Chris and Jordan are out of the office, so we're taking a trip down memory lane to feature another classic episode of DPReview TV: our review of the concisely named Olympus OM-D E-M5 Mark III! Can Chris find anything to photograph in the omnipresent grey/brown of Alberta's autumn? Only way to find out (again)!
I would agree with you, calling any camera an... " OM-D E-M5 Mark III" .... is rediculous, and convoluted. Whoever was incharge of naming these cameras should have been fired, along with upper management who approved it. The name of the cameras is almost as difficult to understand as the menu in Olympus cameras.
They should really remove the dash (which is a pain for e-commerce sites where the search engine is crap). It's hard to find deals in my area cos a search for E-M5 and EM5 and EM-5 all turn up different results. That's even without the "mark" or "mk" or "iii" vs "3".
Why can't they just do EM5iii. Simple. OM1. Not OM-1. A7iii. Z6ii. Ezpz. Honestly this naming convention is actually worse than Sony's a6000 series.
You know that you lose the most money in Poker when you have a great hand, just not the winner one... I have the feeling the harsh criticism on the EM5.3 was because it was very close to being the exact camera that many of the M43 folks really wanted, but lacking in a couple of places. I love mine- I use the added grip when I use a larger lens, so no issues with the plate and the peak design clips (I have hiked with that configuration extensively), love the video AF, the C4k 24p, the controls except missing joystick, hate the EVF, not love the AF accuracy for far-away subjects, my thumb rest peeled off (cmon, just a drop of glue and live on), absolutely love it with the 8-18 2.8, 15 1.7 or 30 1.4 for casual high-quality video in a super small package. Prefer the Panasonic stills (G9) by a large margin. I see this as a minor replacement with a modest price-up (200 USD) that gives HHHR, which is a feature I will no longer accept a camera without (in MFT). Lets see.
I am still in love with Olympus, there is something in a compact camera, really tough, with an IBIS that avoids the use of a tripod or gimbal in 90% of the cases that fascinates me. However I am a bad photographer, I noticed that the shadow recovery of my OMD OM5II was not enough for me. We bad photographers should limit ourselves to using large sensors that make up for our shortcomings. I guess I'll end up taking bad photos, very well exposed (that is), with a full frame, like all the other bad photographers on the forum.
Yes, that shows us how shortliving our times are. The episode "DPReview welcomes Chris and Jordan, formerly of Camera Store TV!" is released 2018-04-28. In my perception nothing with Chris and Jordan should be labled classic so far.
But it's not a classic about a Sony Camera. So I am somewhat certain the first review will be about a OMD product most likely, not the upcoming Sony. So a good chance of two new camera reviews before the end of the month.
What’s actually killing the camera market overall is manufactures selling the idea that FF is what you need.
Instead they could have sunk R&D into making smaller sensors with far more powerful processing that actually compete better with the segment that’s killing them. Canikon and co should be the leaders in computational imagery, not chasing the likes of apple or Samsung.
What you are seeing from the OM1 and GH6 (as healthy sales suggest) is a specialised market that sees the benefit of what smaller sensors aided with AI and computational power can deliver. Especially as It’s screen based content that dominates 99% of output. If FF is “necessary” it is only so for a very small segment these days.
fortunately - the opposite is the true :) I have tried m4/3, skeptically because all of these "oracles" and "specialist" opinions, and result is I'm buying into this excellent system more and more ...
I disagree regarding the competitive advantage of computational imagery for traditional camera manufacturers. They aren't losing to cell phones because they've somehow fallen behind them -or even because the gap has closed. They are "losing" because once cell phones hit a certain quality threshold, convenience does all the work. Look, eventually the Nikon Z11 or whatever will come by a a ton of computational features. I'm sure it will be great! But it's not going to get a cell phone photographer back - because camera technology isn't the limiting factor here. Cell phone photographers (like, 95% of the population) just aren't interested in ILCs and actually *learning* photography. That's cool! It just isn't changing.
