The Past & Future of small format DSLR's

"Go take some pictures" is one of those lofty insults that rate up there with "Oh yeah," and "Well that shows how much you know," and "So's your mother."

--
Tuktu Sijuktei
'Please tell me if the lens cap is on.'
 
I read your post:
http://forums.dpreview.com/forums/read.asp?forum=1014&message=17652547

when it came out and very much appreciated it. Excuse me for not replying sooner to this post, but I have been pondering yours and Jay's advice. My heart says D200, ASAP. Up to now I have grabbed all the low lying fruit (my lenses are a good illustration of this); but I have started to think it's time to show some restraint and wait a couple of more months for the better camera (and the IQ of the D2X is visibly better at more than 20"). I may feel differently in a couple of months when I have $2000 burning a hole in my wallet and I keep seeing all the great images others are taking with the D200.
i want a D2x just
because i prefer a more robust professional piece of gear (after
using hassys, mamiya and pentax 6x7s, and my lovely old beat up
cambo 4x5 for so long, even the very nice D200 feels something like
a toy in my hands).
After you get the D2X, I would like to hear what you think about its IQ compared to the D200. Thanks again for all your excellent input and your contributions to this website.

--



http://imageevent.com/tonybeach/myfavorites
 
red - vielen dank fur das nice words. are you really from near the redwoods? surely one of my favorite places on earth, and i get down there every chance i get. when my wife and i first moved to oregon, we had a most spiritual day inthe redwood forests of the north california coast, and a most un-nervingly supernatural sunset on the coast just south of crescent city, which i will never forget. i remember the first time i walked right up to an incredibly massive redwood and put my arms around it (well, at least a little ways - it was at least 20' in diameter or more and god knows how tall it was) - it was like i was ensconced in a silence and peacefulness emanated by the tree itself - a very moving moment in time for me.

i will indeed post my experiences with the D2x compared to the D200 when i purchase. for the time being, the D200 is an amazing camera for the money, surely the best buy on the market at the moment. i wish you the best of luck with your future in this wonderful business - it has been very kind to me, and i never cease to be amazed at how lucky i have been getting to shoot for a living. i continue to learn about who i am through photography.
--
jnorman
sunridge studios
salem, oregon
D200, nikon 12-24mm ED-IF AF-S DX, 18-70mm DX
Cambo 45NX, nikkor SW 90/8, 135/5.6, 210/5.6
Graflex Crown Graphic 4x5 (1948 model)
 
If you want to shoot the same image with both FF and DX (i.e. FOV
and DOF both the same), then the maximum megapixel count
achievable before the diffraction limit becomes an issue is EXACTLY
THE SAME.
Yes, but you are ignoring the optical advantages of stopping a lens
down to f/4 on a DX to achieve the same DOF as a f/5.6 on a FF.
Having played with 17-55DX and 17-35FF I would say that 17-55 becomes very sharp at wider apertures than 17-35, i.e. its sweet spot is at wider apertures. Not having this kind of money myself and using Sigma 18-50 f2.8 DC instead, I would say the same thing: Sigma 18-50 f2.8 is sharp on wider apertures on average than Sigma 28-70 f2.8.

In other words, I don't want to stop down more. First, because I choose aperture according to the amount of DOF I am after and second, because with modern DC/DX lenses it doesn't buy me much anyhting.
If you want an even narrower DOF this advantage really reduces
DX format to a point where even the best lenses are inadequate.
Yes, if I want to have really narrow DOF then indeed with DX I can't achieve it, because lens don't open up that wide. But this has nothing to do with diffraction. Yes, this is another DX limitation besides noise. I don't think it really affects too many people though.
As I said earlier (if you had taken the time to carefully read it),
the diffraction limitations of smaller photosites mean you can't
stop down a lens on a DX sensor much past f/11 and you can get to
f/16 on a FF sensor (of course, optics will once again come into
play).
Yes, but in order to get the same images with DX I don't*want to stop down as far as with FF bodies. I can get the same DEEP DOF for wideangle landscape shots at a stop wider apertures. Still remaining exactly as far from a diffraction limit as I would be had I shot the same landscape shot with a FF camera.
Finally, setting both cameras at f/8 and shooting and focusing to
infinity you can print considerably larger on a FF sensor than you
can on a DX sensor.
Why on earth would I want to do that? In that situation the cameras would render two different images (DOF of DX shot would be much deeper, i.e. nearby grass would be much sharper than on FF shot). Why would I try to compare image quality of two differently rendered images?

