Does any of you use 550EX for studio work ??

Mihai Marinescu

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Hi all!

I consider to buy one more 550EX and a ST-E2 for some potrait work. Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
Hi Mihai,

I just achieved my first pro shots last day for a company in Paris: 12 people from the board of directors at their desk with D30, 2 550EX with umbrellas and STE2. Impressive results (comments from people themselves when viewing just after the shots on a Sony TV screen the RAW images). Because you can control immediately the results, life is changing, people are more relaxed, more natural... And forget flashmeter ! The only pb is due to 1.6x coeff. witch condemn you to have enough place to avoid focal deformation on a room you cannot choose. Sorry for not showing you results because of confidential shots but trust me, it's the revolution.
All the best
Pascal
Hi all!
I consider to buy one more 550EX and a ST-E2 for some potrait work.
Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If
yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
Thanx for the reply.Sounds interesting. I just ordered the ST-E2 today so i hope i´ll have it on Monday. I still need another 550Ex but that´s when the money is going to afford. I hope somebody is going to post some pictures because i am really curios how it looks. Especially when you say it was amazing.

Mihai
I just achieved my first pro shots last day for a company in Paris:
12 people from the board of directors at their desk with D30, 2
550EX with umbrellas and STE2. Impressive results (comments from
people themselves when viewing just after the shots on a Sony TV
screen the RAW images). Because you can control immediately the
results, life is changing, people are more relaxed, more natural...
And forget flashmeter ! The only pb is due to 1.6x coeff. witch
condemn you to have enough place to avoid focal deformation on a
room you cannot choose. Sorry for not showing you results because
of confidential shots but trust me, it's the revolution.
All the best
Pascal
Hi all!
I consider to buy one more 550EX and a ST-E2 for some potrait work.
Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If
yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
First of all I need to tell you that I am a total beginner when it comes to portraits. I'm an amateur photographer who likes to play with light wherever I can.

I just recently purcahsed a 550EX, 420EX, ST-E2, 30" and 45" umbrella, 2 light stands, and a Sto-fen diffuser for my 420EX.

For the images below, it was my FIRST attempt at portrait photography. I used the 420 on a light stand with stofen diffuser direct on the flash (didn't use umbrealla). The 420 was my main light. I used the 550 as fill light using the 30" umbrella directly behind the camera and about 3 feet above the camera. I set a ratio on the ST-E2 of anywhere between 1:2 and 1:4 for the images shot, the most pleasing ended up being about 1:2 (the first and last images below were shot with 1:2 ratio).

All this was my first attempt, I learned quite a bit and didn't have any problems setting up the lights or with the ST-E2. Modeling flash is pretty usefull!

Keep in mind that I really don't have any experience doing portraits or setting up the lighting for it. My intent was only to show you that a beginner like myself was at least able to obtain the results below with absolutely no troubles at all.

These pictures were shot in my apartment with the model about 3 feet from the living room wall sitting on a little foot stool with my 28-70L lens zoomed at 70mm with 2.8 or 5.6 aperture. Shutter speed 1/60. The camera was in manual mode and was showing an underexposure of over 2 stops. Regardless, I let the E-TTL of the flash do all the work. I ended up having to overexpose the flashes by +1 stop (in camera settings, no need to tweak the flashes themselves) to get the amount of light I wanted. I think I needed the flash compensation because the metering for flash was partially metering the off-white wall.








Hi all!
I consider to buy one more 550EX and a ST-E2 for some potrait work.
Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If
yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
my experience of using the 550ex for portrait type work is that an external battery pack would be essential. waiting for the 550 to recharge is a bit of a pain...and you do miss the "after shot" expression when the subject relaxes.
 
David,

I'm considering buying a 550EX. What external battery packs are available for it?
Charles
my experience of using the 550ex for portrait type work is that an
external battery pack would be essential. waiting for the 550 to
recharge is a bit of a pain...and you do miss the "after shot"
expression when the subject relaxes.
 
I use a Quantum Turbo battery pak with two CZ cables and a Y connector, 2 550's on umbrellas, a ST-E2 or 3rd 550 on camera. When used in ETTL mode, usually fires at full flash and recycles in about 3-4 seconds. Expermenting with more traditional fixed output and manual f/stop settings you can get the recycle times much faster.
my experience of using the 550ex for portrait type work is that an
external battery pack would be essential. waiting for the 550 to
recharge is a bit of a pain...and you do miss the "after shot"
expression when the subject relaxes.
 
