HP introduces new pigment printer...

What is the difference in color gamut?
 
ALL I can say is that I'm glad I haven't purchased an Epson 9800
yet. Might be some interesting things about to happen!!!!!
All I will say is think like the Gallois as the world will fall on your heads soon enough.

Yet back to competitive printers. Image quality the Epson is really nice. The HP has it's own character. It's not the same. It has equal density blacks, can print with all 3 blacks at the same time yet the pigments are different in size and character so that equals different. Glossy printer is maybe slightly better on the HP. I suppose I'll have to make a write up on all the details that I would normally prefer to leave to Oliver.

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Neil Snape photographer Paris http://www.neilsnape.com
 
Is it possible to run heavy 3rd party paper through that 180 degree
turn paper feed?
Yes but not extra heavyweights. I tried and it does it any anything . Already printed on Vellum and many more. Thick media goes in the top.
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Neil Snape photographer Paris http://www.neilsnape.com
 
28ml per cartridge, I will publish all the details on Friday.
They are quite large, around 2.5X the size of the 2400 carts. Pricing hasn't been released but the ballpark figures assure economical use. The HP team told me it was 27ml but they are a conservative company.
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Neil Snape photographer Paris http://www.neilsnape.com
 
I hpe Neil Snape will let us know more about his experience with
this printer soon, especially for B/W, and how the blacks stack up
against the 8750.
Sounds like Oliver (whom btw I hold in the highest regard) has had the printer much longer than I.

I love the stochastic dots and the long tonal range. The Dmax is comparable to the Epson K3 and an even smoother transition is possible on MaxDetail. Please note the printer is still in final tweaks, so allow me to pester the HP folk to make it better before it ships. They are ALL carbon blacks so for purists.....

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Neil Snape photographer Paris http://www.neilsnape.com
 
Actually Joe, HP was the first to use pigments starting in 1993 or so in inkjets. The were in CAD machines for years and in the 5000 and 5500 with exceptional life for years before Epson. What is new is for HP is the photographic repro rather than signage. Canon also had pigments for signage printers for more than a couple of years too. Going with pigments is not submission and the dye printers still produce excellent results. In fact I saw the little Epson dye and it's really amazing. Not lightfast though but shows the advantages of dye. I sure am glad that now there is a choice though, which may be do you want your printer with unnecessary head cleanings or not sir?
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Neil Snape photographer Paris http://www.neilsnape.com
 
The cartridge are going to be reasonably priced.

I'm pretty sure that Qimage will offer a front for pano printing. The driver and plug in software is not done yet so I can't say what is going to make it into the release round but rest assured, I brought up the issue of Canon 9900 frustrating problem of the removed pano features disabled. Hope that our voices are heard.

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Neil Snape photographer Paris http://www.neilsnape.com
 
Yes straight path that opens up to a HP conservative 1.5mm but if you're like me think of trying feats that will risk your print heads but let you attempt media outside of spec. Yes I printed card stock prototype and it was much thicker than 1.5mm.
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Neil Snape photographer Paris http://www.neilsnape.com
 
HP printers have been able to use pigmented inks since about 11
years ago. Deskjet 1200, 2000, 2300 had pigmented black ink
cartridges. Epson came out with piezo print head because patens on
inkjet heated element head locked up. Separate ink tanks were also
used back then but went to trichamber to reduce footprint of
printer. Now separate inks are coming back into popularity.
True see my other posts.
As for speed HP announced a print kiosk that prints a 4x6 NOT in
draft mode in 5 seconds.
It does it at this speed in real time. The print head is 4.25 inch and fires a billion droplets a second on the Express model. The media moves, the head is fixed.

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Neil Snape photographer Paris http://www.neilsnape.com
 
...with 200+ year light stablility, 8 individual cartridges (with
3-level gray system), and fine art media support.

Available in May for $699 US.
Interesting, the pigment wars are definitely heating up. Of course,
all this just had to happen 6 weeks after I buy an Epson 2400 :(
Guess I shoudl have checked the rumor mill before purchasing.
First Jeff, the 2400 is a fine printer. No regrets. It's a mature product that is about as good as Epson have done. Same quality through the entire line.

