Minolta challenge

This Dimage is a "toy". Its so small, barely larger than an Elph
and about the same size as a 990 series(see Steves-digicam review
for side by side comparison). Why would anyone looking for a true
size SLR even consider this unit. The only ones that should be
oogling over this camera are those that own a 3040, 990 or such and
think smaller is better. If I saw this unit in a store I might
pause to look at it and envy the MP power, make a sigh, and move on
to look at a "real" camera. I would not be swayed even if the
images were excellent.
This is a incredible statement in my opinion. What is the purpose
of ANY camera be film or digital? To capture high quality images I
would think. But Bill, you seem to be more concerned about how a
camera makes you look than what it's capable of doing. You seem to
be saying that even if the Dimage 7 surpasses the E-10 in every
category except looks, you still prefer the E-10. Well, to each his
own.

Well it is like being seen with Barbara Bush or Pamela Anderson. Who cares what they stand for as long as you can be seen with them. That is why i might buy an E 10 case and walk around with it, to be seen and pretend to be snapping pics. I like the fame and glory it brings, the heck with what kind of pics it takes. Long live Pamela Anderson.
 
Well that is for every man to decide. I have a friend that married a woman that is beautiful, he said just because she had 6 kids, couldn't cook, and was not real bright, didn't matter to him because she was a delight to look at and had lots of money. So i think alot will enjoy the big heavy lunker of the E 10 and will want to wait untill a heavier digital camera comes out with the Olympus name on it. You know, i might sneak around and get me one of those Minolta's and put it in a E 10 frame, where i can have the best of both worlds. To be seen with a big lunker and the Olympus name and be able to take nice clean crisp pictures. Just a thought.
The new Dimage continues Minolta's long tradition of producing
ugly, amateurish-looking cameras.

Camera aethetics cannot be ignored, in some ways it's as as
important as ergonomics. If every time you look at the thing you
want to cringe, the negative psychological factor will be
detrimental to your photography.
 
Randy wrote:
[deletia]
E 10 needs to upgrade before Olympus users goes to Minolta or
Canon. D30 runs circles around the E 10.
In this country the D30 costs about twice as much as an E-10. THEN you have to go out and buy a lens or two.

I see no reason, posed by either Canon or Minolta, for people to be deserting the E-10. Hell, we havent even SEEN let alone played with a real production model Minolta camera. For all we know it may well turn out to be a complete dog..

Ooroo
Mark F...
 
If I owned an E-10, I'd probably be feeling a bit defensive right
now too. But if the main reason you prefer the E-10 over the D-7
is looks, I've got a Rolex I'll sell you for $50. Of course, it
has a Timex movement, but it doesn't look like tacky consumer junk.

Bottom line, the D-7 is the camera to beat this year, and the E-10
is still a very nice camera.

Chuck
I am glad the D-7 is THE camera. I own a G1, so it trashes that,
the E-10, D30, Nikon digibacks. I await the thousand of photos
coming from it that will blow away the Jaja-Belgium E-10 and Pekka
G-1 pictures, as surely THE camera of the year will easily be able
to do.
I never said the D-7 would "trash" or "blow away" anything. In fact, I complimented the E-10. As for Jaja-Belgium and Pekka, their pics would be superb with just about any 3+ MP camera on the market today. From

what I know so far, the D-7 has the features, performance, and value I've been waiting for.
Olympus, Canon, Nikon, Sony will have no problems in exceeding the
D-7 pixel war specs if they choose. Minolta isn't using cutting
edge technology.
If the Minolta D-7 is THE camera to be beat this year, you can rest
assured, it will be.
Les
Yes, there are going to be other 5 MP cameras to come out after the D-7, and yes, each will advance the technology a bit more. You have a keen grasp of the obvious.

.
 
This thread is very typical of photo forums: which lens is sharpest, which film has the finest grain, who uses the best coatings--ferociously debating the tiniest points of technical minutiae. Then you see the photos the people are taking: their kids’ birthday parties, snapshots of the dog, macro pix of flowers, etc. And endless tests, tests, tests. Like, what difference does it make, man! Get out and take exciting pictures!
 
