bkrausephoto
Leading Member
why does it have to be easy....its not designed for the "once in a while picture taker..." , elements is...
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This is what amuses me a little bit. Because it's thought of as the only "professional" app, people think it's the only one to use if you're a photographer. That's bunk. Most professional photographers should be able to use any image editing software and get quality results. And because it's known as the professional app, they charge exhorbinant prices for it. There is very little you can do in PSCS that can't be done using PSP9, for example. On top of it, PSP9 has functionality that PSCS doesn't have.Photoshop is a professional app.
I know you're talking to Michael, but I'll answer it from my perspective... I've had work displayed at PMA 3 times and PPE once. I've had 3 Kodak awards, and was the Minneapolis Photo Society's Monochrom Photographer of the Year in 2003. I do travel to speak with Jasc/Corel, but I was using PSP well before I started doing that for all the reasons I've mentioned.it might take some time to learn then use elements....your constant
bitching is funny, from someone who sounds like he thinks he is the
begin and end all of photography lets see some work....where have
you been published...? put some images behind that big mouth of
yours....
Why does it have to be hard and inflexible?why does it have to be easy....
Jim,Shutter. wrote:
Why does it have to be hard and inflexible?![]()
I believe myself to be much more qualified to make those judgements.bkrausephoto wrote:
what else is wrong with us...? please lets us know Yoda...!!
Nope.Jim,Shutter. wrote:
Why does it have to be hard and inflexible?![]()
Could a novice simply go into PSP9, open up a few levels, create a
few layer masks, work curves, just to start?
Couldn't agree more.To get the most out of it you at least have to understand how to do
what you want. If the notion of layers or curves makes you sweat,
then you simply won't be able to unleash the power of any serious
image editing application.
Actually no. I decided to try PSCS in November and December to see what all the hoopla was about. I was completely underwhelmed. My workflow was longer because of the necessity to continually go up to the menus to use the functions (sure, I could use quickkeys in both apps, but there are too many to remember effectively). PSCS has no flexibility to create your own workflow buttons. I have created a toolbar in PSP9 with the tools I use most frequently, in the order that I use them. Also, the inability to right-click and dup/del layers was extremely frustrating. Also, it drove me nuts that the functions in PSCS don't remember your last setting you used when using that function. So, when doing several of the same shots it was a pain. I will often use quickscripts in PSP9 to edit similar photos, which also is much more efficient.If you're comfortable with PSP9, you'll be right at home with CS. A
simple matter of learning where the buttons are.
Absolutely. But still - $800???PSP9 or PSCS, you still have to understand (at least) the
fundamentals of image editing. The more you know, the more control
you'll have.
You're thinking incorrectly. I use WHCC as my professional printer (as well as hundreds of other professional photographers) and they only print to RGB, so using Adobe does nothing for you. I have no problems whatsoever with color gamut using the sRGB color space. No client has ever had any problem with my colors. Color space, IMO, is one of the over-hyped issues around.Having said that, you're a pro. Something tells me you're not
working in the sRGB color space. I would think a wider gamut would
be desirable. I'm thinking that for your work you're using
PhotoShop. Just like the rest of us.
I think PS just makes color accuracy complicated. Really, think about it. The easiest way to do color management is to have your printer print a file, then compare the print to your monitor and adjust your color temp on your monitor until it matches. I use three different monitors with my laptop - the laptop monitor itself, my studio monitor, and my home monitor. I have found the right color temp on each monitor that matches the same file, and then I change my color temp when I switch monitors so I'm always working with the same colors. It's so much easier than messing around with color management profiles. Gobs and gobs easier.Unless color accuracy is a non-issue, that is.
Good points.Shutter. wrote:
Actually no. I decided to try PSCS in November and December to see
what all the hoopla was about. I was completely underwhelmed. My
workflow was longer because of the necessity to continually go up
to the menus to use the functions (sure, I could use quickkeys in
both apps, but there are too many to remember effectively). PSCS
has no flexibility to create your own workflow buttons. I have
created a toolbar in PSP9 with the tools I use most frequently, in
the order that I use them. Also, the inability to right-click and
dup/del layers was extremely frustrating. Also, it drove me nuts
that the functions in PSCS don't remember your last setting you
used when using that function. So, when doing several of the same
shots it was a pain. I will often use quickscripts in PSP9 to
edit similar photos, which also is much more efficient.
