New 5.1 MP Olympus!!!!!!!!

  • Thread starter Thread starter John Mason
  • Start date Start date
Hi Rob

Well - I agree with you - absolutely, I don't want to see OLY make an interchangeable lense camera at 5 Mp - profoundly uninterested. If I want an interchangeable lense camera - I'll go to one of the manufacturers who have a number of cameras using the same range of lenses, and who have some degree of continuity
  • and if I want more pixels, why stop at 5.
On the other hand . . . . An E-11(E-20/D-10 whatever :-) with less noise, (possibly a larger sensor), 6Mp and a wider angle lense - now we're talking.

But I doubt we'll get the continuity with the converter lenses - surely the reason they work so well is that they were designed to be 'part' of the existing lens when fitted. Surely any new lens will have different characteristics and will need different converters.

By replacing the E-10 with a new camera with a new range of interchangeable lenses, designed to match a specific size of CCD OLY will prove beyond doubt that they cannot be trusted to any sort of continuity, and that will be the best reason for transferring one's loyalty elsewhere.

kind regards
jono slack
(who still loves his E-10)
:-)
My thoughts are less technical than most, just that I want to see
some continuity from the E10 in which we all have considerable
investment. As an enthusiastic amateur, my E10 doesnt make me any
money, quite the opposite! What I want to see is the ability to
carry over some of my investment (flash, lenses etc) to the new
model. If that is a non starter then as far as I'm concerned, when
the time comes, the E10 will go lock, stock and barrel with all its
associated bits. If I have to do that then, there is a good chance
that Olympus will lose me to whatever may be the best camera from
whichever manufacturer makes it at the time.
Surely Olympus must realise this, and what about the effect on
sales of add ons now? Who is going to invest £500 in the Tcon if it
will be useless in a matter of months? A Pro perhaps but I will
certainly think long and hard before I invest much more.
I guess what I am saying is that when it arrives, I want to see a
model based on the E10 and Oly will almost certainly get my money
again.

Actually, when I think about it, the E10 really is still everything
I want, but there wont be much talk about it here when the new
model arrives. That's when the the upgrade bug will really bite!

Looking forward to your reply Jono.........

Rob
I must say that personally my perfect camera would be an 8Mp E-10
with a 24-140 equivalent lense, less noise and a faster playback -
If I can get my focal lengths without interchangeable lenses I
really don't need the hassle of lugging them about! But I'll be
very wary of a new lense system - I bought in to the vectis lense
system when it looked like Minolta was going down the route of
smaller lenses - and got badly stung - no more no more!

kind regards
jono slack
The sensor data sheet is very interesting. The sensor is about
twice the
size of the E-10 sensor (that is, four times the area), and about 1/4
of the area of a full frame 35mm. It has larger pixel size, good
dynamic
range (71db!), a pixel count of 2614 (H) x 1966 (V). I'm not
knowledgeable enough to interpret the noise stats, but presumably
with additional sensitivity due to the larger pixel size, the noise
contribution would be reduced.

To get a 35-140mm equivalent lens, the focal length of the
new lens would have to be roughly 18 - 72mm. So you'd think
this could work with a 62mm filter size. For example, the 85mm
f/1.8 nikkor has a 62mm filter ring.

Now the lens on the E-10 is very wide and sharp, and has that
unique design which brings the image in on a cylindrical axis.
Could it
be that the new sensor would fit inside the existing E-10 case?
If we called this the E-20, then Oly could be position the E-10 at
a price point of, say, $1200-$1300, and the E-20 at a package
price of $1650 with a 'standard' lens. If they adopted a 62mm
filter size, then the TCON14B and WCON might work just fine.
If the existing E-10 lens has sufficient coverage, it might even
be the basis for 18-72mm equiv lens on an interchangeable mount
for the E-20.

So Oly could continue to market the E-10 as a prosumer camera,
and the E-20 as an upgrade which offers interchangeable lenses,
substantially improved noise and a great 12 bit dynamic range,
and share a number of accessories including battery grip, flash,
converter lenses, and so forth. And since the sensor could later
scale to 16 MB at the same size, they would have a nice multiyear
path for an E-30, E-40.

In short, E-10 might the D-10 simply have been the first
installment in
longer strategy? Oly must have invested a small fortune in the
design of the E-10 and the extra components. It's in a vulnerable
price point as well, priced high enough to limit the market, but
low enough that they have to maximize their investment in
design and manufacturing.

This strategy would be like the introduction of the C-3030. At
that time Oly continued the C-2020 at a lower price point, and
extended the life of a successful chasis design, and accessories.
It seems like they have invested quite a lot into the E-10 design
not to try to leverage those investments into a future design.

It's fun to spectulate.

Jeff
kind regards
jono slack
I don't know about you all but I'm getting exceptional quality from
my E-10 and making money from it at the same time. I have ad's for
my clients running in national magazines that look as good as the
things shot in medium film format sitting right next to them.

Frankly 5.1 megapixel does not bring enough to the table...I'm
waiting for a full 8 MP (11 x 17 @ 300dpi) before I make a change.
(Yes, it's true my E-10 is in for repair right now... a little
pixel fixin) but this is truly a remarkable camera and for all but
full 2 page spreads this camera does the trick!
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
Hi Jeff

but if they're bringing out a new range of lenses - it isn't really feasible to think that they'll all have a 62mm front element . . . .is it. And I thought that the converters were designed specifically to match this lens. Designing a whole range of lenses to match a set of converters seems . . . . . a little far fetched?

