Effzeeone
Senior Member
Okay, just got back from a rather nice two week Disney cruise included ports in Spain, Italy, and France. Of course, one of the things we did with six females (sorry, ladies!) in our rather large party was shop. While they were looking at overpriced clothing and shoes (even during this rebate season), I was always searching for the photography shops/departments.
And I did find quite a few, but I have to say I was blown away by sticker shock. Please do not read this as a dig or that America is better, blah blah blah. I was feeling serious concern for all you European photographers, especially when the cheapest I saw a Panasonic DMC-L1 with the usual kit lens was 1,995.00 Euro! That's at least twice the going price here in the USA. I also saw a lot of E-400 and E-500 kits, but all of them were well over 1,000 Euro. I did not see any E-410 cameras, and only saw one E-510 in the window of a photo shop in Barcelona, Spain, but when I inquired about how much, the salesman (shop owner/manager?) laughed at me and simply said, "too much", which I thought was a little a bizarre. I just chalked it up to being a foreigner and not understanding the context. That was on my second day in Europe (when foolishly looking for the equivilent of a Walgreens like pharmacy because 4 our of 5 of our suitcases were stranded in Zurich), so that really burst my bubble in thinking that maybe I could get a slightly good deal on a E-510 while in Europe.
But how do you European folks do it? Is it just like America where online prices are better? If so, they'd have to be MUCH better (a bigger difference ratio than here in America). Prior to going on the trip, I told my wife that if my camera system was stolen or broken, I'd just hop into one of the European stores and buy the E-510 (haha). My wife would've killed me had I paid those prices.
All in all, great trip. I live in St. Augustine, Florida, so I am familiar with living in a tourist town with significant history to it, but...wow. Your cities make my "ancient city" look like a newborn baby. I captured some really nice shots with my E-500 two lens kit. The Lowepro Slingshot 200AW worked very well until a two-hour bus ride back from Rome to port resulted in a pinched nerve in my lower back. I was then wishing I had brought my no-namebrand rolling photo backpack instead. I really enjoyed annoying the Disney photographers on the boat, as I frequently had my E-500, Vivitar 285hv, and Stroboframe camera flip flash bracket with me, easily matching their shots with my kids and the Disney characters. This was a multi-family vacation with a lot of kids, so we were able to take a lot of planned portraits with some beautiful port backdrops on the ship. We still purchased a lot of the Disney photos (mainly out of convenience of not having to post process, print, worry about end quality, etc.), but passed on quite a few since mine turned out just as well.
I did notice that Disney seems to have given up on their previous photography policy. Previously, they would not exactly be uncooperative with parents taking happy-snaps over their photographer's shoulders, but they wouldn't exactly be cooperative about it either. Now they actually keep the characters and kids still posing for mom or dad to take a quick picture or two as well. I think they've realized that with digital photography, it's difficult to maintain their old policy, and now they just have to rely on the fact that most of the time the Disney photographers are going to take better shots. By the way -- Nikon. That's what ALL of the official Disney photographers were using. Most were using commonly available flash brackets and flashes, but some had lightboxes setup with some backdrops. Most were not using any Nikon model that I haven't seen at an electronics store, which I thought was a little unusual. I would've thought that more of them would've had professional class gear.
Photos are forthcoming. I think I got the most out of the kit lenses that anyone possibly could. I was shooting mostly in aperture priority (usually F8-F10) and ISO100. I'm a JPEG'er who has yet to see a personal benefit in shooting RAW. Most of them are "happy snaps", but I did get some pretty good sunsets and evening panos at the various ports, as well as the usual tourist photos of the statues, architecture, art, etc. I did get to dust off and use my trusty backup camera, a Panasonic FZ1, primarily for shooting from moving busses, trains, and taxis, because you just can't beat OIS for taking the tourista photos on the fly.
Again, please don't take any of this as an insult, as I loved my European vacation, but please let me know what you European members do for an equipment source, as I was really getting worried about you folks seeing all those high prices. I was thinking I'd have to come back here and setup a PayPal trust account to help out you European photo-hobbyist on a donation basis from all of us discount American photo hobbyists.
