Dirk Dittert
Forum Enthusiast
However, another interpretation might be that Sony had to move because Nikon is on the verge of introducing it's own sensor.
Time will tell.
Time will tell.
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The first one would be a step back, at least for long focal lengths.I agree that the SSS (super steady shot) and dust protection are
the two areas Canon could add to its future lines of DSLRs. The
first one is unlikely but the second one would be a welcome
although not crucial improvement.
I am not sure ISO 1600 is what I call spec'ed well. One of Canons greatest strengths is that you can shoot 3200 in a pinch and 800 with impunity. I would much rather have a sharp image with noise I can bash with Noise Ningia than a blurry image.I don't understand how everyone can get so hyped up for something
before seeing actual results.
It is spec'ed well. That is all we know at the moment.
This is the thing I don't get. How long a focal length are you talking about? I hand hold my Sigma 170-500 @ 500mm all the time and have no problem keeping it steady enough to compose my shot. The AS helps enormously since this lens is slow (f6.3), but I only need it at exposure time. Heck, I usually don't get past one bar on the AS meter.The first one would be a step back, at least for long focal lengths.I agree that the SSS (super steady shot) and dust protection are
the two areas Canon could add to its future lines of DSLRs. The
first one is unlikely but the second one would be a welcome
although not crucial improvement.
Even if the SSS does the 3.5 stops you still have no stabilization
during focusing. Wouldn't want to miss the optical stabilizer in
this case.
Just because it's plastic doesn't mean its rubbish. No one would deny the EOS 3 was a well built camera. Phil Askey said the Sony feels much better built than a 350D and handles much better.Sony's using the 10 mp sensor from the D200 in a camera priced to
compete with the 6mp D50. Wow, that might be an incentive for
Nikon to either switch suppliers or start developing their own
sensors. Yeah, I know it's a plastic body without the marvelous
environmental sealing of the D200, but with most consumers, it's
all about the pixel count, and the body certainly holds up in
comparison to the D50 and D70s.
--
Skip M
http://www.shadowcatcherimagery.com
But good glass lasts forever, bad games have a half life of 2 hours.I don't understand how everyone can get so hyped up for something
before seeing actual results.
It is spec'ed well. That is all we know at the moment.
Well that and the lens are way over priced.
Just like Sony. Lose money on the system (PSP/PS2/Alpha100), get
you with the games (Lenses).
--
Dave
Well, it looks like Sony is moslty offering the previous Minolta system. That "Zeiss" 85/1.4 seems suspiciously a lot like the Minolta 85/1.4 G, and I think the same could be said for the 135mm. As for the rest of those lenses I think there's maybe three or four that aren't just rebadged Minolta lenses.But you would buy a Contax in the film days because of the Zeiss
lens system. Like it or not, Zeiss IS better than either Nikon or
Canon and since Sony does offer the Zeiss system, people MIGHT just
choose a Sony especially if they have not invest ALOT in
Canon/Nikon glass.
Agreed. It seems like it's aimed pretty hard at the introductory level DSLR purchaser. The things that are nice about it are the same things that someone considering a Rebel XT would be concerned with, and there's enough in the A100 to justify the price difference. The only problem is that people that are looking to buy one body and one or two lenses aren't the big money makers that the advanced amatures are, so if Sony want's to draw them in also they might have to release a more 7D-like camera as well.This camera is more than likely not aimed at people who have a big
investment in an SLR system yet. They antidust is a cool thing.
In body AS (IS,VR) is a huge draw. It saves TONS of money if you
are only interested in consumer or mid level glass. Those who
can't afford an L lens will give Sony a real hard look.
Just a thought here, could the low availability of the D200 be driven by a shortage of CCDs for the camera, brought on by Sony's own demand for the sensor for this camera? I was starting to think that it was just a way of artificially increasing demand for the D200, but I'd rather like to think it was a problem with the parts supplier. I expect Sony to underproduce things like they did with the PSP launch but not Nikon.[The A100 uses] the same sensor as
the D200, a camera that costs twice as much (and Nikon can't keep
them on the shelves).
As one of those Canon faithful, I would like to state for the record that I never once dogged any 6MP, 5MP, 4MP, or even 3MP camera for being too low res. I personally think people are far too concerned with pixel-count when there's many more important things to consider.I do find it interesting how the Canon faithful dogged
the 7D for only being 6mp when there's not that much difference
there either).
No ZA85 1.4 its not not 85G - optical formula is different (elements/groups)Well, it looks like Sony is moslty offering the previous Minolta
system. That "Zeiss" 85/1.4 seems suspiciously a lot like the
Minolta 85/1.4 G, and I think the same could be said for the 135mm.
As for the rest of those lenses I think there's maybe three or four
that aren't just rebadged Minolta lenses.
Ah, well I stand corrected on that point. Hopefully, Zeiss will utilize some of that quality control inspection that we hear so much about.No ZA85 1.4 its not not 85G - optical formula is differentWell, it looks like Sony is moslty offering the previous Minolta
system. That "Zeiss" 85/1.4 seems suspiciously a lot like the
Minolta 85/1.4 G, and I think the same could be said for the 135mm.
(elements/groups)
and also no Minolta never had a 135 1.8 either