I was hoping that the scenario you detailed was what was going to happen, but I think that the idea of interchangeable lenses negates the whole affair.

I'm not usually a depressive or negative type (I hope) - and I seem to be the only nay-sayer round here, but I don't think this sounds like a good move at all. I think we are all being dumped straight into the redundancy bucket . . . . . . . unless they have completely other plans for an E-11.

kind regards
jono slack
Of course, this requires the newer model to use 62mm filter ring,
which should be feasible.

(Caveat Emptor -- This is pure, uninformed, and probably
even silly, speculation)

Jeff
Jeff said what I was trying to say. But since I do go on
sometimes, I was trying to keep it short. What he said was pretty
much precisely what I meant.

Thanks, Jeff.

Pat
I must say that personally my perfect camera would be an 8Mp E-10
with a 24-140 equivalent lense, less noise and a faster playback -
If I can get my focal lengths without interchangeable lenses I
really don't need the hassle of lugging them about! But I'll be
very wary of a new lense system - I bought in to the vectis lense
system when it looked like Minolta was going down the route of
smaller lenses - and got badly stung - no more no more!

kind regards
jono slack
The sensor data sheet is very interesting. The sensor is about
twice the
size of the E-10 sensor (that is, four times the area), and about 1/4
of the area of a full frame 35mm. It has larger pixel size, good
dynamic
range (71db!), a pixel count of 2614 (H) x 1966 (V). I'm not
knowledgeable enough to interpret the noise stats, but presumably
with additional sensitivity due to the larger pixel size, the noise
contribution would be reduced.

To get a 35-140mm equivalent lens, the focal length of the
new lens would have to be roughly 18 - 72mm. So you'd think
this could work with a 62mm filter size. For example, the 85mm
f/1.8 nikkor has a 62mm filter ring.

Now the lens on the E-10 is very wide and sharp, and has that
unique design which brings the image in on a cylindrical axis.
Could it
be that the new sensor would fit inside the existing E-10 case?
If we called this the E-20, then Oly could be position the E-10 at
a price point of, say, $1200-$1300, and the E-20 at a package
price of $1650 with a 'standard' lens. If they adopted a 62mm
filter size, then the TCON14B and WCON might work just fine.
If the existing E-10 lens has sufficient coverage, it might even
be the basis for 18-72mm equiv lens on an interchangeable mount
for the E-20.

So Oly could continue to market the E-10 as a prosumer camera,
and the E-20 as an upgrade which offers interchangeable lenses,
substantially improved noise and a great 12 bit dynamic range,
and share a number of accessories including battery grip, flash,
converter lenses, and so forth. And since the sensor could later
scale to 16 MB at the same size, they would have a nice multiyear
path for an E-30, E-40.

In short, E-10 might the D-10 simply have been the first
installment in
longer strategy? Oly must have invested a small fortune in the
design of the E-10 and the extra components. It's in a vulnerable
price point as well, priced high enough to limit the market, but
low enough that they have to maximize their investment in
design and manufacturing.

This strategy would be like the introduction of the C-3030. At
that time Oly continued the C-2020 at a lower price point, and
extended the life of a successful chasis design, and accessories.
It seems like they have invested quite a lot into the E-10 design
not to try to leverage those investments into a future design.

It's fun to spectulate.

Jeff
kind regards
jono slack
I don't know about you all but I'm getting exceptional quality from
my E-10 and making money from it at the same time. I have ad's for
my clients running in national magazines that look as good as the
things shot in medium film format sitting right next to them.

Frankly 5.1 megapixel does not bring enough to the table...I'm
waiting for a full 8 MP (11 x 17 @ 300dpi) before I make a change.
(Yes, it's true my E-10 is in for repair right now... a little
pixel fixin) but this is truly a remarkable camera and for all but
full 2 page spreads this camera does the trick!
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
Hi Alan

Good I'd say - a good camera is a good camera, and the E-10 is unquestionably a good camera. I'm just sad that it sounds like OLY is going to throw out the whole concept and replace it with a sub standard interchangeable lens slr.

And what's worth, it looks like everyone here is going to go for it.

kind regards
jono slack
Alan.
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
Good to hear from you Jono

Pleased that your thoughts are along the same lines as mine. As things stand, the only camera that I would be interested in from Olympus would be a "super" E10. This camera is so right in build, design and feel that it would be a crime for Oly to end it now. If they want to go play with the others in the Pro market then thats fine, it'll be way out of my league.

In a years time, 256 mb cf cards will be £50 so I would like more pixels. Most of the time it would be overkill, but think of those huge prints that would be available.

We all know what needs updating, less noise / higher useable ISO, higher shutter speeds, quicker in camera processing and display. If only they hadnt specified such a low price level, perhaps we wouldnt be seeing this as the replacement for the E10, just a dabble in the Pro market.

Still, all this speculation is fun and hopefully someone from Oly will read this and realise where the future for them could be in the Semi Pro / Enthusiast market. At the moment, they have me as a customer (despite thier pricing policy in the UK)! Now its upto them to keep me and a lot of others.

Rob

Still loving the E10 and spending on Oly products! (bought an FL 40 today!)
  • and if I want more pixels, why stop at 5.
On the other hand . . . . An E-11(E-20/D-10 whatever :-) with less
noise, (possibly a larger sensor), 6Mp and a wider angle lense -
now we're talking.

