Minolta Quality

Gents & Ladies

I have been in photography as both professional and semi professional most of my life though I have yet to go digital and I have to confess that this thread has me both confused and worried.

Two questions.

When is an updated (D7*2 or D8) liable to be released assuming that Minolta increase the size of the buffer or otherwise increase the write speed for Raw and Tiff.

Is the amount of compressiion applied to the Fine setting correctable by any updated software.
 
Yep!

This is fun, an experiment to see the difference between an image TIFF/RAW and the same in JPEG.

Shot a TIFF, load it on DIVU BUT with Color Matching Unchecked!!

Save the image in JPEG (use the default compression 6, let's assume this is equivalent to a JPEG in Fine mode from the camera.

Now load the TIFF in PhotoShope (or any other program), and load also the JPEG. Copy the jpeg image over the TIFF as a new layer and, in that JPEG layer, set the "Merging mode" to Difference.

You should see a black image, whatever is not 100% black on it is what the JPEG compression changed over the original! this proves that the two files are the same (for the eye).

Now more fun, flatten the image, open the levels and move the white point to the leftmost position, this will prove that the two files are quite different.

Going back to the black frame (before moving the white point to the left), flatten and invert the image, it should be all white. Print it and you could see the effect on the printer, anything not pure whilte is changed (I haven't tried it). (Inverting the image is only for saving a cartridge of ink :-)

Regards,
Juan
Are you implying that compression ratio has no effect on quality?
Noise? Jpeg artifacts? It most certainly does. I admit in Raw and
Tif the D7 puts out excellent quality, but not being able to shoot
continuous in these settings limits it's usefulness verry
seriously. You would have to wait 40 seconds in between shots. This
from a $1500 camera??
Jim, care to post some evidence of the difference in image quality
between JPEG Fine and RAW? I can only achieve a difference if I
deliberately under-expose by 3 stops. The noise in the JPEG
version has a different colour to the RAW noise and it suffers
from a kind of left-to-right blurring which the RAW image doesn't.
I have tried very hard to see a difference between RAW, TIFF and
Fine with carefully controlled shots. At first I was expecting to
find such a difference, and actually re-shot my test three times
when I could not. RAW does look different, but I don't think that
it is better. This may all change if anyone finally supports the
Minolta RAW format, look at the incredible job that Qimage and
Bibble did with the D1. That is just my opinion, and I'd like to be
proven wrong.
Overall I can't think why anyone would use RAW mode. I would love
to see a reason why I am wrong because I'd prefer to use RAW in
situations that it would show an advantage, providing I know what
those situations are (I can't experiment with every situation
pre-emptively!)

Also, where do you get a 30-40s write time for a RAW file? It is
22-23s for everyone. Why would anyone create a TIFF file instead
of a RAW file.
Some slower cards do that that long, and I have one of them
unfortunately. See:

http://webpages.charter.net/bbiggers/DCExperiments/html/dimage_flash_card_speeds.html

Bryan
Oh, I know, because some peeps want to avoid using DIVU. Fair enough.
Joo with all due respect, I'm not pertending to speak for any group
of people but comparing cameras. The D7 lacks many very basic
features on high end consumer camera's and prosumer cameras. It's
BIGGEST weakness is it's small buffer size, not being able to shoot
continuous in Tiff or Raw. It's not for you or me to say what most
people will do. I am only reviewing the D7 in comparrisions with
other cameras.
Just what features do you mean ("many very basic features on high
end consumer cameras")? Jim you are guilty of generalising to the
point of meaninglessness.

Maybe you should hold off being so generalistic until you've
finished your write-up and posted it on your webby. Maybe you
have, sorry I didn't realise you've finished your review.

Jawed
 
Gents & Ladies
I have been in photography as both professional and semi
professional most of my life though I have yet to go digital and I
have to confess that this thread has me both confused and worried.