I had Mk I for two years. Upgraded to first E-M1-version because of improved AF. IQ was good for MFT when it came out, and is still fine. It's more ergonomic with the optional grip, but I loved the size without the grip and it worked fine for me even without the extra grip. It's still a decent camera IMO, but a lot has happened since it was launched.
There's a setting to introduce a 1/8s delay after the shutter opens, and that curtails shutter shock. Ergonomics and image quality are good I reckon. Unlike the later Oly bodies you can operate the EM5.1 entirely one handed, which is great if you're shooting from a boat or anywhere else you need to hold on.
The playback and Fn1 buttons were recessed behind the LCD and thumb grip, there was no front function button, and the grip was less pronounced making it harder to hold, even while the right hand placement of the power switch encouraged one handed operation.
Actually, the original E-M10 was already the more modern camera in which some of the E-M5's quirks were ironed out. I think not being able to easily enable small AF points was one of them, and back when I was looking for a smaller camera to accompany my E-M1 I chose the E-M10, not the E-M5. I still have it and it still works well, even though these days I sometimes find its AF performance and precision somewhat lacking. And the viewfinder, as it was still the standard back then, was ok for composition, but not for judging sharpness.
Yeah, the 5.3 has a better grip for sure. The playback and FN1 buttons on the 5.1 are a bit small but in no way recessed -- they actually protrude a fair bit and again are situated where you can reach them one handed.
I'm not saying the 5.1 is the best choice today, or a better choice than the 5.2 or 5.3, just that it's a solid camera that to me doesn't have any glaring issues. If you were considering buying one today it would have to be pretty cheap though. If you have the money a later body is a better option.
The weather sealing on the EM5.1 is very good, and the kit flash (FLM1 I think) and kit lens (12-50 PZ) are both sealed too. There is an optional sealed battery grip. I've used them in the rain and on boats and it's all been fine. If you're buying a used one rather the NIB you might want to check the visible seals on the card door, battery door etc to get an idea of their integrity. There should also be a removable cover for the hotshoe, one for the accessory port, and another on the camera base next to the tripod mount (for the grip port).
I take my OM5iii hiking and inadvertently went for a swim when crossing a river. The camera was completely underwater for more than a minute. I had a pro lens on it. I thought that was an expensive dip, but was surprised to find that I could still take photos without any obvious quality drop once I had dried it off. Don't think many other cameras would survive that, even now. If you look at Chris Eyre-Walker's YouTube videos you can see that he has given them a considerably more rigorous workout with the weather, snow, rain etc. I'm not sure why this aspect of camera use is so underplayed. If you take into consideration the light weight, including the lenses, the excellent stabilisation, and the weatherproofing it's the perfect camera for outdoors.
Apparently more than a few commenters have not picked up on the DPR theme. Granted, calling it a classic after only just a few years is a bit suspect. But I suspect, since I noticed this trend as of last year, we may see this as common just before a newer cameras are released of the same model.
I was going to say what spooky timing, with the OM-5 so strongly rumoured and quite possibly in the hands of selected journalists - but scanning down the comments I see it's been said a dozen times already!
I think they also gave a big hint by saying Chris and Jordan are out of the office - out of the office at a location they have been invited to by OM Systems no doubt
I've since watched the review - they didn't like the E-M5 III did they? But this could be a foil for a contrasting review of the OM-5. Let's hope so anyway - if there's enough trickle-down from the OM-1 it could be a big improvement.
As an MFT user looking to upgrade, these rumours and releases are just depressing. Is it really that hard to design a well built, decent looking, compact stills camera at a reasonable price? I can't help but glance towards the X-E4, X-T30 and Z fc and wishing we had, well, that, with our mount.
MFT use to be THE platform for such a camera, but these days it's looking more and more like our options are a) huge wildlife camera, b) huge video camera, c) compact, but flimsily built and massively overpriced camera, and d) plastic camera with no viewfinder. And of course, they all use micro USB.
