We spend a lot of time discussing the major strengths and weaknesses of the cameras we review, but what about the small irritations? Chris and Jordan highlight the top five things annoy the daylights out of them.
My second gripe is also something that should/could exist on cameras but no one has really thought this through. Include tiny QR/bar or numeric codes on each menu screen. That way you could easily load several hundred pages of a camera's manual into your smart phone and by pointing your phone at that screen, call up the specific instructions related to that screen. It would save so much time when you get stuck and don't know how to change a camera's settings. Even if QR/bar codes are not doable, having an ID number on each menu screen indexed to a section of the user manual would be easily implemented and would save countless hours of time.
My top gripe? How many times have you been driving and could've/would've gotten a great shot if only you could just have picked up your camera and immediately shot? The lack of a dedicated infinity focus preset button on any digital camera has bugged me forever! . The nearest thing is customizable (via fxn btn) near-far focus on Panasonic, but still you have to set this up and the setting is lost each time you turn off the camera. What I envision is a way to preset infinity, assign to either a fxn button (or have a dedicated button) so that once set, the focus reliably presets to infinity upon startup. The usefulness of this would be immense.
Did a scan of comments and found neither of mine: 1. Why is the hot-shoe cover designed without a lock to hold it in place? 2. Why is the battery of the next model of a series designed with a battery of marginally different dimensions requiring the purchase of at least two new batteries?
Yes on the Auto ISO minimum shutter speed thing. But I gave up on Auto ISO, now I just push the ISO to get the shutter speed I want. Which is what ISO is for anyhow.
File menu numbering on Olympus and likely OM Systems is just dumb and needs a rework. Please just increment the file numbers from 1-1000000. I don’t want to see any dashes or underscore characters, just something like DSC0000001.jpg on shot 1 and DSC0012345.jpg on the 12,345th photo.
I can pair a Bluetooth headphone easier than a Bluetooth or WIFI able camera to my smartphone and tablet Why is this and companion apps so hard to do for these camera makers?
I Guess Everyone wants a better display, I don't get how camera manufacturers can get away with a mediocre display on a 2500+ camera. I understand a M50 will not have a 2k oled display...
One thing I've noticed is manufacturers upgrading features to make photographers feel better and appeal to their emotions, such as weather-resistance. WR gear isn't needed to take good pictures.
@PhotoMac503 WR is need to take pictures in bad weather, or in extreme outdoors, not everyone takes only indoor pictures. In fact they should put WR in more entry to mid end bodies. I am sure there are far more casual to entry level enthusiasts whom wants WR, then there are studio professionals whom wants Pro Level IQ in Budget Bodies.
The best camera is the camera we have we us, on hand. We need more Compact Tough WR cameras with better IQ. Which is why we need a Tough Camera with 1" sensor that's with a Zoom that's 18mm or wider at wide.
@adrianTWQ that's why when I go to the Beach I only take my Fuji Xp-70. It's very capable in good light , has 5x internal optical zoom , can handle a good hit and its waterproof until 10m. My Cellphone is IP68 certified, but it will shatter in pieces if if drop it from 1.5m.
I would really like a new Finepix Xp with 1" X-Trans Senor, 18mm at wide Zoom Lens, and selfie screen. And take HD 60fps and FHD 24fps videos without time limit.
As much as I really like working with my newer Panasonic, it's frustrating to go full manual. It'll do it, but it takes too many 'clicks'. With my older Nikon, it's a single spin of a dial, then setting ISO is another dial. Takes 1/10th the time of the Panasonic.
The per-shot timer reset on the D5600 is definitely an annoying one... Apparently it' one of those entry-level specific issues? Bit of a pain for long exposure studio shoots.
Fujifilm's unforced errors. Placing the Q button right where your thumb rests on the X-H1. Too shallow grip depths on the X-T series (all of them). D-Pads, no D-Pads, which is it? Non-locking dials that constantly shift. Love the size, lenses, and the images I get, which makes this even more frustrating. I wonder if Fujifilm engineers ever put their cameras physically in the hands of real users before they lock down their ergonomics. Some of these issues are so obvious and the fixes, really simple.
It feels like you're conflating things that could be designed better (buttons where they're accidentally pressed, non-locking dials in positions they're easily knocked) with matters of personal taste.
