DavidMillier
Forum Pro
xxl
I'm currently using the following cameras:
Kodak 14n
Nikon D100
Canon 350D
Minolta A200
Fuji S5500
I'm always interested in maximising image quality so wherever possible I shoot raw, base ISO, prime lenses and use a tripod.
I find that none of these cameras even the so called silky smooth Canon sensor provides images at ISO 800 that meet my personal taste. Only the Canon can do so at ISO 400 and then only just. All the cameras except the fuji I find completely acceptable at base ISO (although the Kodak benefits from half a stop of overexposure and keeping shutter speeds above 1/15th sec).
I say this just to establish the fact that I am quite aware of noise in images and I don't like it one bit.
Now against that background I can say hand on heart that at base ISO I find no more practical noise at all in the Minolta shots in prints than there is from the Canon (at base ISO). Yes you can see a difference at 100% onscreen but in prints the images are essentially identical.
No I wouldn't use the A200 above ISO 50 but with the anti shake and fast lens that is more than enough for any purposes I would use it for so I utterly reject statements to the effect that 8MP digicams are completely unusable. Certainly the A200 has less visible noise than my Olympus E10 2/3 sensor 4MP DSLR exhibited and people love the image quality from that camera.
There are no cameras currently available that do everything in one package. If you want complete flexibility you will have to buy different types.
I bought my A200 for those times when I needed a small, lightweight pocket camera with a wide zoom range that produced image quality roughly equivalent to entry level DSLRs. I found it.
By the way, my 4MP Fuji produces unpleasant levels of noise even at ISO 64 in anything other than bright sunlight. It was fine on safari in Tanzania but in typical English weather I find it the noisiest camera I've ever come across in jpeg and even worse in raw. I may just have a bad sample because reviewers rate it but mine's a stinker.
I'm currently using the following cameras:
Kodak 14n
Nikon D100
Canon 350D
Minolta A200
Fuji S5500
I'm always interested in maximising image quality so wherever possible I shoot raw, base ISO, prime lenses and use a tripod.
I find that none of these cameras even the so called silky smooth Canon sensor provides images at ISO 800 that meet my personal taste. Only the Canon can do so at ISO 400 and then only just. All the cameras except the fuji I find completely acceptable at base ISO (although the Kodak benefits from half a stop of overexposure and keeping shutter speeds above 1/15th sec).
I say this just to establish the fact that I am quite aware of noise in images and I don't like it one bit.
Now against that background I can say hand on heart that at base ISO I find no more practical noise at all in the Minolta shots in prints than there is from the Canon (at base ISO). Yes you can see a difference at 100% onscreen but in prints the images are essentially identical.
No I wouldn't use the A200 above ISO 50 but with the anti shake and fast lens that is more than enough for any purposes I would use it for so I utterly reject statements to the effect that 8MP digicams are completely unusable. Certainly the A200 has less visible noise than my Olympus E10 2/3 sensor 4MP DSLR exhibited and people love the image quality from that camera.
There are no cameras currently available that do everything in one package. If you want complete flexibility you will have to buy different types.
I bought my A200 for those times when I needed a small, lightweight pocket camera with a wide zoom range that produced image quality roughly equivalent to entry level DSLRs. I found it.
By the way, my 4MP Fuji produces unpleasant levels of noise even at ISO 64 in anything other than bright sunlight. It was fine on safari in Tanzania but in typical English weather I find it the noisiest camera I've ever come across in jpeg and even worse in raw. I may just have a bad sample because reviewers rate it but mine's a stinker.
WOW, you can't see much of a difference if you restrict yourself to
shooting at ISO 64 in perfect light.
That's incredible.
I always wondered why cameraes have more than a ISO 50 setting
since that is more than enough for 99.99% of all situations.