Lightroom vs Photoshop ?

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Basic (?) question: apart from the "cataloguing" side, is there something that LR does better than PS, or is there something that LR does and PS doesn't ?

TIA for your comments !

:-)
 
Solution
There's a pretty significant difference in how LR and Photoshop operate and there are some significant factual advantages to LR (assuming we're talking PS proper, not ACR):

LR processes all data high bit, wide gamut even if the data isn't such. PS doesn't.

LR has an adaptive interpolation, it's a steeples resampling so to speak. You don't have to set anything; it's smarter than PS and knows if you're sampling up or down. PS has five options for interpolation.

LR provides unlimited History steps which remain with the image data (database). Photoshop doesn't and you lose history the second you close the document.

LR provides all processing applied by the user in what Adobe feels is best order. You can move about the controls...
Adobe’s Creative Cloud has been available for over three years now and continues to gain strong adoption in the marketplace, the latest published figures show.

Lately the rate of paid memberships has approached almost 1 million per quarter – adding 798,000 new subscribers in the past quarter alone (or 57,000 new customers each week) – which means that total number of subscribers has now reached 7 million since the
CC product line replaced Creative Suite in June 2013.
Affinity will draw people away from Adobe once it's availble for Windows quarter 3 this year. %0 dollars for a Photo editor, vector designer tool and probably also an indesign competitor. All just 50 bucks a piece, no rental, Bye bye Adobe.
First off, that's more speculating but I will state I did buy the product for Mac; screaming deal at $49. I considered it a reasonable price to pay for a possible PS exit strategy.
We will see next year how well they will do.
Do examine the figures above and that I'm talking about the CC suite; 7 million customers!
If i have to wait for his answer, then why you're replying/answering for him. You clearly don't know what he's using.
I don't. Neither do you. I've engaged with this fellow on Luminous Landscape (a far better set of forums, not frequented by so many fact deniers we see here), he's a pretty sharp fellow. I don't think he needs to be reminded that IF he only uses LR and PS, he doesn't have to subscribe to the full CC option. But that's just me; I've actually read a fair amount of what he has to say over the years.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
 
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I have the creative suite, my main workflow is working with the raw files from my digital camera that why my choice is to work with Lightroom to ingest the raw's via the import process then render the files using Lightroom. If I need additional editing then I use the edit in function from Lightroom to Photoshop. For me the Bridge and ACR function in Photoshop is not needed.

Actually that is why there is no Lightroom CC plan. Adobe offers the Adobe Photoshop Photographers plan. This provides you with the Photoshop Creative Suite with Lightroom as a "free gratis" addition. The major functions of Lightroom i.e the file management and develop module have a built in alternative in Photoshop with bridge and Adobe Camera Raw.

--
Denis de Gannes
If you only use 2 of the creative suite apps then why use it? You'd be better of with the photographers plan for ten bucks a month.
Where did you read Denis only uses two CC apps?

I too subscribe to the full package and 90% of the time use just LR and PS. But InDesign and Acrobat too.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
This part?!

"I have the creative suite, my main workflow is working with the raw files from my digital camera that why my choice is to work with Lightroom to ingest the raw's via the import process then render the files using Lightroom. If I need additional editing then I use the edit in function from Lightroom to Photoshop."

He has the creative suite but only uses LR and Photoshop. I don't read any other names of apps available in the creative suite.
Oh boy, why speculate? He did NOT say he ONLY uses those two apps. Nowhere. He doesn't have to say, and you don't have to read other names within the CC suite but you can speculate and assume he doesn't use anything else; kind of pointless to do so.

So no, not this part?!

My main workflow is working with the raw files from my digital camera that why my choice is to work with Lightroom to ingest the raw's via the import process then render the files using Lightroom. If I need additional editing then I use the edit in function from Lightroom to Photoshop. JUST Like Denis. And yet, probably like Denis, I occasionally use InDesign, Acrobat and Muse. Clear?