I'd suggest the decision isn't 'D-Pads or no D-Pads,' it's: which models should and shouldn't have them. They wanted the smaller cameras to be simpler, so omitted them (there's a related discussion to be had about who the X-E should be for, I'll admit), but your lower-end cameras don't need to be identical to the higher-end ones, or you end up with Sony's a6x00 series, where the basic one is overwhelming to beginners but the high-end one isn't very advanced.
Likewise, the X-T3's grip isn't radically different from that on the Nikon F3: it's not supposed to be an X-H style whole-hand grip. Arguably the X-T4 makes the mistake of trying to split the difference (and not just in terms of the hand-grip), which just confuses matters.
Thanks for the response. It is personal--I'm not sure there is an objective answer to "annoying camera quirks." For me, other companies get what I consider the basics more "right" than Fujifilm. Olympus OM-D EM1 series bodies are about the same size as the X-T series and have a terrific, deep grip without sacrificing weight or size. Again, for me, there are no buttons located under where my hands naturally fall. Canon feels similar in the hand and is much less "fiddly" when it comes to settings inadvertently moving around. And Leica ergonomically is in another class altogether, but then again, it is 3X-4X the cost of other cameras. Fujifilm images are unique and worth the hassle--I've happily shot with the system for a few years now. But having worked with most other brands, I have to be mindful of basic Fujifilm camera settings more than the others. I know they can do better.
That's fair, it's all a matter of taste to a degree. I guess what I meant is that I try not to assume what the end result should be. If anything I prefer the X-T3 to the X-T4, in terms of handing (in part because of the two-way tilting screen).
But having grown up with a Pentax P30 and later a Nikon F3, I don't feel the need to have a huge, lumpy whole-hand grip on every model, and I get frustrated when it's treated as if it's what every camera should be aiming for.
Interesting point re: F3. I used F2s extensively and never needed the fat grip. Seems film cameras are better balanced with longer lenses than digital cameras, especially crop sensor cameras which aren't that much smaller. Not sure why.
Non-locking dials... grrrrr... Agree about small camera grip (on my X-T100) which is why I moved up to the X-S10, but now aperture dial is in front instead of on back, and I'm constantly accidentally confusing them.
I fully agree with Chris on the none locking rotary controls pain. I used to own a Fuji XT2 with the 16-55 F2.8, to use the programme mode you set the aperture ring on the lens to A as well as the shutter speed to A. The A position on the lens was none locking and I lost count of the number of times it moved to the next position f22. You could hear the flop of the resulting slow shutter speed and you knew the shot was lost. I told a Fuji rep at the Photography show and he said it wasn't an issue! Another problematic camera I had was a Canon 1D MK2 the exposure compensation ring was either unlocked which moved so easily when you held the camera to your face or locked whick meant having to hold away to unlock. You do wonder if any of these companies employed actual photographers ! Nikon is awesome by comparison, you can unlock the exposure compendation and adjust whilst looking through the viewfinder.
I never understood why no camera company put an extra cardslot in the optional grip/battery pack. That way you would sell more grips and nobody is dissapointed about the one card slot.
Small plastic bodies that don't properly fit in normal hands. Give us our magnesium alloy bodies. The 7D Mk II was absolutely perfection in the size/body/heft regard. If I can't fend off hobos trying to steal my stuff, then the camera isn't worth using.
1. Canon's Custom White Balance mode is a PITA to setup because of multiple steps required. Some reviewers have pointed this out for years. 2. Canon's Exposure Bracketing function requires you to hold the shutter button for the entire duration, making it impossible to use with gimbals for panoramas or other use cases. 3. Absence in most ILC's of a serious crop function mode aka digital zoom, very few people understand its value and its difference to crop-in-post. For video or stills. And no, it is not meant to replace your zoom or macro.
2. One way to get around this is to set shutter mode to 2 seconds delay. Then it will take all photos automatically and you don't need to hold the shutter button.
yes, found that workaround, but for panoramas when you are taking dozens of shots it adds up time. Long enough that light conditions might change, subjects gone, etc. For spherical panoramas with bracketing it makes it unnecessarily painful. It would be very simple for Canon to fix this in firmware.
Photato, I agree with most of your points. Custom white balance is a pain to set up on Canon. Everyone else lets you take a custom reading from the place that you select white balance when shooting. Canon makes you take a test shot, then go into a menu to register it. This has irritated me for years and they still don't seem to have improved it on the latest cameras. Exposure bracketing - thing that bothers me is that it's quite awkward to turn it on/off - many other cameras allow a dedicated button but don't think you can on Canon. Not sure if I understand you fully about digital zoom, but if you mean essentially allowing multiple crop levels which are shown in the viewfinder when shooting, yes I would appreciate this.
