Himalayan watercolor

ErickN

Forum Enthusiast
Messages
361
Reaction score
0
Location
Paris, FR
Hi all,

Some members' recent work (Carrie and Dave Fitzpatrick amongst others) inspired me. So I tried a watercolor rendition of some photos I shot in Nepal a few years ago. Here's one of my first attempts. Any comment ?
Erick



Original :

 
Erick - I'm not a huge watercolor fan, however, I like this one! Nice subtle colors, texture, and presentation. Nice job.
Regards,
Bill
Hi all,

Some members' recent work (Carrie and Dave Fitzpatrick amongst
others) inspired me. So I tried a watercolor rendition of some
photos I shot in Nepal a few years ago. Here's one of my first
attempts. Any comment ?
Erick



Original :

 
Beautiful, it really looks like water colour. How did you do it?
Teri
Hi all,

Some members' recent work (Carrie and Dave Fitzpatrick amongst
others) inspired me. So I tried a watercolor rendition of some
photos I shot in Nepal a few years ago. Here's one of my first
attempts. Any comment ?
Erick



Original :

 
That looks really nice Erick. Do you mind sharing your workflow?
carrie
 
Some members' recent work (Carrie and Dave Fitzpatrick amongst
others) inspired me. So I tried a watercolor rendition of some
photos I shot in Nepal a few years ago. Here's one of my first
attempts. Any comment ?
Erick
--This has a very watercolor-like look, with the "pooling" of the colors giving some outlines and the fading out around the edges. What method did you use?
KathyN
 
Thank you all for your nice words !

My workflow was kind of trial and error, trying to mimic the real-world watercolor workflow, that is :
  • choose a nice textured paper
  • draw a rough sketch showing the main outlines
  • paint the large flat areas with a large soft brush and lot of water
  • paint the details with a smaller brush
  • bright areas almost receive no paint at all (the paper show through)
To recreate this in photoshop, I did the following :

1. Paper :
  • create a layer and fill it with flat white
  • add a Hue/Sat. adjustment layer to fine tune the paper color
  • add a textured layer on top of all layers (overlay blend mode)
2. Paint and water :
  • duplicate the original photo and apply the watercolor filter
  • add a layer mask to mask the whole layer
  • add a Hue/Sat. and curves adjustment layers to fine tune the colors
3. Sketch drawing :
  • duplicate the original photo and convert it to B/W
  • apply an smart blur to the B/W, with edge detection
  • invert the layer to get black on white strokes
  • add a layer mask to clear the outer borders
  • adjust opacity to make the outlines more or less visible
Here's a screenshot of the layers panel :



When those layers were set up, I selected watercolor brushes and painted with white color in the "Paint layer" mask to reveal the colors underneath. The brushes I used are called (in French) "Aquarelle humide à pointe plate" and "Aquarelle à petite pointe ronde", which could be translated to "Flat wet watercolor brush" and "Small round watercolor brush" (don't know the names in english version of PS). The opacity of the brushes was set to 100%, but I made it sensitive to my tablet pen's pressure.

Try not to fill the whole painting with a flat and uniform layer, but rather work by adding up thin layers of "paint" as you'd do with real watercolors. If you've been too "heavy handed" on some parts, you can always fix it by painting back the layer mask with black.

Well, in fact, the workflow is simpler than it sounds. But for those who are frightened by all this stuff, I made an action (PS CS) which sets up all the layers automatically (with customization steps), so all that's left to do is select your prefered brush and begin to paint. While recording the action, I changed all the default names (new layers,...) because I work on a french version of PS. So it should run flawlessly on other language versions.
Here it is :

http://ggw.online.fr/dpreview/Actions/ErickN%20Watercolor.atn

Hope this helps,
Have fun !
Erick
--This has a very watercolor-like look, with the "pooling" of the
colors giving some outlines and the fading out around the edges.
What method did you use?
KathyN
 
Oops ! I forgot something important in the workflow : the "Sketch" and "Watercolor" layers are both set to "multiply" blend mode. So, the black outlines are overlaid over the colors, and the colors are "mixed" with the paper background : if you select a yellowish paper, the "whites" of the watercolor will show this yellowish tint.