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
He only names LR and Photoshop specifically. I don't read anywhere in this thread he's using any other apps from the suite. So no speculation, that's your part.

I would love to see a subscription plan for Illustrator, Photoshop, Indesign, Acrobat pro.

Why pay for 10+ apps when i only need and use 4.

But that is just smart business from Adobe, FORCING you to rent the complete suite if you need certain pro apps.
Wow, this is a tread that would have been interesting, but gone to hell in a hand basket. Way back when.. when I was a photographer, shooting sports and coming home with a CF card filled with no less than 350 images, a lot to cope with, I was shooting for an online sports magazine. They wanted about 50 shots of the event, for publication. First task was a PS batch action that converted from RAW to jpg, resized, sharpened, and added some degree of saturation and sharpening. Saved to a folder on an external drive. At the time, I had trial versions of Lightroom as well as Aperture. I opted for Lightroom to serve as nothing more than a slideshow to cull the 350+ images, down to the ~50, or less, for the publisher. Pretty expensive investment in Lr, for what it was being used for, to accomplish importing, culling. That was a time before Bridge being a bit more robust.

In my opinion, Lr is a dumbed down version and yes, subset of what Ps offers. Adobe has tried to simulate and capture, an audience familiar with hours spent in the darkroom, in the days of film photography. Hence the "modules" such as "develop", "print".. I've not wrapped my arms around the Lr approach. Though, in all honesty, I'm no Ps aficionado. I've become familiar with Ps; Lr... not so much. It just seems foreign and, I hate to say this, less intuitive than Ps. I don't have the time nor the energy to expend, to learn the finer details of Lr. Nor do I care to lock myself into a system of cataloging inherent to Lr. I have my own methodology and when Adobe decides to discontinue Lr, for whatever reason, I won't be at their mercy.

Scott
 
Lightroom is my go-to program. It is very good at global adjustments, and shadow/highlight tuning. Also excellent at batching. I don't like selective adjustments in Lightroom, as I never get comfortable with the brushes, and this is where PS shines. Lightroom and PS work well on their own, but together they are unbeatable (for me).
 
So in an nutshell Adobe Photoshop Lightroom, is a subset of Photoshop.

Regards Patsym
Except for the parts of Lightroom that are not subsets of Photoshop. Specifically
  • Library Module
  • Web Module
  • Map Module
  • Slideshow Module
  • Publish Services
  • total workflow solution
  • and small features of the Lightroom Editor which are not in Photoshop (but are in ACR) as mentioned by digidog
 
Do examine the figures above and that I'm talking about the CC suite; 7 million customers!

Only one question Andrew, Actually two. 1 How many of those actually get it for free? I'm talking specifically about the Photographers Package. 2 Is it the Adobe marketing team who actually provide those figures, just being curious.

Regards Patsym
 
Do examine the figures above and that I'm talking about the CC suite; 7 million customers!

Only one question Andrew, Actually two. 1 How many of those actually get it for free? I'm talking specifically about the Photographers Package. 2 Is it the Adobe marketing team who actually provide those figures, just being curious.

Regards Patsym
I can't answer that question Patsym. I can speculate as is so often the case in these forums but that's pointless! My point was aimed at Toermalijn's ideas for what Adobe should be doing in terms of subscription offerings and that Adobe is doing very, very well with their ideas how to run the company. If he's a shareholder, he can voice his opinion at the shareholder meeting; good luck with that! In the meantime, this isn't speculation; examine Adobe's stock performance since 2012:

48d45affc9f348f4984afe1e896d9337.jpg

Toermalijn and other's may wish Adobe would adjust their subscription for their desires but this company has to answer to their shareholders and the above data appears they are doing a very good job at that! LR vs. Photoshop? Both are producing what appears to be record sales.

I'm sure we'll now hear from the group of DP Review fact deniers.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
 
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I have the creative suite, my main workflow is working with the raw files from my digital camera that why my choice is to work with Lightroom to ingest the raw's via the import process then render the files using Lightroom. If I need additional editing then I use the edit in function from Lightroom to Photoshop. For me the Bridge and ACR function in Photoshop is not needed.

