Field report from Ghana (1D-series)

Piotr Naskrecki

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I recently spent about a month in the rainforests of Ghana doing a biological survey, and shooting a lot of pictures. Since my last forays into the wet tropics I have acquired several new pieces of equipment, and thought it would be a good idea to test them under extreme field conditions.

The core of my setup consisted of one 1Ds Mk II and one 1D Mk II, and a wide assortment of lenses and flashes, all Canon. I also had a carbon fiber Gitzo tripod with an Acratech Ultimate Ballhead, and a brand new laptop Sony Vaio SZ120. The short of the story is that virtually all pieces of my equipment eventually failed. Perhaps not surprising if you consider that the humidity in the forest was a nice and steady 100%, with temperatures never falling below 25C, even at night. Naturally, I tried to keep everything dry and clean, but after a few weeks in a tent mold found its way into pretty much every piece of equipment and clothing I owned. Here is how things went.

The first piece of equipment to go was my brand new laptop. First the DVD writer stopped responding, then the laptop’s case started falling apart – literally. Of course, I had two additional backup devices (60 GB Nixvue), but not being able to make backup DVD’s was a real disappointment.

Then my 1D Mk II stopped recognizing an attached flash. While trying to make sure that the flash is sitting well I discovered that the flash shoe on the camera was loose, and eventually it almost completely separated from the body. Luckily I had my 1Ds.

But then my 1Ds started acting up. First, it would not recognize the TTL capabilities of the flash (I later discovered that the flash, 580EX, was the culprit, along with a corroded extension cord connecting the flash with the camera.) But more serious was the discovery of what looked like about 50 dead pixels on the sensor. Interestingly, they changed their position from picture to picture. It must have been condensation because the artifacts disappeared after my return home. !D bodies are very well environmentally sealed, and the water must have gotten inside while changing lenses. Still, the artifacts spoiled quite a few pictures.

The Gitzo tripod gave me more headaches than any other piece of equipment. While great under dry conditions, these tripods fail miserably if they get even slightly wet. The locking mechanism of the legs alternatively locks up and fails to lock at all, making the exercise of extending or collapsing the tripod’s legs an extremely painful and frustrating experience. The Acratech ballhead did not perform much better. Because I have an older model, one without the rubberized knobs (my attempts to buy rubberized knobs from Acratech were unsuccessful, despite their assurances that customers with older versions the ballhead could do it), locking the plate was very difficult if the knobs got even a little wet (and they were always wet.) One time, after I thought I had securely locked the camera, the plate clamp gave way and my 1Ds fell out from the top of a fully extended tripod. The camera hit the ground with its Arca plate, which probably protected the camera from serious damage, but broke off the plate, destroying the threads on the camera body. After that I could not attach the plate to the camera.

Other casualties include several SD memory cards (Transcend – avoid them like fire) and a 100-400 mm lens (mold – you really must check your glass daily when in a rainforest, and remove any traces of humidity; I discovered mold on the front lens after only 2 days of not using the lens).

The lesson in all this is that you should always have backups of your backups. Despite the calamities I was able to continue shooting, and did not lose any images (except those that were on cards that failed while still in the camera.) But next time I am bringing a third body, and an additional external DVD writer. I will also be buying a new ballhead, most likely another Acrarech – despite my problems I really like their design, and now all their models have rubberized knobs. I am not sure what to do about a tripod – I like the lightness of carbon fiber Gitzos, but the locking mechanism is a serious problem. Hakuba used to make fantastic carbon fiber tripods, but they no longer do.

Also, despite some problems with the 1Ds I continue to be impressed with the water resistance of 1D-series bodies, and the absolutely excellent battery life. Less so with the Canon lenses, all of which got water inside them (through condensation, not submersion.) My previous setup was all Nikon, and I never had condensation problems with Nikon lenses, even under conditions as harsh as during my last trip. I guess they are sealed better.
I attach a few shots from Ghana.

Cheers,
Piotr



A giant scorpion Pandinus imperator - I illuminated the animal with ultraviolet light (all scorpions shine blue in UV light), while the rest of the scene uses ambient light.