The downside to having a "professional looking camera" is I keep
getting people asking to load their films for them. Happens all
the time especially when there's a lot of tourist around :o)
The real downside of having a pro looking camera is people NOTICE you a lot more, good, for your EGO, bad for your PICTURES.

Chris
 
Hot topic, this Minolta thing. May look ugly and toyish, I personally don't mind, as long as it gets the job done better than the competition. Seems a lot of people feel threatened here..

Well well well..
  • D7 goes from 28 to 200. That makes 2 expensive add-on lenses you don't have to buy. Digital photographers have been begging for wider lenses than 35 or 38mm.
  • 49mm fixed filter thread. If you want a 20mm, add any 0.7 converter.
  • EVF: lets you control white balance and other settings before shooting, like camcorders.. nice isn't it?
  • High-quality LCD, presumably better than E10
  • Ergonomics: no-one really knows how the thing behaves. To me, it looks it is going to be MUCH FASTER and EASIER to use because of having so many dials. Navigating through menus is horrible and takes a lot of concentration. Dials are much better. You say that to change the exposure mode, you have to turn the dial on the left of the prism, press the middle button and rotate the index dial on the right.. correct but if exposure mode switching is what you do often, the dial on the left is already set, all you do is press the middle switch and rotate the dial, which is exactly how a lot of electronic SLRs function.
  • camera size: for me, the smaller and lighter, the better. I am hoping for an 8MP 14-600mm f1,2 smaller than a cigarette pack. Why would you need anything bigger?? If you want to lift weights, go to the gym.. ;-)
  • I just hope (please God listen to me thats really important) Minolta makes this camera FAST to start and use. I have missed countless pics because of slow startup times and slow Play to Rec switching. My previous camera used to be a Leica M4-2 rangefinder. Beats any digital hands down for speed, except mayby D30 and up.
Chris
The ergonomics of the Minolta are awful. The E10 is much better in
that regard. However, the image quality of the Minolta looks like
it may be significantly better than the E10's.
I assume you have not picked up and used a Dimage 7. And if you
have not: how do you know the ergonomics are awful? Specifically
what about the ergonomics is "awful"?
The way you switch exposure modes is to turn a dial on the left
side of the camera, hold down a button in the middle of that dial
and then turn ANOTHER dial on the other side of the camera. This is
as bad as the Oly 3030 which makes you use a menu. I want to be
able to turn a single dial.
This is one example of poor design. I am sure there are others.
The manual focus dial is in an odd place.
Also, the shape of the camera is very odd and the grip doesn't work
to well according to Phil. The swivel viewfinder is nice though.
A co-worker of mine looked at a number of Dimage 7 sample photos,
posted on several web sites, and then asked: "Don't these images
look soft to you?" Yes, they do. So what specifically in the
Dimage 7's image quality is likely to be significantly better than
the E-10's?

There certainly are a lot of assertions about this new camera
despite anyone's actually having had a chance to use it...
I am basing my image quality remarks on the reviews.
http://www.imaging-resource.com did a resolution comparison with the E-10
and Coolpix 995.
The 12bit RAW mode is another plus for image quality.
 
Hihihi,

Why not spray paint the thing in black so you look soooo much more professional..
That's a VERY good point, Ken! I'm doing a model shoot on Sunday
with a person who has never posed for a "professional" photographer
before. She works behind the counter at my MBE and I've been trying
for weeks to convince her to pose for me. If I pulled out a toy
like the Minolta she'd instantly doubt the wisdom of agreeing to my
request, thinking that I was just some jerk who was trying to take
sleazy pix of her. (And I'm certainly no jerk! :)- ) The E-10, on
the other hand, looks like a professional tool and says to the
model instantly, 'This guy knows what he's doing.'
 
The downside to having a "professional looking camera" is I keep
getting people asking to load their films for them. Happens all
the time especially when there's a lot of tourist around :o)
The real downside of having a pro looking camera is people NOTICE
you a lot more, good, for your EGO, bad for your PICTURES.