That is a lot of money. Absolutely it is. I just spent $800 on a lens. That's a lot of money too. You would say that if a $100 lens does a job equal to an $800 lens then why not go with the less expensive lens. That would be a valid point, so I'll make it for you. My point is that CS is state of the art. To me and many others, it's worth the price.Absolutely. But still - $800???PSP9 or PSCS, you still have to understand (at least) the
fundamentals of image editing. The more you know, the more control
you'll have.
RGB is fine, in fact, if that's the gamut that your printer uses then you're all set.You're thinking incorrectly. I use WHCC as my professional printerHaving said that, you're a pro. Something tells me you're not
working in the sRGB color space. I would think a wider gamut would
be desirable. I'm thinking that for your work you're using
PhotoShop. Just like the rest of us.
(as well as hundreds of other professional photographers) and they
only print to RGB, so using Adobe does nothing for you. I have no
problems whatsoever with color gamut using the sRGB color space.
No client has ever had any problem with my colors. Color space,
IMO, is one of the over-hyped issues around.
For your type of work what you do is just fine, but if you were doing product photography where color acuracy must be dead-nuts, then the "eyeball" method of calibration wouldn't be good enough. What the camera captures must be true to the scene, what you see on the tube must be true to the scene. Printed output must be true to the scene.I think PS just makes color accuracy complicated. Really, thinkUnless color accuracy is a non-issue, that is.
about it. The easiest way to do color management is to have your
printer print a file, then compare the print to your monitor and
adjust your color temp on your monitor until it matches. I use
three different monitors with my laptop - the laptop monitor
itself, my studio monitor, and my home monitor. I have found the
right color temp on each monitor that matches the same file, and
then I change my color temp when I switch monitors so I'm always
working with the same colors. It's so much easier than messing
around with color management profiles. Gobs and gobs easier.
mmmmmmm... must... have... lensessssss...I don't care what software people use, only get my feathers ruffled
a bit when people think that PSCS is the only software to use if
you're a professional. And it's funny because it doesn't stop
there. Then people buy C1, then they buy a handful of plug-ins to
convert to bw, reduce noise, etc... and spend another few hundred
bucks. So, when it's said and done they've spend $1,500. I spent
$100. Hmmm.... that's a nice lens for the difference.![]()
--Jim
--
Jim Fuglestad
http://www.fuglestadphotography.com
http://www.pbase.com/jfuglestad/galleries
http://www.pbase.com/jfuglestad/366
want!
- You're not in third grade anymore. Take as many recesses as you
- Why simply live and let live? Live and help live.
You have a better memory than me.There are buttons that are user configurable. Keyboard shortcuts to
control actions. I use several of the F keys to start actions. No
problem there.
Well, I think raw is overrated too, lol. But I batch process when I can, but usually the lighting is so dynamic that batch processing is worthless whether raw or jpg. The batch processing methods in PSP9 are excellent! Very much like my batch processing abilities in PSP.Global application of settings is something I usually do in RAW.
This makes sense to me. It makes sense to do as much as you can
before the raw pixel data is rendered into a TIFF. Before the
images ever make it to PS, they have all been (somewhat) adjusted
for color balance and exposure.
Well, if the $100 lens was as good as the $800 lens then absolutely I'd buy the $100 lens. i don't care which lens is white or black.That is a lot of money. Absolutely it is. I just spent $800 on a
lens. That's a lot of money too. You would say that if a $100 lens
does a job equal to an $800 lens then why not go with the less
expensive lens. That would be a valid point, so I'll make it for
you. My point is that CS is state of the art. To me and many
others, it's worth the price.
It's not just fine, it's very good.RGB is fine, in fact, if that's the gamut that your printer uses
then you're all set.
For your type of work what you do is just fine, but if you were
doing product photography where color acuracy must be dead-nuts,
then the "eyeball" method of calibration wouldn't be good enough.
What the camera captures must be true to the scene, what you see on
the tube must be true to the scene. Printed output must be true to
the scene.
No method of color calibration or profiling assures that the color is as it is in real life! The only way we know that is our recollection of the scene as we saw it. It's the photographers job, not the softwares, to get the color accurate to the actual scene.The way you do it gets printer and screen calibrated to each other,
but how does your method assure that what you see in print is
truthful to the actual scene? It doesn't. And that is why I fend
your method problematic.
Hehe.... yeah, and I need to now to replace this one! gulpmmmmmmm... must... have... lensessssss...
Photoshop is a professional app. if you can't handle the fact that
it might take some time to learn then use elements....your constant
bitching is funny, from someone who sounds like he thinks he is the
begin and end all of photography lets see some work....where have
you been published...? put some images behind that big mouth of
yours....
--Photoshop is the industry standard for good reason. It takes time
to learn how to unleash the power of this amazing application.
