4 Generation Fiasco

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BooRadley

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I get a call from a neighbor asking me if I would come by a local restaurant to take a photo of a family celebration. Just come by, take a few snaps and be on my way. Fine.

I get there and the lady announces to a group of a dozen or so people that she has always wanted a formal four generation photo and that she will finally have it. I almost freaked...this is a small, very busy restaurant with glass and chrome everywhere...and the ceilings are low, painted and have lots of odd undulations. I had to talk two waiters and a pair of busboys into allowing me to move some tables to clear a spot for 5 minutes (tops...they have tips to make!) so we can take a shot that isn't at the table. It was very stressful. We end up with:



Of course, I realize this isn't what she wants as she goes on and on about finally having a nice 4 generation photo. I go through the various shots I ripped through at the restaurant and naturally, there isn't a single shot where everyone is smiling nicely or looking at the camera...grandma in her late 80's doesn't smile much. So I decide to rework some things and change the background. The neighbor also hated her look and the wrinkles under her neck, so her "head" had to be swapped out. This is the shot before I did some final softening and last minute tweaking before printing:



Far from perfect (although the prints did turn out pretty decent). I've come to expect on site assignments to be a bit of a challenge...but I do hate it when I am forced to work fast. Going fast there is always danger of disaster!

Your humble servant,

BooRadley
 
a challenge to be sure! I think you did an excellent job under the circumstances...looks great to me, and the "swapped" head is a perfect transplant.........
--



Life is what happens to you while you're busy making other plans. - John Lennon
 
......honored if that was my family picture after the PS. You did VERY good job!

Is that tissue grandma is holding? :-) I wouldnt take it out if so - makes it realistic - shows grandma nature. Love that touch actually :-)
 
I think you did a great job here. The head transplant is particularly impressive (big deal, in France they transplanted a face. You transplanted a whole head!!) and every one of them has a pleasant, loving look. The little girl has an especially sweet smile.

--
Andy W.



Z740
 
The client got the photos with the Photoshopped background and loved them. Now she wants me to do several of the other group shots and take out the background and switch heads and such. Oh my...this is a LOT of work to do well. Sigh...if it wasn't a neighbor, I'd gracefully decline or charge a decent fee...but I see these folks all the time and the hubby is the president of the local homeowner's association. He helped me get a variance to build my studio, so I guess I'm stuck.

Sigh...no good deed goes unpunished!

By the way, there are many ways to do this. I have several high res shots of various backgrounds that I use. I basically cut the people out of the shot using "extract" or just manually erasing the background and then placing them on a layer over the high res background. Then I go around the edges to fine tune and reduce/eliminate anything glaring that makes it look overly unrealistic. I'm sure there are better ways to do it...but I've gotten used to a general approach that usually works for me. It takes a while, but it's almost second nature now. I can watch TV while I do it...I'm pretty much on autopilot.

BooRadley
 
Geez...a little knowledge is a dangerous thing! Now that the client knows what is possible, she's asking for the near impossible. This one has new "heads" for the little girl and the guy as well as the background. I didn't do a very good job on the girl...but I had the photo done when she decided she wanted the background added too. Sigh...



And here's the original:



BooRadley
 
I like how you have been adjusting the skin tones. It looks very natural. Would you mind sharing your technique? (If it includes watching TV while you're doing it, then I'm out of luck .... I don't have a TV by the PC! ;-) )
 
Thanks...I'd be happy to share my technique...if I knew what the heck it was/is. See the problem is I'm a bit colorblind. I've been known to print some REALLY green skinned people in the past. So I'm always scared to death when I start retouching.

But here's the basic approach: I could tell the shot was a bit overexposed for skin, so I intially start with levels and bring the skin into a tonal range--as if it was a black & white print. I get the tone where I think I want it by adjusting the sliders. Then I adjust the colors...frankly, I slide them around until I THINK it's close. Then I do it a second time. I find a two step is always better for me. Then I use the hue/saturation. Very little hue, more saturation. Twice.

Wish I could be more methodical and have a structured plan, but being a bit colorblind, it's not a regimented system. I just keep playing with it until it "looks" like it ought to be close. What makes this so maddening is when you have to take "heads" from different shots and get all the coloration to match...or come close to matching. I'm sure there is a better way. I just don't know what it is.

BooRadley
 
I'm a bit color blind too and I've found that it helps to click on channels for the head replacement layer and do image=> adjust=> brightness/contrast to get color close and then tweak levels.
 
I am too!!, Just makes it that much more challenging doesn't it..
Great Work...make your talent work for you..
Harry
--
I never mess with the 'History brush' because it may alter the future!
 

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