Chris
Well, if you noticed, it was nothing about EGO, it was about credibility. The professionals know all about this, ESPECIALLY when it comes to models. You just TRY to get a coy girl into it if you look like you have a toy in your hand. Show up for some business photos looking like a kid with his handicam. Not to mention that this is something shooters (I shoot every week, sometimes twice a week) know and photographers know is that mass DOES matter when it comes to slower shutter speeds. A light gun or camera tends to ruin a lot of shots! I see a LOT of soft pictures that were caused by just that. I really don't like being noticed when I'm shooting, that's one of the great reasons to have the flip up display. I'm not arguing about some mental thing here, it's a tangible practicality. I, like another poster above would LOVE to have an 8mp camera with a 14-300 IS zoom on it that would hold five hundred pictures and had a TTL flash good for forty feet and had TTL metering plus batteries that would last a week and it was only as large as a pack of cigarettes but the Dimage 7 ain't it!

Ken
 
digital camera, the Minolta approach sounds as if it could be
rather a relief. It's a your-mileage-may-vary sort of world...
Compared with an Oly 3030 it may be OK. Compared with most SLRs is not.
I have some years of experience with cameras of several types. I will probably end up making that sort of decision for myself. :-) (Oddly, though the layout of my present digital camera is not the best possible such layout, somehow I manage to have taken a few photographs with it that please me. It's the damndest odd thing. :-)
Don't know if it is unusable or not. Given the ergonomics of the
Camera, I would be surprised if it wasn't. Not sure how well manual
focus can work with an EVF.
It isn't refreshingly simple with the one EVF with which I have experience. I haven't yet seen even any crude attempts on-line to depict how the Dimage's EVF viewfinder image appears. I can barely check manual focus with the EVF I now use. Doubled resolution would likely help quite a bit with that. "Likely"...a weasel-word. The usefulness of the new EVF remains to be seen. As it were. :)
It my experiance, if something looks bad it usually is. Phil
handles a lot of cameras. He is in a position to know. There is no
way the will change the body before July.
Easy enough to predict in the absence of the camera itself. :-) And you might be right--it might not change.

Then again , some users might not have any problem with the grip.
I don't need to wait until this camera is released to know is is
butt ugly though.
Again, it's a your-mileage-may-vary sort of world. I couldn't care less about how it looks. I don't take pictures of the camera itself, after all. In the hands of a sufficiently skilled photographer, does it provide the capacity to create an image of high quality? I consistently fail to be moved by other issues. I know--there must be something terribly, terribly wrong with me. :-)
Nah. It's the wrong color. I thought EVERYONE knew that. :)
Well now you mention it...
All the more reason to despise it! :)
 
This thread is very typical of photo forums: which lens is
sharpest, which film has the finest grain, who uses the best
coatings--ferociously debating the tiniest points of technical
minutiae. Then you see the photos the people are taking: their
kids’ birthday parties, snapshots of the dog, macro pix of
flowers, etc. And endless tests, tests, tests. Like, what
difference does it make, man! Get out and take exciting pictures!
I wonder if the people at Minolta realize how incredibly ugly
their cameras are. If it was the greatest camera in the world
I still wouldn't buy it because of the looks
So who's winning?
 
To quote you from your own post two months ago
MikeA said:

"But I have no clue about digital photography." and " I find the E-10 quite attractive"
Now your the expert? In two Months?
This thread is very typical of photo forums: which lens is
sharpest, which film has the finest grain, who uses the best
coatings--ferociously debating the tiniest points of technical
minutiae. Then you see the photos the people are taking: their
kids’ birthday parties, snapshots of the dog, macro pix of
flowers, etc. And endless tests, tests, tests. Like, what
difference does it make, man! Get out and take exciting pictures!
I wonder if the people at Minolta realize how incredibly ugly
their cameras are. If it was the greatest camera in the world
I still wouldn't buy it because of the looks
So who's winning?
 