Hi Mihai,

I just achieved my first pro shots last day for a company in Paris:
12 people from the board of directors at their desk with D30, 2
550EX with umbrellas and STE2.
Pascal:

What EI and f-stop did you use? I also use 2 550ex with umbrellas for "down and dirty" quick situations, but the 550's with umbrellas aren't that powerful.
 
Hi Pascal

I have some Bronica studio flashes, but I want to start doing more on-location work with 550EX. Can you tell me how you physically connect the 550EX and umbrellas? Are there special umbrellas that somehow connect to the 550, or do you have a stand that will allow you to mount the flash and the umbrella? I have a load of umbrellas and stands for my studio gear, so I would like to use these if possible

Thanks

Mark
I just achieved my first pro shots last day for a company in Paris:
12 people from the board of directors at their desk with D30, 2
550EX with umbrellas and STE2. Impressive results (comments from
people themselves when viewing just after the shots on a Sony TV
screen the RAW images). Because you can control immediately the
results, life is changing, people are more relaxed, more natural...
And forget flashmeter ! The only pb is due to 1.6x coeff. witch
condemn you to have enough place to avoid focal deformation on a
room you cannot choose. Sorry for not showing you results because
of confidential shots but trust me, it's the revolution.
All the best
Pascal
Hi all!
I consider to buy one more 550EX and a ST-E2 for some potrait work.
Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If
yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
Hi Trevor

Nice results. Especially for a first attempt.

I have a couple of questions for you. I want to do a similar thing to you. I currently have a 550EX and I'm trying to decide what else I need to buy.

Is there any reason why you chose the configuration you did?

Why a 420 and a 550 instead of two 550's?

Why did you need the ST-E2 if the 550 can trigger the 420? Couldn't you just use an off camera cable for the 550 (to get the umbrella out of the way of the viewfinder/screen) and have it trigger the 420?

If all your stuff was stolen and you had to replace it, would you buy the same config?

My immediate need (for another project) is a single wireless off-camera flash. However, I would like to use whatever I buy for portraiture too.

My current thinking is that (because the ST-E2 is $194, the 420EX is $184 and the 550EX is $314) I should buy a second 550EX (a bit more expensive, but gives me a second good flash) or a 420EX (cheaper than ST-E2, using 550EX o trigger) instead of the ST-E2. Maybe I would also buy the off-shoe cable too to get the 550 out of the way (off the camera) What do you thinlk about this?

Do you know if it's possible to use the 550EX solely as a trigger for a wireless slave (i.e. no flash output: I want it to behave like a ST-E2 in certain cases).

Thanks in advance

mark
I just recently purcahsed a 550EX, 420EX, ST-E2, 30" and 45"
umbrella, 2 light stands, and a Sto-fen diffuser for my 420EX.

For the images below, it was my FIRST attempt at portrait
photography. I used the 420 on a light stand with stofen diffuser
direct on the flash (didn't use umbrealla). The 420 was my main
light. I used the 550 as fill light using the 30" umbrella directly
behind the camera and about 3 feet above the camera. I set a ratio
on the ST-E2 of anywhere between 1:2 and 1:4 for the images shot,
the most pleasing ended up being about 1:2 (the first and last
images below were shot with 1:2 ratio).

All this was my first attempt, I learned quite a bit and didn't
have any problems setting up the lights or with the ST-E2. Modeling
flash is pretty usefull!

Keep in mind that I really don't have any experience doing
portraits or setting up the lighting for it. My intent was only to
show you that a beginner like myself was at least able to obtain
the results below with absolutely no troubles at all.

These pictures were shot in my apartment with the model about 3
feet from the living room wall sitting on a little foot stool with
my 28-70L lens zoomed at 70mm with 2.8 or 5.6 aperture. Shutter
speed 1/60. The camera was in manual mode and was showing an
underexposure of over 2 stops. Regardless, I let the E-TTL of the
flash do all the work. I ended up having to overexpose the flashes
by +1 stop (in camera settings, no need to tweak the flashes
themselves) to get the amount of light I wanted. I think I needed
the flash compensation because the metering for flash was partially
metering the off-white wall.