But I doubt we'll get the continuity with the converter lenses -
surely the reason they work so well is that they were designed to
be 'part' of the existing lens when fitted. Surely any new lens
will have different characteristics and will need different
converters.

By replacing the E-10 with a new camera with a new range of
interchangeable lenses, designed to match a specific size of CCD
OLY will prove beyond doubt that they cannot be trusted to any sort
of continuity, and that will be the best reason for transferring
one's loyalty elsewhere.

kind regards
jono slack
(who still loves his E-10)
:-)
My thoughts are less technical than most, just that I want to see
some continuity from the E10 in which we all have considerable
investment. As an enthusiastic amateur, my E10 doesnt make me any
money, quite the opposite! What I want to see is the ability to
carry over some of my investment (flash, lenses etc) to the new
model. If that is a non starter then as far as I'm concerned, when
the time comes, the E10 will go lock, stock and barrel with all its
associated bits. If I have to do that then, there is a good chance
that Olympus will lose me to whatever may be the best camera from
whichever manufacturer makes it at the time.
Surely Olympus must realise this, and what about the effect on
sales of add ons now? Who is going to invest £500 in the Tcon if it
will be useless in a matter of months? A Pro perhaps but I will
certainly think long and hard before I invest much more.
I guess what I am saying is that when it arrives, I want to see a
model based on the E10 and Oly will almost certainly get my money
again.

Actually, when I think about it, the E10 really is still everything
I want, but there wont be much talk about it here when the new
model arrives. That's when the the upgrade bug will really bite!

Looking forward to your reply Jono.........

Rob
I must say that personally my perfect camera would be an 8Mp E-10
with a 24-140 equivalent lense, less noise and a faster playback -
If I can get my focal lengths without interchangeable lenses I
really don't need the hassle of lugging them about! But I'll be
very wary of a new lense system - I bought in to the vectis lense
system when it looked like Minolta was going down the route of
smaller lenses - and got badly stung - no more no more!

kind regards
jono slack
The sensor data sheet is very interesting. The sensor is about
twice the
size of the E-10 sensor (that is, four times the area), and about 1/4
of the area of a full frame 35mm. It has larger pixel size, good
dynamic
range (71db!), a pixel count of 2614 (H) x 1966 (V). I'm not
knowledgeable enough to interpret the noise stats, but presumably
with additional sensitivity due to the larger pixel size, the noise
contribution would be reduced.

To get a 35-140mm equivalent lens, the focal length of the
new lens would have to be roughly 18 - 72mm. So you'd think
this could work with a 62mm filter size. For example, the 85mm
f/1.8 nikkor has a 62mm filter ring.

Now the lens on the E-10 is very wide and sharp, and has that
unique design which brings the image in on a cylindrical axis.
Could it
be that the new sensor would fit inside the existing E-10 case?
If we called this the E-20, then Oly could be position the E-10 at
a price point of, say, $1200-$1300, and the E-20 at a package
price of $1650 with a 'standard' lens. If they adopted a 62mm
filter size, then the TCON14B and WCON might work just fine.
If the existing E-10 lens has sufficient coverage, it might even
be the basis for 18-72mm equiv lens on an interchangeable mount
for the E-20.

So Oly could continue to market the E-10 as a prosumer camera,
and the E-20 as an upgrade which offers interchangeable lenses,
substantially improved noise and a great 12 bit dynamic range,
and share a number of accessories including battery grip, flash,
converter lenses, and so forth. And since the sensor could later
scale to 16 MB at the same size, they would have a nice multiyear
path for an E-30, E-40.

In short, E-10 might the D-10 simply have been the first
installment in
longer strategy? Oly must have invested a small fortune in the
design of the E-10 and the extra components. It's in a vulnerable
price point as well, priced high enough to limit the market, but
low enough that they have to maximize their investment in
design and manufacturing.

This strategy would be like the introduction of the C-3030. At
that time Oly continued the C-2020 at a lower price point, and
extended the life of a successful chasis design, and accessories.
It seems like they have invested quite a lot into the E-10 design
not to try to leverage those investments into a future design.

It's fun to spectulate.

Jeff
kind regards
jono slack
I don't know about you all but I'm getting exceptional quality from
my E-10 and making money from it at the same time. I have ad's for
my clients running in national magazines that look as good as the
things shot in medium film format sitting right next to them.

Frankly 5.1 megapixel does not bring enough to the table...I'm
waiting for a full 8 MP (11 x 17 @ 300dpi) before I make a change.
(Yes, it's true my E-10 is in for repair right now... a little
pixel fixin) but this is truly a remarkable camera and for all but
full 2 page spreads this camera does the trick!
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
Hi Rob

Phew! I thought I was the only one. I've had loads of cameras, and I can honestly say I've enjoyed the E-10 more than any other (with the possible exception of a Contax RTSII).

I'd hate to see them throw it all away copying the others!

Ah well

Kind Regards
jono slack

p.s. and those interchangeable lenses would cost twice as much here as anywhere else!
Pleased that your thoughts are along the same lines as mine. As
things stand, the only camera that I would be interested in from
Olympus would be a "super" E10. This camera is so right in build,
design and feel that it would be a crime for Oly to end it now. If
they want to go play with the others in the Pro market then thats
fine, it'll be way out of my league.
In a years time, 256 mb cf cards will be £50 so I would like more
pixels. Most of the time it would be overkill, but think of those
huge prints that would be available.
We all know what needs updating, less noise / higher useable ISO,
higher shutter speeds, quicker in camera processing and display. If
only they hadnt specified such a low price level, perhaps we
wouldnt be seeing this as the replacement for the E10, just a
dabble in the Pro market.
Still, all this speculation is fun and hopefully someone from Oly
will read this and realise where the future for them could be in
the Semi Pro / Enthusiast market. At the moment, they have me as a
customer (despite thier pricing policy in the UK)! Now its upto
them to keep me and a lot of others.