There were no rumours. HP are quiet about these types of things and don't do Epson style of pre-announcments (well I can tell you the Canon is no where close to being ready either) that are 6-9 months ahead of shipping.
According the PDF it's not a 3-level gray system though, unless
you're counting "Cyan Black" cartridge (whatever that is - my first
thought it was a typo). Since both Photo and Matte black cartridges
are loaded at the same time that means this is really only a 7-ink
printer. It will be interesting to see how the gamut compares to
the Canon with 10/9 ink cartridges.
I don't have the PDF but that looks like a typo to me too. It does actually print all three blacks depending on media though which the Epson doesn't do at this time. Yet I do have to add a disclaimer> the software is close but not buckled down and anything I say here could change before shipping.

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Neil Snape photographer Paris http://www.neilsnape.com
 
Even if Hp offered pigment carts and heads for my Design Jet, I
doubt I'd change from the current superb dye inks that are good for
80 years.

Who wants to bring the old clogging problem onto an existing
fantastic printe? what would you gain?
I'm keeping my 130. The dyes are perfect for many styles of photo repro. So much so that I succesfully get work due to the rich colors of things like Cognac which the clients are so critical.

It's just another option , this little printers is feature rich , quality pigments and self healing heads so no clogs. If one were to do silly things as I do like too thick a paper stock and the print head was damaged it's a simple plug in print head like the DJ printers.
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Neil Snape photographer Paris http://www.neilsnape.com
 
I've been seriously considering the HP 8750. This thread has caught
my interest as I might like to know from those with experience, why
I should consider waiting for the HP B-9180?

I would appreciate reading what your opinions are about the "visual
differences" you would see on 13"x19" prints of the same image
printed with appropriate profiles, when compairing each printer.
The 8750 has greater gamut in certain areas but overall can print on glossy and so well on the Premium Satin that you'll want to look at what type of prints you do. The 8750 has defacto standard rich tri tone B&W printing, and a very photolab look to the prints ( I think) whereas all pigments take on their own character especially on rag art media. If you want the most photographic look the 8750 is so nice. If you want fine art media you should go pigment printing.

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Neil Snape photographer Paris http://www.neilsnape.com
 
I am not an expert with respect to HP printers, but I am told that
HP does NOT have the quality inks offered by Canon and Epson. Is
there anyone out there with some input? Photo Man.
I'm fairly knowledgeable on digital colour and in particular printing.

You should know that all the makers actually buy their inks from common suppliers. It's the OEM specs that change everything. There is only a difference in quality if the OEM wanted that yet that is not something Canon, Epson , nor HP would want.

As far as the most recent Epson K3 inks go it's actually in favour of the new HP black inks as they are true carbon thus an assured lightfastness getting to a new record according to WIR> 200+ yrs behind glass and get this 112 bare bulb no glass ie; 3x Epson ultrachromes!

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Neil Snape photographer Paris http://www.neilsnape.com
 
This is very true. There is always some colorant to balance the warmth of carbon. The recent K3 inks added much more as users found it too warm.

The HP has a nice balance in my opinion, but the good news is many of the prints that look dead neutral are actuall composite using all inks. The dot is so fine on this printer that you can barely notice the small amount of composite added even with a nice clean loupe.
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Neil Snape photographer Paris http://www.neilsnape.com
 
HP designjet series (the really large format ones) has been giving
the users the options of using either dye or pigment inks. I think
in both cases, there are not many reports of clogging.

But there are many other reasons why users choose dye over pigment:

1) Larger colour gamut

2) Better gloss uniformity

among other reasons.

Even in the press-kit, the photosmart pro B9180 is recommended for
users who would like 'fine-art' quality output using semi or non
gloss media. The press-kit said that for those who prefer
consistent gloss uniformity, they are advised to use printers that
utilise Vivera dye ink-sets.
Very reasonable advice given.

