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But the D300 is a Nikon and it makes all the difference. I have no illusion of how long even the D300 will sell the moment Nikon make a (semi) affordable FF camera with a lot more than 12mp....The D300 is still selling very well.
24x36 pro is more expensive than APS-C pro and this difference in
price will continue to exist.
It will will sell because cheap(er) FF camera do not exist. A "Pro" FF Pentax will be an affordable FF camera. A Pro APS camera will be a very expensive APS camera. Many are willing to pay what it cost for a certain image quality level and I'm sure the Pentax FF will be competitive in its sector just like the K20D is.Not everyone can afford 24x36 pro. A
Pentax 24x36 would also be very expensive. If the market is not
prepared to pay for a APS-C pro from Pentax, then the market is not
prepared to pay for a 24x36 from Pentax either. Pentax has not been
in the pro-market for system less than medium format, for many many
years.
It has really nothing to do with being pro. The D700, A900 and 5DMKII all appeal to the amateur previously used APS cameras....and pros of course...Both Nikon and Canon has had pro-level 24x36 for a long time since
the film days. They have a large customer base here with a large
collection of pro-level 24x36 glass. Pentax does not have a
customerbase for pro 24x36, the users does not exist. Some amateurs
that has bought old 24x36 lenses cheap on e-bay may not be prepared
to pay the huge amount of money for a 24x36 body from Pentax, and
those new customers with a large investment in APS-C glass may be
more interrested in a high-end APS-C than a high-end 24x36. Seems a
bit pointless to buy a 24x36 body when you can only use a small part
of the DA lenses.
Many will wanrt to upgrade to image quality beyond whats available via APS sensors. More than anyone, Pentax have been concerned about image quality (vs. speed). They have to deliver soon one way or another (another way is MF digital).So a pro APS-C from Pentax is meant as an upgrade to existing users,
to all the many new users that does not have a previous investment in
24x36 glass. Or to old users that went to Canon and Nikon for many
years and now has come back to Pentax and invested huge money in
APS-C lenses. And of course as a PR-trick to convince people choosing
Pentax-system because there is an upgrade path from the K200D and
K20D.
A new segment will be consituted by the cameras mentioned here, no doubt, and it will attract many serious/advanced amateurs.The D700, A900 and 5DMKII all appeal to the amateur previously used
APS cameras....and pros of course...
Pro level APS cameras are soon, if not already, history....
Sounds pretty expensive to me.each lens had it's own sensor to match the specific needs of the
lens. So the camera only had image processing technologies, but not
the actual image sensor
Sony is fighting an uphill battle for sure, but they're doing it - fighting in actual actions - via development, marketing, sales - moving market share right now.Sony has a styling-over-performance-image and features-for-features-
own-sake-attitude that is a drawback for them in the professional SLR
market.
Pentax, being a classic camera company, would go better in the
pro-market than Sony.
There's a significant difference in price between the D700 and the D300, and Nikon could lower the price of the D300 with no risk of harming the sales of the upcoming D90.The D300 sells (sold) well because it is a Nikon and had no FF
competition (then) from Nikon. Now it has.....
So the K20D does not compete with the Canon 40D? They cost almost the same...i have been reading thje replys. with few exceptions people are
calling the k20d pentax and the d300 nikon as the same grade camera.
well, they are not. the k20 is an advanced amatuer while the d300 is
a semipro. the nikon d3 is the pro grade. so iof pentax, and i think
they will, brings out a k1d(?) dslr it will compete with the nikon
d300 and the canon 40d.
But Pentax did this already with the K10D.a replyer above is talking in one breath about the pentax *istD as
pro with the canon 1d series. the *istD was never a pro grade camera
it was semipro, and pentax since then has been bringing out dslr that
have been in the amatuer grade of some level. pentax does not have a
semipro or pro grade camera i its lineup.
as the owner of the *istD, i am waiting for the semipro successor to
the *istD.
It's a rather dramatic change from only a year or two ago when everything was about getting the manufacturing lines to make more pieces just to go with the overall growth of the market. Pentax hardly managed to follow the overall market, thereby steadily losing market share.correct, and frankly the large players can invent new segments
quicker than it takes Pentax to get anything out in the market.
Summed up nicely, IMO.Canon and Nikon have at last count 6 models, and probably more
coming, Sony about 4 and growing, Oly 3. In the time that Pentax took
to get a K10/20 out, Sony added a number of models/variants and
couple of new sensors, lens range etc, to position them nicely behind
the leaders
Agreed so far. Unfortunately, I find it harder to follow your view on the following.you can have anything compete with anything. but it is still is not
the type of machine that it meant to compete directly with the d300
and 40d both of which are semipro as built, the k20 is not. it was
never built that way.
Is the K20 really doing so well? Only a few months back, Hoya said DSLR sales were 'sluggish', the street price has been lowered rather dramatically and have a look at 1st half sales figures from Japan to get the picture straight.the fact that it does so well in direct
comparisons says a lot about the camera's abilities and pentax. what
it is really saying is pentax's amateur grade dslr can do well
agianst the semipro cameras of other makers because pentax does build
them very well.
In terms of price, the K20 is closer to 40D, which is even cheaper when discounted by Canon.against canon the direct competition is probably the
450d, which the k20d beats easily.
Sony uses the same term - 'advanced amateur' about their A700 model which is directly targeted at Canon's 40D.this is a direct quote from the pentax page that has the k20d-
"The PENTAX K20D digital SLR offers advanced photo enthusiasts an
array of exciting PENTAX innovations"
please note the words "advanced photo enthusiasts". that is not
semipro. it is advanced amateur. i used the term advanced amatuer
camera because that is what pentax is calling it.
Then they will make a D300 with a lot more than 12mp.But the D300 is a Nikon and it makes all the difference.
I have no
illusion of how long even the D300 will sell the moment Nikon make a
(semi) affordable FF camera with a lot more than 12mp....
What you call "affordable" is what I call "expensive" and what you call "expensive" is what I call "affordable". This is beacuse a 24x36 from Pentax would cost much more than a pro APS-C, we're talking at least twice the price. I don't call this "affordable", I call this "expensive". But the pro APS-C, at half the price, is "affordable" not "expensive".It will will sell because cheap(er) FF camera do not exist. A "Pro"
FF Pentax will be an affordable FF camera. A Pro APS camera will be a
very expensive APS camera.
But who is gonna buy it?In addition, an FF Pentax will have a flagship effect; it may have
the best resolving sensor in its class.
It is known that amateurs wishes to buy pro-cameras yes (because they believe they get images as a pro if they buys a pro camera), but the cameras you mention are very expensive cameras.It has really nothing to do with being pro. The D700, A900 and 5DMKII
all appeal to the amateur previously used APS cameras....and pros of
course...
No, not when a pro APS-C cost half the price of a pro 24x36.Pro level APS cameras are soon, if not already, history....
I doubt that it exist so many Pentax users that are willing to pay more than 4 000 Euro on a camera from Pentax.Many will wanrt to upgrade to image quality beyond whats available
via APS sensors.
And all those millions of users has the funds to buy a camera for + 4 000 Euros?In adition there lots of people who want to use their old lenses (24
000 000 of them) they way they are intended.