Two questions.
When is an updated (D7*2 or D8) liable to be released assuming that
Minolta increase the size of the buffer or otherwise increase the
write speed for Raw and Tiff.
Given the size of the raw files and that Minolta doesn't pack their files (using 16bits per pixel instead of 12bits), Minolta would need at least 30MB of memory which is actually quite a bit. But doable. The write speed of the RAW file isn't too bad. I believe people are reporting about 25s which is in line with quite a few other cameras.
Is the amount of compressiion applied to the Fine setting
correctable by any updated software.
Amount of compression applied in the fine setting in the Minolta is not that high. It is more appropriate to say that the E-10 has an exceptionally low level of compression as opposed to saying the D7 has a high level of compression. The D7's level of compression is right in line with most other cameras. Check this thread out. I listed the compression ratios for quite a few cameras. the data was from Imaging Resource

http://www.dpreview.com/forums/read.asp?forum=1024&page=1&message=1399264
 
JimK, can I just correct one error here...

"When ever any compression is used some information is always discarded in the compression. Obviously the more compression used the more degrading occurs."

Not so. There's plenty of lossless compression algorithms out there. RAW does not lose any data - period.

"Also if you record in jpg in your camera, and save it on your computer, open it up and make another copy, further degration occurs."

To clarify. If you copy a file it will be identical. If you open the file and then save as a new filename without changing JPG settings you may lose information due to generation loss depending on the software. I'm sure I've seen at least one graphics proggie that's intelligent enough to figure out what you're doing and not re-compress. However, if you change the image and resave as JPG you will indeed introduce generation loss - althoguh not very much at all if saving at highest quality settings.

Generally, if you doing post processing in stages you're better off converting to TIFF at the start before doing any work.

daveR
When ever I get around to finalizing my page for the D7 reviews you
will see samples. Still I doubt it will silence anyone who believes
otherwise.

Posts that claim they see no difference between raw-tiff-fine
actually are not doing the D7 any justice as they are pointing out
yet another weakness. This implies that the over all image quality
of the D7 is about the same as the E10 in it's middle qaulity
setting. I am inclined to agree that the difference is not that
dramatic, however there are other benefits involved in shooting
tiff and raw, keep reading.

One might rightfully ask, "why should I shoot in raw or tiff if I
can't see any difference". In which case then shoot in Fine, I
never said not too. Understand that the D7 is compressing the Fine
setting more then the E10, and about the same amount as the E10's
middle quality setting. So you will be getting a smaller file size
for your larger reslolution. This makes getting larger prints more
challenging. Also understand that you will be loosing quality
faster through generation loss.

You may say, so what, I don't print large images, then fine your
all set.
All you needed was a 2MP camera then.

Also if there is no difference in raw-tif-fine, wonder why Minolta
made them? There certainly is a difference in raw, tif, and
highest jpg settings in other cameras. Just visit the other forums
and ask. Most will say they shoot in raw. They reserve the highest
jpg setting for caual shooting or when card space is limited.

I have found shooting in raw and tif with the D7 gave me the best
results. I exaimed full size images and printed them out on my
1270. I also use raw and tiff to avoid generation loss. For most
uses I agree that Fine would be ok, but so would a 2MP camera.

We just spend $1500 for the D7, and I'm hearing even from it's best
fans that they are seeing no difference between raw-tif-fine. This
is suppose to improve the status of the D7?

I found shooting sunsets looked almost fake and verry noisy in
Fine. I got the best results from raw, then tiff. I found shooting
IR in fine to be similar, much too noisy. Raw was the best again.

Since I prefer to shoot in the best quality setting because I never
know what I'll want to print large or small, I like to shoot in raw
or tif. To do so with the D7 means you can't shoot continuous
because you have to wait 30 to 40 seconds for the file to be
written. [p.44 end of first paragraph minolta manual]

Some may ask "why should raw or tiff be better quality?" The reason
is because in raw mode the D7 records in 12bit and is converted to
48bit with the DVU. NO camera processing is done to the file. All
the information is saved. Everything else is recorded in 24bit for
color or 8bit for B&W. Tif however is completely uncompressed. When
ever any compression is used some information is always discarded
in the compression. Obviously the more compression used the more
degrading occurs. Also if you record in jpg in your camera, and
save it on your computer, open it up and make another copy, further
degration occurs. You loose quality from generation to generation.
If for no other reason, this alone is good enough reason to use raw
or tif!!!! But theres more.

