As a Canon shooter I like the idea that Canon wins, but I also use severall of my EF lenses with their 2x teleconverter, which has no counterpart for the RF 70-200 lens.
So Canon how about a 70-210 mm lens with builtin 2xTC?
The best lens is the one that fits the mount of your camera ... the differences between the lenses doesn't mean much for what you can do with them.
For sport, action and other kind of fast moving subject, I would look at tracking ability, more than differences that just can be seen at pixel peeping level. A tad more sharpness, but out of focus results, doesn't seem much helpful.
Are you a real photographer? Why are you commenting here? I fully agree, actually. These comparison videos are nice, but in reality the sharpness difference is irrelevant.
I 100% agree with you. Although these videos are fun to watch and they can help people to decide what system to buy, for people already invested in a system they have no real information.
@ Rubber Dials: Most sensors can record much wider dynamic range than what is used for everyday photography. Large dynamic range comes into play for scenes with extreme contrast, like sunsets and cityscapes at night where you want detail in bright windows and dark shadows, or when you use very high ISO values.
Dynamic range for a sunlit white dressed bride and black dressed groom is about five stop, and then you want a few stop extra for some shadow detail.
That said I am sorry I have to nitpick again. Why is the Sony gallery again without lens corrections while all other lenses are? All 4 system deliver lens profiles in their RAW to correct the file. But Adobe forces the correction only for Nikon Z, Panasonic L and Canon RF lenses while the corrections for Sony are not forced. So if you disable corrections in Lightroom only the Sony corrections are truly disabled
So either chose a RAW converter that let's you disable all corrections for all manufacturers like C1, or simply leave them enabled for all. Your current choice is inconsistent
This argument continually comes up and seems is continually not addressed. I agree with you, it’s inconsistent and by any assessment, not correct to be inconsistent in this way.
@MikeRan Yes, most of the time it is me who brings that up :D
DPReview has acknowledged that in the past but didn't implement a fix for multiple years now. They just don't care, it would be such an easy fix to simply have it enabled for all, or the other way have all RAWs stripped from their lens profile and have it disabled for all. But that is apparently work DPReview just doesn't want to do
So I will continue to bring that topic up under every gallery post where it is not fixed
I guess Sony was struggling to make E mount relevant with limited resources so it invited and enticed lens vendors.. In contrast Canon and Nikon are focusing on reaping maximum profits. So I do not see them opening up specifications to 3rd parties.
Perhaps Sigma, Leica, Panasonic trio will be some real competition. Provided they get either Sony phase detect AF or Canon's dual pixel or anything competitive.
Speaking of manual focus clutch and macro work, what would the respective magnification and MFD be on these lenses? Guess we'll have to see that by ourselves. But the guys would have helped us by testing that on different focal lengths.
Canon Maximum magnification is 0.23x at 70cm Nikon Maximum magnification is 0.2x at 100cm Panasonic Maximum magnification is 0.21x at 95mm Sony Maximum magnification is 0.25x at 96cm Canon EF (II and III) Maximum magnification is 0.21x at 120cm (but increases with extenders)
Kudos to Canon optical engineers for thinking outside the box by employing only 17 glass elements and still competitive. Dpreview should have included MFD as one of criteria in this comparison.
considering everything i think nikon 70-200 2.8 is the best . Not only it is the sharpest , it is very good for video shooters , reasonable weight, can use extender and focus speed is only going to improve in near future based on new body . canon would have been the best if only it had the ability to use extender .
for bokeh it would been useful if the test was done in difficult rendering scenario like tree leaf rendering in comparatively busy background .
I had Nikon Z and I thinks all Nikon Z lenses are sharp because in-camera corrections. I'm sure thats a reason why Nikon in-camera profile can't be turned off in Lightroom.
Sujat, the Nikon is the best based on your value system, which is fine. But it won't be the best overall.
As a former Nikon user, I almost purchased the E version, which was lauded as the best DSLR lens of this type. But I couldn't pull the trigger due to its size ("reasonable weight" for you is "unacceptably unwieldy" for others). The Canon's audacious new approach was exactly what I was looking for. I don't care about extenders. If I want to go long, I'll switch to a the 100-500mm, also the smallest zoom to 500mm. I don't care about video, so the Canon had no serious deficients for me. For you, and some others, it does. Three cheers for choices.
@RH McCaslan absolutely . canons reduces weight is fantastic achievement which will attract a lot of user . me myself would like to have something similar like that in nikons version . but you gain some thing also lose something . guess everyones priority is different
No, Yxa, it is a perfect example to illustrate the Canon's size advantage.
The best of the rest being 360g (3/4 lb) heavier and more than 2 inches longer than the Canon RF provides a perfect illustration of what an amazing job Canon has done.
Moreover, my example was used to illustrate why I was tempted to buy the Nikon E, which purportedly had the best 70-200mm sharpness, but decided to not consummate the purchase due to its bulk (smaller than the rest, perhaps, but still a hulking beast). Lol, as a Nikon user at the time, why would I have been tempted to purchase any other lens?
nikon z7 showed it lacks in speed and this is in real world as well where its good, but lacks and you feel it. no continuous 3d tracking. add a G lens and its molasses. if it was D850 70-200E, it would win hands down.
curious if they tweaked the z7II. I still think it wont be as fast as dslr. I think the problem is the camera is an incremental/tweaked difference like a dslr S, and not new developed for a new body af components. just a little boost.