Rob

Still loving the E10 and spending on Oly products! (bought an FL 40
today!)
  • and if I want more pixels, why stop at 5.
On the other hand . . . . An E-11(E-20/D-10 whatever :-) with less
noise, (possibly a larger sensor), 6Mp and a wider angle lense -
now we're talking.

But I doubt we'll get the continuity with the converter lenses -
surely the reason they work so well is that they were designed to
be 'part' of the existing lens when fitted. Surely any new lens
will have different characteristics and will need different
converters.

By replacing the E-10 with a new camera with a new range of
interchangeable lenses, designed to match a specific size of CCD
OLY will prove beyond doubt that they cannot be trusted to any sort
of continuity, and that will be the best reason for transferring
one's loyalty elsewhere.

kind regards
jono slack
(who still loves his E-10)
:-)
My thoughts are less technical than most, just that I want to see
some continuity from the E10 in which we all have considerable
investment. As an enthusiastic amateur, my E10 doesnt make me any
money, quite the opposite! What I want to see is the ability to
carry over some of my investment (flash, lenses etc) to the new
model. If that is a non starter then as far as I'm concerned, when
the time comes, the E10 will go lock, stock and barrel with all its
associated bits. If I have to do that then, there is a good chance
that Olympus will lose me to whatever may be the best camera from
whichever manufacturer makes it at the time.
Surely Olympus must realise this, and what about the effect on
sales of add ons now? Who is going to invest £500 in the Tcon if it
will be useless in a matter of months? A Pro perhaps but I will
certainly think long and hard before I invest much more.
I guess what I am saying is that when it arrives, I want to see a
model based on the E10 and Oly will almost certainly get my money
again.

Actually, when I think about it, the E10 really is still everything
I want, but there wont be much talk about it here when the new
model arrives. That's when the the upgrade bug will really bite!

Looking forward to your reply Jono.........

Rob
I must say that personally my perfect camera would be an 8Mp E-10
with a 24-140 equivalent lense, less noise and a faster playback -
If I can get my focal lengths without interchangeable lenses I
really don't need the hassle of lugging them about! But I'll be
very wary of a new lense system - I bought in to the vectis lense
system when it looked like Minolta was going down the route of
smaller lenses - and got badly stung - no more no more!

kind regards
jono slack
The sensor data sheet is very interesting. The sensor is about
twice the
size of the E-10 sensor (that is, four times the area), and about 1/4
of the area of a full frame 35mm. It has larger pixel size, good
dynamic
range (71db!), a pixel count of 2614 (H) x 1966 (V). I'm not
knowledgeable enough to interpret the noise stats, but presumably
with additional sensitivity due to the larger pixel size, the noise
contribution would be reduced.

To get a 35-140mm equivalent lens, the focal length of the
new lens would have to be roughly 18 - 72mm. So you'd think
this could work with a 62mm filter size. For example, the 85mm
f/1.8 nikkor has a 62mm filter ring.

Now the lens on the E-10 is very wide and sharp, and has that
unique design which brings the image in on a cylindrical axis.
Could it
be that the new sensor would fit inside the existing E-10 case?
If we called this the E-20, then Oly could be position the E-10 at
a price point of, say, $1200-$1300, and the E-20 at a package
price of $1650 with a 'standard' lens. If they adopted a 62mm
filter size, then the TCON14B and WCON might work just fine.
If the existing E-10 lens has sufficient coverage, it might even
be the basis for 18-72mm equiv lens on an interchangeable mount
for the E-20.

So Oly could continue to market the E-10 as a prosumer camera,
and the E-20 as an upgrade which offers interchangeable lenses,
substantially improved noise and a great 12 bit dynamic range,
and share a number of accessories including battery grip, flash,
converter lenses, and so forth. And since the sensor could later
scale to 16 MB at the same size, they would have a nice multiyear
path for an E-30, E-40.

In short, E-10 might the D-10 simply have been the first
installment in
longer strategy? Oly must have invested a small fortune in the
design of the E-10 and the extra components. It's in a vulnerable
price point as well, priced high enough to limit the market, but
low enough that they have to maximize their investment in
design and manufacturing.

This strategy would be like the introduction of the C-3030. At
that time Oly continued the C-2020 at a lower price point, and
extended the life of a successful chasis design, and accessories.
It seems like they have invested quite a lot into the E-10 design
not to try to leverage those investments into a future design.

It's fun to spectulate.

Jeff
kind regards
jono slack
I don't know about you all but I'm getting exceptional quality from
my E-10 and making money from it at the same time. I have ad's for
my clients running in national magazines that look as good as the
things shot in medium film format sitting right next to them.

Frankly 5.1 megapixel does not bring enough to the table...I'm
waiting for a full 8 MP (11 x 17 @ 300dpi) before I make a change.
(Yes, it's true my E-10 is in for repair right now... a little
pixel fixin) but this is truly a remarkable camera and for all but
full 2 page spreads this camera does the trick!
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
Hi Jono,

A question if I may,

jono slack wrote:

"...it sounds like OLY is going to throw out the whole concept and replace it with a sub standard interchangeable lens slr."