Also a few words about the paper texture. I've set up a top texture layer so I can have a rough preview of the final result while painting. But when the work is finished, I turn this layer off, I flatten the image, resize it to publishing size, and only at this stage I apply the texturizer filter. That gives better results IMO.

Erick
 
Oops again !

One more thing : after having created the black on white outlines, I applied a light gaussian blur to soften the jaggies.

Well I hope it's complete now. It's already very late on this side of the pond, and I should go to bed... ;o) Maybe the best sould be that you download the action and have a look at the steps in it !

Erick
 
This is a most awesome technique, Erick. I thank you for sharing the original and the actions palette snapshot, and expecially for crafting the language independent action.

I took the liberty of modifying the action a bit...
  • Following the WC filter, I added Edit > Fade (Screen). Although probably not necessary for this technique, this command takes a lot of the black out of a WC filter rendered result.
  • Following the Smart Blur Edges Only/Invert sequence I added 3-pairs if Stylize > Diffuse > Anisotropic + Fade > Diffuse commands. This allows one to soften the edges a bit (ala Gaussian Blur) with more control. You can always Fade to 0% opacity to negate any Anisotropic step.
Thanks again, Erick. This one's for you.

Danny


My workflow was kind of trial and error, trying to mimic the
real-world watercolor workflow, that is :
  • choose a nice textured paper
  • draw a rough sketch showing the main outlines
  • paint the large flat areas with a large soft brush and lot of water
  • paint the details with a smaller brush
  • bright areas almost receive no paint at all (the paper show through)
To recreate this in photoshop, I did the following :

1. Paper :
  • create a layer and fill it with flat white
  • add a Hue/Sat. adjustment layer to fine tune the paper color
  • add a textured layer on top of all layers (overlay blend mode)
2. Paint and water :
  • duplicate the original photo and apply the watercolor filter
  • add a layer mask to mask the whole layer
  • add a Hue/Sat. and curves adjustment layers to fine tune the colors
3. Sketch drawing :
  • duplicate the original photo and convert it to B/W
  • apply an smart blur to the B/W, with edge detection
  • invert the layer to get black on white strokes
  • add a layer mask to clear the outer borders
  • adjust opacity to make the outlines more or less visible
Here's a screenshot of the layers panel :



When those layers were set up, I selected watercolor brushes and
painted with white color in the "Paint layer" mask to reveal the
colors underneath. The brushes I used are called (in French)
"Aquarelle humide à pointe plate" and "Aquarelle à petite pointe
ronde", which could be translated to "Flat wet watercolor brush"
and "Small round watercolor brush" (don't know the names in english
version of PS). The opacity of the brushes was set to 100%, but I
made it sensitive to my tablet pen's pressure.
Try not to fill the whole painting with a flat and uniform layer,
but rather work by adding up thin layers of "paint" as you'd do
with real watercolors. If you've been too "heavy handed" on some
parts, you can always fix it by painting back the layer mask with
black.

Well, in fact, the workflow is simpler than it sounds. But for
those who are frightened by all this stuff, I made an action (PS
CS) which sets up all the layers automatically (with customization
steps), so all that's left to do is select your prefered brush and
begin to paint. While recording the action, I changed all the
default names (new layers,...) because I work on a french version
of PS. So it should run flawlessly on other language versions.
Here it is :

http://ggw.online.fr/dpreview/Actions/ErickN%20Watercolor.atn

Hope this helps,
Have fun !
Erick
--This has a very watercolor-like look, with the "pooling" of the
colors giving some outlines and the fading out around the edges.
What method did you use?
KathyN
 