The D7 is only capable of a max of 1.1 continuous frames per
minute, which just happens to because it uses a small buffer. Other
camera's can shoot continuous in raw or tif. The D7 uses 10mb
buffer, the e10 uses 16mb. May not sound like a lot of difference
but it is because the e10 can not only shoot continous in all
modes, but can even magnify the tif files in review mode.

So we have a $1500 camera that most can not see the difference in
raw-tif and fine. Can not shoot continous in raw-tif because it has
a small buffer.
Begining to get the picture?

If you want to utilize the D7 to it's fullest, you should be
shooting in raw or tiff, even if you can't see the difference, just
to avoid generation loss due to jpg, and it's high compression
ratio to boot! Think of raw and tif as the "negative", and jpg as
a polaroid copy from the negative. Does no one want to archive
their work?? But then you have to wait 30-40 seconds in between
shots (minolta manual and my timing as well), which is simply
unacceptable.

If minolta can improve the buffering which permits continous
shooting in tif or raw, then you would be getting more for your
money.

I will let you know when my page is complete.

Take Care!
Jim K
Are you implying that compression ratio has no effect on quality?
Noise? Jpeg artifacts? It most certainly does. I admit in Raw and
Tif the D7 puts out excellent quality, but not being able to shoot
continuous in these settings limits it's usefulness verry
seriously. You would have to wait 40 seconds in between shots. This
from a $1500 camera??
Jim, care to post some evidence of the difference in image quality
between JPEG Fine and RAW? I can only achieve a difference if I
deliberately under-expose by 3 stops. The noise in the JPEG
version has a different colour to the RAW noise and it suffers
from a kind of left-to-right blurring which the RAW image doesn't.
I have tried very hard to see a difference between RAW, TIFF and
Fine with carefully controlled shots. At first I was expecting to
find such a difference, and actually re-shot my test three times
when I could not. RAW does look different, but I don't think that
it is better. This may all change if anyone finally supports the
Minolta RAW format, look at the incredible job that Qimage and
Bibble did with the D1. That is just my opinion, and I'd like to be
proven wrong.
Overall I can't think why anyone would use RAW mode. I would love
to see a reason why I am wrong because I'd prefer to use RAW in
situations that it would show an advantage, providing I know what
those situations are (I can't experiment with every situation
pre-emptively!)

Also, where do you get a 30-40s write time for a RAW file? It is
22-23s for everyone. Why would anyone create a TIFF file instead
of a RAW file.
Some slower cards do that that long, and I have one of them
unfortunately. See:

http://webpages.charter.net/bbiggers/DCExperiments/html/dimage_flash_card_speeds.html

Bryan
Oh, I know, because some peeps want to avoid using DIVU. Fair enough.
Joo with all due respect, I'm not pertending to speak for any group
of people but comparing cameras. The D7 lacks many very basic
features on high end consumer camera's and prosumer cameras. It's
BIGGEST weakness is it's small buffer size, not being able to shoot
continuous in Tiff or Raw. It's not for you or me to say what most
people will do. I am only reviewing the D7 in comparrisions with
other cameras.
Just what features do you mean ("many very basic features on high
end consumer cameras")? Jim you are guilty of generalising to the
point of meaninglessness.

Maybe you should hold off being so generalistic until you've
finished your write-up and posted it on your webby. Maybe you
have, sorry I didn't realise you've finished your review.

Jawed
 
Before you get too concerned about Jim's unsubstantiated assertions about jpeg compression and loss, which he implies are another of these one varaible measures of a camera's image quality(all cameras), take a look at this post from jawed and the follwing post from Tegenfeld (indeed the whole thread), posts from two people who actually know a lot about the technical aspects of this subject.

http://www.dpreview.com/forums/read.asp?forum=1024&page=1&message=1459579

Hopefully you may suspect from it that the matter is vastly more complex than Jim presents it to be.

While there are obviously losses in jpeg, it does not mean that those losses will be necessarily the same for any two cameras at exactly the same compression ratio, nor does it mean that the losses in the D7 are as extensive as Jim asserts that they are.