Do you consider it to be sub-standard because of interchangeable lenses, or it is going to be sub-standard anyway, and interchangeable lenses just excaberate the issue? Also, what if the CCD is sealed? does that make a difference? If it was sealed (the CCD) and you had equivalent of E-10's lens, would that make it acceptable?

No offense/flame meant, I just like your work, and want to better understand your opinion.

Take care,

F.J.
 
Juno,

It's all a big guess. Oly was smart with the c-2020/c-3030 transition,
but this one does appear to be more profound. And if the E-10
was only a transition camera, then you're right, there would be no
reason to stick with Oly.

On the other hand, higher ISO, lower noise, more dynamic range
would be good. They'll also be processing more pixels, so you'd think
they'd have to invest in a new computation unit/firmware as well.

Regarding the converter lenses, there is a rather cryptic photo
on the Japanese site cited in Phi's report



I'd guess that we're talking about the third row of this table, the
one labeled "4/3 inch CCD". Don't know what to make of this.

Jeff
I was hoping that the scenario you detailed was what was going to
happen, but I think that the idea of interchangeable lenses negates
the whole affair.

I'm not usually a depressive or negative type (I hope) - and I seem
to be the only nay-sayer round here, but I don't think this sounds
like a good move at all. I think we are all being dumped straight
into the redundancy bucket . . . . . . . unless they have
completely other plans for an E-11.

kind regards
jono slack
Of course, this requires the newer model to use 62mm filter ring,
which should be feasible.

(Caveat Emptor -- This is pure, uninformed, and probably
even silly, speculation)

Jeff
Jeff said what I was trying to say. But since I do go on
sometimes, I was trying to keep it short. What he said was pretty
much precisely what I meant.

Thanks, Jeff.

Pat
I must say that personally my perfect camera would be an 8Mp E-10
with a 24-140 equivalent lense, less noise and a faster playback -
If I can get my focal lengths without interchangeable lenses I
really don't need the hassle of lugging them about! But I'll be
very wary of a new lense system - I bought in to the vectis lense
system when it looked like Minolta was going down the route of
smaller lenses - and got badly stung - no more no more!

kind regards
jono slack
The sensor data sheet is very interesting. The sensor is about
twice the
size of the E-10 sensor (that is, four times the area), and about 1/4
of the area of a full frame 35mm. It has larger pixel size, good
dynamic
range (71db!), a pixel count of 2614 (H) x 1966 (V). I'm not
knowledgeable enough to interpret the noise stats, but presumably
with additional sensitivity due to the larger pixel size, the noise
contribution would be reduced.

To get a 35-140mm equivalent lens, the focal length of the
new lens would have to be roughly 18 - 72mm. So you'd think
this could work with a 62mm filter size. For example, the 85mm
f/1.8 nikkor has a 62mm filter ring.

Now the lens on the E-10 is very wide and sharp, and has that
unique design which brings the image in on a cylindrical axis.
Could it
be that the new sensor would fit inside the existing E-10 case?
If we called this the E-20, then Oly could be position the E-10 at
a price point of, say, $1200-$1300, and the E-20 at a package
price of $1650 with a 'standard' lens. If they adopted a 62mm
filter size, then the TCON14B and WCON might work just fine.
If the existing E-10 lens has sufficient coverage, it might even
be the basis for 18-72mm equiv lens on an interchangeable mount
for the E-20.

So Oly could continue to market the E-10 as a prosumer camera,
and the E-20 as an upgrade which offers interchangeable lenses,
substantially improved noise and a great 12 bit dynamic range,
and share a number of accessories including battery grip, flash,
converter lenses, and so forth. And since the sensor could later
scale to 16 MB at the same size, they would have a nice multiyear
path for an E-30, E-40.

In short, E-10 might the D-10 simply have been the first
installment in
longer strategy? Oly must have invested a small fortune in the
design of the E-10 and the extra components. It's in a vulnerable
price point as well, priced high enough to limit the market, but
low enough that they have to maximize their investment in
design and manufacturing.

This strategy would be like the introduction of the C-3030. At
that time Oly continued the C-2020 at a lower price point, and
extended the life of a successful chasis design, and accessories.
It seems like they have invested quite a lot into the E-10 design
not to try to leverage those investments into a future design.

It's fun to spectulate.

Jeff
kind regards
jono slack
I don't know about you all but I'm getting exceptional quality from
my E-10 and making money from it at the same time. I have ad's for
my clients running in national magazines that look as good as the
things shot in medium film format sitting right next to them.

Frankly 5.1 megapixel does not bring enough to the table...I'm
waiting for a full 8 MP (11 x 17 @ 300dpi) before I make a change.
(Yes, it's true my E-10 is in for repair right now... a little
pixel fixin) but this is truly a remarkable camera and for all but
full 2 page spreads this camera does the trick!
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
1. if you want more pixels - 5.1 ain't enough
Ain't enough for what? How many are "enough" and why?
2. if you want interchangeable lenses - you wouldn't buy Oly (least
I wouldn't)
If you don't have a large investment in existing lenses, why not buy Oly? Sure the lens range will never match Canon or Nikon, but that was true in the OM days as well.
3. If you want a bigger imager - then the above two factors would
put you off the olympus.
Why do you want a bigger imager (as opposed to more pixels.)? The reason people want a bigger imagger on their Nikons or Canons is to get full frame coverage on their existing lenses (no multiplier). If you are designing lenses from scratch, this is not a factor.