Canon cameras - you can’t flick between frames when magnified unless you’ve already started flicking between frames. Dunno, maybe I’m doing it wrong, but it always catches me out.
My pet peeve with Nikon: still using two different control layouts across pro level DSLRs and mirrorless cameras (I'm talking about the mode dials, setting banks and so on). Practical example - I'm a current D500 user and I want to eventually move to the Z system, but I want so bad to stick to my photo and custom setting banks. A Z 9 would allow me to do that, but it's simply unjustified for a hobbyist/semi-pro like me. Same would apply for example to a D850 user wanting to shoot a Z 7 II as well. I agree with Chris about the lockable dials - locking should be on/off (possibly with the third option to press and turn without fully unlocking) - I've owned a camera with a non-lockable dial for years and have never had an accidental switch - so I shouldn't be forced to use an always locked dial if I don't need to.
A consistent user experience would be a good start.
How many times have we seen two different menu systems for the same function depending on how we got there?
My favorite one is the Fujifilm front-dial ISO, which opens a vertical menu when reached through a function button and wraps infinitely through the settings, while changing ISO directly from the front dial, it changes in place with a hard stop at base ISO, with auto at the far other high end. I'd like to be able to switch auto to base ISO quickly, not play a mini game every time.
Same for physical controls. Canon wants to introduce touch bars or weird vertical scroll wheels, Fujifilm can't decide whether to get rid of the d-pad function buttons or not.
Interchangeable mounts are nice and all but if I have to relearn every camera model (for example using two cameras at an event but the backup body is mid tier to save money) it gets tiring.
My camera annoyances: - Low EVF res on so many cameras. 2.36m or whatever "dots" is unacceptable. - Toggle on/off focus tracking. At least, my a6400 won't do that; you have to change modes. (Leaving it in Continuous can be problematic.) - Selecting a subject for focus through the EVF with one center point, pushing a custom button to lock is WAY faster than fiddling with some annoying joy stick or trying to find the subject in a hard to see rear screen. But most AF systems are not really set up like this. I just don't understand, what I am missing here. Thank you for listening.
biggest issue i have as a pure stills photographer is the "red record video" button on my Canon EOS M6 II placed exactly where my thumb rests when i pick up or hold the camera. lost quite a few shots due to inadvertently starting an unwanted video. AFAIK the darn button cannot be switched off or re-assigned by user. Very irksome. Very unnecessary.
Actually i would ike to have a choice of "pure stills" cameras. I have not recorded a minute of video with any of my cameras ever. Total waste.
Canon didn't used to allow customizing the movie rec button, which I also found annoying, but they have started to allow it on more recent models. I think you can customize the movie record button on the M6 II - link to the relevant section of the manual here:-
There are a whole host of things you can set it to, including turning it off completely by the looks of things. It's in the custom functions menu, Operation/others.
@jonby - big thanks! It is indeed re-assignable and can even be deactivated. Done!
The other thing irking me is the auto-touch shutter function. I would like to permanently remove the icon appearing on screen unless i re-activate it in menu. checked the manula, but there seems to be no way to schieve this [other than disabling *all* touch operations, which I don't want to].
i get a lot of accidental captures because i inadvertently hit the icon on screen and enable touch shutter. grrr.
Why not ask us what our top 5 annoying things we find on dpreview.com? Here's one, that you ding a camera's overall rating when there's no in-body charging (that no one uses). Then cameras switch to that, and leave us without a charger in the box and charge up to $70 for one.
How about starting to ding them for not including a charging port ON THE BATTERY, and thus, nudge them toward that. I've seen some AA batteries with that...awesome!
I would include the annoying relatively new practice at Dpreview of lowering the overall score of a magnificent camera that was designed for stills but has video capture as a secondary function just because the video feature is not top-notch, cinema quality. Why not split the rating in two; one as a still camera, one as a video camera?
snegron22 - Our scoring system hasn't changed for the past nine years and video is still given relatively little weighting in the final score. However, if a camera offers a function, we're not going to ignore if it's badly implemented.
dwill23 - We don't ding the rating for not having in-camera charging, we include mention of it in the Pros/Cons sections, so that would-be buyers are aware of it. Our policy is to also list the lack of an external charger as a Con, where were know that's the case, again so users know what they're getting.