* * *

Anyway. I do agree that even though the sweet spot of DX lenses is at wider apertures than FF lenses usually have, it won't completely negate the slight absolute resolution advantage FF cameras will have at some point in time in the future.

Right now though, there are plenty of good lenses around which can eke every last drop of resolution out of a 12MP DX sensor. You just use different lenses and different apertures than you otherwise would with FF bodies.
Don't be so rude.
After sleeping on it I have to say I am sorry about the way I said it myself.

But it is terribly frustrating that every week or so someone comes and tries to use bogus arguments to argue that FF is superior to DX and the problems Nikon faces. Two of those are: diffraction limit of DX and Nikon F mount somehow preventing Nikon from producing a good FF camera.

Both are factually wrong.

Diffraction limit just isn't any worse for DX because you always want to shoot at wider apertures with DX than you'd want with FF. Because of DOF. And as a result, you will be as far from diffraction limit as you would be with FF cameras.

As to F mount... On all comparable Nikon and Canon lenses, lens exit pupils are exactly the same size, i.e. the light hits sensors at exactly the same angles for both Nikon and Canon lenses. Even though Canon mount is wider, 99% of Canon lenses don't actually use it to any advantage.

Having read both of these arguments many a time, this is tiring, boring, and aggravating and I do get angry reading either one of them again.

There are reasons why FF is superior. Diffraction limit just isn't one of them.
 
Actually even for pont & shoot cameras difraction does not play a
big role (All that was discussed some years ago). In case of
DSLR... You ar kidding right?
Are you? Maybe you can explain to me why I can't stop down my G6
past f/8. Don't tell me it's because I don't need to because I
would love to have more DOF on macro shots with it.
No he isn't kidding but you seem to be.

Your G6 has @f/8 exactly the same amount of DOF for macro shots as your full frame camera would have @f/39. And both of them will get diffraction limites at the same number of megapixels at said apertures.

You wouldn't want to stop down beyond f/8 on your G6 just as you wouldn't really want to stop down beyond f/39 on your FF camera. Think about it. Would you really want to stop down beyond f/39 on a FF camera? No you wouldn't.

G6 is exactly as much diffraction limited for macro shots as a FF camera is.

In order to get similar macro shots you need to set G6 @ f/6.6 and a FF camera @ f/32. If you print the resulting images at the same size you'd see that they have exactly the same amount of detail within DOF: both would be blurred to a certain extent due to diffraction effects, but the amount of diffraction induced blur would be exactly the same. The DOF would of course also be the same.

I agree with the previous poster: even for point and shoot cameras, diffraction doesn't play a big role.

The biggest problem for point and shoots is that their widest apertures, say f/2.0 are equal to f/9.6 on a FF camera in terms of DOF. The only limit you are facing with point and shoots is that you can't open up the aperture as much as you'd want to. Would you be happy with a FF camera with a maximum wide aperture of f/9.6?
 
Canon went Full Frame because the could....

its all about the angle the light hits the sensor....
Light hits the sensor AT THE SAME ANGLES with Canon And Nikon lenses.

Even though Canon mount is bigger, they don't actually use it. Take two comparable lenses. Say 50mm f/1.4. The exit pupils are almost exactly the same size on these two lenses. Hence, the light exits the pupil at the same angles and hits the sensor at the same angles.

Your proclaimed advantage does NOT EXIST.
 
While I agree on the basic principles, there is a small error in your calculations as it discards the effect the bayer filter array, AA filter and the intricacies of demosaicing it's output have. I would say you could adjust your sensor cell size and the diffraction limit by about 1/2 upwards. This gives you some new upper limits but IMHO does reflect the reality better. It still means that the DX form factor is less appealing in the long run than FF for exactly the reasons you explained so eloquently.
--
regards
Karl Günter Wünsch
Visit my gallery at
http://www.fotocommunity.com/pc/pc/mypics/461808
 
Smaller pixels results in more noise. Larger pixels give less noise as
shown in the 5D.
and the only difference in noise between 5D and D200 is due to size
of pixels? Prove it.
No one could :) Some actually say that by only making larger sensors one can reduce noise... I'm not quite sure where this attitude stems - having said that, yes, it's very true that in theory more photons on a single photodiode in theory means better accuracy in measuring it. But on the other hand, 20D has smaller sensor than D70 and also because of the megapixel advantage, smaller photosites - yet 20D wins the D70 by a hefty margin when it comes to noise especially in high sensitivities.