Actually that is why there is no Lightroom CC plan. Adobe offers the Adobe Photoshop Photographers plan. This provides you with the Photoshop Creative Suite with Lightroom as a "free gratis" addition. The major functions of Lightroom i.e the file management and develop module have a built in alternative in Photoshop with bridge and Adobe Camera Raw.

--
Denis de Gannes
If you only use 2 of the creative suite apps then why use it? You'd be better of with the photographers plan for ten bucks a month.
Where did you read Denis only uses two CC apps?

I too subscribe to the full package and 90% of the time use just LR and PS. But InDesign and Acrobat too.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
This part?!

"I have the creative suite, my main workflow is working with the raw files from my digital camera that why my choice is to work with Lightroom to ingest the raw's via the import process then render the files using Lightroom. If I need additional editing then I use the edit in function from Lightroom to Photoshop."

He has the creative suite but only uses LR and Photoshop. I don't read any other names of apps available in the creative suite.
Oh boy, why speculate? He did NOT say he ONLY uses those two apps. Nowhere. He doesn't have to say, and you don't have to read other names within the CC suite but you can speculate and assume he doesn't use anything else; kind of pointless to do so.

So no, not this part?!

My main workflow is working with the raw files from my digital camera that why my choice is to work with Lightroom to ingest the raw's via the import process then render the files using Lightroom. If I need additional editing then I use the edit in function from Lightroom to Photoshop. JUST Like Denis. And yet, probably like Denis, I occasionally use InDesign, Acrobat and Muse. Clear?

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
He only names LR and Photoshop specifically. I don't read anywhere in this thread he's using any other apps from the suite. So no speculation, that's your part.

I would love to see a subscription plan for Illustrator, Photoshop, Indesign, Acrobat pro.

Why pay for 10+ apps when i only need and use 4.

But that is just smart business from Adobe, FORCING you to rent the complete suite if you need certain pro apps.
Wow, this is a tread that would have been interesting, but gone to hell in a hand basket. Way back when.. when I was a photographer, shooting sports and coming home with a CF card filled with no less than 350 images, a lot to cope with, I was shooting for an online sports magazine. They wanted about 50 shots of the event, for publication. First task was a PS batch action that converted from RAW to jpg, resized, sharpened, and added some degree of saturation and sharpening. Saved to a folder on an external drive. At the time, I had trial versions of Lightroom as well as Aperture. I opted for Lightroom to serve as nothing more than a slideshow to cull the 350+ images, down to the ~50, or less, for the publisher. Pretty expensive investment in Lr, for what it was being used for, to accomplish importing, culling. That was a time before Bridge being a bit more robust.

In my opinion, Lr is a dumbed down version and yes, subset of what Ps offers. Adobe has tried to simulate and capture, an audience familiar with hours spent in the darkroom, in the days of film photography. Hence the "modules" such as "develop", "print".. I've not wrapped my arms around the Lr approach. Though, in all honesty, I'm no Ps aficionado. I've become familiar with Ps; Lr... not so much. It just seems foreign and, I hate to say this, less intuitive than Ps. I don't have the time nor the energy to expend, to learn the finer details of Lr. Nor do I care to lock myself into a system of cataloging inherent to Lr. I have my own methodology and when Adobe decides to discontinue Lr, for whatever reason, I won't be at their mercy.

Scott
Exactly.

I still have the cs6. But i am keeping my eyes open for good substitutes. While Affinity might not be as feature rich in it's first incarnation as Photoshop is today, development goes a lot faster then Photoshop did through the years.

We'll see if there will be a shift to Affinity when the Windows versions will be available.

I for one will try them out.

I also have my own archive methods. Don't need a catalogue.

So either on1 raw develop module or Affinity looks promissing to me.
 