The rhinoceros viper (Bitis nasicornis), surely one of the most beautiful snakes in the world.



Leaf katydid (Mustius superbus) - these animals spend their days flattened on the underside of a leaf, lettin ghe light shine through them and nearly completely disappearing.



A forest chameleon (Chamaeleo gracilis).



Self portrait with a mantis finishing her dinner.

--
http://www.insectphotography.com
 
Also, despite some problems with the 1Ds I continue to be impressed
with the water resistance of 1D-series bodies, and the absolutely
excellent battery life. Less so with the Canon lenses, all of which
got water inside them (through condensation, not submersion.) My
previous setup was all Nikon, and I never had condensation problems
with Nikon lenses, even under conditions as harsh as during my last
trip. I guess they are sealed better.
There is a very good 1st hand reason to get the weatherproof series cameras.
I attach a few shots from Ghana.

Cheers,
Piotr



A giant scorpion Pandinus imperator - I illuminated the animal with
ultraviolet light (all scorpions shine blue in UV light), while the
rest of the scene uses ambient light.
I understand that is a good way to find them in their natural habitat. Scary
really...... and so big..... do you measure them?


The rhinoceros viper (Bitis nasicornis), surely one of the most
beautiful snakes in the world.
I guess, and pretty hard to see with that coloration?
Thanks for the link, very informative.
 
Looks like fun stuff. Thanks for posting.
I recently spent about a month in the rainforests of Ghana doing a
biological survey, and shooting a lot of pictures. Since my last
forays into the wet tropics I have acquired several new pieces of
equipment, and thought it would be a good idea to test them under
extreme field conditions.
The core of my setup consisted of one 1Ds Mk II and one 1D Mk II,
and a wide assortment of lenses and flashes, all Canon. I also had
a carbon fiber Gitzo tripod with an Acratech Ultimate Ballhead, and
a brand new laptop Sony Vaio SZ120. The short of the story is that
virtually all pieces of my equipment eventually failed. Perhaps not
surprising if you consider that the humidity in the forest was a
nice and steady 100%, with temperatures never falling below 25C,
even at night. Naturally, I tried to keep everything dry and clean,
but after a few weeks in a tent mold found its way into pretty much
every piece of equipment and clothing I owned. Here is how things
went.
The first piece of equipment to go was my brand new laptop. First
the DVD writer stopped responding, then the laptop’s case
started falling apart – literally. Of course, I had two
additional backup devices (60 GB Nixvue), but not being able to
make backup DVD’s was a real disappointment.
Then my 1D Mk II stopped recognizing an attached flash. While
trying to make sure that the flash is sitting well I discovered
that the flash shoe on the camera was loose, and eventually it
almost completely separated from the body. Luckily I had my 1Ds.
But then my 1Ds started acting up. First, it would not recognize
the TTL capabilities of the flash (I later discovered that the
flash, 580EX, was the culprit, along with a corroded extension cord
connecting the flash with the camera.) But more serious was the
discovery of what looked like about 50 dead pixels on the sensor.
Interestingly, they changed their position from picture to picture.
It must have been condensation because the artifacts disappeared
after my return home. !D bodies are very well environmentally
sealed, and the water must have gotten inside while changing
lenses. Still, the artifacts spoiled quite a few pictures.
The Gitzo tripod gave me more headaches than any other piece of
equipment. While great under dry conditions, these tripods fail
miserably if they get even slightly wet. The locking mechanism of
the legs alternatively locks up and fails to lock at all, making
the exercise of extending or collapsing the tripod’s legs an
extremely painful and frustrating experience. The Acratech ballhead
did not perform much better. Because I have an older model, one
without the rubberized knobs (my attempts to buy rubberized knobs
from Acratech were unsuccessful, despite their assurances that
customers with older versions the ballhead could do it), locking
the plate was very difficult if the knobs got even a little wet
(and they were always wet.) One time, after I thought I had
securely locked the camera, the plate clamp gave way and my 1Ds
fell out from the top of a fully extended tripod. The camera hit
the ground with its Arca plate, which probably protected the camera
from serious damage, but broke off the plate, destroying the
threads on the camera body. After that I could not attach the plate
to the camera.
Other casualties include several SD memory cards (Transcend –
avoid them like fire) and a 100-400 mm lens (mold – you
really must check your glass daily when in a rainforest, and remove
any traces of humidity; I discovered mold on the front lens after
only 2 days of not using the lens).
The lesson in all this is that you should always have backups of
your backups. Despite the calamities I was able to continue
shooting, and did not lose any images (except those that were on
cards that failed while still in the camera.) But next time I am
bringing a third body, and an additional external DVD writer. I
will also be buying a new ballhead, most likely another Acrarech
– despite my problems I really like their design, and now all
their models have rubberized knobs. I am not sure what to do about
a tripod – I like the lightness of carbon fiber Gitzos, but
the locking mechanism is a serious problem. Hakuba used to make
fantastic carbon fiber tripods, but they no longer do.
Also, despite some problems with the 1Ds I continue to be impressed
with the water resistance of 1D-series bodies, and the absolutely
excellent battery life. Less so with the Canon lenses, all of which
got water inside them (through condensation, not submersion.) My
previous setup was all Nikon, and I never had condensation problems
with Nikon lenses, even under conditions as harsh as during my last
trip. I guess they are sealed better.
I attach a few shots from Ghana.