Yes the buffer could be bigger, and that would be a help to shooters that needed 3 or 4l raws one after the other. That ability is another tradeoff in camera choice. Jim's claim that without that the Minolta is just another consumer camera is unlikely to be very convincing to anyone other than a shooter that simply has to have that feature above all other considerations.

May be he should try that argument on some of the forums where the cameras don't have either raw or larger buffers than the D7. I expect it would be met with resistance if offered as the telling measure of a camera.

dh
Gents & Ladies
I have been in photography as both professional and semi
professional most of my life though I have yet to go digital and I
have to confess that this thread has me both confused and worried.

Two questions.
When is an updated (D7*2 or D8) liable to be released assuming that
Minolta increase the size of the buffer or otherwise increase the
write speed for Raw and Tiff.

Is the amount of compressiion applied to the Fine setting
correctable by any updated software.
 
Precisely. As you know from your own posting concerning how differring light temperatures affect noise levels in the E10(thanks for finding that), this matter is not the simplistic one that it has been presented as.

Using One variable measures in cross camera comparisons as if they were THE ciritical parameter, never mind which brands, is often unsubstantial and virtually always misleading, and sometimes used deliberately to mislead.

dh
Just a question about the quality of the image capture.I know that
shooting in Tiff mode on the D7 should give better results than
shooting in the highest quality jpeg mode.Has anyone done any test
pictures and what are the results ie; is the Tiff mode that much
better than jpeg or are the results simiilar.By the way I know that
jpeg is lossy but on tests I carried out on my Casio 3000 I could
see very little difference in quaity.By the way I am awaiting
delivery of my new D7
Fred
 
Jim,

For the sake of factual accuracy about the hardware ... the E-10
uses a 32MB buffer -- (4 full RAW shots at about 7.5MB each)

Dr G.
Holy Minolta Macaroni, 32MB BUFFER totally dwarfs the D7's puny 10MB buffer. There is no hope for Minolta to improve it's current model through firmware upgrade. Any improvements will have to be in the D8??

Sure hope this isn't another Minolta RD3000 wipe out, which Minolta simply abandon in it's first year.

Thanks for the correction.

Jim K
 
What ever you say Andy, no skin off my back as they say.

Just remember, you paid $1500 for a camera with a consumer sized buffer, and can't shoot coninous in raw or tiff.

Whatta bargan.
Posts that claim they see no difference between raw-tiff-fine
actually are not doing the D7 any justice as they are pointing out
yet another weakness. This implies that the over all image quality
of the D7 is about the same as the E10 in it's middle qaulity
setting. I am inclined to agree that the difference is not that
dramatic, however there are other benefits involved in shooting
tiff and raw, keep reading.
This is slightly disingenuous. In general use I don't think that
for any given camera that most users will discern any difference
between the highest JPEG setting and raw/tiff on that camera.
Regardless of the number of pixels. That's because the comparison
is being made between a X Mpixel JPEG and X MPixel TIFF/Raw.
So that does not imply that the comparison is between a high res
JPEG and a lower res JPEG. (Note that 'general' and 'most').

The issue is further confused by the way CCDs operate with
the camera having to perform some averaging to get a bare
RGB for compression in the first place. Added to this the camera
can perform sharpening and enhancement either prior to converting
to RGB or prior to compressing the RGB. Then the actual image
itself adds variability to the process.

[ Snip ]
Also if there is no difference in raw-tif-fine, wonder why Minolta
made them? There certainly is a difference in raw, tif, and
highest jpg settings in other cameras. Just visit the other forums
and ask. Most will say they shoot in raw. They reserve the highest
jpg setting for caual shooting or when card space is limited.
Here's an educated guess. Most images are captured as JPEGs.
But people talk more about the high end images because that's
where the interesting discussion lies. These are either raw or
use lossless compression.

As to why Minolta made them one might wonder why people
buy cameras with P,A,S, and M exposure modes and mainly use
just one of them. The whole point of paying for something higher
than a P&S camera is the issue of control and choice. If you need
an extra 0.3 EV exposure you can dial it in.

---------------
Andrew.
 