Hi all!
I consider to buy one more 550EX and a ST-E2 for some potrait work.
Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If
yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
Hi Mark,

You must have been searching the forum to dig up this post.

I'll try to answer your questions...
Why a 420 and a 550 instead of two 550's?
2 reasons
1: to save a little money.

2: because the 420EX is quite a bit smaller and I also wanted an on camera flash that wouldn't intimidate people. I only bought the 550EX for future manual uses and for strobe (which I haven't even tried yet).
Why did you need the ST-E2 if the 550 can trigger the 420? Couldn't
you just use an off camera cable for the 550 (to get the umbrella
out of the way of the viewfinder/screen) and have it trigger the
420?
I needed two flashes off camera. One above the camera at least 2 to 3 feet and behind me about 3 feet. (thus eliminating the possibility of the off camera cable). The other for main light to the left or right of subject. If I wanted to, I could have paid the extra $120 or so for another 550EX instead of the ST-E2, but chose not to. Also, using the ST-E2 in the store was really easy to use and I liked how easy setting ratios was (one button operation).

If you just need one off camera flash, ST-E2 + 550EX is a LOT less bag space than two 550EX's.

I also use a flash bracket on the camera and didn't want to have to fuss with wires floating around. ST-E2 with flash on bracket works excellent indoors, but I haven't tested enough outdoors to know if it's reliable enough.

And the last reason for the ST-E2 instead of an additional 550EX was because of the answer to your last question about using it solely as a trigger.
If all your stuff was stolen and you had to replace it, would you
buy the same config?
I Probably would. I haven't used my 550EX in manual or strobe yet, so technically I haven't really gotten my monies worth yet.
Do you know if it's possible to use the 550EX solely as a trigger
for a wireless slave (i.e. no flash output: I want it to behave
like a ST-E2 in certain cases).
I've never tried, but everything I've read tells me that you can make it work solely as a trigger but the pre flash will still fire from the 550EX. Apparently there's nothing you can do about that.
Nice results. Especially for a first attempt.

I have a couple of questions for you. I want to do a similar thing
to you. I currently have a 550EX and I'm trying to decide what else
I need to buy.

Is there any reason why you chose the configuration you did?

Why a 420 and a 550 instead of two 550's?
Why did you need the ST-E2 if the 550 can trigger the 420? Couldn't
you just use an off camera cable for the 550 (to get the umbrella
out of the way of the viewfinder/screen) and have it trigger the
420?
If all your stuff was stolen and you had to replace it, would you
buy the same config?

My immediate need (for another project) is a single wireless
off-camera flash. However, I would like to use whatever I buy for
portraiture too.

My current thinking is that (because the ST-E2 is $194, the 420EX
is $184 and the 550EX is $314) I should buy a second 550EX (a bit
more expensive, but gives me a second good flash) or a 420EX
(cheaper than ST-E2, using 550EX o trigger) instead of the ST-E2.
Maybe I would also buy the off-shoe cable too to get the 550 out of
the way (off the camera) What do you thinlk about this?

Do you know if it's possible to use the 550EX solely as a trigger
for a wireless slave (i.e. no flash output: I want it to behave
like a ST-E2 in certain cases).

Thanks in advance

mark
I just recently purcahsed a 550EX, 420EX, ST-E2, 30" and 45"
umbrella, 2 light stands, and a Sto-fen diffuser for my 420EX.

For the images below, it was my FIRST attempt at portrait
photography. I used the 420 on a light stand with stofen diffuser
direct on the flash (didn't use umbrealla). The 420 was my main
light. I used the 550 as fill light using the 30" umbrella directly
behind the camera and about 3 feet above the camera. I set a ratio
on the ST-E2 of anywhere between 1:2 and 1:4 for the images shot,
the most pleasing ended up being about 1:2 (the first and last
images below were shot with 1:2 ratio).

All this was my first attempt, I learned quite a bit and didn't
have any problems setting up the lights or with the ST-E2. Modeling
flash is pretty usefull!

Keep in mind that I really don't have any experience doing
portraits or setting up the lighting for it. My intent was only to
show you that a beginner like myself was at least able to obtain
the results below with absolutely no troubles at all.