Yup, agreed. I've bought several MFT starting with the E-PL1. I've always just wanted compact but high quality gear. My last camera was the E-M5 III and I found even that to be kinda disappointing. There's little to no improvement generation to generation, prices have skyrocketed, and there's a major lack of innovation in the industry. If Sony can fix the issues with the a7c on the next version, I might just go ff.
b) what is wrong with 1-2-3 years old "decent looking" cameras? They have stopped working?
Z-fc does not sell, fuji'x xs10 has lost its design "mojo" in my opinion and x-e4 is simply overpriced for what it does - I would rather get 2nd hand pen-f
Cameras do occasionally stop working, yes. Electronics (especially relatively cheap consumer electronics) don't last forever. Sometimes the needs of the user changes.
Not really sure why you'd consider the X-E4 overpriced while at the same time recommend a used PEN-F. The Fuji has a better sensor, better autofocus, non-horrible menus, a tilt screen and USB-C, far better video specs (for when it matters). Also, it might be different in your part of the world, but here as used PEN-F goes for just slightly less than a new X-E4 (which, again, you consider to be overpriced).
@unhappymeal actually no :) I'm using Fuji system (xt2 and xe3) with its beautiful lenses, but I consider pen-f to be a better camera for my needs than xe4, especially because of IBIS, High-Res ... and 2nd hand cost :)
@Orangorill sure, everything can broke, fortunately my experience show that 10 years old camera still works perfectly and still can produce great shots. What I am saying in general is, that there is no need for new camera every year (except of collector's needs with GAS)
I don't need a new camera every year. My current daily driver is a well worn GX80 that will, eventually, need replacing (already been serviced once). When it does, I'd prefer a model that isn't almost as old as the one I already have. Sure, the PEN-F, the GX9 and the E-M5.3 are options, but they all use an old sensor, and the micro USB port I've been trying to ditch for half a decade now. The E-M5.3 (and probably the O-M5, sadly) has serious compromises to the build quality, and the other two still sport fairly primitive autofocus.
The point remains: Fuji delivers reasonably affordable, well built, compact cameras with a new sensor and updated ports. If Panasonic or OM System could delivery a camera like that I'd buy it at launch, but by the looks of it they either can't, or they won't.
Maybe all the OM-5 rumours are wrong. Maybe they're using the latest sensor, have reverted to a tilt screen, given it a metal body again and made sure the price matches the midrange Fujis. Maybe not.
Plastic body, fragile tripod mount, not enough custom mode, no joystick, thumb grip falling off, so many issues are carried over from the past generation. The OM System OM-5 needs to be under 500$ with specs like this.
@Paisley Park: Why is it good news? This just confirms the mount is dying, since the company has trouble directing R&D money into making new cameras. OM-1 is basically what was supposed to be E-M1 III, caught in the spin off turmoil and postponed. The new company has not executed anything new and with this release, they don't show any sign of healthy growth.
It's from a leak. Could be true, but could as well be totally fabricated. Why worry, you will know in a week, and can complain then. Alternatively, complain now, and look a bit stupid if it isn't true...
The OM-5 leaks are 110% true. OMDS has very little r&d budget. The OM-1 was designed mostly by Sony (identical battery, EVF, sensor, processor, software etc) and knowing a new camera model is in the pipeline for 4-5 years, the OM-1 was an Olympus product, not OMDS. We haven't seen an OMDS product yet.
The OM-5 is a repackaged E-M1 III in the old plastic E-M5 III body.
I think at this point it's 100% undeniable fact that future OMDS product will either be repackaged existing models or completely outsourced to someone else, if we're lucky Sony.
@Paisley Park The OM-1 is done in Olympus/OMDS and Sony has nothing to do with it, other than sourcing some of the electronics. These rumors are usually started by either shills or trolls who do not know how the logistics and supply chain in these industries work.