'Blast' and 'gives ... a pass' are slight exaggerations. The addition of noise reduction to the K-1 II was one of the differences between it and its predecessor, so we felt it needed to be covered for anyone choosing between the two models.
We drew attention to to the R5's Raw noise reduction, mentioned it in the 'Cons' for the camera and factored it into the image quality score, so it's not correct to say we gave it a pass.
Should we have also mentioned it in the conclusion? Probably. But, unlike the K-1 II, we didn't think it was one of the main factors that marked it apart from the other cameras a buyer might be considering, and there were lots of other things to cover.
I'm not saying we definitely got it right, but it's not intentional bias for/against a particular brand.
dwill23: If nobody else, at least I am using in-body charging with my cameras with an USB-C connector. I use the same chargers as for my phone, tablet and laptop. Very handy, especially on travel.
In-camera charging (or at least being able to power the camera through USB) actually makes a lot of sense when using it as a webcam (which I believe has been pretty common for the past year or two). Swapping batteries does get annoying; a dummy battery plus an adapter are sometimes stupid expensive.
Nobody is buying a FF Setup, and using it as "webcam", especially when doing landscape, achitecture, etc. I always swap batteries, and the same with memory cards. Your milage may vary. :-)
1) Mini-joystick for AF control instead dual-dials. 2) Full side articulating display instead Fuji X-T2. 3) Front dial not around shutter release button. 4) On-Off switch on right side, just keep it on left side for fast use. 5) Cameras are computers, seriously all need to have that Bluetooth LE constant connection to phone and WiFi instantly for transferring selected images from camera or from phone at rapid AC speed!
Extra:
6) Time to make a standard for diopter adjustment in the eye-level viewfinder, give the specs so optician can make a custom glass for the attachment. Help those who need to otherwise wear glasses. 7) Digital cameras are computers, just start to maintain their software! Update them with new features for 5-7 years after purchase as the customers WILL come back to you sooner than later that way.
Okay, I am old school since I am able to track moving subjects even with vintage manual focusing gear (okay, not too speedy ones, to be honest), but: what if you shoot horse riding and the automatic subject detection decides for the horse's eye but you want the rider's eye in focus? That would really annoy me personally ;)
The subject detection does not need to be "automatic". If you intiate subjct tracking using a small enough AF area, then you can choose what you want to track. So, in your example, if you want to track the horse's eye, aim at the horse head and half-press the shutter. The camera should track the horse. If you want track the rider, once again, just aim at his head and half-press the shutter.
The most annoying isn’t even mentioned the connectivity between camera and smartphones and tablet, poor app and a complete idiotic procedure to get those cameras to connect. give me a button I can push and it connect with my device, heck let me open my app on my device and it connect immediately with my camera.. every one else can do this why dos we need to go through such a hassle to connect and let me control everything and I mean everything from my smartphone as a remote control, even power zoom.
I’ve noticed this as well. With the Sony cameras i cad it was a little bit easier to connect.
With Nikon cameras: omg, couldn’t they make that process any more cumbersome? Not to mention that i almost always get a disconnect after my first connection attempt, halfway through my first image transfer. What a pile of baloney! These apps SUCK bad.
Nikon are a bloody nightmare to connect, but really all are rather horrible, seriously what decade do they live in…
Even a bloody fridge connect better, you would think Sony Corp could make it, the same company that make smart TV, Smartphones, Playstation and a well functioning Playstation APP, they even let you control your tv without a remote control just gestures with your hand… their headset can be firmware updated from an App and that app dos exactly what I wrote above, why is this not possible the moment it’s camera… seriously it’s the same devision.
The Sony A7 IV uses bluetooth LE to maintain a connection even when powered off. I rely on it for GPS functionality and it’s pretty robust. Much better than the previous iteration. The IV is the only camera to have it so far.
I think Nikon also uses Bluetooth LE but I have no idea how good it works on Nikon.
Biggest reason why I have never liked the DSLR type layout with its little, for and aft, aperture and shutter speed dials - I can't customize their direction of operation. For whatever reason, I'm always working the dials in the wrong direction as for me their default direction is counterintuitive.