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I can do things in PS with scripts and actions that aren't possible in LR. For example, if ABC.jpg is the file name, put text on the image saying ABC.
Yes, you can do things in PS you can't do in LR but that doesn't change it's limited mode of operation; one image at a time. Open, load into ram, apply edits, save, close. Very time consuming and unnecessarily IF (big if) the edits can be applied parametrically, in LR.
And I can batch process hundreds of images with one click. I find Bridge and Photoshop MUCH better for image processing than Lightroom.
And by the time you do this, with functionality that DOES exist in LR, I've batch processed 5X more images and had time left over for lunch!

Again, LR and PS are differing tools. There are tools and functions in PS that are simply not available in LR. But there is lots and lots of functionality that is available in LR. And LR will burn rubber on those tasks compared to Photoshop.

While you're running that action, you can sit back and do nothing in PS. While I run a batch in LR, I can move to another module and work away. Or start and run yet another batch on another group of images. Not possible in PS.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
Youu haven't done much heavy duty image processing, have you?
My first copy of Photoshop was 1.0.7 back in 1990, I've been a beta site for Adobe since version 2.5 and one of the few alpha testers. I've probably been processing images in Photoshop before you bud.

The facts of how PS and LR differ have been provided and you look rather foolish with the above statement that has zero to do with facts.

You might do yourself a service by looking at the chops of the people you poorly argue with.

You have issue with the facts of how the two app's differ, provide them. Otherwise, your comments have zero merit.

"The highest form of ignorance is when you reject something you don't know anything about". -Wayne Dyer

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
Please guys, calm down ! No need to fight:everyone has a (or several) good reason(s) to pefer LR to PS or vice versa...

The OP has got the answer he wanted
That statement pretty much says it all.
 
Do examine the figures above and that I'm talking about the CC suite; 7 million customers!

Only one question Andrew, Actually two. 1 How many of those actually get it for free? I'm talking specifically about the Photographers Package. 2 Is it the Adobe marketing team who actually provide those figures, just being curious.

Regards Patsym
I can't answer that question Patsym. I can speculate as is so often the case in these forums but that's pointless! My point was aimed at Toermalijn's ideas for what Adobe should be doing in terms of subscription offerings and that Adobe is doing very, very well with their ideas how to run the company. If he's a shareholder, he can voice his opinion at the shareholder meeting; good luck with that! In the meantime, this isn't speculation; examine Adobe's stock performance since 2012:

48d45affc9f348f4984afe1e896d9337.jpg

Toermalijn and other's may wish Adobe would adjust their subscription for their desires but this company has to answer to their shareholders and the above data appears they are doing a very good job at that! LR vs. Photoshop? Both are producing what appears to be record sales.

I'm sure we'll now hear from the group of DP Review fact deniers.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
We'll see end this year, next year what will happen then.

When the Windows versions of Affinity will come on the market we'll see what will happen. Also on1 raw developer. C1 pro is also used quite a bit amongst professionals. Do keep in mind that Windows holds 90% of the OS market. So Apple sales never will make a big dent in Windows application sales. All i noticed is that quite a lot of Apple users switched to Affinity or at least purchased Affinity next to an Adobe subscription or perpetual license. Would be interesting to see how many of the 7 million subscriptions are Windows based vs Apple.

I am not here to keep the shareholders happy.

I am looking for a tool that will do the job for me for a reasonable price and that will not lock me in. It seems a few companies/developers have taken up the challenge. And development goes way faster then Adobe ever could realise and they actually listen to the users wich features they think should be in the next update or are crucial for designers.

Once the schools try other software wich is cheaper and/or do just as well a job as Photoshop or LR, Adobe will gradually lose it's grip on the that market as well. It might take quite some years, but it will happen eventually.

But change goes slowly, very slowly. Till then Adobe has a firm grip on the market.

Also, i read a lot that especially older users of photoshop are not willing to switch to new software as they are not willing to spend time to learn a new application.