If the rumours/leaks are true (if) and the OM-5 is the same body as the E-M5 III, with the same plastic build and by implication the same inherent weakness in the tripod mount on the baseplate that has resulted in some major failures, then I hope reviewers don't neglect to cover this.
I say that as an otherwise happy E-M5 Mark III owner, but it's blatantly obvious that Olympus cut corners with the Mark III in order to save money and artificially differentiate it from the E-M1 and it looks like (and again, this depends on if the rumours/leaks are true) the OM-5 is going to inherit the same fundamental flaws.
P.S. I know some fellow Olympus owners may disagree with the above, but the plastic build of the Mk III resulted in a negligible weight saving – the weight of 5 house keys – that didn't compensate for the loss in structural integrity and durability.
P.P.S. @OMDS – nobody spending $1,500 on a camera uses a dedicated Scene mode on the mode dial. Nobody. More custom modes please.
One sole reviewer (that I remember) did point out the weaker bottom plate, before reports of broken ones even started coming in. David Thorpe pointed out and even showed that there was more flex to it during normal tripod use.
I used to have the EM5 mark 1 with the Panny 12-35 2.8. I thought it is compact until I saw the LX100. Then I asked myself - why carry this when I can have the same thing (even with a wider aperture) in a much more compact system.
But the lx100 is not the same thing. It's not an interchangeable lens camera obviously. But more fundamentally, it is a "cropped" m43 camera meaning it uses only portion of the m43 sensor compared to a real m43 camera. It may mean smaller optics but it also mean lesser IQ.
I went nearly exactly the opposite way, from LX100 to EM5 mk ii. I liked the LX00, but it was far to fragile for the sort of use I put my cameras to, and only lasted a couple of years until the automatic lens opening-closing broke (they should have made it manual). Also, the sensor was full of dirt by that time. The EM5 is a bit taller, but only 10mm wider and of similar length with the smaller lenses. Still fits in a coat pocket, (with a couple of extra lenses in the other pocket) and much more to my taste: proper ILC camera feeling, better stabilisation, better lenses available, and better handling (in my opinion). Most of all, compared to the LX100 it's built like a tank.
Perhaps it is a message to OMDS to not flub the OM-5 like Olympus did with the E-M5.3. I was not happy with what Olympus did, but I bought one anyways because I wanted the PDAF 20mp version. But I generally use mine with the f/1.8 zooms or other lighter lenses; if I'm shooting with the 12-100 and other large lenses, I want the bigger grip of the E-M1.3 or OM-1. As it is, the E-M5.3 is too crip*pled to use with my typical work flow.
Unfortunately, the OM-5 will already be finished and the first preproduction samples are very probably already in the hands of testers. And from the latest leaks it looks like earlier rumours pointing to a slightly slimmed-down OM-1 were wrong; it will be just a slightly improved E-M5 III in the same body with a new name, with just some more E-M1 II/III features rather than OM-1 features.
No idea about OM Systems / Olympus, but last time the guys were "out of the office" they selected a relevant older video to what they were covering in secret at the time. ;D
I would like to see micro 4/3 return to its roots. Small, lightweight cameras, with great stabilization and interesting, lightweight lenses. All this at an affordable price. But hey...
Whilst I agree they try to compete with the bigger APSC and FF sensors by producing bigger bodies, there are still a lot of options to buy a new small body and many small lenses. I used to own the Oly E-P 5 and Oly 17/1.8 which was a tiny combo but produced great images. With software like DxO PhotoLab and their noise reduction technology you can get very decent results even up to ISO 3200.
