760 to buy or not to buy ?

bill rubin

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Ok, I know that you guys have heard this story before but here is my situation. My primary business has been weddings and I started using canon D30 this year. I am now using my Mamiya 645 AF for formals only and using the D30 and EOS 3 film for the remainder on the work. While I would like a digital back the situation is that the 645 AF does not make me any money. I would like to replace the 645 for a high res camera which will work for formals. The Canon d1 was my hope and dream, but I do not feel that it can replace the 645 quality. So the next choice... DCS 760 or D1X.

Reading thru Phil's review I feel that D1X is favored, but the resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 
How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
I am no expert on the 760, I attended a seminar last week where it was presented. I have seen all of the competitors and the untethered operation and the 1.3 lens factor on the 760 versus a 1.5 lens factor on the D-1X are a plus. The display is borrowed from the pro back and pretty well designed. The software they showed us had an sRGB profile and an Adobe 1998 profile. I dont' know about the noise, they kind of gloss over that sort of info. I was sure that there is a white balance setting, allowing daylight, tungsten, and fluorescent settings as well as a way to make a custom balance with a Macbeth target card. It was also explained that the white balance can be changed on the image before it is processed. Of course I'm sure that someone using it may have a different opinion than the impression I got from a sales presentation. The software I saw was the latest available.
 
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
I see that this post is three days old as I write this, and there has been only one response, from someone who had only brief dealings with the camera.

Since I also am considering the 760 against the D1x, I've "stopped in" here at the Kodak forum several times, and rarely see any posts concerning the 760. Considering the number of posts about problems with the D1x, and the lack of posts on the 760, you'd almost have to think of the 760 as a perfect camera, especially as compared to the D1x!

I'm waiting a bit longer to get my hands on a real live 760 before I make the decision in the next 3 or 4 weeks, but here's why I'm leaning toward the D1x:

If you have a problem that requires a return for service, it first goes to Kodak. If they determine that the problem is with the body instead of the digital part of the camera, it then gets sent to Nikon. So you could probably add at least one week, probably two to down time over "one stop shopping" at Nikon for repairs on the D1x.

While the one other poster, Neal, notes that the software had sRGB and Adobe 1998, the camera itself only has Kodak's Pro Photo RGB and a "near" sRGB profile, unless the have recently changed the firmware to add the Adobe profiles.

The 760 has a very limited ISO range compared to the D1x.

A recent experience with Kodak over this camera has left me wondering just how mixed up things are internally at Kodak right now: I was offered a demo, via a promo card mailing. I called for a follow up, and no one knew anything about it. When they finally found the department offering the demo, it seems thay hadn't yet figured out just how this would be accomplished. When that was decided after about three weeks, I was told I would be getting a call shortly to set it up. After another two weeks, I still hadn't heard from the rep who was to contact me, and I again called Kodak. The next day, (last Friday), I received calls from TWO reps, one who said he'd like to give me a demo, but he didn't have a camera,while the other said everything I had been told in the past five weeks was in error, and that the program was never designed to have a demo from Kodak... it was just to garner leads for dealers. (So why does a rep 3000 miles from Rochester haave this insite, when the department that initiated the mailing program in Rochester say that a rep would demo the product for me?)

Seems like a lot of confusion at Kodak right now, just in trying to market the camera, and this whole fiasco has made me question whether or not a Kodak camera is the right choice at all. These were all good folks trying to be helpful, but with such a lack of communication and knowledge about their own marketing plan does not speak well for Kodak. It's sad to see this happening to the "Great Yellow Father".

Anyway, the 760 is not down and out for me yet, but I'm still leaning toward the D1x right now. The one rep who "didn't have a camera" was going to try and find one, so we'll see...

Ron
 
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
I see that this post is three days old as I write this, and there
has been only one response, from someone who had only brief
dealings with the camera.

Since I also am considering the 760 against the D1x, I've "stopped
in" here at the Kodak forum several times, and rarely see any posts
concerning the 760. Considering the number of posts about problems
with the D1x, and the lack of posts on the 760, you'd almost have
to think of the 760 as a perfect camera, especially as compared to
the D1x!

I'm waiting a bit longer to get my hands on a real live 760 before
I make the decision in the next 3 or 4 weeks, but here's why I'm
leaning toward the D1x:

If you have a problem that requires a return for service, it first
goes to Kodak. If they determine that the problem is with the body
instead of the digital part of the camera, it then gets sent to
Nikon. So you could probably add at least one week, probably two to
down time over "one stop shopping" at Nikon for repairs on the D1x.

While the one other poster, Neal, notes that the software had sRGB
and Adobe 1998, the camera itself only has Kodak's Pro Photo RGB
and a "near" sRGB profile, unless the have recently changed the
firmware to add the Adobe profiles.

The 760 has a very limited ISO range compared to the D1x.