So perhaps size isn't the only thing that matters?

Janne Mankila
 
Canon went Full Frame because the could....

its all about the angle the light hits the sensor....
Light hits the sensor AT THE SAME ANGLES with Canon And Nikon lenses.

Even though Canon mount is bigger, they don't actually use it. Take
two comparable lenses. Say 50mm f/1.4. The exit pupils are almost
exactly the same size on these two lenses. Hence, the light exits
the pupil at the same angles and hits the sensor at the same angles.

Your proclaimed advantage does NOT EXIST.
And correct me if I'm wrong, but I read here somewhere that the rear element of Canon lenses is a bit closer to the film/sensor plane than Nikon. Which means that they are hitting the sensor an an even more acute angle than a Nikon. This is why you can mount a Nikkor on a Canon body, just by extending the mount with the adaptor, but you can't mount a white lens on a Nikon.

This suggests to me that the F-mount might be better than the EOS mount for FF sensors.

--
Tuktu Sijuktei
'Please tell me if the lens cap is on.'
 
Hi everyone,

This certainly is one of the more interesting lines of discussion on this board! I am working with large CCD chips and other typs of detectors every day in my job (I run the diffraction (sic!) facility at MIT) and I am a little surprised that nobody has thrown in the following idea: how about a curved sensor? This would solve the problem of the angle with which the light hits the chip and hence would allow for much larger sensors without penalties (other than cost that is).

I know it is not trivial to manufacture a curved sensor, but this is a technical limitation not a physical one and most every technical limitation can be overcome with time. I am not even suggesting that this sensor must be a CCD or CMOS, but curved CCD chips are being worked on actively.

There also are some very interesting solid state approches like the microgap detector, which may work for photgraphic imaging sooner or later. It is not too difficult to build curved microgap detectors. They are commercially available for X-ray detection, and there even is one model that actively changes the radius of its curvature when the focal length is being changed.

What is my point? Well, I don't realy know either (I guess I am in a chatty mood today). Maybe just that it is idle to speculate about the far future of digital imaging (far being three years or more), even though I admit that it is a lot of fun.

Cheers,

Peter
 
SNIP
I don't
think people choose full frame because it is full frame. They
choose it because they primarily do low light work and therefor
need super low noise at high ISO, or perhaps they do billboards or
the like where the super high resolution of, say, the 1DsMkII is
needed.
No, no, no! Haven't you read ANY of the posts here supporting FF? The most common complaint is because people want their lenses to behave the same way as they always have, or because of a lack of lens selection, or in my case - viewfinder. In other words, we want FF precisiely because it is FF. High ISO noise and the capacity for huge prints (MP count), is not, from my reading, the primary reason for wanting FF.
By that I mean by
Canon going to a larger format they have been able to offer better
ISO/noise performance and higher resolution.
I think the noise about noise is just that. Digital is already far better than film. If there were no "stand-out/low noise" cameras out there then we would all be pretty happy with D200 and D2x noise performance.
However, and this is where it gets interesting, what if DX and full
frame no longer shared the same technology? What if known
limitations were suddenly elimiated for one format but not the
other?
Why would a breakthrough in sensor technology only apply to sensors of a given size?

What if this breakthrough were applied only to FF and larger sensors?

What if these new "wonder sensors" were so expensive that conventional FF was cheaper?

What if the laws of physics were changed to make it impossible to scale up the positive characteristics of smaller photosites?

What if ...
Fuji have been touting their advancing unique (and patented) sensor
technology.
So have FOVEON. Big deal.
This worries me because they are only likely to
implement this on DX and smaller sensors (if it happens).
Why? Remember that Fuji is/was in the medium format business.
The
larger full frame die is nowhere near as fast as DX or smaller die.
What do you mean by fast and slow dies?
I don't think Fuji will go to the massive expense of trying to
apply this to the less responsive much more costly larger die (full
frame) because they simply won't need to.
Nikon doesn't seem to care about my opinion. Otherwise they would be asking me what I think. You apparently have a direct line to Fuji. The next time you're in conference with Fuji, could you put in a request for a better body on the S4.
Or, for arguments sake, they could only go double the
pixels they are using now in DX and have distinct sensitivity
advantage over full frame.
Smells like FOVEON. Tastes like FOVEON. Glad I didn't step in it.

