fotopic.net/
 


Hopefully someone with more technical knowledge of optical physics
than I have.

His point is that lenses are softer WO due to diffraction and get
sharper as you stop down. Just the opposite.
Read my reply lower down this thread, and you will see if I'm right or not.

Regards

DSG

--
http://sigmasd10.fotopic.net/
 
Why would I do that. You are always right are you not ??

Like in your response to Erwin Puts article I linked......

Link......
The first table showing lens resolution/aperture setting seems to be totally back to front!..Lenses at f1.4 dont resolve as well as lenses at f11, at least I have never found one that does, so if that table is reversed I'd agree with it.

...As it is, if thats the source of your material, I can see where your going wrong.

Regards

So.........

Thanks for correcting my backwards thinking and thanks for questioning Erwin Puts knowledge. I am sure you have a lot more knowledge of photography and optics than he does.


Hopefully someone with more technical knowledge of optical physics
than I have.

His point is that lenses are softer WO due to diffraction and get
sharper as you stop down. Just the opposite.
Read my reply lower down this thread, and you will see if I'm right
or not.

Regards

DSG

--
http://sigmasd10.fotopic.net/
--
http://www.troyammons.com
http://www.pbase.com/tammons
http://www.troyammons.deviantart.com
 
Alf,

Your reasoning behind why you are "right" is completely wrong, and you lose credibility for arguing these points when you don't understand. And then when someone clearly (and often kindly) illustrates the correct reasoning, you state "See, I'm right afterall..."

My Ph.D. is in biophysics. I would occasionally prepare a test with all the answers already on it. The students would have to demonstrate how to get from question to answer "correctly". If they didn't, they got a "0".

You get a 0 on this one...

--
Jim
 
For what it is worth, the table that is referenced, and the one Alf disagrees with, is a theoretical resolution limit if the glass were perfect - i.e. no aberrations. Thus, the numbers are in the correct order.

Practically, this is impossible. Physically its quite logical that the larger the aperture the better the resolution.

--
--
Read My Blog. See my photos.
Visit http://www.mattmerry.com
 
Aerial recon lenses should be at that level and a few of the latest Zeiss lenses test over 400, but at when does it become a mute point.

If you are using microfilm and your camera is mounted on a concrete pier, you might have a chance of even sharper images, but at that level, it does not take much vibration to lose that last tidbit of rez.

Even so it takes a 30% overscan to resolve film so to resolve only 120-130lp/mm would take a 8000 dpi drum scan to fully resolve. That would work out to 85 mp file for 35mm which is not exactly practical either.

I think the general consensus for very sharp lenses and a 35mm lens is F4 is the best place to shoot for rez, dof etc. The diffraction according to Puts at F4 is 185 lp/mm which seems a little low to me. Thats enough to resolve 60-65 lp/mm on film or around 80-90lp/mm with a dslr depending so those numbers do me something, at least to me.

The comment about the Zeiss method below that also makes sense, and I have seen this also shooting microfilm. A lens that should be limited to a certain rez at X aperture, but put in some microfilm and all of the sudden the lens is resolving past its theoretical limit.

Its interesting though.

I have a $10 Swap shop Minolta hi-matic AF P+S camera that is resolving somewhere around 70-80 lp/mm with microfilm. Its about as sharp as the pre asph 35mm Leica lens with that film.

--
http://www.troyammons.com
http://www.pbase.com/tammons
http://www.troyammons.deviantart.com
 
General common optical theory as it relates to diffraction states
that as you stop down more and more from WO diffraction continually
causes a loss of resolution.
there are two limiting factors here, aberations that can generally be described as a wavefront error, this usually improves as you stop down.

On the other hand there is diffraction that obviously gets worse by stopping down and will also limit resolution.

It should be easy to show that there is a f/stop where both of these effects are equally limiting to the lens resolution, this would be the sweetspot of the lens. Wider open aberation will be limit, stopped down beyond diffraction will be the limit.

--
http://www.pbase.com/dgross (work in progress)
http://www.pbase.com/sigmadslr/dominic_gross_sd10

 
Careful asking questions like that, or I'll be forced to sic my friend George on ya.
--
'If they're not screaming at you to get out of the way, you're not close enough'
 
You know, Troy, I am thinking perhaps Chuck has made the most appropriate comment here.

I remember Dom saying to me once that Erwin Puts might not be the most useful source of information, and after reading this paper you put up of his, it is badly written to the point of being obscurist. If I don't mistake, this may be because he is actually trying to argue with Zeiss's claims, by using their own statement from another context against them.

Other than that, he talks like a 19th century schoolteacher, and makes his own points step by step quite unclear. For example, it is not a matter 'Kodak's suggestion' that a 3 to 1 MTF ratio is needed to take the lens out of a film resolution experiment, it is the formula he badly reproduces in the next line which grounds this, by root-sum-square combination of MTF. So a '3:1' ratio gets you a 10% influence - an arbitrary cut.

Further, he double counts the Zeiss 30% contrast rule - first using it, then speaking the formula again as if a 'warning' about even this result. I don't think it's any translation problem -- rather that he wants to use this figure to 'prove' at bottom that someone's lens who is not Leica couldn't possibly have printed the 600lpm figure. Except, of course if you use the 5% original contrast value, they might have.

Now, DSG did raise a question of the completely fictional table Puts pulished at the first, for only diffraction limits - not real lenses. He asked as you and docmass were going through some handwaving, and you put out this paper as some kind of justification. I would like to point out that DSG's question made sense, and he himself said he asked it for lack of a further model to understand why real results as he knew were different than this 'high science' model.