Another downside Tourist asking you to take their pictures.
Ever look through a dirty viewfinder of a cheap P&S of the
typical tourist? Shudder Shudder

An Upside "beauty" queens and the like smile very prettily
for you. They think you are from the newspaper:o) now
that cannot be too bad for yr pictures!
The downside to having a "professional looking camera" is I keep
getting people asking to load their films for them. Happens all
the time especially when there's a lot of tourist around :o)
The real downside of having a pro looking camera is people NOTICE
you a lot more, good, for your EGO, bad for your PICTURES.

Chris
 
Uh...let's see. We go from a 4-day old quote compared with an apparently conflicting several-hour-old quote, followed by the intentionally humorous question "So who's winning"? (did you, er, manage to miss the ""?)
The foregoing reason elicits the following reply, for some reason:
"Now your [sic] the expert? In two Months?
How you made the transition from the question which was intended light-heartedly to the idea that it was some claim of expertise is...well, I'll leave it to you to work that out. But thanks. :-)
This thread is very typical of photo forums: which lens is
sharpest, which film has the finest grain, who uses the best
coatings--ferociously debating the tiniest points of technical
minutiae. Then you see the photos the people are taking: their
kids’ birthday parties, snapshots of the dog, macro pix of
flowers, etc. And endless tests, tests, tests. Like, what
difference does it make, man! Get out and take exciting pictures!
I wonder if the people at Minolta realize how incredibly ugly
their cameras are. If it was the greatest camera in the world
I still wouldn't buy it because of the looks
So who's winning?
 
I agree! I use the camera in tropical environment and do climb and cross waterfalls. That why I like light weight and long and very wide (28mm) zoom. I need fast startup times, fast image flush times. If possible virtual no barrel distortion, very fast shutter times and obsolutely microdrive support so now I'm thinking to get the dimage 7 as it suits me better... I have not ever had a digital camera and have to learn working with it. I considdered the E-10, but maybe not best choice for me... I feel for getting a dimage 7 instead. We will see what it gives...
Jake.

Jake.
Heres hoping Oly get on with an E-10 successor with the D-7
announcement today. I for one will be going to Minolta Dimage 7
unless Oly fight back before July
 
digital camera, the Minolta approach sounds as if it could be
rather a relief. It's a your-mileage-may-vary sort of world...
Compared with an Oly 3030 it may be OK. Compared with most SLRs is not.
I have some years of experience with cameras of several types. I
will probably end up making that sort of decision for myself. :-)
(Oddly, though the layout of my present digital camera is not the
best possible such layout, somehow I manage to have taken a few
photographs with it that please me. It's the damndest odd thing. :-)
I was able to take pictures I liked with my Oly 3000. However, I hated not being able to switch easily between Aperture Priority/Shutter Priority and Manual mode. I also hated not having exposure info on the top LCD or in the viewfinder. Since exposure and focusing are the most important controls on a camera, I want them to be easy to use.
Don't know if it is unusable or not. Given the ergonomics of the
Camera, I would be surprised if it wasn't. Not sure how well manual
focus can work with an EVF.
It isn't refreshingly simple with the one EVF with which I have
experience. I haven't yet seen even any crude attempts on-line to
depict how the Dimage's EVF viewfinder image appears. I can
barely check manual focus with the EVF I now use. Doubled
resolution would likely help quite a bit with that. "Likely"...a
weasel-word. The usefulness of the new EVF remains to be seen. As
it were. :)
The EVF is the big question mark. It may work very well. However, Minolta apparently suggests using the digital zoom for manual focusing.
It my experiance, if something looks bad it usually is. Phil
handles a lot of cameras. He is in a position to know. There is no
way the will change the body before July.
Easy enough to predict in the absence of the camera itself. :-) And
you might be right--it might not change.
There is no way it will change. By the time reviewers get a camera, the production lines are being tuned. The hardware design is pretty much fixed at this point. Changes will be in firmware.
Then again , some users might not have any problem with
the grip.
True. However in the absence of a tripod, a poor grip leads to soft pictures due to camera shake.
I don't need to wait until this camera is released to know is is
butt ugly though.
Again, it's a your-mileage-may-vary sort of world. I couldn't care
less about how it looks. I don't take pictures of the camera
itself, after all. In the hands of a sufficiently skilled
photographer, does it provide the capacity to create an image of
high quality? I consistently fail to be moved by other issues. I
know--there must be something terribly, terribly wrong with me. :-)
The last comment was intended to be humerous. However some professional photographers do need their equipment to look professional. The clients expect it. I am more interested in how easily I can produce high quality images with a given camera than if it is theorically possible to produce high quality images with that camera.
Nah. It's the wrong color. I thought EVERYONE knew that. :)
Well now you mention it...
All the more reason to despise it! :)
I don't despise it. It looks like a good camera for the money. The color does give us a clue as to the intended market though.
 