A recent experience with Kodak over this camera has left me
wondering just how mixed up things are internally at Kodak right
now: I was offered a demo, via a promo card mailing. I called for a
follow up, and no one knew anything about it. When they finally
found the department offering the demo, it seems thay hadn't yet
figured out just how this would be accomplished. When that was
decided after about three weeks, I was told I would be getting a
call shortly to set it up. After another two weeks, I still hadn't
heard from the rep who was to contact me, and I again called Kodak.
The next day, (last Friday), I received calls from TWO reps, one
who said he'd like to give me a demo, but he didn't have a
camera,while the other said everything I had been told in the past
five weeks was in error, and that the program was never designed to
have a demo from Kodak... it was just to garner leads for dealers.
(So why does a rep 3000 miles from Rochester haave this insite,
when the department that initiated the mailing program in Rochester
say that a rep would demo the product for me?)

Seems like a lot of confusion at Kodak right now, just in trying to
market the camera, and this whole fiasco has made me question
whether or not a Kodak camera is the right choice at all. These
were all good folks trying to be helpful, but with such a lack of
communication and knowledge about their own marketing plan does not
speak well for Kodak. It's sad to see this happening to the "Great
Yellow Father".

Anyway, the 760 is not down and out for me yet, but I'm still
leaning toward the D1x right now. The one rep who "didn't have a
camera" was going to try and find one, so we'll see...

Ron
Thanks for the input.

Reading thru the information on the D1X and the 760 I am still moving towards the 760. Other than the open questions.

My brain dump.....

1. I am going 100% in 2002 (I will keep my eos 3 35mm film camera for a backup at weddings for now).
2. I can not afford a film back for my mamiya 645
3. The 760 is the best option I know at this time for resolution.
4. Kodak has a work flow solution with packaged software included.
5. I only have canon lens, so now I have to purchase nikon lens $$
6. The d30 is still a slow performer, but the image quality is execellent.

7. The new eos d1 is only 4.5 Mp which can replace my D30 but is still not good enough as a Hi -res portrait camera to replace my 645.

Oh, what to do, what to do ?
 
Bill,

I do not use the 760 here at Mayo but we have one in use in the portrait studio. I am seeking out information on the lack of an Adobe Photoshop Plug-in. Do you have any ideas of where I might find one?

As far as your need to go to digital in your business, I would look into the Foveon camera system. http://www.foveon.net/prod_new.html

The Kodaks are so harsh in there image quality, great for what we do, but has little emotion. Emotion is what you get from the D30, if you would agree with me on that one. I am a strong believer in being able to work with any system if it gives you what you want in first capture quality.

I think one thing to look for beside the image quality is the computer interface. This is where most of the time is wasted and money is made, with its ease or lost with the lack of ease.

I have to experience with the Nikon cameras.

Thanks

Eric
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 
Eric,

I will be meeting with a Calumet sales rep. on 20-11-2001 and will pose the question to him then. Emotion.... I feel if I had the funds to buy a Foveon I might, but would the Foveon be a portable enough for weddings ? I would rather keep my 645 and purchase a digital back. Either way I do not have $20,000 ++ for that kind of system.

I guest if the D1X can capture a full wedding group of 8-15 people and I could actually SEE the DETAIL of their faces then I would get it, but I belive that the 760 is better resoultion for this application.

Bill
I do not use the 760 here at Mayo but we have one in use in the
portrait studio. I am seeking out information on the lack of an
Adobe Photoshop Plug-in. Do you have any ideas of where I might
find one?

As far as your need to go to digital in your business, I would look
into the Foveon camera system. http://www.foveon.net/prod_new.html

The Kodaks are so harsh in there image quality, great for what we
do, but has little emotion. Emotion is what you get from the D30,
if you would agree with me on that one. I am a strong believer in
being able to work with any system if it gives you what you want in
first capture quality.

I think one thing to look for beside the image quality is the
computer interface. This is where most of the time is wasted and
money is made, with its ease or lost with the lack of ease.

I have to experience with the Nikon cameras.

Thanks

Eric
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 
Bill,

With all that I would recomend the 760 cause of the resolution. With the 17-35/f2.8 you will be able to caputure most groups. 6MB is the best at this time as well. Emotion can be added with the many plugins that are out there as well.

Hope the Calumet man brings both the Nikon and Kodak for your test.

Good luck.

Eric
I guest if the D1X can capture a full wedding group of 8-15 people
and I could actually SEE the DETAIL of their faces then I would get
it, but I belive that the 760 is better resoultion for this
application.

Bill
I do not use the 760 here at Mayo but we have one in use in the
portrait studio. I am seeking out information on the lack of an
Adobe Photoshop Plug-in. Do you have any ideas of where I might
find one?