The entire market is moving to a more dedicated segment. Consumers are lost to the mobile phone. Many that buy the bigger M43 bodies are complimenting their FF or even MF systems with M43 (or vice versa) For those that are not tribal amateurs. Understanding the real benefits each system brings to the table is something specialists understand gives them advantages over their more amateur counterparts
Second that. Those mft claims that their small cams are better because they are "smaller" is pure mft forum knowledge. My colleagues used to have mft along their big dslrs now they use their smartphones... Or use small Sony bodies. The legend that mft is smaller is long gone. You can use an A7r and cut the 20mpixel hole out of the sensor in post...
I personally found mft bodies always unergonomic, even back when I used my OM2n or the om4ti... Which where fullframe Film cameras.
By "Small, lightweight cameras", do you really just mean cameras without a proper grip, which feel like they're going to fall out of your hand, and are uncomfortable to hold for more than a few seconds? If so, you're talking about the kind of camera that I hate. May as well just use a phone. The only M43 cameras I like are the ones with proper grips: GH4/5/6, E-M1, G9, etc.
Been waiting for the reveal of OM-5 for quite a while now.
Best case: OM-1 Sensor, Hand-held high res, Joystick; Worst case: Same as E-M5 III with updated processor and improved C-AF and video.
If it is the former, I will wait a year for prices to settle to upgrade my heavy used E-M5 II to OM-5, If it is the latter, I will get an E-M5 III in the coming black friday.
So funny story . I currently shoot FF but was organizing some images the other night and I spotted this folder of images from years and years ago on an older external dive. The images were breathtaking, honestly more “attractive” looking than images from my FF body. Long story short turned out to be from my first gen Olympus EM10. Now I am scratched my head wondering why I shoot FF. I know I know.
I shoot both full-frame and MFT. From a technical perspective, the images produced by the full-frame camera are superior, but the gear is much heavier and more expensive.
The problem with Olympus is that they abandoned the small and light ethos many years ago. They deliberately nerfed the EM5.3 to boost the sales of the EM1 series, and if the leaks are correct, the same trend continues with the OM5.
EM5.3 was made of composite as opposed to EM5.2's metal body and reduced the weight by more than 50 grams (albeit prone to cracks in the baseplate). There are two segments in MFT: small, light and plastic or heavy, all-metal, durable. Choose your medicine accordingly. Imagine the weight of Nikon or Canon full-frame lenses if they were made entirely with aluminum.
@LevAizik - "The problem with Olympus is that they abandoned the small and light ethos many years ago."
Did they? Of the last 10 bodies Oly/OMS has released. there have been 2 PENs, 3 EM10's, and 2 EPL's. The only "big" cameras were the OM1, EM1.3, and EM1X.
How ironic. Your story is so close to mine. I had a complete R5 setup with all the top RF L glass one end to the other. But had been experiencing some issues with the weight involved. I didn't consider any other system as it's advantages of performance/weight offered nothing in return. I like you was going over some memories in my archives of shots taken over many years. I'd come upon a series taken on a vacation to the Northwest and the San Juan Islands. I'd been in a camera shop and came upon what was then, Olympus's 1st foray into the mirrorless realm, the EP1. On a lark I took one home thinking I didn't want to lug my then Nikon D700 FF and large lenses along with the trip. So I went with the plastic kit lens, if I recall it was something like a 14-45mm and not a fast lens by any means. I added a inexpensive Panasonic 45-200 just in case I wanted to shoot longer. It worked out amazingly well. I tried an OM-1 with the 12-40 f2.8 Pro II and the rest is history. No more Canon
When you’re tired, the photos tend to be worse, that’s what i got from heavier vs lighter set ups, you get joy of it sucked out through sheer fatigue. This is mainly for longer focal lengths, wildlife where you have to trek with all of the gear, for shorter stints it doesn’t really make a difference.
LOL I'd beg to differ. My former R4 with it's 24-70 f2.8 loaded was a shear boat anchor compared to the svelte and very manageable OM-1 (with a grip no less) and the likes of a 12-40 f2.8 Pro II, it's equivalent. And it's no less sharp that's for sure.