Bryon,

You should use raw or tiff to avoid generation loss which occurs through jpg. Think of raw or tiff as a negative. Jpeg is simply a "polaroid". If you want to perserve copies of your work, you should do so in raw or tiff. Cause if you save in jpg in camera and open it up in PS and save it again, you lose quailty each time, this is generation loss. Even if you save jpg in camera and save as tiff in PS, you are making a negative from a print.
For no other reason at all this alone is enough reason to use raw or tiff!

But the D7 is not designed to do so AND shoot continous because of its 10mb buffer. This from a $1500???

IMHO, this will be the show stopper for most serious photographers that do their research before they buy. Because the extra resolution you get with the D7 is minimum and not dramtically better then 4MP cameras, when weighed with all the other quirks involved, including it's price, that little extra resolution come with a verry high price and sacrifice in other important areas.

This is NOT to say that some people won't be happy with their D7, obviously at least about a dozen in this forum are. But this forum is in no way an actual indicator of what the acceptance or satisfaction ratio will be.

IMO, there will be a lot of returns. I only hope that Minolta does not abandon the D7 like they did with their RD3000. Because the D7 has a lot of potenial.

Jim K
I will reply to jawed and Bryon's posts as they were made with
sincere interest.

When ever I get around to finalizing my page for the D7 reviews you
will see samples. Still I doubt it will silence anyone who believes
otherwise.
Hi Jim, I can't wait to see it, you have been mentioning it for a
while.
Posts that claim they see no difference between raw-tiff-fine
actually are not doing the D7 any justice as they are pointing out
yet another weakness. This implies that the over all image quality
of the D7 is about the same as the E10 in it's middle qaulity
setting. I am inclined to agree that the difference is not that
dramatic, however there are other benefits involved in shooting
tiff and raw, keep reading.
Well, perhaps not. Note that all I ever said was that I can't
SEE any positive difference, not that there IS no difference,
or that YOU (or someone else) can't see a positive difference. I
certainly believe that there is a difference; there has to be
because JPEG is not lossless, information is lost. I can see a
difference too, but I can't say which one I think is better.

I think that most people would agree that they have to look hard
to see a positive difference for TIFF/RAW vs JPEG even if they have
identical shots. I also think that if you took two similar but not
identical shots, say of two different houses, then showed them to
people in a "blind" test (maybe show them prints) that it will
prove impossible for them to tell which one was taken with TIFF/RAW.

However I certainly don't want to discourage anyone from using TIFF
or RAW if they want to. It might give you that little extra
something. I can't say what it is, but if you can stand the wait,
and if you have software to work with 48 bit files, then why not.

Bryan
 
Just a question about the quality of the image capture.I know that
shooting in Tiff mode on the D7 should give better results than
shooting in the highest quality jpeg mode.Has anyone done any test
pictures and what are the results ie; is the Tiff mode that much
better than jpeg or are the results simiilar.By the way I know that
jpeg is lossy but on tests I carried out on my Casio 3000 I could
see very little difference in quaity.By the way I am awaiting
delivery of my new D7
Fred.
I really didn't know what a discussion? I was going to start.I have now decided as I patiently wait for my new D7 to be deliverd to see what the quality difference is myself.I made my mind up about the camera on a few different aspects .Zoom size especially wide angle, manual zoom , manual focus, what you see is what you get in the EVF .The camera seems to be as near an SLR as possible without buying the D1 and as I already own a lot of Minolta accessories that will work withe D7, Flash, remote release etc: I really only wanted to find out the the picture quality in fine jpeg.
Thank you again to all who replied
Fred
 
Hi Juan,

It sounds like fun to me too. One question: would it be esier to shoot one tiff and one jpeg and do the comparision as you suggested? By introducing the DIVU process, it creates another variable in the process (i.e. the default compression may be quite different from the Fine). What knid of file size did you get when you do that? Is it comparable to the 'normal' jpeg Fine's size?

I am a newbie in PS. I can follow your steps all the way until

"> Now more fun, flatten the image, open the levels and move the white
point to the leftmost position, this will prove that the two files
are quite different."
My question is: after your flatten the layers, how can you still compare the images? May be it is very obvious to you, but I am missing something here. Please go through this part a bit slower for my benefit. TIA.
This is fun, an experiment to see the difference between an image
TIFF/RAW and the same in JPEG.