IMHO, Oly is trying to reproduce their success in the OM series: a smaller, faster handling camera that will be good enough for all but the most specialized work.

--
Erik
 
Hi Jeff

what a wonderful photo - definitely should win awards . . . . . . but what does it mean?

:-)

kind regards
jono slack
It's all a big guess. Oly was smart with the c-2020/c-3030 transition,
but this one does appear to be more profound. And if the E-10
was only a transition camera, then you're right, there would be no
reason to stick with Oly.

On the other hand, higher ISO, lower noise, more dynamic range
would be good. They'll also be processing more pixels, so you'd think
they'd have to invest in a new computation unit/firmware as well.

Regarding the converter lenses, there is a rather cryptic photo
on the Japanese site cited in Phi's report



I'd guess that we're talking about the third row of this table, the
one labeled "4/3 inch CCD". Don't know what to make of this.

Jeff
I was hoping that the scenario you detailed was what was going to
happen, but I think that the idea of interchangeable lenses negates
the whole affair.

I'm not usually a depressive or negative type (I hope) - and I seem
to be the only nay-sayer round here, but I don't think this sounds
like a good move at all. I think we are all being dumped straight
into the redundancy bucket . . . . . . . unless they have
completely other plans for an E-11.

kind regards
jono slack
Of course, this requires the newer model to use 62mm filter ring,
which should be feasible.

(Caveat Emptor -- This is pure, uninformed, and probably
even silly, speculation)

Jeff
Jeff said what I was trying to say. But since I do go on
sometimes, I was trying to keep it short. What he said was pretty
much precisely what I meant.

Thanks, Jeff.

Pat
I must say that personally my perfect camera would be an 8Mp E-10
with a 24-140 equivalent lense, less noise and a faster playback -
If I can get my focal lengths without interchangeable lenses I
really don't need the hassle of lugging them about! But I'll be
very wary of a new lense system - I bought in to the vectis lense
system when it looked like Minolta was going down the route of
smaller lenses - and got badly stung - no more no more!

kind regards
jono slack
The sensor data sheet is very interesting. The sensor is about
twice the
size of the E-10 sensor (that is, four times the area), and about 1/4
of the area of a full frame 35mm. It has larger pixel size, good
dynamic
range (71db!), a pixel count of 2614 (H) x 1966 (V). I'm not
knowledgeable enough to interpret the noise stats, but presumably
with additional sensitivity due to the larger pixel size, the noise
contribution would be reduced.

To get a 35-140mm equivalent lens, the focal length of the
new lens would have to be roughly 18 - 72mm. So you'd think
this could work with a 62mm filter size. For example, the 85mm
f/1.8 nikkor has a 62mm filter ring.

Now the lens on the E-10 is very wide and sharp, and has that
unique design which brings the image in on a cylindrical axis.
Could it
be that the new sensor would fit inside the existing E-10 case?
If we called this the E-20, then Oly could be position the E-10 at
a price point of, say, $1200-$1300, and the E-20 at a package
price of $1650 with a 'standard' lens. If they adopted a 62mm
filter size, then the TCON14B and WCON might work just fine.
If the existing E-10 lens has sufficient coverage, it might even
be the basis for 18-72mm equiv lens on an interchangeable mount
for the E-20.

So Oly could continue to market the E-10 as a prosumer camera,
and the E-20 as an upgrade which offers interchangeable lenses,
substantially improved noise and a great 12 bit dynamic range,
and share a number of accessories including battery grip, flash,
converter lenses, and so forth. And since the sensor could later
scale to 16 MB at the same size, they would have a nice multiyear
path for an E-30, E-40.

In short, E-10 might the D-10 simply have been the first
installment in
longer strategy? Oly must have invested a small fortune in the
design of the E-10 and the extra components. It's in a vulnerable
price point as well, priced high enough to limit the market, but
low enough that they have to maximize their investment in
design and manufacturing.

This strategy would be like the introduction of the C-3030. At
that time Oly continued the C-2020 at a lower price point, and
extended the life of a successful chasis design, and accessories.
It seems like they have invested quite a lot into the E-10 design
not to try to leverage those investments into a future design.

It's fun to spectulate.

Jeff
kind regards
jono slack
I don't know about you all but I'm getting exceptional quality from
my E-10 and making money from it at the same time. I have ad's for
my clients running in national magazines that look as good as the
things shot in medium film format sitting right next to them.

Frankly 5.1 megapixel does not bring enough to the table...I'm
waiting for a full 8 MP (11 x 17 @ 300dpi) before I make a change.
(Yes, it's true my E-10 is in for repair right now... a little
pixel fixin) but this is truly a remarkable camera and for all but
full 2 page spreads this camera does the trick!
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
Surely Olympus must realise this, and what about the effect on
sales of add ons now? Who is going to invest £500 in the Tcon if it
will be useless in a matter of months?
How is the Tcon going to be useless in a matter of months? It will be just as useful then (on an E-10) as it is now (on an E-10.) Now it may not be MORE useful (e.g. fit the new camera as well), but I'd bet there will still be a current production camera that can use it even if that camera is no longer their top-of-the-line model.

--
Erik
 
Hi FJ
No offence taken - I realise that I'm out of step here.

I don't have anything against interchangeable lenses per se (apart from the obvious reservations about dust).