AGAIN, why do you insist that this "wonder-sensor" will only apply to DX or smaller? Is there some cosmological constant at work here that the rest of us are unaware of?
The ramifications for full frame are enormous if Canon don't get
cracking with advancing their own technology. To keep up they will
need to effectively invent (or refine) technology that will 1) not
encroach on the Fuji technology (patent) and 2) manufacturer
sensors with at least 3 times the sensitivity they are producing
now.
1) Just how Fuji seems not to have encroached on the FOVEON patent.

2) Assuming Fuji offers some sort of competition. This thing actually has to work to be a threat to conventional sensor design. FOVEON wasn't exactly earth-shattering.
Now before we get the usual full frame fanatic brigade jumping up
and down, I am only advancing thoughts here based on what I know to
be true, i.e the Fuji technology.
How do you claim to know this is true? From a simple patent notice, you've let your (considerable) imagination run wild to map out the future of camera design.

BTW, "full frame fanatic brigade" is a new one. But try adding a few more adjectives next time. You opinion on this matter is a bit too subtle.
I am sure Canon can develop their
technology that will keep full frame up with Fuji/Nikon.
Yup. That sure is some imagination. You've now got Canon fighting to keep up with Nikon and Fuji. Canon does indeed need to do some work, but it is with bodies and lenses, NOT sensors.
That said, if Fuji's technology becomes a reality I do think Canon
are going to have their work cut out for them with the future of
full frame.
Or maybe they'll buy Fuji.
Lastly, on the point of resolution only, the question remains how
massive do you really need or want your images to really be?
I'm almost ashamed to admit it but I actually agree with you here. I don't see much of a need for anything over 16MP. But others want more and instead of calling them "pixel pigs" or "big print fanatics", I'm prepared to respect their wishes.

--
Tuktu Sijuktei
'Please tell me if the lens cap is on.'
 
I think the curved sesnor idea has been discussed in this thread. The problem is that all of our lenses have been designed to project a flat image. This means that current lenses are incompatible with a curved sensor.

So a curved sensor means all new lenses, so then it might as well be time to create a new lens mount as well.

--
Tuktu Sijuktei
'Please tell me if the lens cap is on.'
 
but I have been pondering yours and
Jay's advice.
Well - take my "advice" with a grain of salt. I'm not an aspiring professional. I am a profesional visual artist in another area (graphics designa and animation) and my experience tells me that I'm far more sensitive to quality and technical considerations than just about any client. That may or may not be true in your market.

I would have to think that the IQ gap between a D200 and a D2X must be smaller than the gap between a D200 and a D70. But, of course, if the IQ of the D200 isn't sufficient then it doesn't matter really.

From an IQ standpoint I get the sense that you may splitting hairs to finely. But again, I'm not a professional in your market so take two grains of salt with that observation. I'm just taking photgraphs because I like it.

Best of luck.

--
Jay Turberville
http://www.jayandwanda.com
 
hi jay - hey, i never said i was perfect either :-) i did, at
least, qualify it with "however it may be occurring".
Not much of a qualification since it still claims that the redirection is occuring - thus violating your previous statement. If you are going to pick a nit, then its a good idea to make sure you haven't left any low lying nits hanging around either. :)

But regardless, I think - especially in the context of these kinds of discusssions - that discussing light based on wave phenomena is perfectly reasonable because it give perfectly reasonable results. It may be technically questionable to then treat light as though it was simply a wave, but I don't think - given the context - that it is a serious error. It might be given a different context. My little calculator page uses pretty simple math and the wave model and provides useful results.

http://www.jayandwanda.com/digiscope/digiscope_calc.html
i have
studied QM long enough to know that, at a truly fundamental level,
we actually know pretty much nothing.
I can't say I really understand QED. I've read Feynman's QED twice, but I think that unless I take the trouble to actually start working through some of the problems myself that I will continue to have a fuzzy sense of it. The main thing I got from Feynman was just what you said. That we really don't know what is happening. We (meaning scientists and othes, not me) just happen to have this crazy scheme that gives us extremely accurate predictions of what to expect.

