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A typically good review from Steve, and one in line with my thinking. A great lens but overpriced.
--So how sharp is it? Very sharp indeed. Probably sharper than the sensor of the camera I was testing it on (Olympus PEN E-P3, (compare prices) (review)) can resolve. Not only that, but for all practical purposes it’s just as sharp wide open as it is stopped down and it’s almost as sharp in the corners as it is in the center! I don’t think I’ve seen better performance from a lens, certainly not one priced under $1000. Some of the Canon super-telephotos are this good, but they’re not f1.8 and they’re prices over $5000.
--On the pricing question, I would suggest you read Bob Atkin's review at Photo.net
I'm not sure whether you realize:
1) How good this lens is.
2) How much such quality is worth.
Sure I'd love it if it were cheaper. And I would anticipate that it'll drop in price by maybe $100 over the next year or two--the 12mm f/2 started at $899, but eventually dropped to $799 (and $650 refurbished). I'll be waiting on buying it to see if it does, personally.
http://photo.net/equipment/olympus/lenses/zuiko-ed-75mm-f1.8/
--So how sharp is it? Very sharp indeed. Probably sharper than the sensor of the camera I was testing it on (Olympus PEN E-P3, (compare prices) (review)) can resolve. Not only that, but for all practical purposes it’s just as sharp wide open as it is stopped down and it’s almost as sharp in the corners as it is in the center! I don’t think I’ve seen better performance from a lens, certainly not one priced under $1000. Some of the Canon super-telephotos are this good, but they’re not f1.8 and they’re prices over $5000.
--Mike
It is also soft at F2.8 and doesn't really shine until F4+The Oly 14-54 2.8/3.5 was about $750 when released. Its an excellent lens, Weather resisistant.. and it was around f2.9 at the 35mm mark. It has much more reach and was not dependent on software correction.
No they managed to make a smaller lighter lens that's sharper wide open and more consistent throughout it's range, but then you'd know that if you'd used both, clearly you haven't.Somehow Panasonic found a way to make an inferior lens at almost 2X the cost.
Well of course it's bigger than those primes - it's a zoom lol.for his µ4/3 setup.
He says, "It is a bit fat and large on my OM-D when compared to the 12mm and 45mm and it is $1300!
But neither perform like this lens so it's a bit of a moot point.Pretty much my conclusion too. In daylight the 12-50 is fine and more versatile while my 14-45 is no slouch either.
Really? the 14mm F2.5 is no match for the 12-35mm, the 12mm is a stop faster but not really any better and then you're adding 3 more lenses which cost how much? The 12-35mm and 20mm F1.7 make a great combination without having to carry a multitude of lenses or change them frequently. If you want to carry and bag full of primes and change lenses often then feel free. The 12-35mm means you don't have to. You can miss and awful lot of shots swapping lenses all the time.And in challenging light the 12, 14, 20, 25, and 45 are the go to choices for shutter speed and quality.
----
Dave