Clearly I don't know exactly what OLY have in mind, but my thinking is something like the following:

The E-10 is a great concept, which has been really well realised (with a couple of gripes which we are all aware of). It could be advanced into a really wonderful semi-pro tool, great ergonomics, great portability, robust and with great results

Olympus don't have a very wonderful record in keeping up with the competition with respect interchangeable lenses, and they would now be starting with a new lens mount, and a brand new set of lenses, which were designed to match a 4/3" CCD.

I would question thier commitment and abililty to develop a set of 35mm lenses with a new lens mount, but to develop a non standard set of lenses - surely not.

If I were to consider buying a camera with interchangeable lenses (which I might) then I would undoubtedly go for one which already had lenses, and whose manufacturer had a track record of continuity.

I'm not naive enough to think that if Canon sell a plastic bodied semi-pro camera for twice as much as the E-10 (with a less well specified lens) and Nikon require even more money; then OLY can produce a metal bodied interchangeable lens camera, complete with lens for less than the E-10 - doesn't make sense to me.

Maybe I'm just paranoid - I'm certainly not planning on replacing my E-10 at the moment, but looking at it rationally, I'm pretty certain if I start looking at interchangeable lens cameras in 18months time, a 5Mp camera with a non standard lens system of questionable future just ain't going to cut the mustard.

:-)

If I'm sounding stroppy about this, it's a mirage, I really aint
:-)

kind regards
jono slack
Hi Jono,

A question if I may,

jono slack wrote:
"...it sounds like OLY is going to throw out the whole concept and
replace it with a sub standard interchangeable lens slr."

Do you consider it to be sub-standard because of interchangeable
lenses, or it is going to be sub-standard anyway, and
interchangeable lenses just excaberate the issue? Also, what if
the CCD is sealed? does that make a difference? If it was sealed
(the CCD) and you had equivalent of E-10's lens, would that make
it acceptable?

No offense/flame meant, I just like your work, and want to better
understand your opinion.

Take care,

F.J.
 
I'd guess that we're talking about the third row of this table, the
one labeled "4/3 inch CCD". Don't know what to make of this.
I think this chart is actually very simple. They are showing the complexity/capability of the type of lenses you need for each of the 4 formats: 35mm, 2/3 CCD, 4/3 CCD, and APS size CCD. They did this for two lenses: 10x zoom, 3x zoom.

The 1st row 35mm shows no 10x zoom (I assume it's too complex) and a rather complex 3x, F3.5 zoom (lot's of elements)

2nd row, 2/3"CCD, shows much simpler 10x and 3x F2.0 designs (C700 and C3040 perhaps). Note the length (5")

3rd row, 4/3" CCD, shows lenses that are just slightly slower and longer (F2.8 and 6")

4th row, APS size, shows the lenses get too long (8.5" and too slow F4)

I think the intent of this photos is to demonstrate why a 4/3" CCD is a "sweet spot" for this design. It allows a (hopefully desireable) compromise between lens size/performance.

--
Erik
 
Hi Erik
1. if you want more pixels - 5.1 ain't enough
Ain't enough for what? How many are "enough" and why?
Well, for printing A3 at 200 dpi native resolution (for example) - I do say 'if you want', but if you don't want, then I think that the 4 Mp we've got already is pretty fine.
2. if you want interchangeable lenses - you wouldn't buy Oly (least
I wouldn't)
If you don't have a large investment in existing lenses, why not
buy Oly? Sure the lens range will never match Canon or Nikon, but
that was true in the OM days as well.
I wouldn't buy OLY because they would just have dumped on me having spent a lot of money on the E-10 and assuming that it was going to develop.

I wouldn't buy because their record for continuity over the last 20 years isn't good

I wouldn't buy because if I was going to use such lenses I think that Nikon and Zeiss and Canon have more experience and would make them better
3. If you want a bigger imager - then the above two factors would
put you off the olympus.
Why do you want a bigger imager (as opposed to more pixels.)? The
reason people want a bigger imagger on their Nikons or Canons is to
get full frame coverage on their existing lenses (no multiplier).
If you are designing lenses from scratch, this is not a factor.
Well, again, I've put 'if you want' in - larger imagers, we are told, produce less noise, so that's a good reason - smaller ones allow neater lenses - and that's a good reason to have a smaller one. I'm fairly split on this one.
IMHO, Oly is trying to reproduce their success in the OM series: a
smaller, faster handling camera that will be good enough for all
but the most specialized work.
Well if that is what they are trying to do, then I think that's wonderful, but I think it's more likely that they are just trying to cash in on the huge market of 30 somethings who would previously have been buying one of the cheaper Nikon or Canon SLR's - nothing against that, but I think the E-10 is better than that.

If they were so keen on this concept why didn't they keep with the OM system - go autofocus etc. etc. they just abandoned thier loyal user base and went determinedly down market.

Erik I may be quite wrong - bear in mind that I seem to be in a very small minority here, so I need to fight my corner with conviction!

:-)

kind regards
jono slack
 
Hi Erik

you got the key - I'm obviously very stupid tonight! It's a good argument - so why don't they put this CCD into an E-11 with a 24-240 lens on it? sounds fabulous to me!
low noise
lotsa pixels
same smashing handling

why throw all the cards in the air again?

kind regards
jono slack
I'd guess that we're talking about the third row of this table, the
one labeled "4/3 inch CCD". Don't know what to make of this.
I think this chart is actually very simple. They are showing the
complexity/capability of the type of lenses you need for each of
the 4 formats: 35mm, 2/3 CCD, 4/3 CCD, and APS size CCD. They did
this for two lenses: 10x zoom, 3x zoom.

