S
stripes
Guest
Well other then the $2k for the D30 all the rest of the absurd amounts folks are spending on the D30 sound like money they would spend on a EOS film camera (lenses, lighting, model fees, studios, and the like...in fact much of that would be relevant to the E20).Yes but you miss my point! Its about the money being spent! Yes we have gotten close to what we can do with film in the digital world, but at what cost?
So did the $2k camera cost less then the film would?
Did the $2k camera make some shots better then film because of the instant check of exposure, and to see if the strobes are lined up "just so", and if you put the right color gel in your hair light, and got the main to fill ratio just the way you want it?
Did the ability to adjust ISO on the fly from shot to shot let you get things you can't on the film camera?
Maybe the D30 (or E20) lets you go out to a site, and do a lighting set up and shoot in one day rather then one day for test shots, and a second day (after the tests are developed) to get the real stuff.
If so the more expensive digital camera made your shooting cost less (or at least work better).
Besides the folks I was talking about sell prints from scanned slides, or prints from the D30, they don't do the ciba, so in fact for their use the D30 is as good as film, in fact better. (Personally I'm not sure I totally agree, but I don't make a living from my prints)
(and yes, much of this is relevant to the E20 as well as the D30 -- the E20's fixed lens is a nice studio lens, and most of this was a studio argument...)