These pictures were shot in my apartment with the model about 3
feet from the living room wall sitting on a little foot stool with
my 28-70L lens zoomed at 70mm with 2.8 or 5.6 aperture. Shutter
speed 1/60. The camera was in manual mode and was showing an
underexposure of over 2 stops. Regardless, I let the E-TTL of the
flash do all the work. I ended up having to overexpose the flashes
by +1 stop (in camera settings, no need to tweak the flashes
themselves) to get the amount of light I wanted. I think I needed
the flash compensation because the metering for flash was partially
metering the off-white wall.








Hi all!
I consider to buy one more 550EX and a ST-E2 for some potrait work.
Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If
yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
Mark

Greetings from the UK

I have some studio equipment, and not that i have done any location work, but i have a mini generator - upto a 1000 Watts, this is ample for running my PC (I used it when i had a caravan) and for studio flashes if required.

this cost me about £400, and runs on unleaded, would this not do the job for you?

Kind regards

Neil Wallis-Tennant
"I have some Bronica studio flashes, but I want to start doing more
on-location work" ................ with 550EX. >
 
Thanks Trevor
You must have been searching the forum to dig up this post.

I'll try to answer your questions...
Why a 420 and a 550 instead of two 550's?
2 reasons
1: to save a little money.
2: because the 420EX is quite a bit smaller and I also wanted an on
camera flash that wouldn't intimidate people. I only bought the
550EX for future manual uses and for strobe (which I haven't even
tried yet).
Why did you need the ST-E2 if the 550 can trigger the 420? Couldn't
you just use an off camera cable for the 550 (to get the umbrella
out of the way of the viewfinder/screen) and have it trigger the
420?
I needed two flashes off camera. One above the camera at least 2 to
3 feet and behind me about 3 feet. (thus eliminating the
possibility of the off camera cable). The other for main light to
the left or right of subject. If I wanted to, I could have paid the
extra $120 or so for another 550EX instead of the ST-E2, but chose
not to. Also, using the ST-E2 in the store was really easy to use
and I liked how easy setting ratios was (one button operation).

If you just need one off camera flash, ST-E2 + 550EX is a LOT less
bag space than two 550EX's.

I also use a flash bracket on the camera and didn't want to have to
fuss with wires floating around. ST-E2 with flash on bracket works
excellent indoors, but I haven't tested enough outdoors to know if
it's reliable enough.

And the last reason for the ST-E2 instead of an additional 550EX
was because of the answer to your last question about using it
solely as a trigger.
If all your stuff was stolen and you had to replace it, would you
buy the same config?
I Probably would. I haven't used my 550EX in manual or strobe yet,
so technically I haven't really gotten my monies worth yet.
Do you know if it's possible to use the 550EX solely as a trigger
for a wireless slave (i.e. no flash output: I want it to behave
like a ST-E2 in certain cases).
I've never tried, but everything I've read tells me that you can
make it work solely as a trigger but the pre flash will still fire
from the 550EX. Apparently there's nothing you can do about that.
Nice results. Especially for a first attempt.

I have a couple of questions for you. I want to do a similar thing
to you. I currently have a 550EX and I'm trying to decide what else
I need to buy.

Is there any reason why you chose the configuration you did?

Why a 420 and a 550 instead of two 550's?
Why did you need the ST-E2 if the 550 can trigger the 420? Couldn't
you just use an off camera cable for the 550 (to get the umbrella
out of the way of the viewfinder/screen) and have it trigger the
420?
If all your stuff was stolen and you had to replace it, would you
buy the same config?

My immediate need (for another project) is a single wireless
off-camera flash. However, I would like to use whatever I buy for
portraiture too.

My current thinking is that (because the ST-E2 is $194, the 420EX
is $184 and the 550EX is $314) I should buy a second 550EX (a bit
more expensive, but gives me a second good flash) or a 420EX
(cheaper than ST-E2, using 550EX o trigger) instead of the ST-E2.
Maybe I would also buy the off-shoe cable too to get the 550 out of
the way (off the camera) What do you thinlk about this?

Do you know if it's possible to use the 550EX solely as a trigger
for a wireless slave (i.e. no flash output: I want it to behave
like a ST-E2 in certain cases).

Thanks in advance

mark
I just recently purcahsed a 550EX, 420EX, ST-E2, 30" and 45"
umbrella, 2 light stands, and a Sto-fen diffuser for my 420EX.