I ditched my Pentax DSLRs for Fujifilm mirrorless in large part because of my frustration with these stupid little dials. I used those Pentax cameras for years and still occasionally worked the dials the wrong way, usually when I was trying to work quickly.
Now I own an X-S10 and they're BAAAACK! Can't find anyway to customize their direction. The only comfort, the X-S10 will almost always be on a tripod in shutter priority with its shutter speed set at 1/60th for video. I won't be fiddling with those stupid little, wrong way dials very often.
And like Jordan said, let me lock them - pretty please.
The good news is the Fujifilm has recognized the value of being able to decide which direction the dials go in (and you can choose different answers for the front and rear dial).
The bad news is that the X-H2S is the only X-series camera to offer it, so far. But there's some hope that it'll make its way into the next generation of cameras.
Something that has always annoyed me is poor design in the lens unlock button placement. Both Canon and Nikon do this wrong, at least on their SLRs, and I assume that's carried over to their new mirrorless mounts. Lens unlock button should be at the bottom right of the mount as you hold the camera pointing away from you. That way you simply extend a finger from the grip to unlock while the left hand, which was already on the lens, does the lens switch. All the camera systems I use - Pentax, Fujifilm and Lumix L-mount - have this setup, and it's perfect. Looking at Sony's E-mount I think they're the same too.
For Canon and Nikon you need to alter your grip on the camera and lens in order to mount or unmount a lens.
None of them are as good as the original Olympus OM system with the Zuiko lenses. The lens release button was on the lens not the camera. So every lens had a lens release button.
This meant it was a one handed operation to remove the lens. You didn’t need to touch the camera at all.
The lack of in-body RAW development is one of the main things that ruled Sony out for me when I got into FF mirrorless. It's a massive benefit and easy to implement because all it needs is an interface for processing that the camera can already do.
I posted about it on the DPR forums and a bunch of ignoramuses (and presumably Sony fanboys/apologisers) came along to pooh-pooh in-camera RAW processing and anyone who uses it.
Or we just don’t find it useful, I have owned cameras that had it but never found it all that useful and great…. It seems mostly like a feature that made sense 10 years ago. Today your portable device gets more and more processing power, more then your camera will ever get the need for in camera is not that necessary.
What dos infuriate me is the lack and poor execution of smartphone/tablet connectivity and that it’s a bloody hassle.
I much prefer in-camera. I don't want to clutter up my phone with raw files and I don't want to have to copy them all over to the phone in order to check if they will respond to PP in the way I want. PP in a mobile or tablet is all well and good but doing the same in-camera is far more useful.
This is a different strokes for different folks issue but I can't imagine why I would attempt to process a raw image on the tiny crappy camera rear screen when even in the field I have access to a relatively much better laptop/tablet/ phone screen. Just copy the RAW over to the phone or laptop, edit to taste, upload to Facebook or whatever you are trying to do, then delete the RAW off the phone if you wish. So I guess I am an ignoramus who is pooh-poohing you here as apparently happened in your other thread. But I agree so far smartphone/laptop/tablet connectivity to the camera sucks.
Yes personally, this is never something I've wanted to do, as I don't need to upload files quickly, view them on a phone or anything like that. I shoot raw and just expect to edit it on a computer and I'm fine with that. I guess it's good to have it for those that would find it useful, but for many it's just more unnecessary menu items or icons.
Nikon not allowing to change the aperture while in liveview is pretty much the most annoying thing I have eaver heard of. And that is maby why they could not bring mirrorless to marked earlier. They had to figure out hou to change the aperture in liveview-only camera.
Whatever they do--or don't do--it needs to be standardized.
Example. On my Olympus bodies, on the mode dial, you push down on the center button to LOCK the dial. On my Canon cameras, on the mode dial, you push down on the center button to UNLOCK. Exactly 180 degrees different from each other.
There would be so many advantages to standardization. You could write just one instruction manual. After reading and understanding all 600 user friendly pages, you would be able to pick up any digital camera and get the best out of it, right away.
Security - since photographers are now targets for their cameras, why not put a pin code or fingerprint reader on the camera. The ability for the owner to brick a camera would cut down on the thefts. Phones have been doing this for years. The chips they use today, it would not be a problem.
Clearly you unfortunately must live in a crime riddled part of the world.
But, It’s not really a problem in most places. I’ve travelled to many countries all over the planet and it’s never been a problem anywhere I’ve travelled.