digital camera, the Minolta approach sounds as if it could be
rather a relief. It's a your-mileage-may-vary sort of world...
Compared with an Oly 3030 it may be OK. Compared with most SLRs is not.
I have some years of experience with cameras of several types. I
will probably end up making that sort of decision for myself. :-)
(Oddly, though the layout of my present digital camera is not the
best possible such layout, somehow I manage to have taken a few
photographs with it that please me. It's the damndest odd thing. :-)
I was able to take pictures I liked with my Oly 3000. However, I
hated not being able to switch easily between Aperture
Priority/Shutter Priority and Manual mode. I also hated not having
exposure info on the top LCD or in the viewfinder. Since exposure
and focusing are the most important controls on a camera, I want
them to be easy to use.
Don't know if it is unusable or not. Given the ergonomics of the
Camera, I would be surprised if it wasn't. Not sure how well manual
focus can work with an EVF.
It isn't refreshingly simple with the one EVF with which I have
experience. I haven't yet seen even any crude attempts on-line to
depict how the Dimage's EVF viewfinder image appears. I can
barely check manual focus with the EVF I now use. Doubled
resolution would likely help quite a bit with that. "Likely"...a
weasel-word. The usefulness of the new EVF remains to be seen. As
it were. :)
The EVF is the big question mark. It may work very well. However,
Minolta apparently suggests using the digital zoom for manual
focusing.
Not exactly, Andrew.

They didn't suggest digital zoom, but they did suggest using 4x magnify the image in the EVF when manual focus during macro shot. This is a great feature! The EVF seems to have an excellent resolution and response as well that it works in extremely low light conditions, where you can see just black with your eyes, the EVF show still detail. The autofocus does work perfect in extremely low light situations as well.
It my experiance, if something looks bad it usually is. Phil
handles a lot of cameras. He is in a position to know. There is no
way the will change the body before July.
Easy enough to predict in the absence of the camera itself. :-) And
you might be right--it might not change.
There is no way it will change. By the time reviewers get a camera,
the production lines are being tuned. The hardware design is pretty
much fixed at this point. Changes will be in firmware.
Then again , some users might not have any problem with
the grip.
True. However in the absence of a tripod, a poor grip leads to soft
pictures due to camera shake.
I don't need to wait until this camera is released to know is is
butt ugly though.
Again, it's a your-mileage-may-vary sort of world. I couldn't care
less about how it looks. I don't take pictures of the camera
itself, after all. In the hands of a sufficiently skilled
photographer, does it provide the capacity to create an image of
high quality? I consistently fail to be moved by other issues. I
know--there must be something terribly, terribly wrong with me. :-)
The last comment was intended to be humerous. However some
professional photographers do need their equipment to look
professional. The clients expect it. I am more interested in how
easily I can produce high quality images with a given camera than
if it is theorically possible to produce high quality images with
that camera.
Nah. It's the wrong color. I thought EVERYONE knew that. :)
Well now you mention it...
All the more reason to despise it! :)
I don't despise it. It looks like a good camera for the money. The
color does give us a clue as to the intended market though.
 

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