Shot a TIFF, load it on DIVU BUT with Color Matching Unchecked!!
Save the image in JPEG (use the default compression 6, let's assume
this is equivalent to a JPEG in Fine mode from the camera.

Now load the TIFF in PhotoShope (or any other program), and load
also the JPEG. Copy the jpeg image over the TIFF as a new layer
and, in that JPEG layer, set the "Merging mode" to Difference.

You should see a black image, whatever is not 100% black on it is
what the JPEG compression changed over the original! this proves
that the two files are the same (for the eye).

Now more fun, flatten the image, open the levels and move the white
point to the leftmost position, this will prove that the two files
are quite different.

Going back to the black frame (before moving the white point to the
left), flatten and invert the image, it should be all white. Print
it and you could see the effect on the printer, anything not pure
whilte is changed (I haven't tried it). (Inverting the image is
only for saving a cartridge of ink :-)

Regards,
Juan
Are you implying that compression ratio has no effect on quality?
Noise? Jpeg artifacts? It most certainly does. I admit in Raw and
Tif the D7 puts out excellent quality, but not being able to shoot
continuous in these settings limits it's usefulness verry
seriously. You would have to wait 40 seconds in between shots. This
from a $1500 camera??
Jim, care to post some evidence of the difference in image quality
between JPEG Fine and RAW? I can only achieve a difference if I
deliberately under-expose by 3 stops. The noise in the JPEG
version has a different colour to the RAW noise and it suffers
from a kind of left-to-right blurring which the RAW image doesn't.
I have tried very hard to see a difference between RAW, TIFF and
Fine with carefully controlled shots. At first I was expecting to
find such a difference, and actually re-shot my test three times
when I could not. RAW does look different, but I don't think that
it is better. This may all change if anyone finally supports the
Minolta RAW format, look at the incredible job that Qimage and
Bibble did with the D1. That is just my opinion, and I'd like to be
proven wrong.
Overall I can't think why anyone would use RAW mode. I would love
to see a reason why I am wrong because I'd prefer to use RAW in
situations that it would show an advantage, providing I know what
those situations are (I can't experiment with every situation
pre-emptively!)

Also, where do you get a 30-40s write time for a RAW file? It is
22-23s for everyone. Why would anyone create a TIFF file instead
of a RAW file.
Some slower cards do that that long, and I have one of them
unfortunately. See:

http://webpages.charter.net/bbiggers/DCExperiments/html/dimage_flash_card_speeds.html

Bryan
Oh, I know, because some peeps want to avoid using DIVU. Fair enough.
Joo with all due respect, I'm not pertending to speak for any group
of people but comparing cameras. The D7 lacks many very basic
features on high end consumer camera's and prosumer cameras. It's
BIGGEST weakness is it's small buffer size, not being able to shoot
continuous in Tiff or Raw. It's not for you or me to say what most
people will do. I am only reviewing the D7 in comparrisions with
other cameras.
Just what features do you mean ("many very basic features on high
end consumer cameras")? Jim you are guilty of generalising to the
point of meaninglessness.

Maybe you should hold off being so generalistic until you've
finished your write-up and posted it on your webby. Maybe you
have, sorry I didn't realise you've finished your review.

Jawed
 
Hi Juan,
It sounds like fun to me too. One question: would it be esier to
shoot one tiff and one jpeg and do the comparision as you
suggested? By introducing the DIVU process, it creates another
variable in the process (i.e. the default compression may be quite
different from the Fine). What knid of file size did you get when
you do that? Is it comparable to the 'normal' jpeg Fine's size?
If you compare two different shots the experiment won't work because the differences between the shots due to the slighthest motion shoting will mess it up. The only way I can know for having the same input but saved in the two formats is what I described (although loading the TIFF loading+JPEG saving can be done with any other program: I just suggested DIVU because maybe it uses nearer parameters when JPEG compressing. If doing it with DIVU, it's important to disable color correction, otherwise you'd have the TIFF orignal and the JPEG color corrected.
I am a newbie in PS. I can follow your steps all the way until