Brilliant! All the griping in the world by DPR contributors is falling on death ears. Why wouldn't it, most of it's c***. However, when these two guys start griping, I'm pretty sure the manufacturers listen. It's constructive criticism after all. Sure, they may get their nose out of joint and cut support for a while but that's their loss.
Jordan has been complaining for years now about Canon's video recording crippling but Canon never listens. Canon has a "cinema" line to sell, so the R cameras can never be "good enough". Business.
After seeing the R5C solution I'm thinking it's just as much a clash of two entirely different teams/code bases/business units, it's as close as you'll ever get to a dual boot camera. Like it's not just someone in marketing deciding to untick boxes on the consumer side, they'd have to reorganize and rewrite to have a common base to begin with.
A genuine first-world problem, but: geotagging solutions. If your camera has GPS built-in, that's great, but do all your cameras have it? Probably not. Although they might have bluetooth, they probably can't connect directly to a Bluetooth GPS receiver. You can use a dongle such as the Foolography Unleashed, but if the port is on the left side of the camera, that interferes with e.g. the Spider Holster. Otherwise you may use an app on the phone, to either record where you've been and populate the EXIF later (which can be a pain because the time has to be synced up) or something like SnapBridge, which connects to your camera via bluetooth to populate the EXIF. In both cases you have to remember to start the app. Though the SnapBridge solution is probably the most convenient. I did try Cascable, but for some reason it doesn't see the photos that I took during the track I recorded.
My D750 doesn't support SnapBridge. Almost thinking this is another (small) reason to switch to a Z body.
You are right that the iOS version does not support it yet. Both Android and iOS apps are on version 2.9.0 and have received updates on April 12th. But only the Android app has new compatible cameras added.
I don't know if there is a technical reason, or if support will still come for iOS. Maybe @dpreview could ask Nikon?
Agree with most all but why no internal memory in camera? Even a couple hundred MB for when you forget to load a memory card and there's a once in a lifetime shot in front of you. I know a few cameras have this, but why not all.
Because it's not a quirk, it works exactly as intended and nobody is having issues with it. Your idea is pretty good though, but belongs to another video.
If I forget to put a memory card in then I want to know about it as soon as I switch the camera on, not have the camera record a couple of dozen photos and then tell me it's run out of internal memory.
Another huge benefit for the continued use of SD cards in cameras - you can get them almost anywhere.
My top and first annoyance is that I still cannot click on the DPR TV videos to go to YouTube, which works even on the crappiest websites anyone can imagine. Just not on dpreview. What's going on, is that so hard to fix?
@LJ - Eljot, and as per the video annoyances you can lock the shutter dial of the camera using super glue, or do auto iso using a robotic arm, right? :-)
@The Mad Kiwi, you can press and hold but the behavior is not opening the app, but copying the url. Does it for you in iphones? I presume you tested.The advantages on Android outweigh the disadvantages in my case. But as I said, the bug is not on the phone but just on dpreview, which broke the link a few months back.Why fix a phone that's not broken? It works nicely on every other single website.
@Jonathan Mac, opening YouTube on a browser or an app does not behave the same way. Apps offer better integration. Btw.... I don't carry a mouse in my pocket every time.
I have to say something about the "enable" versus "enabled" discussion. This problem is the curse of all gizmo users. When a button is labelled "High Speed", does it mean that the speed is now high or this is the button to make it so? There is no standard; developers are free to see things in either direction. Or, just get it wrong entirely, such as when the button labelled "Enabled" enables. You just have to suck it up and stay on your toes, and maybe pray when it really matters.
Or y'know, have some iconography that doesn't rely on language interpretation and translation... I don't remember this being an issue very often on other kinds of devices, you just have a checkmark or some other visual indicator of what's going on.
Hello Surprisingly enough, the grip I have with almost all camera manufacturers, except Leica, is that there is no '0' mark for the diopter adjustment button. The reason for this simple requirement is that the built-in diopters adjustments are not enough to match my prescription, thus, the simplest way for me to see clearly thru the viewfinder is to have the button locked on '0' position. Even more surprising is that cameras representatives are unable to adjust the button, when asked at their booth.
Still only 2s and 10s for the self timer on their ILCs. Please add a custom timer to allow us to set from 1s to 20s. For tripod shooting with extended column, 2s is not always long enough, 10s takes an age. With stable tripod, 1s may be enough. So easy to add this - my 2012 S95 has it - why not the serious cameras?