I am not saying their products are bad, on the contrary, but subscription and slow development and not listen to the users is something that might turn against them sometime. Just like quark xpress vs Indesign.

Adobe lost me some time ago as a regular customer (for certain reasons).
 
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Do examine the figures above and that I'm talking about the CC suite; 7 million customers!

Only one question Andrew, Actually two. 1 How many of those actually get it for free? I'm talking specifically about the Photographers Package. 2 Is it the Adobe marketing team who actually provide those figures, just being curious.

Regards Patsym
I can't answer that question Patsym. I can speculate as is so often the case in these forums but that's pointless! My point was aimed at Toermalijn's ideas for what Adobe should be doing in terms of subscription offerings and that Adobe is doing very, very well with their ideas how to run the company. If he's a shareholder, he can voice his opinion at the shareholder meeting; good luck with that! In the meantime, this isn't speculation; examine Adobe's stock performance since 2012:

48d45affc9f348f4984afe1e896d9337.jpg

Toermalijn and other's may wish Adobe would adjust their subscription for their desires but this company has to answer to their shareholders and the above data appears they are doing a very good job at that! LR vs. Photoshop? Both are producing what appears to be record sales.

I'm sure we'll now hear from the group of DP Review fact deniers.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
We'll see end this year, next year what will happen then.
If you say so.

You expect half; 3.5 million users to switch due to one product that's been around now simply moving to Windows? Perhaps. I'm not holding my breath.
When the Windows versions of Affinity will come on the market we'll see what will happen.
Yes we will. My text above still applies.
Also on1 raw developer. C1 pro is also used quite a bit amongst professionals.
Got figures to back that up? What's it's market share compared to Adobes?
Do keep in mind that Windows holds 90% of the OS market.
You got that data of 90% where?
My search suggests otherwise and suggests it's fallen:

http://www.extremetech.com/computin...-first-time-in-years-windows-7-falls-below-50

https://www.netmarketshare.com/operating-system-market-share.aspx?qprid=10&qpcustomd=0

And that percentage accounts for how much of the photo market? The market Adobe software caters to?

Further, can you tell us of that so called 90%, what percentage of the total Window's OS can run the current Adobe Suite or the offerings from Affinity? Not all, that's for sure.

From Adobe: All 2015 Creative Cloud desktop apps have a minimum operating system requirement of Mac OS X 10.9 and Windows 7, or later.
All i noticed is that quite a lot of Apple users switched to Affinity or at least purchased Affinity next to an Adobe subscription or perpetual license.
You noticed? Can you provide actual values or this is your speculation based on (how many hours) counting said users?
Would be interesting to see how many of the 7 million subscriptions are Windows based vs Apple.
It will be. But it will be useful to have actual facts to back this up, not hope, dreams and more speculation.

You may be exactly right. But you'll have to do some work proving it.
I am not here to keep the shareholders happy.
Neither am I. I'm simply pointing out Adobe IS keeping them happy IF the stock price is an indication. Those stock prices are factual; not a lick of speculation.
Once the schools try other software wich is cheaper and/or do just as well a job as Photoshop or LR, Adobe will gradually lose it's grip on the that market as well. It might take quite some years, but it will happen eventually.
That's possible. And it's totally speculative.
But change goes slowly, very slowly. Till then Adobe has a firm grip on the market.
Now that appears to be very factual. At least if we believe a fraction of the 7 million users reported last year.
Also, i read a lot that especially older users of photoshop are not willing to switch to new software as they are not willing to spend time to learn a new application.
You read that where? Is it also based on facts?

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
 
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Do examine the figures above and that I'm talking about the CC suite; 7 million customers!

Only one question Andrew, Actually two. 1 How many of those actually get it for free? I'm talking specifically about the Photographers Package. 2 Is it the Adobe marketing team who actually provide those figures, just being curious.