You didn't give him this - you immediately told him his lenses were junk, as a response. And then off to the races, where you begged off knowing 'the physics', and felt it necessary to print to everyone your complaint and your donkey.

Why do I reply, when the whole thing seems pretty silly to me?

Because I find with an inner voice, a kind of instinctive liking for DSG, and the way he asks often according to a genuine sense, and often when the stated logic of a thing seems to be questionable.

Yes, DSG, as I, can stand to be educated on any point. And he is stubborn.

But so are those who really don't know good enough answers to give, it seems often enough.

Better it seems to me to let voices speak, and consider what they have to say. At best, gain a new view of what needs clarifying (as in some recent discussion about D200's, as one example). At minimum, keep our horse-related a$$es in our own backyards, where they belong.

Kind regards,

Clive


Hopefully someone with more technical knowledge of optical physics
than I have.

His point is that lenses are softer WO due to diffraction and get
sharper as you stop down. Just the opposite.

General common optical theory as it relates to diffraction states
that as you stop down more and more from WO diffraction continually
causes a loss of resolution.

Erwin Puts link.....

http://www.imx.nl/photosite/technical/highres.html

Referenced from this post. Read........

http://forums.dpreview.com/forums/read.asp?forum=1027&message=19298923

--
http://www.troyammons.com
http://www.pbase.com/tammons
http://www.troyammons.deviantart.com
 
He asked as you and docmass were going through some
handwaving, and you put out this paper as some kind of
justification. I would like to point out that DSG's question made
sense, and he himself said he asked it for lack of a further model
to understand why real results as he knew were different than this
'high science' model.
Backwards. I linked docmass to the Puts article first while discussing system rez then Alf jumped in to tell me

"As it is, if thats the source of your material, I can see where your going wrong." whatever that means.

What am I supposed to do with a statement like. Quite frankly I found it just an irritating statement. It was not said to be constructive in any way. Alf creates his own views of reality regardless of fact and calls people wrong who know better ?? Very uncalled for most of the time.

What business is it of Alf's to jump into a constructive thread and disrupt it anyway with his bent views.

In a past thread he responded to one post with this one .....

DSG quote "Actually I see myself as a teacher but many of my pupils seem to be blind, deaf and dumb!"

referring to these forums. A teacher that teaches misinformation should go back to school.
You didn't give him this - you immediately told him his lenses were
junk, as a response.
Well most of his early lenses are junk in comparison to top lenses. His later Contax lenses are good.
And then off to the races, where you begged
off knowing 'the physics', and felt it necessary to print to
everyone your complaint and your donkey.
Touché and Heehaw
Why do I reply, when the whole thing seems pretty silly to me?

Because I find with an inner voice, a kind of instinctive liking
for DSG, and the way he asks often according to a genuine sense,
and often when the stated logic of a thing seems to be questionable.
Thats fine, but I get irked when someone jumps in to a constructive conversation, interrupts and posts a ridiculous statement that is just not true, then argues about it to no end, finally twists things around at the end and claims he was right all along.

Is this genuine sense ??
Yes, DSG, as I, can stand to be educated on any point. And he is
stubborn.

But so are those who really don't know good enough answers to give,
it seems often enough.

Better it seems to me to let voices speak, and consider what they
have to say.
At best, gain a new view of what needs clarifying (as
in some recent discussion about D200's, as one example). At
minimum, keep our horse-related a$$es in our own backyards, where
they belong.
I understand what you are saying but it carries no weight. I have seen to much disinformation come from Alf, and that disinformation does no one any justice. Same thing from SteveG for years who was banned a million times but finally calmed down. If Alf would at least admit occasionally "Oh I understand now" rather than taking a narcissistic stance, and twisting words at the end I might actually have more respect for what he says.

I feel that if anyone is going to butt into a constructive thread with an opposing caustic view saying people are wrong the least they can do is a little research prior.

Obviously you are friends of Alf and thats great. I am sure if I ran into him at a Pub we would sit down and argue optics over a pint of Guinness and that would be great too. Maybe I was a little hard on him maybe not.

Defend him all you want but its a waste of time for me to continue this particular discussion.
Kind regards,

Clive


Hopefully someone with more technical knowledge of optical physics
than I have.

His point is that lenses are softer WO due to diffraction and get
sharper as you stop down. Just the opposite.

General common optical theory as it relates to diffraction states
that as you stop down more and more from WO diffraction continually
causes a loss of resolution.

Erwin Puts link.....

http://www.imx.nl/photosite/technical/highres.html

Referenced from this post. Read........

http://forums.dpreview.com/forums/read.asp?forum=1027&message=19298923

--
http://www.troyammons.com
http://www.pbase.com/tammons
http://www.troyammons.deviantart.com
--
http://www.troyammons.com
http://www.pbase.com/tammons
http://www.troyammons.deviantart.com
 
Why?

Because with some careful study, "1" can be made to be proven to be "0", 2+2 = 97 and so forth. (Only kidding chaps)

In other words, it's all in the mind but what the heck - I thought we were interested in taking photos?

If the camera + lenses can produce the quality you want for the images you want to pursue, just get on and enjoy taking them. Life's too short to get so involved in extreme technicalities. No one will ever produce the perfect technical exercise, let alone perfect technical image that pleases.

It's akin to a letter to the editor of a computer magazine I read several years ago. The reader/writer said he was an engineer who serviced both PCs and Macs and he had come to the conclusion that Mac users bought their machines to use, whereas the majority of PC owners spent most of their time trying to get them to go faster. (I use a PC and that made me stop, think and amend my ways!)

Think about it! :-)

--
Zone8

The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process. -Edward Weston
 

Keyboard shortcuts

Back
Top