Bill Dewey
Veteran Member
Very good points you make here, especially that this is more a distinction of "level" than "physical build". The Oly E-10/20 are much like my first Sony D-770 as to the splitting of the light to both the CCD and the viewfinder. There is talk about how this technology would help the "traditional" SLR as well, use of a pellicle mirror, which would negate the mirror movement and slap. The downside to this, as you point out, is some loss of light.
I also think that your "point-and-shoot" definition is too tight. I don't think the market disallows manual features but thinks of P&S not only as function, but in terms of form as well, much like 35mm P&S in general, ignoring such gems as Leica and Contax.
I also think that your "point-and-shoot" definition is too tight. I don't think the market disallows manual features but thinks of P&S not only as function, but in terms of form as well, much like 35mm P&S in general, ignoring such gems as Leica and Contax.
And the Fuji (not the S1) and Minolta models use an imaging LCD to
provide a low resolution viewfinder (like you find in camcorders).
The Olympus does provide an optical image through the lens, but
with an optical splitter so that the light energy density entering
the front of the lens is split with some going to the viewfinder
and some going to the sensor - reducing the brightness to both the
sensor as well as the viewfinder. The viewfinder is not a bright as
it could be, and the signal to noise ratio of the sensor suffers
because of the attenuated image from the splitter. Also, I'm not
sure if the Olympus has a mechanical shutter; the Minolta and Fuji
don't.
One other differentiating factor specifically with the Minolta,
Fuji, and Olympus is the size of the sensor. Their choice of closed
system architecture for their through-the-lens products allows them
to use a smaller CCD and achieve their zoom ratio's and ranges
because they don't have to work around the restrictions of
lens-to-focal-plane distances of the 35mm SLR architecture (hence
they can get wide angle and zoom range without requireing very
expensive lenses because focal length multiplier has no meaning).
In fact, these cameras refer to zoom ranges as 4x or 8x as opposed
to 28mm-135mm; focal length doesn't have any meaning.
The downside of course is that the smaller the sensor, the less
light it picks up, the more they boost the sense amplifiers from
the sensor and the lower the signal to noise ratio. For the other
manufacturers of D-SLR's, I'm not sure the lens-to-focal-plane
distance is a restriction on their designs, but based on existing
SLR architectures, the manufacturers seem dead set on working
within this framework. We all know you can put the lens at a close
distance to the focal plane - which would change the focal length
of lenses, and would shift the focus distances (tele-extenders do
this in the opposite direction). Maybe doing so in the the wide
angle direction pushes beyond the sweet spot of the optics and that
is why they don't want to do this. Given that focal length
multiplier is a big feature, there must be a reason why this is not
a viable solution for them.
Lastly, I interpret "point-and-shoot" to mean not having to set
aperture or shutter speed or focus. With SLR's having such good
auto exposure systems and autofocus systems, I believe the term SLR
and point-and-shoot are not exclusive characteristics in a camera.
This seems more like a discussion of consumer vs. prosumer vs.
professional digital cameras, as opposed to SLR vs. point and shoot.