Regards Patsym
I can't answer that question Patsym. I can speculate as is so often the case in these forums but that's pointless! My point was aimed at Toermalijn's ideas for what Adobe should be doing in terms of subscription offerings and that Adobe is doing very, very well with their ideas how to run the company. If he's a shareholder, he can voice his opinion at the shareholder meeting; good luck with that! In the meantime, this isn't speculation; examine Adobe's stock performance since 2012:

48d45affc9f348f4984afe1e896d9337.jpg

Toermalijn and other's may wish Adobe would adjust their subscription for their desires but this company has to answer to their shareholders and the above data appears they are doing a very good job at that! LR vs. Photoshop? Both are producing what appears to be record sales.

I'm sure we'll now hear from the group of DP Review fact deniers.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
We'll see end this year, next year what will happen then.
If you say so.

You expect half; 3.5 million users to switch due to one product that's been around now simply moving to Windows? Perhaps. I'm not holding my breath.
When the Windows versions of Affinity will come on the market we'll see what will happen.
Yes we will. My text above still applies.
Also on1 raw developer. C1 pro is also used quite a bit amongst professionals.
Got figures to back that up? What's it's market share compared to Adobes?
Do keep in mind that Windows holds 90% of the OS market.
You got that data of 90% where?
My search suggests otherwise and suggests it's fallen:

http://www.extremetech.com/computin...-first-time-in-years-windows-7-falls-below-50

https://www.netmarketshare.com/operating-system-market-share.aspx?qprid=10&qpcustomd=0

And that percentage accounts for how much of the photo market? The market Adobe software caters to?

Further, can you tell us of that so called 90%, what percentage of the total Window's OS can run the current Adobe Suite or the offerings from Affinity? Not all, that's for sure.

From Adobe: All 2015 Creative Cloud desktop apps have a minimum operating system requirement of Mac OS X 10.9 and Windows 7, or later.
All i noticed is that quite a lot of Apple users switched to Affinity or at least purchased Affinity next to an Adobe subscription or perpetual license.
You noticed? Can you provide actual values or this is your speculation based on (how many hours) counting said users?
Would be interesting to see how many of the 7 million subscriptions are Windows based vs Apple.
It will be. But it will be useful to have actual facts to back this up, not hope, dreams and more speculation.

You may be exactly right. But you'll have to do some work proving it.
I am not here to keep the shareholders happy.
Neither am I. I'm simply pointing out Adobe IS keeping them happy IF the stock price is an indication. Those stock prices are factual; not a lick of speculation.
Once the schools try other software wich is cheaper and/or do just as well a job as Photoshop or LR, Adobe will gradually lose it's grip on the that market as well. It might take quite some years, but it will happen eventually.
That's possible. And it's totally speculative.
But change goes slowly, very slowly. Till then Adobe has a firm grip on the market.
Now that appears to be very factual. At least if we believe a fraction of the 7 million users reported last year.
Also, i read a lot that especially older users of photoshop are not willing to switch to new software as they are not willing to spend time to learn a new application.
You read that where? Is it also based on facts?

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
Have a look at this:


And know how many can run CC or cs6.

Or other applications for that matter.

That's my point: Adobe is keeping the shareholders happy, not the users.

Some missteps concerning updates/upgrades in LR. Not telling they left old features out in updates. Typical how Adobe is treating their customers lately.

They don't publish that kind of figures. Reading lots of photography forums and websites makes me believe quite a lot of people switched to c1pro or are eyeballing Affinity.

Factual. I had the same discusion with other people on fora and they said clearly they don't want to learn a new ui or application. Nice for Adobe, but i am not one of them.



It's nice for you you like how Adobe is treating you and like their products. I am keeping my eyes open and the moment I feel I can switch, I will. And I read everywhere a lot of other people feel the same way.
 
That's my point: Adobe is keeping the shareholders happy, not the users.
Shareholders are happy about profits. In order to have profit, you have to have a user base that will continue to use your product and add new users as well. In other words... happy customers.

I think you are mainly rankled at Adobe's Subscription Model. Personally, I think the Adobe Photography Subscription product is the best deal in photography today.