I have had only M43 bodies and so many different pro level lenses throughout the years. Currently own em1iii... going through my library my favorite images were taken with the GF1+20mm combo. It's like no contest
Ok, so you sold the R5 and bought the OM-1 instead. That saved you 138 grams. (799g vs. 538g). Then you traded a 24-70 F2.8 lens for a 24-80 F5.6 lens. If you kept the R5 and traded the 24-70 F2.8 for the 24-105 F4, the total weight of the package was only 481grams heavier compared to MFT. In addition, you would have a 1 stop-faster lens, more reach, better image quality, and the ability to crop your images very deep.
I don't know about you, but I would have preferred to carry a little more weight.
I was so disappointed by the EM5III, coming from the mark II.
I mean they still got a few things right, but overall, big let-down for me. On the flipside, it finally convinced me to get into the EM1 line (and now the OM1). There's no going back. Brilliant cameras.
The bokeh is exaclty the same as from the E-M5 line. Besides that, the term bokeh refers to the qualitiy of the out of focus areas and not to the depth of field.
Only lenses like the Mitakon Speedmaster for "full frame" (24x36 mm²) with it's f/0.95 aperture or the 135mm f/1.4 give shallow dof. Everything else is basically fix focus.
We live in an age where everyone just clicks without paying attention... "Chris and Jordan are out of the office, so we're taking a trip down memory lane to feature another classic episode of DPReview TV"
As noted in the first post, they and every other Ytube channel of Note, are busy getting ready their Review of the upcoming Sony a7rV. That would be all the chatter, starting Wed, Oct 26, 2022. Then the Real Fireworks start.
Sony Alpha Rumors has been posting the expected specs changing from the same sensor, but Latest processor, to now a new BSI, 61MP sensor. So everyone will want to see what New is really, New other than the processor. 1000 comments won't be that shocking.
Although with the running rumors of another MFTs camera soon, maybe we get TWO new camera reviews next week instead of one. But we certainly we have at Least One, from Sony. It's already ready and waiting via their Teaser on the Sony Channel.
There will be fan fireworks, but the biggest beneficiaries will be sites like this one that have been reduced to running 3-year old reviews of digital cameras that have an 18-month lifespan before DPR says they're a bit stale.
There will be complaints about too much Sony and how quickly the review was done. DPR will say it's a very important camera, gold award, but we wish the menus were easier to understand.
Either that, or they missed their flight back from the Leica M6 influencer junket. Y’all know how much Chris enjoys using a film Leica, even if he doesn’t quite “get” the whole rangefinder thing..,
Why take the word of hired gun reviewers on YouTube . If you stick with them long enough, they change systems themselves and labour the justification for why and at the same time invalidate everything they said previously. The next Sony FF will no doubt draw gasps of appreciation but most peoples actual photographs will look about the same
I was really hoping to see something like a smaller, metal OM1 in a new OM5, but from what I have seen on another website, the actual new OM 5 looks exactly what we already have in the Mk III. I am sure there will be internal upgrades but not much else. Not a good move for OM System to basically rehash the EM5 III.
I wonder if this is a case of there being low quantities of the EM5 III available for shipment to distributors, so OM Systems feels they have to quickly cram some slightly incremental improvements into the existing body.
Generally, I find creating a completely new body for every new model is a waste of time and resources. Still I would have liked the OM-5 to have a proper grip...
I don't expect or really want it to be a sports shooting camera which will drive up the price, I want it to be a good stills camera at reasonable size. Otherwise I might as well switch back to APSC or full frame.
Is this trip down the memory lane a pre-cursor to something coming in the next few days? Perhaps an announcement of a re-badged version of this model as OM-5 or something?
Chris and Jordan are out of the office, so we're taking a trip down memory lane to feature another classic episode of DPReview TV: our review of the concisely named Olympus OM-D E-M5 Mark III!