The new heads are what I call self healing. They actually measure the size of a minute cell checking by way of a patented electrostatic charge count. When the droplets diminish in size an auto print head service is scheduled and performed at the correct time. It's background, autmatic and your print heads thusly are serviceable for the life of the printer and normally clog free. Time will tell but it's not a minor feature but a major one that will have a lot of users being saved or spred there clogs by moving to HP.

BTW Canon do nothing more than have an electrical resistance feedback circuit for head checking. Hp used this many years ago yet told me it's inefficient and outdated for today's needs.

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Neil Snape photographer Paris http://www.neilsnape.com
 
Pros who do this for a living have all said that none of them use
HP printers and this is what I have heard. Further, it was alleged
by these pros that despite the fact that HP has been in the printer
business for many years, allegedly the type of ink offered by HP
was not on par with Epson and Canon. I have no opinion as to the
above, so please don't jump down my throat. This is ONLY a
question to all of you to ask for your input. Photo Man.
That's okay. I know all too well how hard it is to get honest infoby users that actually know what importance is on making a living doign photography. Count me in though photoman if you may, as I'm still doing just that full time . Still love photography maybe more than ever as I see what we can do with these great technologies.

I love showing my books to ad agencies as the quality off my DJ speaks for itself and lands me more work than any other printer could. Send me a jpg and I'll send you a print. You decide if it's pro quality or not.
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Neil Snape photographer Paris http://www.neilsnape.com
 
I'm not sure about the color gamut and gloss benefit of dye inks
you mentioned. I think the 2006 technologies that Epson pigment
inks can produce will easily meet your standard.

I'm pretty sure that the high end printer will all soon use pigment
inks (of course, continue to get better). Leave the dye ink to the
cheaper models.
No and no.

Leave the choices the dyes are a different but every bit as capable contender for the finest archival color printing around.

I've always said if I had more room I'd have a printer from each. I never said it would have to be dye or pigment. It's just now I see I'll even need yet more room to have the finest printers here in my small room but my dye printer is definately the best printer I've ever had. The pigment just gives me choices!

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Neil Snape photographer Paris http://www.neilsnape.com
 
You're absolutely right. Pigments offer better handling in situations where water, kids and spitters are found.

It's going to be an assumption you will see over and over again that it an image quality thing to surpass the DJ dye. Faux! There are all the things that I've always said true today and the future for the DJ dye printer. It is coexisting and a very exciting period for HP. Now you have a choice> --

Neil Snape photographer Paris http://www.neilsnape.com
 
Well put. Let's also see if HP has somehow cured the clogged head
syndrome so prevalent with Epson pigment printers. That would be
reason enough to buy it.
Fixed!

Self healing heads, automatic clean purge that they call servicing in the background only when the drolet size on EACH cell is diminishing. This is a much better mouse trap folks. I'll say it another way, user changeable heads if needby (usually that would be the user putting in too thick stock for example) yet analytical surveillance of the inking system in the background automatically curing clogs with print heads designed to last the life of the printer. In terms of HP life this means as long as you own it not until the next upgrade comes along.....

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Neil Snape photographer Paris http://www.neilsnape.com
 
I'm glad that now Epson has got the competitor, they've been
holding the market for pigment inks for so long. Now both Canon and
HP come out with something.

My point of view will be - follow the review closely - just
remember how excellent Epson P2000 was (and now how poor it is
compare to the new ones).
.. don't forget about freedom from profiles. Epson quality prints
seem to necessitate custom profiles. The latest HP dye ink
offerings seemed to be spot-on out of the box (w/ HP inks and
papers); no need for custom profiles of any kind (don't know about
Canon). With the new HP pigment printers opening up the door to
different types of papers, will they also evolve backwards and join
Epson in making custom profiling a lucrative business .. ??
No that's not true anymore. Epson K3 printer are very close, hard to do better. If you do you simply go get Bill Atkinsons custom profiles.

I'm going to hope that HP will help out with a simil;ar custom profile sharing between users. We'll see.
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Neil Snape photographer Paris http://www.neilsnape.com
 

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