Based on Adobe's profits there are clearly more of me than there are of you. :)
I can't blame Adobe for going this route as their software has been hacked and pirated more than any company I know.

Back in the day, I'd say 2/3 of the people I knew using PS were using a pirated copy.
You mentioned earlier that you didn't like the way Adobe locks you in. My Nikon Raw files are not converted to some proprietary file format that only Adobe can read.. and ironically Adobe's DNG is an open file format too is it not?

Adobe offers a free trial..... any new user should be able to determine if the software is for them before getting a 1 year subscription. If they don't... then thats on them. If not, 1 year later (or sooner if they want) they can take their files elsewhere and move on.
 
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That's my point: Adobe is keeping the shareholders happy, not the users.
Is that your point? Adobe has adopted the really stupid strategy of keeping shareholders happy but not users? Because eventually the unhappy users will cause a loss in revenue making the shareholders unhappy. I really doubt that's a strategy any company would adopt.

Oh, and some users are happy. No, I don't have numbers.
 
That's the same link and info I provided already....
That's my point: Adobe is keeping the shareholders happy, not the users.
It's not keeping some user happy while signing up 7 million users and upping the stock value in the process. Your point, as other's have pointed out, has little if any validity! Think about it for a second; how does the company, who sells a service (a subscription), keep it's stock prices high and up it's user base hugely IF the vast majority of users are not happy?

The facts here seem lost on you, sorry.

Like any product or service, if YOU are unhappy, move on. No one put a gun to your head. Meanwhile, whatever Adobe has done, like it or not, it's been hugely successful. And other software companies are following that model too (so don't hold your breath about Affinity not doing so). We'll again see how well they can grow providing a product at $49.
Some missteps concerning updates/upgrades in LR. Not telling they left old features out in updates. Typical how Adobe is treating their customers lately.
They can certainly do better. And LR isn't moving forward IMHO, or being handled as well as it was when certain people within Adobe were steering the LR ship in a forward direction.
They don't publish that kind of figures. Reading lots of photography forums and websites makes me believe quite a lot of people switched to c1pro or are eyeballing Affinity.
You can believe that. You're absolutely entitled to your opinions. You're not entitled to your own facts however.
It's nice for you you like how Adobe is treating you and like their products.
I never said that. I admitted I purchased Affinity as a possible PS exit strategy. I'm not close to jumping ship. There are many areas I'm not happy but they don't out weight (yet) the negatives. This is true for every consumer purchase, subscription or otherwise, I pay for.
I am keeping my eyes open and the moment I feel I can switch, I will.
That's a smart move, I'm doing the same.
And I read everywhere a lot of other people feel the same way.
Well lots is undefined. And it doesn't change the facts of how well Adobe has done with both the number of subscribers and the value of their stock as a result.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
 
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Interesting. Many folks seem to carefully analyze Adobe's offering, and find it wanting. But then imagine that another offering, of which they know little or nothing, will address those deficiencies.

Grass is greener?

Dave
 
I have the creative suite, my main workflow is working with the raw files from my digital camera that why my choice is to work with Lightroom to ingest the raw's via the import process then render the files using Lightroom. If I need additional editing then I use the edit in function from Lightroom to Photoshop. For me the Bridge and ACR function in Photoshop is not needed.

Actually that is why there is no Lightroom CC plan. Adobe offers the Adobe Photoshop Photographers plan. This provides you with the Photoshop Creative Suite with Lightroom as a "free gratis" addition. The major functions of Lightroom i.e the file management and develop module have a built in alternative in Photoshop with bridge and Adobe Camera Raw.
 
Since I have not gone CC and really don't want to I was a little concerned with future cameras. I'm thinking of get the 1DX II. I downloaded a RAW file and I knew I would not be able to open in PS.
Use the free DNG converter, it should allow you to access the newer raw in the older product.

