Chris and Jordan review the Laowa Argus 35mm F0.95, available in E-mount, Z-mount, and RF-mount. Find out why Chris concludes, "there's nothing else like this lens on the market."
Maybe 0.95 is too ambitious..why not Laowa try to make a ok to decent 1.4 before you make a failure-0.95? To me this seems a too quick jump to 0.95. Would rather have a decent 1.4 lens rather than 0.95 with carrying extra weight and cost for something that is really workable and too soft. Anyways…That is just my personal opinion.
Unique lens. These pictures have some old-fashioned character, but the truth is that even 35 1.4 were very rare. I'ts like this laowa refers to some non-existent classical lens. Very exited about 45 0.95.
@Greg A 35mm f0.95 allows a shallower depth of field than a 50mm f1.2... Don't forget to take into account that with a 35mm you'll have to be closer to your subject than with a 50mm
Yes, this is true. But 35mm vs 85mm has a lot of telescopic compression difference in backgrounds. I can hardly think of a situation that would matter so much that I'd want a big expensive manual focus lens in my bag but hey, it is a small difference. Maybe if I made my living as a studio photographer with limited space (city real-estate?) It might be something to make some cool shots with, maybe stand out a bit more.
@mosc The 85mm for classic portrait, the 35mm for environmental portrait.... However, In order to iisolate a standing person from the background, you need a faster lens than for a head and shoulders portrait...
Gotta say, I fail to see why anyone would buy this over the Nikon Z 35mm 1.8. Yes, the Lowa is faster, but it seems too soft to use in its "faster" range.
cause out of focus areas that a) you want in your final product (so no substantial cropping) and b) are intentionally blurry so who cares about their sharpness?
It's a weird niche but it is a niche. Easier to get the same background isolation out of an 85mm lens that's half as fast but the telephoto compression vs a 35mm would be pretty different.
Good set but would request decent alignment of horizontal and/or vertical lines. Some pictures were poorly aligned for both horizontal lines and vertical lines . Crooked
I was definitely paying more attention focus than my horizon. Easy to fix, but we only post uncropped images for lens tests. I'll do better next time, I swear!
There are two major problems with evaluating such a thin DOF lens.
1. It is VERY hard to use it. So, it is VERY hard to make good example images.
2. It is VERY hard to evaluate it if you do not understand what it is. This can be seen in this thread. Several her seems to believe that it is broken, has some aberrations, that it is unsharp, or something. But it isnt. It is a very well made F0.95 lens. This is how such a lens looks.
I have absolutely no problem at all using my 35mm 1.2 with AF. 99% of images are sharp and contrasty. I can use it full open to take picture of my son running around with confidence.
On the other hand using a fast MF lens requires a lot of patience even on static subject (both the photographer and the subject). In addition this lens shows softness, glow, flare, contrast drop at wide aperture.
If you don't know then it's not for you. The short answer is we (meaning the marketplace) need this lens because it's not the same lens as the Sigma 1.2. Duh.
Talks about "Crazy fast lens" and then fails by going to present its thin DOF limitations instead capabilities to provide a crazy fast exposure times by allowing to use crazy fast shutter speeds.
The common problem that people have in their thinking is that "Fast" means "Thin DOF" and it means "Blurry background". Of course some people try to argue that "Blurry background" allow them to "Separate/Isolate the subject" that is not otherwise possible, but that really is lack of understanding of the composition that is the factor with utilizing perspective, framing and lighting, and when it comes to people photography that what is the timing.
At least this lens gives Small Format users a change to experience some of the Medium Format users problems, but they are still far from what Large Format users suffers from with their thin DOF when wanted to get fast subject on low level lighting to be frozen.
Look at picture #3, the boy in blue hat. How sharp is it? You can make it rather large and still be satisfied with the sharpness, where it is sharp. The normal enlarged view is perfectly fine. And, you can make it larger (even 100%) and like the unsharpness. Because the unsharpness is smooth without ugly aberrations.
I think this picture shows the potential for the lens.
Also, take a look at the test charts at the end. Sure, the F1 sample is soft, very low contrast. But, it does not really lose sharpness all that much. And it is equally soft all over the image. Quite impressive actually.
It has some vignetting though. The corners are darker.
Look closer. There are some sharp texture on his lower lip. There are some few sharp eye lashes in the inner corner of the nearest eye. There are sharp parts. Not extremely sharp, but sharp if you do not make too large prints. But, as the DOF is leaf thin, most is out of focus, of course.
But, what I think is most impressive and most important, everything that is out of focus is smooth. There is a smooth transition between sharp and not sharp and all the way to totally unsharp. All over the image. It is beautiful.
I think you guys are confusing sharpness with micro contrast. Yes, the contrast is low, like for a soft focus lens. And 99.9% of the image is OOF. Of course, as the object has depth and the DOF is leaf thin.