The 1st row 35mm shows no 10x zoom (I assume it's too complex) and
a rather complex 3x, F3.5 zoom (lot's of elements)

2nd row, 2/3"CCD, shows much simpler 10x and 3x F2.0 designs (C700
and C3040 perhaps). Note the length (5")

3rd row, 4/3" CCD, shows lenses that are just slightly slower and
longer (F2.8 and 6")

4th row, APS size, shows the lenses get too long (8.5" and too slow
F4)

I think the intent of this photos is to demonstrate why a 4/3" CCD
is a "sweet spot" for this design. It allows a (hopefully
desireable) compromise between lens size/performance.

--
Erik
 
I wouldn't buy OLY because they would just have dumped on me having
spent a lot of money on the E-10 and assuming that it was going to
develop.
But what kind of development could they have done on the E-10? Wouldn't an E-10 follow-on worth paying for require a larger lens diameter and therefore new teleconverters? The E-10's 4 megapixels are crammed into a tiny 2/3" CCD. There is no room for growth (without more noise). Everyone knew that BEFORE buying an E-10. So I don't think anyone has been burned (or dumped on) in that respect.
 
Hi aee

I'm not saying I've been dumped on - (actually, perhaps I did, but I didn't really mean it like that). I would have thought that they might have been able to fit a larger CCD in the E-10, an even better lens, faster preview, hmn hmn can't think of much else off the top of my head.

I agree about the converters - I can't see how they would work well with another lens - but you never know?

Anyway - hey - who said they weren't going to do this - they haven't said that this new camera is going to replace the E-10 have they?

I haven't meant to sound miserable about this, I was just responding to what seemed to me rather naive enthusiasm about what didn't sound like a frantically attractive proposition.

have a great evening
I'm heading bedwards (soon)

:-)

jono
I wouldn't buy OLY because they would just have dumped on me having
spent a lot of money on the E-10 and assuming that it was going to
develop.
But what kind of development could they have done on the E-10?
Wouldn't an E-10 follow-on worth paying for require a larger lens
diameter and therefore new teleconverters? The E-10's 4 megapixels
are crammed into a tiny 2/3" CCD. There is no room for growth
(without more noise). Everyone knew that BEFORE buying an E-10.
So I don't think anyone has been burned (or dumped on) in that
respect.
 
How many acessory lenses do YOU have?? I have the tcon300 14B and hoysa +1, 2 and4 mags for now but that's $600-800 right there. You will always buy lenses to cover the range of shooting you do.

Walter
Why should Olympus make the new camera compatible with OM lenses?
How many people, who would comprise the market for this camera,
happen to have OM lenses lying around the house? Okay, WE may have
some because we're as old as the hills, but don't expect the
majority of folks to even have heard of the OM line.

Anyway, you can bet the lens that comes with the camera is a fixed
focal length, say 50mm equivalent. A useful zoom lens will be
major bucks, so even if the basic camera package costs about $1700,
you can add another 500 - 1000 if you want a decent zoom lens. I'm
just guessing, but it's really how the traditional camera market
has operated for years.
 
Maybe I'm not in the right income bracket for this forum, but I just spent 1800 USD on this camera. In my 30 years of amateur photography, I've never spent this much for a camera (even if you account for inflation!). Not that I wouldn't spend this much again but I certainly won't do it in 12 months.

Believe me every product cycle of digital camera over the last 6 years has at least one model that I've lusted after but each new cycle brings a new object of desire. I will drool over the new Olympus when (or if) it comes out, but at this point I can't believe the number and size of posts on this thread! ;-)))

Thanks.

Cleave
For those who live in the forum and never venture to the home page:

Theres a new post about a 5.1 MP Olympus coming out in Feb 2002!

With interchangable lenses!

OM2 days again!
--
John Mason - Lafayette, Indiana, USA
 
Juno,

We all should take a breather, after all this whole thread is apparently
based on what was said during a Kodak presentation on what Oly
is supposedly doing. Who knows if this is a rogue engineer, or marketer.
Surely Oly has to be upset.

The one thing is that the E10 has a big fat lens for its focal length.
Compare it to a Nikon 990, for example. So it wouldn't seem
unreasonable for them to be able to reuse the basic body design
with a new lens of longer focal length. Maybe this is nonsense,
but I just don't why one could rule it out at this point.

Hypothetically, Oly could really lay an egg on this one and alienate
current customers -- that seems to be technically feasible, and even
consistent with some past practice. On the other hand, they could
also produce a very nice product that improves the image quality
(reduced noise, higher ISO, 12bit, a modest resolution
improvement). Who knows?

Jeff
I agree about the converters - I can't see how they would work well
with another lens - but you never know?

Anyway - hey - who said they weren't going to do this - they
haven't said that this new camera is going to replace the E-10 have
they?

I haven't meant to sound miserable about this, I was just
responding to what seemed to me rather naive enthusiasm about what
didn't sound like a frantically attractive proposition.

have a great evening
I'm heading bedwards (soon)

:-)

jono
I wouldn't buy OLY because they would just have dumped on me having
spent a lot of money on the E-10 and assuming that it was going to
develop.
But what kind of development could they have done on the E-10?
Wouldn't an E-10 follow-on worth paying for require a larger lens
diameter and therefore new teleconverters? The E-10's 4 megapixels
are crammed into a tiny 2/3" CCD. There is no room for growth
(without more noise). Everyone knew that BEFORE buying an E-10.
So I don't think anyone has been burned (or dumped on) in that
respect.
 

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