Too slow to access auto bracketing on R5/6 - why can't you assign a button for this? You have to press INFO several times to bring up the status panel, press Q, navigate to the exposure comp icon and then turn a dial - or go into the menus. It should be easier than this.
RATE button is not customizable for anything except Rate or voice notes. If you don't use these it's a waste of a button - please allow customization.
+1 about the Auto ISO min SS. We should also have some controls over Auto mode, or P mode. Like exposure priorities, decrease SS first, increase ISO first, etc..
A lot of times you can achieve this kind of priority at least related to shutter speed and ISO by customization of the AutoISO settings while you’re on aperture priority. Maybe it’s enough. Maybe it’s not for your kind of shooting.
Yes, it does work most of the time, and between custom modes (or Auto ISO slots on Fuji cameras) you can adapt quickly enough. Maybe there should be some AI assistance or something. Let's say I set the Auto ISO min SS to 1/15s or 1/8s when I'm in a dark church and forget to switch it back later on. Maybe if the camera notices a face next time I'm about to take a picture it could set it back to a safer 1/60s at least.
Thinking about it, the issue I have - in the situation of shooting concerts - is that the camera can decide to override that min SS setting (at least some of the Panasonic ones) and you end up having to set it manually. If there is more light available the camera will increase the aperture, which you might not need/want on small sensors.
My gripe: all cameras with touch screens should allow you to use the touch screen as an input device to move the focus point while composing through the viewfinder (or rear screen for that matter). I appreciate there could be issues with the user's nose touching the screen, but perhaps that could be resolved by using a subset of the screen area.
I thought most already do, certainly my "ancient" Sony A6500 does. Actually it's the only touch function I leave enabled - and then only for EVF use. I find touch annoying in most other contexts because of accidental touches (unavoidable) causing settings to shift without notice. Oh - and no nose issues at all ;-)
some have it some don't. But nikon joy stick works fine. i guess they can remove and just use the rear LCD. But my thumb has to be longer and not poke my face for full coverage. My thumb can reach the half of the screen of the screen fine. I don't mine if they remove the joystick and use 1/4, but some might not. Got to understand people have different body sizes.
Yes, they should offer both. I just find the joystick nowhere near as quick as sliding my finger on the screen. And like you said, they could use say a 1/4 of the screen to make it more usable. I always wondered if there was some obscure hardware reason why they don't offer this feature.
Huh, weird omission by Nikon, but it could well be hardware related... Early touch implementations by Sony were laggy and not all that conducive to this IIRC.
Some of my M4/3 bodies allow you to only use a portion of the screen but also set the positioning to relative or absolute, where the former works more like a laptop touchpad and the latter ties the position of the AF point to wherever you're actually touching.
TBH I've barely used it on my Sony body because the joystick and tracking work well enough, but it's invaluable on smaller bodies w/o joystick IMO.
For the record, for Fujifilm since around X-T2, i.e. every camera released in the last four years allows this, and allows configuring which half or which quarter of the screen remains touch sensitive while using the EVF.
Totally agree about the auto ISO minimum shutter speed. I have rarely used auto ISO because it's just not flexible enough. It has the potential to be very helpful in reducing the amount of thinking you have to do about settings on a shot-to-shot basis, but there isn't really one divisor of focal length which is ideal in all situations. 1/focal length might work well with the camera to your eye, but then if you are holding the camera up high and using the screen to compose, stability is much reduced. Being able to easily push the shutter speed higher but still have it linked to focal length as you zoom would really help.
On three-dial cameras like the R5/6 etc, you could even have one dial set to change this full-time whenever you're using auto ISO, or just have an instant access button, then dial-turn. Having to go into the menu, even if it's in 'My menu', negates the convenience benefits of auto ISO.
Well, the wifi might be free, but that computer or even internet capable phone will sure be hard to buy if you do not have a place to live or food to eat.
Nice subject which consequently brings out how manufacturers listen / like to listen / understand what they listen followed by what they do after all that listening or not. We know that each manufacturer has its testers/evangelists/trainers, you name it. Can those guys provide them with a descent feedback or their feedback is exclusively in line with manufacturer's approach? How those guys feedback is perceived and by whom and under/with which authority so the slightest of the minor suggested amendments they may pinpoint can find its way to the current or maybe the next product's version. How sufficient is the collecting remarks or complaints mechanism from the end users and how those data are evaluated...
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