Look around and you will find sharp parts, of his hair, his eye lashes, his clothes, etc. Not with high contrast, but sharp. Not razor sharp, but sharp.
I still think you misunderstand. There are very sharp lenses. This is not one of them. It is not very sharp. There are much sharper lenses than this one. Cheaper also if the lens is not so fast.
But, this lens is not unsharp. It is sharp enough for many purposes. It is not like a piece of junk that is totally unsharp or have ugly aberrations. Its not like a cheap Holga lens. It is sharp, but not extremely sharp.
nerd2 - yes the text on the pump is sharp. It is soft, due to an overlay of the soft focus effect by peripheral rays through the lens. But it is sharp and soft. It has a sharp core. Not extremely sharp though.
There are specialty lenses which are truly good for a purpose and quite idiosyncratic for practically any other job, there are lenses full of character which give -at least in the eye of the beholder- this extra something. I think this lens "opens" the niche of lenses with "special character", which combines both of the above for quite special occasions given the fact that its user is a really insisting photographer or videographer having the skill and the stamina to squeeze out the best of it.
@Special character" seems to be newspeak for "poor iq"
hehe.... well, sometimes yes, I totally agree. But often it is "that something different" that could work in specific works (especially creative works). For instance, i was pretty wow-ed at the look of the video of Chris shot at F2.0 - 4. Sure, if you buy an 0.95 lens you want it for that, not shoot it closed down, however that smoothness of the transitions seemed pretty great to me. Also, even it is not cheap, it is very affordable as an "extra trick" for any level of professional who would be interested in that.
Laowa is truly great in making unique and differentiating products. For more bokeh in still pics, longer and sharper lenses probably make more sense. But at 35/0.95, this could be a great video lens.
dpkoop, for $50 and below 10g weight. With integrated lens mounts and electrical contacts for all makes and formats. 10 stops stabilized and water proof to 100m. Integrated ND, polarizer and UV filters. Self cleaning glass.
It looks quite nice in its own way. Very pleasant out of focus areas and very nice bokeh balls at f1.4 and f2. At 0.95 is soft and glowing, while after f4 it's quite sharp in the central part. That makes it a very versatile lens IMHO. If you are looking for absolute image quality, sharpness blablablah you can always get the Nikkor Z 35, or equivalent in your ecosystem.
Yes but there’s a trick to it; you use lights to lay a base exposure, like two stops below your shooting aperture then you use the candles to bring your exposure up where you want it.
I think it's kind of cool although a bit steep for the novelty. That said, if people will pay $350 for LensBaby, this Laowa seems almost like a bargain. On the bright side (no pun intended) you won't hear any pros commenting "maybe you got a bad copy."
It is always sharp. It is question that what is your final image size and viewing distance that what YOU consider to be sharp or what not. If you go pixel peeping a 100 x 70 size print nose 20 cm from it, everything will be unsharp. But step back a meter and everything is sharp. Or take it down to a A4 size and everything is sharp.
Lens sharpness is not measured by a expensive test bench, but simply producing the final image and examine it by looking it as it would be looked in normal conditions. If you produce a large prints to interiors, then you are likely looking them from multiple meters away from middle of the room or opposite side of the room.
Could also be sample variation. But I'm pretty sure that with the limited time the dpr staff have they just don't get enough samples where they nail focus on the main subject(s eye). This lens needs dedication. Which ofc for many might be a downside.
@phouphou Indeed, it looks much better! Significant sample variance seems to be issue of cheap manual lens. I had to return my first Samyang 24/F2.8 because it was unsharp in the center, the second sample was much better.
It's way harder to focus a "hazy" lens compared to a sharp one. Watched in small format on a screen ... sharpness is way less important as most of us think.
"More dedicated reviewers seem to have no problem" - well, it seems that the shared images are small format. If you look at DPR images about same size, they are equally sharp.
Though the sharpness on that lens in center at around F2 seems much better than what DPR reports, so sample variation might be indeed significant.
Thank you! Those are much better for evaluating the lens, than Laowa´s heavily processed stuff. And my verdict is that if I owned a FF MILC it would be tempting. It is not sharp at F1, but it looks interesting, if you can live with that. It is quite free from ugly aberrations.
Somehow I want to test this lens now for 'lonely tree' portraits. At f/0.95 obvs. Maybe at Winter time with a swirly starry sky as a backdrop. Darn, I don't even have the lens (neither a full frame camera) and it's already getting my creative juices flowing.
Looks more like a video lens or a photo lens with Facebook/Instagram in mind. The look of the images can be quite striking, but way, way too soft if you take a closer look
In general, I agree with you, but I didn't expect I would ever say this, there is nowadays AI-powered sharpening software that could nearly compensate for the softness and make this a viable lens for many.
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