Cheers,
Piotr



A giant scorpion Pandinus imperator - I illuminated the animal with
ultraviolet light (all scorpions shine blue in UV light), while the
rest of the scene uses ambient light.



The rhinoceros viper (Bitis nasicornis), surely one of the most
beautiful snakes in the world.



Leaf katydid (Mustius superbus) - these animals spend their days
flattened on the underside of a leaf, lettin ghe light shine
through them and nearly completely disappearing.



A forest chameleon (Chamaeleo gracilis).



Self portrait with a mantis finishing her dinner.

--
http://www.insectphotography.com
 
..good pictures and reading for backyard shooters.

Another thing: what would you think about Ghana as a birding destination? I mean safety, forest areas left and possibility of accommodation other than tent for obvious reasons? ;)

http://www.jussivakkala.com
 
Thanks for sharing. I know it's mundane but can you elaborate on how the hotshoe came to be loose?

--

'Silence! What is all this insolence? You will find yourself in gladiator school vewy quickly with wotten behaviour like that.'
 
I am not sure how the flash shoe became loose. I am always very careful to lock the flash in place really tight, I don't recall bumping the flash into anything. But the flash stopped responding intermittently, and would only be seen by the camera if I pushed it back just a millimeter or so. After a while even that would not help. The shoe has clearly separated from the camera body, and it became impossible to firmly attach the flash.

I just sent the body to Canon, I wonder how much this is going to cost me (the camera is out of warranty already.)
Piotr
--
http://www.insectphotography.com
 
Ghana is a fantastic destination - very safe and accessible, and with great birding spots. Our team worked in the Atewa Range, which is only about 2 hours N of Accra, on the western side of the lake. Our ornithologist found over 150 species at a single site, and that was during the rainy season when many birds are silent and nearly impossible to see.

There are other places, many with good accommodation. You can definitely try any of the national parks, such as Mole or the famous Kakum, with its great canopy walkway.

In general, Ghana is a very pleasant country, quite different from other West African destinations I have worked in before. It reminds me a lot of South Africa or Botswana in the standards of living, or the ease of moving around the country.

Piotr
--
http://www.insectphotography.com
 
Thanks for the report! Spooky and beautiful creatures!

I've got few questions - on sealing and condensation mostly. I've got gobs of condensation water on my camera and lenses - including rear element -with Nikon D2x on wet SE Asia mornings. It was mostly temperature gradient condensation and it was dissipating within 20 minutes. Did you get water on internal elements of the lenses? Did it happen with sealed lenses on sealed body - like 16-35 on D1?

And one more - did you camp in the forest?

Thanks again!

--
Sergey
http://www.pbase.com/sergeyushakov/
http://www.photo.net/photos/SergeyUshakov
 
...under these conditions, which are not uncommon when using the 1D-series for those tasks it was designed for.