As far as your need to go to digital in your business, I would look
into the Foveon camera system. http://www.foveon.net/prod_new.html

The Kodaks are so harsh in there image quality, great for what we
do, but has little emotion. Emotion is what you get from the D30,
if you would agree with me on that one. I am a strong believer in
being able to work with any system if it gives you what you want in
first capture quality.

I think one thing to look for beside the image quality is the
computer interface. This is where most of the time is wasted and
money is made, with its ease or lost with the lack of ease.

I have to experience with the Nikon cameras.

Thanks

Eric
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 
Hi Bill -

I've been using a 760 for just over a week now. I'm very happy with it. The more I use it, the more I'm impressed. I went through a similar process in deciding between a D1x and 760.

As to your questions:
No ICC Adobe profile sRGB
You can convert the DCR file into a TIFF file with a profile called Pro Photo RGB. When you open it in PS, you can convert it to Adobe 1998, or sRGB. Since opening the image in PS for final corrections is part of my workflow, it has not presented a problem.
Noise at ISO 400 + on the 760 vs. the D1X
There is definitely noise at 400 and above. I've been shooting as high as 1600 by underexposing two stops then pushing the file two stops in Kodak Photo Desk. I then run the image through Quantum Mechanics. It does a pretty good job of cleaning up the Blue Channel Noise. I'm still not fully satisfied, although I was not satisfied with the D1x image either. I'm hoping the low speed issues the firmware upgrade is going to address will help with the high ISO shooting as well. I still like the fact that the Kodak DCR file is as uninterpolated as files get. My hunch, though I don't know this for a fact, is that the Nikon chip has a lot of Blue Channel noise that gets cleaned up before the file finishes all the interpolation it goes through in the camera. I'd rather have an uninterpolated RAW file and control over the filters that take care of the noise problem. Of coarse, on the other end, the files shot at ISO 80 are simply the best there is in the 35mm format. Also, when I compare the ISO 1600 images shot under flourescent and tungsten to images shot with FUJI NHG 800 pushed 1 stop and then scanned for color correction, I prefer the 760 images.
No White Balance setting
There is a white balance setting for daylight, tungsten, flourescent, and on-camera flash. You can also create custom white balance settings. All you need to do is shoot a white card, then choose the custum setting while that image is beging displayed. It works great.
  • Don Tracy
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 
OUR STUDIO HAS BEEN TOTAL DIGITAL FOR OVER TWO YEARS. WE BOUGHT A KODAK 560 IN 1999, AND USED IT FOR EVERYTHING - SENIORS, PORTRAITS, WEDDINGS, SPORTS. WE HAVE BEEN HAPPY FROM DAY ONE. MY EXPERIENCE WITH KODAK SERVICE IS GREAT. I SENT MY CAMERA TO KODAK ON MONDAY - RECEIVED IT BACK ON WEDNESDAY. IN AUGUST WE BOUGHT A 760. GREAT CAMERA OUT OF THE BOX. I PERSONALLY LIKE PHOTODESK AND QUALITY IS GREAT. I SHOOT AT ISO 125 SO I CANNOT TALK ABOUT NOISE AT HIGHER SPEEDS. OTHER THAN BUYING NEW NIKON GLASS, I DON'T SEE A DOWNSIDE TO THE 760.
 
Thanks Don for the input.
Does Kodak have the Pro Photo RGS profile ?
Yea, The Nikon seems to "fix" some of the issues in camera.

So, do you feel that the 760 can really replace my 645 ? Open question I know, but are you still using film ?
I've been using a 760 for just over a week now. I'm very happy
with it. The more I use it, the more I'm impressed. I went
through a similar process in deciding between a D1x and 760.

As to your questions:
No ICC Adobe profile sRGB
You can convert the DCR file into a TIFF file with a profile called
Pro Photo RGB. When you open it in PS, you can convert it to Adobe
1998, or sRGB. Since opening the image in PS for final corrections
is part of my workflow, it has not presented a problem.
Noise at ISO 400 + on the 760 vs. the D1X
There is definitely noise at 400 and above. I've been shooting as
high as 1600 by underexposing two stops then pushing the file two
stops in Kodak Photo Desk. I then run the image through Quantum
Mechanics. It does a pretty good job of cleaning up the Blue
Channel Noise. I'm still not fully satisfied, although I was not
satisfied with the D1x image either. I'm hoping the low speed
issues the firmware upgrade is going to address will help with the
high ISO shooting as well. I still like the fact that the Kodak
DCR file is as uninterpolated as files get. My hunch, though I
don't know this for a fact, is that the Nikon chip has a lot of
Blue Channel noise that gets cleaned up before the file finishes
all the interpolation it goes through in the camera. I'd rather
have an uninterpolated RAW file and control over the filters that
take care of the noise problem. Of coarse, on the other end, the
files shot at ISO 80 are simply the best there is in the 35mm
format. Also, when I compare the ISO 1600 images shot under
flourescent and tungsten to images shot with FUJI NHG 800 pushed 1
stop and then scanned for color correction, I prefer the 760 images.
No White Balance setting
There is a white balance setting for daylight, tungsten,
flourescent, and on-camera flash. You can also create custom white
balance settings. All you need to do is shoot a white card, then
choose the custum setting while that image is beging displayed. It
works great.
  • Don Tracy
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 
Sorry Eric,

I thought that "Emotion" was related to ones feelings, and not a software application... "Open mouth insert foot !" What is the program EMOTION ?