Adobe doesn't force an upgrade on you to use their raw processor because the camera manufacturers refuse to create a standard raw format. IF they would simply honor a new raw format like the last, as they do with every camera they produce that also creates a JPEG, this would all be moot. The fault of not being able to access your raw data in the product you desire is totally the fault of the camera manufacturers. So again, get the free DNG converter and if it supports that newer camera, you can use the old Adobe raw processing engine in the product you have.
I opened and made all the adjustments in LR and did additional editing which is my resizing and sharpening action in PS. LR retains settings when it opens a file in PS.
You have a newer version of LR than PS and that newer version supports the camera. But (big but) IF you use a newer feature in LR (say dehaze) that the older version of ACR doesn't support, it may not be accessible as an edit.

--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
 
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That's my point: Adobe is keeping the shareholders happy, not the users.
Shareholders are happy about profits. In order to have profit, you have to have a user base that will continue to use your product and add new users as well. In other words... happy customers.
I wonder how many customers are happy using CC as opposed to using the standalone versions ?
I think you are mainly rankled at Adobe's Subscription Model. Personally, I think the Adobe Photography Subscription product is the best deal in photography today.
Its appears to me the only people who are mostly rankled are the ones signed up for the subscription model regarded by some as another utility bill.
Based on Adobe's profits there are clearly more of me than there are of you. :)
I can't blame Adobe for going this route as their software has been hacked and pirated more than any company I know.
Oh dear me do you seriously think CC isn't being pirated , probably more so now.
Back in the day, I'd say 2/3 of the people I knew using PS were using a pirated copy.
You mentioned earlier that you didn't like the way Adobe locks you in. My Nikon Raw files are not converted to some proprietary file format that only Adobe can read.. and ironically Adobe's DNG is an open file format too is it not?
You don't say.
Adobe offers a free trial..... any new user should be able to determine if the software is for them before getting a 1 year subscription. If they don't... then thats on them. If not, 1 year later (or sooner if they want) they can take their files elsewhere and move on.
As do almost every other company who makes similar programmes. Finally I will tell you what rankles me about Adobe, there reluctance to tell the full facts. Andrew in a prior response lets us know that CC has7 million subscriptions.and I cannot dispute that, however what Adobe don't tell you is how many are still using standalone versions including the pirated ones.

Regards Patsym
 
Since I have not gone CC and really don't want to I was a little concerned with future cameras. I'm thinking of get the 1DX II. I downloaded a RAW file and I knew I would not be able to open in PS.
Use the free DNG converter, it should allow you to access the newer raw in the older product.

Adobe doesn't force an upgrade on you to use their raw processor because the camera manufacturers refuse to create a standard raw format. IF they would simply honor a new raw format like the last, as they do with every camera they produce that also creates a JPEG, this would all be moot. The fault of not being able to access your raw data in the product you desire is totally the fault of the camera manufacturers. So again, get the free DNG converter and if it supports that newer camera, you can use the old Adobe raw processing engine in the product you have.
Oh yeah. I forgot about DNG. I normally view and delete using DPP - Quick Check - Full Screen. I really like it. Then I would import a ton of files in LR or just work on my single hobby shots in PS. Thanks for the tip.
I opened and made all the adjustments in LR and did additional editing which is my resizing and sharpening action in PS. LR retains settings when it opens a file in PS.
You have a newer version of LR than PS and that newer version supports the camera. But (big but) IF you use a newer feature in LR (say dehaze) that the older version of ACR doesn't support, it may not be accessible as an edit.
I have 6.5.1. I know I missing some features. I downloaded 3rd party dehaze plugin.

I'm still a little ticked off with Adobe. I purchased a legal copy of CS2 and did all the upgrades and that includes LR. I know it is only $10 a month but then they stop updating ACR forcing me into CC. I don't care about not getting some of the features in CC PS as my workflow does not need it. I may yet change my mind one day.
--
Andrew Rodney
Author: Color Management for Photographers
The Digital Dog
http://www.digitaldog.net
 

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