This gallery contains additional sample images from the new Olympus E-M5 III, captured while shooting our hands-on preview of the camera for DPReview TV.
We've got our hands on the Olympus E-M5 III and it is is, on the outside, a refinement of its predecessor. But we'll go a bit deeper and talk about what's also changed on the inside in our hands-on slideshow.
We spent 48 hours exploring the deserts of southern Utah with the E-M5 III, Olympus smallest, lightest 20MP camera. Click through to read about our experience shooting with the camera and to see what kind of photos it's capable of taking.
Fujifilm's X-H2 is a high-resolution stills and video camera, that sits alongside the high-speed X-H2S at the pinnacle of the company's range of X-mount APS-C mirrorless cameras. We dug into what it does and what it means.
Holy Stone produces dozens of low-cost drone models aimed at consumers. We look at the HS710 and HS175D to see if they stack up to other sub-250g offerings. Are these secretly great or more like toys?
The EOS R6 II arrives in one of the most competitive parts of the market, facing off against some very capable competition. We think it rises to the challenge.
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
Fujifilm's X-H2 is a high-resolution stills and video camera, that sits alongside the high-speed X-H2S at the pinnacle of the company's range of X-mount APS-C mirrorless cameras. We dug into what it does and what it means.
A blog post from Panasonic touts the ways its organic film CMOS sensor can control color spill between pixels, giving more accurate color in challenging lighting, but doesn't propose photography as something the sensor is suited for.
Digital sensors are at the heart of digital photography, but their development sometimes gets obscured by the marketing claims made along the way. We take a look at how sensors have developed since the early days of CCD, to better understand the milestones of the past and what's really going on today.
Who doesn't love a compact prime? This full frame 26mm F2.8 Nikkor lens has a sweet price, good features...but does it take a sharp photo? See for yourself in this new sample gallery shot with a production lens.
We met up with OM Digital Solutions' senior management at CP+ in Yokohama to find out what the transition from Olympus was like and to gain insight into its focus going forward.
If you're new to the drone world, there's much more you need to know than how to unbox and launch a drone. We break down the 5 mandatory steps you need to follow to fly safely and legally.
Camera and lens rental company Lensrentals has published a list of its most popular 'point-and-shoot' cameras, only to reveal that the very concept might now be obsolete.
Holy Stone produces dozens of low-cost drone models aimed at consumers. We look at the HS710 and HS175D to see if they stack up to other sub-250g offerings. Are these secretly great or more like toys?
Leica has announced the Vario-Elmar-SL 100-400mm F5-6.3, a telephoto zoom lens for L-mount. It's also announced a 1.4x extender teleconverter to work with it.
Round One voting results are in and we're now down to 8 matches. Jump in to see who won and sneak a look at how the DPReview team debated the choices, then get ready for Round Two – voting starts now!
Mathematical correction of lens distortion is commonplace. We explain why we don't think it makes sense to ignore it or to assume it's always a bad thing.
How well do Fujifilm's film simulations match up to their film counterparts? We revisit a classic DPReviewTV episode in which Chris Niccolls and Jordan Drake shoot a few rolls of Fujifilm's Acros 100 II, and a few frames on the X-T3 in Acros film simulation, to find out.
It's March, and in America that means it's time to start arguing over which college athletics team is the best at basketball. For DPReview, it's also an opportunity for a good old-fashioned camera fight.
We take OM System's new 90mm prime F3.5 macro lens out and about around Seattle, in search of sunlight, people and very tiny things to get up close and personal with. Flip on through what we found, and see how the lens performs in the real world in our sample gallery.
After a three-year hiatus, we've been at the return of the CP+ camera show in Yokohama, Japan. In between interviews with executives of the major companies, Dale Baskin took to the show floor to bring you this report.
OM System's latest lens is a whopper of a macro, featuring optical stabilization, full weather sealing, up to 2x magnification and a whole lot more. What's it got and what's it like to use? Let's dig in.
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