Sorry, photoshop is not an appliance. It is a powerful application
that requires time spent learning how to use it.
If instant gratification is what you desire there are gads of
programs with "auto-fix" options. Photoshop is not for you, that's
for sure.
I can't believe you would come out here on the pro forum and whine
about photoshop because you're unwilling to invest some time
learning how to use it.
Most pros have spent years learning what they know, and continue
working on perfecting their craft. They have little patience for
appliance operators who insist on instant gratification.
--Who designed this thing, a blind monkey on LSD, and they have the
nerve to charge almost 800 U.S. for it ! I vote it as the "worlds
most user unfriendly softwear" Elements 3 is better because it
promts you to certain functions. Want to become the next Bill
Gates ? Design a photo edit platform that you don't need 2
lifetimes to master.
rich
http://www.photoallure.com
'I'm not such a bad guy
once you get to know me'
-Agent Smith
--Who designed this thing, a blind monkey on LSD, and they have the
nerve to charge almost 800 U.S. for it ! I vote it as the "worlds
most user unfriendly softwear" Elements 3 is better because it
promts you to certain functions. Want to become the next Bill
Gates ? Design a photo edit platform that you don't need 2
lifetimes to master.
--.....dont use it! But dont knock the millions of us who have
invested the time to learn how to use it to do things that we could
not do before!!
--Thanks,
Jim
--.....dont use it! But dont knock the millions of us who have
invested the time to learn how to use it to do things that we could
not do before!!
Jim Fuglestad
http://www.fuglestadphotography.com
http://www.pbase.com/jfuglestad/galleries
http://www.pbase.com/jfuglestad/366
want!
- You're not in third grade anymore. Take as many recesses as you
- Why simply live and let live? Live and help live.
PS tries to be all thigns to all people. Graphic design tool. Web
design tool. Image editing tool.
It's mediocre at all of those, IF you invest a lot of time. It's a
trade off that satisfies no audience completely.
But specialized tools are better. I'm fond of Picture-Window from
http://www.dl-c.com . Designed by a photographer for photgraphers. User
interface is spartan, but very logical.
That such a complex tool as Photoshop is relied on so much might
say something about the state of photography.
I imagine that Ansel Adams would not use Photoshop if he went
digital. He would prever something far simpler, becuase he tried to
get it "right" in the camera, not in the darkroom. Darkroom
manipulation work was only used when the unmanipulated image did
not match his visualization of the image.
--Photoshop is the industry standard for good reason. It takes time
to learn how to unleash the power of this amazing application.
Sorry, photoshop is not an appliance. It is a powerful application
that requires time spent learning how to use it.
If instant gratification is what you desire there are gads of
programs with "auto-fix" options. Photoshop is not for you, that's
for sure.
I can't believe you would come out here on the pro forum and whine
about photoshop because you're unwilling to invest some time
learning how to use it.
Most pros have spent years learning what they know, and continue
working on perfecting their craft. They have little patience for
appliance operators who insist on instant gratification.
--Who designed this thing, a blind monkey on LSD, and they have the
nerve to charge almost 800 U.S. for it ! I vote it as the "worlds
most user unfriendly softwear" Elements 3 is better because it
promts you to certain functions. Want to become the next Bill
Gates ? Design a photo edit platform that you don't need 2
lifetimes to master.
rich
http://www.photoallure.com
'I'm not such a bad guy
once you get to know me'
-Agent Smith
[email protected]
.....dont use it! But dont knock the millions of us who have
invested the time to learn how to use it to do things that we could
not do before!!
Thanks,
Jim
--.....dont use it! But dont knock the millions of us who have
invested the time to learn how to use it to do things that we could
not do before!!
Jim Fuglestad
http://www.fuglestadphotography.com
http://www.pbase.com/jfuglestad/galleries
http://www.pbase.com/jfuglestad/366
want!
- You're not in third grade anymore. Take as many recesses as you
- Why simply live and let live? Live and help live.
--Who designed this thing, a blind monkey on LSD, and they have the
nerve to charge almost 800 U.S. for it ! I vote it as the "worlds
most user unfriendly softwear" Elements 3 is better because it
promts you to certain functions. Want to become the next Bill
Gates ? Design a photo edit platform that you don't need 2
lifetimes to master.
http://naynayphotos.smugmug.com/gallery/439721/1/17710320
This post and many others you have don't really add anything to the generalOh, poor you ! Who cares if you spend your days and nites slaving
over PS...Watza matta...can't take any flak without crying !
Millions do lots of things, does not mean they are right or just or
photoshop gods !