That is very,very nice Danny. I like the simplicity of the rose. I am going to be gone all day but will have to give this one a try too!
--
carrie
 
If you plan to print on a textured paper, the addition of the texture at the end may be overkill. I thinkthe best watercolor effect comes from printing on watercolor paper which has just the right amount of absorbancy and spread techniques like this require. Even the modern coated [for inkjet printing] WC papers have enough diffusion to give a good watercolor effect. Adding a texture in the image itself can lead to a texture on texture mix that is hard to plan for. Printing on a flat matt paper would work fine for a digitally added texture, but the finished product wouldn't have the same visual look as a real watercolor.
 
That's really incredible, I would never have guessed that this wasn't an actual hand drawn watercolor.
Sue
I took the liberty of modifying the action a bit...
  • Following the WC filter, I added Edit > Fade (Screen). Although
probably not necessary for this technique, this command takes a lot
of the black out of a WC filter rendered result.
  • Following the Smart Blur Edges Only/Invert sequence I added
3-pairs if Stylize > Diffuse > Anisotropic + Fade > Diffuse
commands. This allows one to soften the edges a bit (ala Gaussian
Blur) with more control. You can always Fade to 0% opacity to
negate any Anisotropic step.

Thanks again, Erick. This one's for you.

Danny


My workflow was kind of trial and error, trying to mimic the
real-world watercolor workflow, that is :
  • choose a nice textured paper
  • draw a rough sketch showing the main outlines
  • paint the large flat areas with a large soft brush and lot of water
  • paint the details with a smaller brush
  • bright areas almost receive no paint at all (the paper show through)
To recreate this in photoshop, I did the following :

1. Paper :
  • create a layer and fill it with flat white
  • add a Hue/Sat. adjustment layer to fine tune the paper color
  • add a textured layer on top of all layers (overlay blend mode)
2. Paint and water :
  • duplicate the original photo and apply the watercolor filter
  • add a layer mask to mask the whole layer
  • add a Hue/Sat. and curves adjustment layers to fine tune the colors
3. Sketch drawing :
  • duplicate the original photo and convert it to B/W
  • apply an smart blur to the B/W, with edge detection
  • invert the layer to get black on white strokes
  • add a layer mask to clear the outer borders
  • adjust opacity to make the outlines more or less visible
Here's a screenshot of the layers panel :



When those layers were set up, I selected watercolor brushes and
painted with white color in the "Paint layer" mask to reveal the
colors underneath. The brushes I used are called (in French)
"Aquarelle humide à pointe plate" and "Aquarelle à petite pointe
ronde", which could be translated to "Flat wet watercolor brush"
and "Small round watercolor brush" (don't know the names in english
version of PS). The opacity of the brushes was set to 100%, but I
made it sensitive to my tablet pen's pressure.
Try not to fill the whole painting with a flat and uniform layer,
but rather work by adding up thin layers of "paint" as you'd do
with real watercolors. If you've been too "heavy handed" on some
parts, you can always fix it by painting back the layer mask with
black.

Well, in fact, the workflow is simpler than it sounds. But for
those who are frightened by all this stuff, I made an action (PS
CS) which sets up all the layers automatically (with customization
steps), so all that's left to do is select your prefered brush and
begin to paint. While recording the action, I changed all the
default names (new layers,...) because I work on a french version
of PS. So it should run flawlessly on other language versions.
Here it is :

http://ggw.online.fr/dpreview/Actions/ErickN%20Watercolor.atn

Hope this helps,
Have fun !
Erick
--This has a very watercolor-like look, with the "pooling" of the
colors giving some outlines and the fading out around the edges.
What method did you use?
KathyN
--
http://www.pbase.com/artshot
http://artshot.darwinonline.org
http://www.beatricedesignsinc.com
http://hometown.aol.com/suebeatrice/index.html
 
What a realistic watercolor effect! Great job, and thanks for the tutorial!
I hope I can follow the steps, they seem a bit tricky :)