For the images below, it was my FIRST attempt at portrait
photography. I used the 420 on a light stand with stofen diffuser
direct on the flash (didn't use umbrealla). The 420 was my main
light. I used the 550 as fill light using the 30" umbrella directly
behind the camera and about 3 feet above the camera. I set a ratio
on the ST-E2 of anywhere between 1:2 and 1:4 for the images shot,
the most pleasing ended up being about 1:2 (the first and last
images below were shot with 1:2 ratio).

All this was my first attempt, I learned quite a bit and didn't
have any problems setting up the lights or with the ST-E2. Modeling
flash is pretty usefull!

Keep in mind that I really don't have any experience doing
portraits or setting up the lighting for it. My intent was only to
show you that a beginner like myself was at least able to obtain
the results below with absolutely no troubles at all.

These pictures were shot in my apartment with the model about 3
feet from the living room wall sitting on a little foot stool with
my 28-70L lens zoomed at 70mm with 2.8 or 5.6 aperture. Shutter
speed 1/60. The camera was in manual mode and was showing an
underexposure of over 2 stops. Regardless, I let the E-TTL of the
flash do all the work. I ended up having to overexpose the flashes
by +1 stop (in camera settings, no need to tweak the flashes
themselves) to get the amount of light I wanted. I think I needed
the flash compensation because the metering for flash was partially
metering the off-white wall.








Hi all!
I consider to buy one more 550EX and a ST-E2 for some potrait work.
Does any of you guys use 550EX, ST-E2 and umbrela for studio ? If
yes how is it ? I own a Canon D30.

Best Regards
Mihai Marinescu
 
i Neil

thanks for the info. I need sonethign that's really portable. i fly a lot on business and I need to carry my camera equipment in carry on luggage, so a few flashes and a body is about the limit.

Thanks anyway

Regards

Mark
Greetings from the UK

I have some studio equipment, and not that i have done any location
work, but i have a mini generator - upto a 1000 Watts, this is
ample for running my PC (I used it when i had a caravan) and for
studio flashes if required.

this cost me about £400, and runs on unleaded, would this not do
the job for you?

Kind regards

Neil Wallis-Tennant
"I have some Bronica studio flashes, but I want to start doing more
on-location work" ................ with 550EX. >
 
Great information.

I actually have 3 550EX's. I have found the width to be very
narrow. My field of view is narrow. I believe around 60 degrees
in fron to the master. (Camera Mounted), unless using a remote
mount.

Does the ST-E2 have a wider range? I am wondering how you
fired behind and in front of the camera. I wonder if the ST-E2
has more than one emitter?

Any ideas?
Hi Mark,

You must have been searching the forum to dig up this post.

I'll try to answer your questions...
 
Does the ST-E2 have a wider range? I am wondering how you
fired behind and in front of the camera. I wonder if the ST-E2
has more than one emitter?
Well, my experience tells me that the so called infra red (red light) works well indoors because it is able to bounce off of walls and transmit it's signal all around with the bouncing. This is probably why the 550EX works on a flash bracket with ST-E2 on camera indoors.

Outdoors, I usually just use my 420 right on the camera except for one time I tried the 550EX with ST-E2 and found that the "Field of view" for the ST-E2 seemed to be about a max of maybe 75 degrees on either side on center for a total of maybe 150 degrees. I can tell you that it definitely did NOT work at 90 degrees outdoors.

I think when I go home today I'll throw the flash on a bracket and go outside to a field somewhere where there are no walls nearby and try to measure how well the 550+ST-E2 function both on bracket and off camera entirely (testing for field of view).

Has anyone else done this yet? Maybe save me some time...oh heck, I just realized my D30 is still getting repaired and I don't even have it. The best I could do is use my EOS 3 without film. Just got a quote from Canon today, $310.00 to fix a crack near the tripod mount......ouch!
I actually have 3 550EX's. I have found the width to be very
narrow. My field of view is narrow. I believe around 60 degrees
in fron to the master. (Camera Mounted), unless using a remote
mount.

Does the ST-E2 have a wider range? I am wondering how you
fired behind and in front of the camera. I wonder if the ST-E2
has more than one emitter?

Any ideas?
Hi Mark,

You must have been searching the forum to dig up this post.

I'll try to answer your questions...
 

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