"> Now more fun, flatten the image, open the levels and move the white
point to the leftmost position, this will prove that the two files
are quite different."
My question is: after your flatten the layers, how can you still
compare the images? May be it is very obvious to you, but I am
missing something here. Please go through this part a bit slower
for my benefit. TIA.
In fact you are not comparing the images, you build a new one that shows the differences between the two files. Up to this step is the "visual" part of the experiment. You will see the resulting image all black (that would mean the two files are exactly equal), but with this second part you will increase the contrast so what was black(for your eye) will appear exagerated and you'll have an idea of what is there.

DISCLAIMER: I have no idea if this is actually significant and scientific enough as for drawing some conclusion but it's interesting to try. Worth also comparing this way a JPEG-Fine and one JPEG-Std

Juan
This is fun, an experiment to see the difference between an image
TIFF/RAW and the same in JPEG.

Shot a TIFF, load it on DIVU BUT with Color Matching Unchecked!!
Save the image in JPEG (use the default compression 6, let's assume
this is equivalent to a JPEG in Fine mode from the camera.

Now load the TIFF in PhotoShope (or any other program), and load
also the JPEG. Copy the jpeg image over the TIFF as a new layer
and, in that JPEG layer, set the "Merging mode" to Difference.

You should see a black image, whatever is not 100% black on it is
what the JPEG compression changed over the original! this proves
that the two files are the same (for the eye).

Now more fun, flatten the image, open the levels and move the white
point to the leftmost position, this will prove that the two files
are quite different.

Going back to the black frame (before moving the white point to the
left), flatten and invert the image, it should be all white. Print
it and you could see the effect on the printer, anything not pure
whilte is changed (I haven't tried it). (Inverting the image is
only for saving a cartridge of ink :-)

Regards,
Juan
Are you implying that compression ratio has no effect on quality?
Noise? Jpeg artifacts? It most certainly does. I admit in Raw and
Tif the D7 puts out excellent quality, but not being able to shoot
continuous in these settings limits it's usefulness verry
seriously. You would have to wait 40 seconds in between shots. This
from a $1500 camera??
Jim, care to post some evidence of the difference in image quality
between JPEG Fine and RAW? I can only achieve a difference if I
deliberately under-expose by 3 stops. The noise in the JPEG
version has a different colour to the RAW noise and it suffers
from a kind of left-to-right blurring which the RAW image doesn't.
I have tried very hard to see a difference between RAW, TIFF and
Fine with carefully controlled shots. At first I was expecting to
find such a difference, and actually re-shot my test three times
when I could not. RAW does look different, but I don't think that
it is better. This may all change if anyone finally supports the
Minolta RAW format, look at the incredible job that Qimage and
Bibble did with the D1. That is just my opinion, and I'd like to be
proven wrong.
Overall I can't think why anyone would use RAW mode. I would love
to see a reason why I am wrong because I'd prefer to use RAW in
situations that it would show an advantage, providing I know what
those situations are (I can't experiment with every situation
pre-emptively!)

Also, where do you get a 30-40s write time for a RAW file? It is
22-23s for everyone. Why would anyone create a TIFF file instead
of a RAW file.
Some slower cards do that that long, and I have one of them
unfortunately. See:

http://webpages.charter.net/bbiggers/DCExperiments/html/dimage_flash_card_speeds.html

Bryan
Oh, I know, because some peeps want to avoid using DIVU. Fair enough.
Joo with all due respect, I'm not pertending to speak for any group
of people but comparing cameras. The D7 lacks many very basic
features on high end consumer camera's and prosumer cameras. It's
BIGGEST weakness is it's small buffer size, not being able to shoot
continuous in Tiff or Raw. It's not for you or me to say what most
people will do. I am only reviewing the D7 in comparrisions with
other cameras.
Just what features do you mean ("many very basic features on high
end consumer cameras")? Jim you are guilty of generalising to the
point of meaninglessness.

Maybe you should hold off being so generalistic until you've
finished your write-up and posted it on your webby. Maybe you
have, sorry I didn't realise you've finished your review.

Jawed
 

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