--
Jay Turberville
http://www.jayandwanda.com
 
But there are promising technologies being announced that may
change that.

http://www.cameratown.com/news/news.cfm/hurl/id%7C2163
Why don't they show any examples? The press release gives almost
no details and hypes nanotechnology as part of the technology.
We'll have to see... I'm not unfamiliar with quantum mechanics
or nanotechnology so it isn't like I don't have the background to
understand, but they provide essentially no information.
I thought they had a working demo and that they will be shipping devices in the first quarter of 2006.
If
nanotechnology of some sort really is used, don't you think
thermal noise and degradation would be issues? What about
photocorrosion? Until I know what they are doing, I can't say
one way or the other whether this is viable.
I agree. Maketing hype is clearly possible and the claimed benefits might not be there or as you suggest might be offset by other negative factors. The announcement could be all about manipulating stock prices for all I know. For instance, Foveon X3 has some clear benefits, but it has some clear negative factors as well.

So I do look at such announcements with guarded optimism. You could very well be correct and we may very well be very near the limits. I'm just willing to believe that we might not be also.
If the ISO 800 image is mediocre, a rather large fraction of the
market won't be interested in it.
I agree. But the ability to trade some resolution for lower noise might moderate that somewhat.
At the price points we are talking
about the expectations for performance are quite high. The original
size was 26 MP which puts you at a higher density than the D200.
I'm not sure what you mean by original size. But yes, a 20Mp APS-C would have 4um pixel spacing which is very small by DSLR standards.
If your shooting is not very diverse, it could work for you. The Canon
5D is aimed at a narrow market, but people use it beyond its specified
type of photography. I would say a large part of the DSLR market wants
a camera with broader capabilities, but like you say, that doesn't
mean
more limited cameras won't have their place too.
Right. Such a camera could not be mainstreem unless the sensor was convertible somehow. For instance if it were an X3 type sensor that had variable photosite binning schemes so you could sacrifice resolution to gain low noise and faster processing in a series of steps.

--
Jay Turberville
http://www.jayandwanda.com
 
Why don't they show any examples? The press release gives almost
no details and hypes nanotechnology as part of the technology.
We'll have to see... I'm not unfamiliar with quantum mechanics
or nanotechnology so it isn't like I don't have the background to
understand, but they provide essentially no information.
I thought they had a working demo and that they will be shipping
devices in the first quarter of 2006.
We won't have long to wait to see then if this is true. I'm curious.
I agree. Maketing hype is clearly possible and the claimed
benefits might not be there or as you suggest might be offset by
other negative factors. The announcement could be all about
manipulating stock prices for all I know. For instance, Foveon X3
has some clear benefits, but it has some clear negative factors as
well.
The announcement is clearly marketing hype. However, they still could
have something. It would be great if it were true. At the same time,
I'm curious. Didn't the line that said they "applied the principles of
quantum mechanics to produce thousands of electrons out of one photon"
The language is completely wrong - maybe they meant generate
photoelectrons, etc. If you think about it, those electrons must have
very low energies in their excited states, otherwise a single photon
wouldn't have enough energy to excite thousands of them. Then,
if the exciton is really that low in energy, then it seems like you would
have extremely high thermal noise. Another possibility is they are
using some cascade process. Maybe it is something very different, but
I can't figure out what.
So I do look at such announcements with guarded optimism. You
could very well be correct and we may very well be very near the
limits. I'm just willing to believe that we might not be also.
We're near some limits. For example, CMOS gate dielectrics are about
10-20 angstroms thick. Can't go thinner than one atomic layer, so
that is a clear limit requiring an alternative approach. Limits mean
you need to find viable alternatives to progress.
If the ISO 800 image is mediocre, a rather large fraction of the
market won't be interested in it.
I agree. But the ability to trade some resolution for lower noise
might moderate that somewhat.
Yes. Each photographer will have their priorities which will change
depending on their needs for the current shot they are trying to take.
At the price points we are talking
about the expectations for performance are quite high. The original
size was 26 MP which puts you at a higher density than the D200.
I'm not sure what you mean by original size. But yes, a 20Mp APS-C
would have 4um pixel spacing which is very small by DSLR standards.
By original, I mean the size Thom suggested... 26 MP FF in 2007.
Right. Such a camera could not be mainstreem unless the sensor was
convertible somehow. For instance if it were an X3 type sensor
that had variable photosite binning schemes so you could sacrifice
resolution to gain low noise and faster processing in a series of
steps.