--
Chris
And I did find quite a few, but I have to say I was blown away by sticker shock. Please do not read this as a dig or that America is better, blah blah blah. I was feeling serious concern for all you European photographers, especially when the cheapest I saw a Panasonic DMC-L1 with the usual kit lens was 1,995.00 Euro! That's at least twice the going price here in the USA. I also saw a lot of E-400 and E-500 kits, but all of them were well over 1,000 Euro. I did not see any E-410 cameras, and only saw one E-510 in the window of a photo shop in Barcelona, Spain, but when I inquired about how much, the salesman (shop owner/manager?) laughed at me and simply said, "too much", which I thought was a little a bizarre. I just chalked it up to being a foreigner and not understanding the context. That was on my second day in Europe (when foolishly looking for the equivilent of a Walgreens like pharmacy because 4 our of 5 of our suitcases were stranded in Zurich), so that really burst my bubble in thinking that maybe I could get a slightly good deal on a E-510 while in Europe.
But how do you European folks do it? Is it just like America where online prices are better? If so, they'd have to be MUCH better (a bigger difference ratio than here in America). Prior to going on the trip, I told my wife that if my camera system was stolen or broken, I'd just hop into one of the European stores and buy the E-510 (haha). My wife would've killed me had I paid those prices.
All in all, great trip. I live in St. Augustine, Florida, so I am familiar with living in a tourist town with significant history to it, but...wow. Your cities make my "ancient city" look like a newborn baby. I captured some really nice shots with my E-500 two lens kit. The Lowepro Slingshot 200AW worked very well until a two-hour bus ride back from Rome to port resulted in a pinched nerve in my lower back. I was then wishing I had brought my no-namebrand rolling photo backpack instead. I really enjoyed annoying the Disney photographers on the boat, as I frequently had my E-500, Vivitar 285hv, and Stroboframe camera flip flash bracket with me, easily matching their shots with my kids and the Disney characters. This was a multi-family vacation with a lot of kids, so we were able to take a lot of planned portraits with some beautiful port backdrops on the ship. We still purchased a lot of the Disney photos (mainly out of convenience of not having to post process, print, worry about end quality, etc.), but passed on quite a few since mine turned out just as well.
I did notice that Disney seems to have given up on their previous photography policy. Previously, they would not exactly be uncooperative with parents taking happy-snaps over their photographer's shoulders, but they wouldn't exactly be cooperative about it either. Now they actually keep the characters and kids still posing for mom or dad to take a quick picture or two as well. I think they've realized that with digital photography, it's difficult to maintain their old policy, and now they just have to rely on the fact that most of the time the Disney photographers are going to take better shots. By the way -- Nikon. That's what ALL of the official Disney photographers were using. Most were using commonly available flash brackets and flashes, but some had lightboxes setup with some backdrops. Most were not using any Nikon model that I haven't seen at an electronics store, which I thought was a little unusual. I would've thought that more of them would've had professional class gear.
Photos are forthcoming. I think I got the most out of the kit lenses that anyone possibly could. I was shooting mostly in aperture priority (usually F8-F10) and ISO100. I'm a JPEG'er who has yet to see a personal benefit in shooting RAW. Most of them are "happy snaps", but I did get some pretty good sunsets and evening panos at the various ports, as well as the usual tourist photos of the statues, architecture, art, etc. I did get to dust off and use my trusty backup camera, a Panasonic FZ1, primarily for shooting from moving busses, trains, and taxis, because you just can't beat OIS for taking the tourista photos on the fly.
Again, please don't take any of this as an insult, as I loved my European vacation, but please let me know what you European members do for an equipment source, as I was really getting worried about you folks seeing all those high prices. I was thinking I'd have to come back here and setup a PayPal trust account to help out you European photo-hobbyist on a donation basis from all of us discount American photo hobbyists.
--
Chris