@armandino Fair enough - but I am not sure why? The EF 24-70L f2.8 II (for instance) is a heavily used pro workhorse and it extends without reported problems. Ditto 100-400L II and others.....
@NexUser ‘Workhorse’ is defined in Webster’s (for instance) as ‘something that is markedly useful, durable or dependable’. No mention of ‘extending’ or not......😊
“It’s obviously very robustly engineered from a mechanical standpoint. The internal composites are strong as hell. There are double cams, rods, and posts everywhere. There’s no play in any moving parts. We can’t imagine there will ever be play in the moving parts unless you run over it with a truck. You could describe it as ruggedized, but I’m going to stick with Strong, Like Bull, and suggest we refer to this as the RF-SLB 70-200mm f/2.8 from now on.”
I did. all your new gear is Sony.. all your newer gear is Sony.. so what exactly is your point? Carry on though. How does that extending 100-400 work for you or did you toss it?
For everyone who is asking, the 70-200/2.8 is a critical lens for sport and action photography. You sacrifice best zooming performance when you have an extending lens. That is not acceptable for such a core application for this lens. Shorter focal lens zooms are generally not used for sports, and as much as an internal zoom would be better it would not be as critical. But again, I give big credits to DPr however no-one in their team is a pro sport shooter, and that shows at times in their evaluations.
@rrc1967 I guess you missed the R5 and the fact that my most expensive glass is Canon? Your comment "Since you are 200% a sony user" makes no sense. I just invested about $15,000 in Canon gear in the last few months and $0 in Sony equipment. I do admit I am not particularly fond of the RF glass as much as optically outstanding, but that is for practical reasons, not because I am ALSO a Sony user.
@Kandid as I mentioned above, shorter focal lens do not mean much for sports, nevertheless, would you prefer a lens with a zoom that feels like the 16-35/2.8 or the 24-70? The fact that extending zooms are universally accepted does not mean that they are de facto far inferior to internal zooms in real world experience. The 100-400 is a real pain for sports, I sold my Sony equivalent for my 200-600 with internal zoom, just no comparison. But again, when all you got is an extending zoom you suck it up and deal with your only option. I understand that for some the compactness matters a lot, and I understand that for many a collapsible 70-200/2.8 is valuable. Still A compromise I would not want to see on such lens. I can see the 70-200/4 being more tailored for such compromise.
@rrc1967 all good ;-) and I appreciate the fact that you looked it up before commenting. More people should try understand their audience beforehand, as you did.
@armandino As I said fair enough - your opinion is clear - however you are not clear as to WHY sports photographers might prefer internal zooms at this focal length? I use my longer zooms more for wildlife and the 100-400i L2 is excellent in this usage (as is the EF 70-200 f2.8 with internal zoom of course). Not sure I favour one over the other in usage so a size advantage would be desirable......
@NexUser as I explained above, the other zooms you mentioned are not really used for critical work in sports, where an internal zoom matters a lot. There are obvious reasons for which all other current and past 70-200/2.8 have internal zooming. It is indeed a shame that the the new 100-500 is also non-internal. Try that side by side with a Sony 200-600 and then then tell me what you think.
@Kandid Internal zooms are much faster and smoother in operation. Moving and internal element does not have the same inertia and the viscous force induced by the air pumping (which is function of the speed at which you are zooming). Also, they do not shift balance as you are handholding them, not to mention that many extending zooms tend to creep out when they point down. In sport photography, when you spend top money for top performance, that matters more than a camera that focuses a bit better than another one. I suggest to go to a store and try out a Sony 200-600 and compare with the new canon 100-500 or similar.
@rrc1967 I forgot to mention, I sold my 100-400 as soon as I got the 200-600. While it has a great range the zooming experience was frustrating. Thanks for bringing that up, I should remove it from my current gear list.
@armandino Each to his own I guess. It’s clear you have experience with both and have made your conclusions - others may prefer the compact ease and speed of use of an extending zoom. I looked at the ef 200-400 f4 which is obviously faster and has the extender but it’s huge and heavy and more importantly unwieldy. The 200-600 looks to be an excellent lens but I am more tempted by the new 100-500 because of its usability and portability. Whadda I know.....?😊
@Kandid indeed, in my first post I said it is a dealbreaker "for me". I understand that others have different priorities. Btw, 7.1 @ 500 (and likely at much shorter focal length) is not so usable in sports. The Sony 6.3 @600 seems a lot more reasonable with a comparable F value to 100-400 in the 200-400 range. Not so for the 100-500. Likely a good lens for travel and wildlife with not so fast moving animals or in bright conditions, and again, the massively extending front element.
@Ebeay The internal elements carry a lot less wait and they are more centrally placed, the weight shift is negligible. But you are likely more interested in nitpicking than real world experience. Probably more a keyboard warrior than and actual photographer.
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