--
Jay Turberville
http://www.jayandwanda.com
--
Chasm
 
When I said (or implied) that the larger format always wins, I was wrong.
Your G6 has @f/8 exactly the same amount of DOF for macro shots as
your full frame camera would have @f/39. And both of them will get
diffraction limites at the same number of megapixels at said
apertures.
Lets go back to my second post wherein I took a hypothetical subect 2 meters away and held the DOF and FOV constant between formats. I will keep this brief for the purposes of establishing the actual number of stops to achieve the equivalent DOF using a G6:
Format......Focal length....Aperture.....DOF (in meters)
G6.............12mm..............f/2............=.79
DX.............35mm..............f/5.6.........=.81
FF.............50mm...............f/8...........=.86

As for the relative macro abilities of the G6 compared FF and DX format; if we maintain focus distance and FOV, we come up with:
Format......Focal length........Aperture.....DOF (in meters)
G6.............28mm..................f/8...........=.019
DX.............90mm..................f/32.........=.020
FF............140mm..................f/64.........=.021

Things appear worse for FF than you actually asserted. The differences between the G6 and FF went from 4 stops in the first hypothetical (a typical portrait composition) to 6 stops in the second hypothetical (a typical macro composition). Optically, there is no contest here (except for bokeh issues, which can be significant); but I would still like more DOF if I could get it, and this begs the question: Why didn't Canon offer higher f-stops on the G6?

The answer (I think) is because of the diffraction caused by the smaller photosites. Once again the physics of CoC (circle of confusion) have forced us to come back to make compromises. You just can't have everything. The largest print you can make with a G6 at f/8 before the effects of diffraction will start to appear will be 5x7; but you can comfortably print at 10x8 at f/5.6 and 16x12 at f/4. Amazingly, if the only consideration was diffraction, you can make a decent 28x21 print from a G6 at f/2 (but the deficiencies in the camera's lens would probably leap out at you).

My point is that at one end (lens stopped down) diffraction becomes a problem; at the other end (lens wide open) optics becomes a problem. Holding things like DOF, FOV, and print size constant -- diffraction is a small issue and in the instance of macros and small prints the advantage actually goes to the smaller format.
I agree with the previous poster: even for point and shoot cameras,
diffraction doesn't play a big role.
My point was always that unless you are talking about substantially different size formats, the difference is small. From the last part of the relevant post:
A final note on all of this. The differences are really pretty small (but can be important to a really picky pro). Want to see a big difference? Here's what happens to the numbers when we look at a genuinely different format -- namely, 4x5. Remember all the diffraction limitation considerations we had done before -- same FOV, DOF, and print size? Well here's a comparison for the same focus point of 2 meters:
4x5....150mm/f16....DOF=.82 meters....largest print size=65".
--



http://imageevent.com/tonybeach/myfavorites
 
No, no, no! Haven't you read ANY of the posts here supporting FF?
The most common complaint is because people want their lenses to
behave the same way as they always have, or because of a lack of
lens selection, or in my case - viewfinder. In other words, we want
FF precisiely because it is FF. High ISO noise and the capacity for
huge prints (MP count), is not, from my reading, the primary reason
for wanting FF.
Pardon me for saying so, but you are in error.

High ISO capability and max dynamic range are the precise (and only) reasons why I and other connoisseurs of ultimate quality want Full Frame. And we want it from Nikon too.

Per Inge Oestmoen, Norway
 
Will
Nikon ever go FF? I absolutely believe they will but don't expect
it for a couple of more years.
Thank you for your post. Whether or not it is fully scientifically accurate in all calculations is a matter for itself, but in general what you say holds true. Thus I have to comment that your understanding of these issues matches your impressive and proven photographic talent.

Add the wider dynamic range that is possible with a bigger sensor, and the fact that small pixel pitches invariably lead to less favorable S/N ratios. In other words, the very legitimate demand for "Full Frame" has nothing to do with any "35mm nostalgia." The bigger sensor has a greater potential if one wants high resolution and optimal performance from a digital camera. Even if there had never existed a 35mm film format, a 24 x 36 mm sensor would still have been preferable to a smaller one.

Per Inge Oestmoen, Norway
 

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