Bill
With all that I would recomend the 760 cause of the resolution.
With the 17-35/f2.8 you will be able to caputure most groups. 6MB
is the best at this time as well. Emotion can be added with the
many plugins that are out there as well.

Hope the Calumet man brings both the Nikon and Kodak for your test.

Good luck.

Eric
I guest if the D1X can capture a full wedding group of 8-15 people
and I could actually SEE the DETAIL of their faces then I would get
it, but I belive that the 760 is better resoultion for this
application.

Bill
I do not use the 760 here at Mayo but we have one in use in the
portrait studio. I am seeking out information on the lack of an
Adobe Photoshop Plug-in. Do you have any ideas of where I might
find one?

As far as your need to go to digital in your business, I would look
into the Foveon camera system. http://www.foveon.net/prod_new.html

The Kodaks are so harsh in there image quality, great for what we
do, but has little emotion. Emotion is what you get from the D30,
if you would agree with me on that one. I am a strong believer in
being able to work with any system if it gives you what you want in
first capture quality.

I think one thing to look for beside the image quality is the
computer interface. This is where most of the time is wasted and
money is made, with its ease or lost with the lack of ease.

I have to experience with the Nikon cameras.

Thanks

Eric
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 
So, do you feel that the 760 can really replace my 645 ? Open
question I know, but are you still using film ?>
I don't know if it can replace your 645. That's a judgement you should make after testing the 760 and thinking through your workflow.

I think I'll always shoot film, especially tansparency for fine art and stock work.

Mama don't take my Astia away...

Don
I've been using a 760 for just over a week now. I'm very happy
with it. The more I use it, the more I'm impressed. I went
through a similar process in deciding between a D1x and 760.

As to your questions:
No ICC Adobe profile sRGB
You can convert the DCR file into a TIFF file with a profile called
Pro Photo RGB. When you open it in PS, you can convert it to Adobe
1998, or sRGB. Since opening the image in PS for final corrections
is part of my workflow, it has not presented a problem.
Noise at ISO 400 + on the 760 vs. the D1X
There is definitely noise at 400 and above. I've been shooting as
high as 1600 by underexposing two stops then pushing the file two
stops in Kodak Photo Desk. I then run the image through Quantum
Mechanics. It does a pretty good job of cleaning up the Blue
Channel Noise. I'm still not fully satisfied, although I was not
satisfied with the D1x image either. I'm hoping the low speed
issues the firmware upgrade is going to address will help with the
high ISO shooting as well. I still like the fact that the Kodak
DCR file is as uninterpolated as files get. My hunch, though I
don't know this for a fact, is that the Nikon chip has a lot of
Blue Channel noise that gets cleaned up before the file finishes
all the interpolation it goes through in the camera. I'd rather
have an uninterpolated RAW file and control over the filters that
take care of the noise problem. Of coarse, on the other end, the
files shot at ISO 80 are simply the best there is in the 35mm
format. Also, when I compare the ISO 1600 images shot under
flourescent and tungsten to images shot with FUJI NHG 800 pushed 1
stop and then scanned for color correction, I prefer the 760 images.
No White Balance setting
There is a white balance setting for daylight, tungsten,
flourescent, and on-camera flash. You can also create custom white
balance settings. All you need to do is shoot a white card, then
choose the custum setting while that image is beging displayed. It
works great.
  • Don Tracy
Ok, I know that you guys have heard this story before but here is
my situation. My primary business has been weddings and I started
using canon D30 this year. I am now using my Mamiya 645 AF for
formals only and using the D30 and EOS 3 film for the remainder on
the work. While I would like a digital back the situation is that
the 645 AF does not make me any money. I would like to replace the
645 for a high res camera which will work for formals. The Canon d1
was my hope and dream, but I do not feel that it can replace the
645 quality. So the next choice... DCS 760 or D1X.
Reading thru Phil's review I feel that D1X is favored, but the
resolution seem to be the best on the 760.

How did you (760 users) get thru these issues ?
No ICC Adobe profile sRGB ?
Noise at ISO 400 + on the 760 vs. the D1X ?
Any issues with Blue Channel Noise ?
No White Balance setting ?

Thanks for your support
Bill
 

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