In any case, I found particularly surprising that the flashe's shoe got loose... I presume your equipment got BANGED, really hard, along time (not one isolated incident, but overall long-term use AND ABUSE, though).

GREAT report, and GREAT shots. The blue kind-of-scorpion looks AMAZING and spooky, at the same time.

Happy shooting!
 
It probably would have fainted on the flight over!

--

'Silence! What is all this insolence? You will find yourself in gladiator school vewy quickly with wotten behaviour like that.'
 
Yes, I agree - Pelican cases help a lot, and I use them often when traveling. The issue, however, is what to do when the equipment is out of the case. When I am in the field I will often spend 5-7 hours just shooting, often far from our base camp, with no possibility of storing the stuff in a case. In case of a really heavy downpour I simply put everything in a big plastic bag (I usually keep shooting if the rain is not too heavy), and wait for the rain to stop. Once back at the camp I dry the equipment and, if I still have any left, put some silica gel with it. But this means that the equipment stays wet (or at least exposed to heavy humidity) for up to 10 hours a day.

Another big problem is that when working in 100% humidity even a half a degree difference in temperature between the lens and its surroundings causes condensation. You lens can be in the perfect thermal equilibrium with the air around it, but the moment you move your hand in front of it you warm up the air, and condensation appears on the front glass. Very annoying, and there is not much you can do about it.

Regarding Macs – the reason I bought the Vaio was that my last two PB’s (G3 Lombard and G4 Aluminum15”) died, nearly simultaneously, before my trip, and I needed something light, fast, and with a built-in burner. Also, PB’s are rather heavy, and their battery life is tragically short (hardly enough to burn a single DVD.) But I think I will take my now repaired PB G4 on the next trip, rather than the flimsy Vaio.

Piotr
--
http://www.insectphotography.com
 
I wonder if there's some kind of portable dehumidifer/tent you could use to dry out before you go to bed. I don't know enough about humidity/electronics/working days in rainforests to even suggest I'd know an inkling of a working methodology.

But I bet there's a solution; and let's hope so, as we all enjoy seeing your results!
 
I know you mentioned the 100-400.

What other lens did you bring? Just wondering.

What is your favorite macro lens?

You take beautiful beautiful photographs.
 
Here is a set of shots, each taken with a different lens. These lenses are my favorite, and I take them all on every trip.



Canon 180 mm Macro – a fabulous lens that gives you 1:1 magnification and a great working distance. This is my favorite lens for animal portraits. The froggy is Afrixalus vebekensis, a very rare animal, probably never before photographed in its natural habitat.



Canon Tilt Shift TS-E 45 mm – my newest acquisition, I like this lens very much. It allows me to take great wide angle shots with good depth of field (here I used it with a small extension ring to get a smaller focusing distance and better magnification.) The critter is katydid Arantia angustipennis.



Canon 100-400 mm IS – a good all around zoom, not as sharp as a 400 mm prime, but does the job. I used it on this tree viper (Atheris squamiger) because these things are quite agile and can deliver a nasty, potentially lethal bite.



Canon MP-E 65 mm – definitely THE best macro lens on the market, as long as you don’t try to photograph anything larger than 30 mm (magnification extends from 1:1 to 5:1 without any attachments!). This lens was the reason why I sold my entire Nikon setup and switched to Canon. Love it. This picture shows a driver ant killing a termite. Driver ants are nasty, aggressive animals that don’t hesitate to attack anything, and after each photo session with them I was in a lot of pain (luckily, they don’t have a stinger like other ants and the bites don’t last.)



Canon 100 mm Macro – a great, very sharp, 1:1 macro lens. My favorite lens for night photography. The animal is an interesting inchworm (a caterpillar of the family Geometridae.)



Canon 16-35 mm – a great, versatile lens. Not as sharp and distortion-free as Nikon 17-35 mm, but still a good piece of glass.

This should explain my lens preferences.
Piotr

--
http://www.insectphotography.com
 
tenacity in still producing excellent work under very challenging circumstances. The true definition of a pro, one who gets the job done , regardless of the challenges they encounter.
 
My hat off to you. Very good job.

I was a biologist in my previous career but my scientific photos tend to be boring.
 

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