Sue
Hi all,

Some members' recent work (Carrie and Dave Fitzpatrick amongst
others) inspired me. So I tried a watercolor rendition of some
photos I shot in Nepal a few years ago. Here's one of my first
attempts. Any comment ?
Erick



Original :

--
http://www.pbase.com/artshot
http://artshot.darwinonline.org
http://www.beatricedesignsinc.com
http://hometown.aol.com/suebeatrice/index.html
 
Thanks very much Danny, I really appreciate :o)
This is a most awesome technique, Erick. I thank you for sharing
the original and the actions palette snapshot, and expecially for
crafting the language independent action.
I'm glad to hear it works well !
I took the liberty of modifying the action a bit...
That's all the fun with sharing knowledge. Play with it, change some steps, make the action better or simply different, and share your new ideas back with everyone. That's great !
  • Following the WC filter, I added Edit > Fade (Screen). Although
probably not necessary for this technique, this command takes a lot
of the black out of a WC filter rendered result.
I'll have a try at it. Indeed, I sometimes wished I could make WC less dark, and didn't think about doing it with the fade function. Depending on the original photo, it may be a great improvement.
  • Following the Smart Blur Edges Only/Invert sequence I added
3-pairs if Stylize > Diffuse > Anisotropic + Fade > Diffuse
commands. This allows one to soften the edges a bit (ala Gaussian
Blur) with more control. You can always Fade to 0% opacity to
negate any Anisotropic step.
I'll try this one too, it seems to make the outlines look more like pencil strokes. I like it !

Thanks for sharing your findings !
Erick
Thanks again, Erick. This one's for you.

Danny

 
William,

I still didn't print any of them on WC paper since I'm quite new to that kind of work. But as I mentioned in my workflow, I add a textured layer to have a better feeling of the final rendition while painting, and I don't actually apply the texturizer filter until I save the final image for the web. I once printed a photo, with a canvas texture added, on flat matte paper. The result was ok, but not much to my liking. I'll have to try printing on some coated WC paper as you recommended, I think it should be great !
Thanks for the advice !
Erick
If you plan to print on a textured paper, the addition of the
texture at the end may be overkill. I thinkthe best watercolor
effect comes from printing on watercolor paper which has just the
right amount of absorbancy and spread techniques like this require.
Even the modern coated [for inkjet printing] WC papers have enough
diffusion to give a good watercolor effect. Adding a texture in the
image itself can lead to a texture on texture mix that is hard to
plan for. Printing on a flat matt paper would work fine for a
digitally added texture, but the finished product wouldn't have
the same visual look as a real watercolor.
 
Thank you very much Sue :o)

I think the workflow is not as complex as it seems. I wish I could have written the tutorial with simpler words, but I still do not master all the subtleties and shortcuts of your language ! So I tend to make long and complicated sentences which certainly could be summarized somehow.

Anyway, a picture is worth a thousand words. That's why I posted a screenshot of the layers panel.

Maybe you can start by running the action with the default parameters, and then, when you're more familiar with the workflow, you will be able to customize it to your liking. There's no reason you couldn't do it !
Have fun !
Erick
What a realistic watercolor effect! Great job, and thanks for the
tutorial!
I hope I can follow the steps, they seem a bit tricky :)

Sue
 
I can't run actions - I'm only running PSE2, that's why I'm thrilled when someone posts the actual steps - that way I still have a shot at recreating the technique. Thanks for doing that, with screen shots and all. By the way, your command of the language seems fine to me!
Sue
What a realistic watercolor effect! Great job, and thanks for the
tutorial!
I hope I can follow the steps, they seem a bit tricky :)

Sue
--
http://www.pbase.com/artshot
http://artshot.darwinonline.org
http://www.beatricedesignsinc.com
http://hometown.aol.com/suebeatrice/index.html
 

Keyboard shortcuts

Back
Top