Haliburton
Active member
Mike Fried said in "The Truth about EFS lenses" thread:
... both the EF-S 17-85 and EF-S 17-55 have been successfully converted to work on a 10D
http://forums.dpreview.com/forums/read.asp?forum=1029&message=14834647
It may only be a matter of time before someone has the cojones to do so for the EF-S 10-22, the only EF-S lens that I own for exactly the reasons JAP pointed out in the same thread:
2) but then again . . .
If I had to do it again, I would seriously consider looking more closely at the Sigma 12-24 before making a final choice at the superwide end, and decide whether the astounding FF field of view outweighed limiting the 1.6x camera to a 19mm EFOV rather than the EF-S's nice 16mm EFOV.
3) perhaps even more interestingly . . .
Note that all the EF-S lenses that Canon are 17mm (ie. 1.6x EFL=27mm) or wider
at the wide end . . . that they haven't made an equivalent of a 70-200 or a 75-300
(EF-S 40-120mm f2.5-3.5 IS USM and EF-S 45-180 f3.5-4.5 IS USM, repectively),
. . . yet.
As Olympus has shown with their 4/3 system, lenses can be made smaller, lighter, and less expensive and/or brighter (150mm f2) to suit a smaller image circle.
My conclusion and perhaps even predictions?
Canon have been very smart in giving users of their consumer and prosumer (read: 1.6x) cameras wide-angle capability as the compelling reason to get EF-S lenses.
As the market matures, and faced with new lens offerings from all the other firms who make only 1.6x DSLRs, Canon may well offer maximum aperture, size, weight and/or price incentives to buy EF-S lenses such as the tele zooms I hypothesized above.
The ideal time to introduce such glass?
Just as with the EF 24-105mm f4L IS USM (yeah, I'm drooling) announced with the 5D...
...imagine an 11 megapixel Canon 30D being introduced with the above tele zooms and/or juicy primes like an EF-S 180mm f2 IS USM.
Would that be Canon shooting themselves in the foot when a number of us dream of the return of the 200 f1.8L in a new IS form?
I suggest not, as all that Nikon can offer users (of their exclusively 1.6x cameras) is their FF 200mm f2 VR, a very_expensive piece of glass.
If a sports or glamour shooter can outfit herself with a 30D and 180mm f2 at half the price of a (high-ISO noise-challenged) 12.4 MP D2X, any remaining market presence that Nikon has in such fields will be severely challenged to have any significance.
Canon will rightly be able to point out that when it comes to image quality (and they may go for frame rate too), Canon's midrange cameras beat the best that Nikon makes, and that Canon's pro series of DSLRs are clearly superior in many ways.
Then of course the 1D MkIII is bumped right up against the not-too-aged D2X to cream it in the 12 MP category, and the 1Ds MkIII rockets past 24 megapixels to give Hassleblad, Mamiya and medium format backs all a real kick in the cojones . . .
As Elan Remford says in
http://forums.dpreview.com/forums/read.asp?forum=1029&message=14757284 :
?
Hal
--
- - - -
Interests:
non-traditional portraiture, panoramic photography, advanced techniques, QuickTime,
QuickTime VR
1) not neccessarily . . .Member said:And if you have the 10D like I do, you are limited to EF lenses.
Sigma and other 3rd party brands offer full frame and APS-C image
circle sized lenses for the EF mount that don't require a new
mount. Just like the Nikon digital lenses, these lenses simply
vignette on full frame.
... both the EF-S 17-85 and EF-S 17-55 have been successfully converted to work on a 10D
http://forums.dpreview.com/forums/read.asp?forum=1029&message=14834647
It may only be a matter of time before someone has the cojones to do so for the EF-S 10-22, the only EF-S lens that I own for exactly the reasons JAP pointed out in the same thread:
I am fortunate to have a very sweet 17-40L, OK 28-105, and great 50 and longer lenses, so (perhaps like many here with an existing collection of glass before getting a 1.6x Canon) I only needed to 'fill that gap' at the wide end.Member said:There's only a small focal range which needs to be covered by a wider lens,
and the lens with which that's done need not be EF-S at all.
2) but then again . . .
If I had to do it again, I would seriously consider looking more closely at the Sigma 12-24 before making a final choice at the superwide end, and decide whether the astounding FF field of view outweighed limiting the 1.6x camera to a 19mm EFOV rather than the EF-S's nice 16mm EFOV.
3) perhaps even more interestingly . . .
Note that all the EF-S lenses that Canon are 17mm (ie. 1.6x EFL=27mm) or wider
at the wide end . . . that they haven't made an equivalent of a 70-200 or a 75-300
(EF-S 40-120mm f2.5-3.5 IS USM and EF-S 45-180 f3.5-4.5 IS USM, repectively),
. . . yet.
As Olympus has shown with their 4/3 system, lenses can be made smaller, lighter, and less expensive and/or brighter (150mm f2) to suit a smaller image circle.
My conclusion and perhaps even predictions?
Canon have been very smart in giving users of their consumer and prosumer (read: 1.6x) cameras wide-angle capability as the compelling reason to get EF-S lenses.
As the market matures, and faced with new lens offerings from all the other firms who make only 1.6x DSLRs, Canon may well offer maximum aperture, size, weight and/or price incentives to buy EF-S lenses such as the tele zooms I hypothesized above.
The ideal time to introduce such glass?
Just as with the EF 24-105mm f4L IS USM (yeah, I'm drooling) announced with the 5D...
...imagine an 11 megapixel Canon 30D being introduced with the above tele zooms and/or juicy primes like an EF-S 180mm f2 IS USM.
Would that be Canon shooting themselves in the foot when a number of us dream of the return of the 200 f1.8L in a new IS form?
I suggest not, as all that Nikon can offer users (of their exclusively 1.6x cameras) is their FF 200mm f2 VR, a very_expensive piece of glass.
If a sports or glamour shooter can outfit herself with a 30D and 180mm f2 at half the price of a (high-ISO noise-challenged) 12.4 MP D2X, any remaining market presence that Nikon has in such fields will be severely challenged to have any significance.
Canon will rightly be able to point out that when it comes to image quality (and they may go for frame rate too), Canon's midrange cameras beat the best that Nikon makes, and that Canon's pro series of DSLRs are clearly superior in many ways.
Then of course the 1D MkIII is bumped right up against the not-too-aged D2X to cream it in the 12 MP category, and the 1Ds MkIII rockets past 24 megapixels to give Hassleblad, Mamiya and medium format backs all a real kick in the cojones . . .
As Elan Remford says in
http://forums.dpreview.com/forums/read.asp?forum=1029&message=14757284 :
Maybe EF-S will become "the new L-series" that prosumers can stretch just a bit to afford, while the 'real' L-series offers the sharpness, lens speed and more for FF users.Member said:I tell ya Shel, each and every EF-S lens made so far is an absolute Gem.
Not always the cheapest, but ALWAYS a performer, like the mount or not.
?
Hal
--
- - - -
Interests:
non-traditional portraiture, panoramic photography, advanced techniques, QuickTime,
QuickTime VR