This week, Chris and Jordan compare four flagship APS-C mirrorless cameras: the Sony a6600, Fujifilm X-T4, Canon M6 Mark II and Nikon Z50. See how these great models stack up against each other.
Sorry guys. I almost allways loved your video's. But lately there seems to be something going wrong. With this one it is not funny anymore. You actually seem lost and on the wrong track. The "title" is utterly misleading. Is it to get more attention? Or what else? "HIGH-end APS-c mirrorless camera comparison". With this lot?
I get it, the camera market is on a deadroll. And some companies are in a struggle for life even. This is only natural as it is a long time ago you needed to sell your kidney to buy a great camera. A 25 euro per month cellphone is good enough and very easy to use for 99% of the world population that can afford this.
The segment that goes with this roll is naturally the surrounding test en review world. But please be sensible, stay honest to the trade. The world is already full of fluff and fake news. Keep it up guys, you can do better! Show us.
Strange, the results of this test correspond 1:1 to the price of the cameras. It's almost like the significantly more expensive models, aimed at the top of the APS-C market, perform better than the entry-level models included in this comparison for unknown reasons.
I own a Z50 because of the handy reach with FF lenses I use on D850 and its size/weight. The lack of other APSC lenses is a bit irritating but there are enough FF lenses in both F-mount and Z-mount to please me. I'm not a pixel peeper so the IQ is absolutely fine. It could have better everything but for the price its great! To compare it to the Canon is not quite fair as it can't use high quality FF lenses except with adaptor - nice camera though. My opinion of Sony is very not high besides their sensor technology. I've owned various models, APSC and FF and had nothing but trouble with the build quality and poor weather sealing, switches and dials malfunctioning etc and have now sold all of them - they are expensive 'gadgets',not cameras. As Sony grows into the professional market this is going to become a problem for users. The Fuji is a great camera but too expensive and the very comparable Olympus E-M1 III has better IBIS and a more compact lens system. A good video C&J !
The problem with Sony is, they haven't done anything ground breaking since the a6000. Since then, they made a nice upgrade with the a6300, but since then it has been very incrimental revisions in the last 5 years. Many people have been hoping for a mini a9 or a7000 for years, but it seems Sony is not willing to release one. Besides having great AF, the bodies are seriously lacking in ergos, and much better technology that Fuji has. Sony needs to get their head out of their a** and get with the times. Trying to get people to upgrade from APS-C to FF is getting very old!
I'd be looking at APS-C for casual travel photography and in this scenario would go with the Canon. I like that the sensor has high resolution and still performs well. The EVF/18-150 kit is a good value and would cover me for everything but late night photography, for which I find myself increasingly using my phone, anyway. I also like that the body can be had in silver/black, which when used with the EVF removed and a small lens like 15-45 or 22mm, makes for a very non-threatening camera. My only concern would be the future of M, but Canons have high desirability on the used market, so it would be easy to sell and transition to an R crop body should that actually happen.
Just watching this and I think that he missed the point of these (I may be biased as an M6 user). He complains about the small grip on the Canon, saying it doesn't give support for bigger lenses, BUT that slimmer grip is part of what keeps the body small and you should be supporting bigger lenses under their barrel and not through two hands on the body. The Fuji gets the best handling rank, but it gets that because is is significantly bigger than the rest - giving more room for the controls and more to hold - but at that size, why not get a full frame body? Plus, the Fuji is almost double the price of the others.
As a Canon shooter, I will also point out a really simple solution to one of their complaints: adding a microphone blocks you from shooting selfies with the raised screen. True is you add it to the hot shoe, but there are plenty of cheap "cold shoes" that attach to the tripod mount and let you put the mic on the side (I have one).
There were still enough features missing to push it down the list.
As for the FF body, because the Fuji is a special camera in the way it is designed and operates. If there were a full frame that functioned the same, many people would use them, but where we are right now, there isn’t.
If you are a happy FF user why do you worried about apsc or m 4/3?. We are really lucky that some of people giving us their opinion in this forum, did'nt own Nikon or any other brand or apsc woud be out of production long time ago. Apsc is not only about price is about more compact cams and LENSES. Is about an excellent IQ and is about not all of us are "pros" and we don't need a monstrous plenty of buttons cam. I'm more than happy with apsc, I never make better pics (IQ) than now in my film days, so please buy your FF be happy and let be happy apsc users¡.
well, basically it is the sociopsychological principle of validation. I have a better sensor, hence my results are of more value than my peers' and therefore I myself am of more value than my peers'. Our world is full of that basal brain work.
But it is not just a simple product; instead people need to justify their decisions and belief in general and they will do that with varying forms or aggression. Hence you will never see the end of these debates here.
Yeah, but the other side is that some of us just genuinely love the particular bodies we use and don’t care if people know it… I don’t need confirmation that my camera is a great camera, I know that, because I’ve used it, and it does everything the way I want it to and very well at that.
Not I. I must admit when I watch these reviews and it's Jordan's turn to talk about the video aspects of the cameras, I just fast forward to the next segment. I don't care about video. I use my iPhone for those times I do use and it's good enough for me.
I've been a stills photographer ever since the film days before auto-focus, and recently I've seen the power of video to communicate a message. Now video has become my overwhelming preoccupation. At first, it seemed like a totally different planet with terminology I had no idea. Moreover, it requires learning a completely new skill of video editing. It felt like a massive learning curve. Some people are not willing to try that because of the discomfort of leaving their comfort zone. Imagine. We are at the brink of a new technological dawn where, for the first time, the tools to create and publish videos for the whole world to see have, within a few years, entered the hands of enthusiasts. And yet, there are some who are slow or reticent to even tip their toes in this brave new world. Perhaps it'll take the new generation who grew up with video - those who don't even know a world without internet video.
I'm a stills (hobby) photographer. I got into video accidentally on someone's request and learned what a good job my FZ2500 can do. I was as much impressed (more surprised) as my clients were (charity, not paid work). I don't touch video functions while shooting for hobby.
A close young friend is a journalism major. She learned a bit of videography, editing, story tellilng, etc., in her courses. Currently she's exploring all career options.
I advised her that she should be taking a small camera to events and shooting lot of images for her collection/library so that they will come in handy when she does journalism work in future. She never liked that idea. She said that video tells a story better.
Another friend, a school teacher, takes lot of photos of her work for documentation. Wasn't asked by her school, she just likes to do it. She's not a photographer by any definition! I only know because I sometimes get questions about her camera.
I’d say lots of hobbyist underwater and travel photographers care about video. Most probably want good video autofocus and ibis, rather than advanced video features. Great video straight out of camera.
I like the idea, of being able to make videos for various things, like training for my team. But not more than I like still photos. I do like drone videography though.
Thanks for this video. I get perfectly sharp 20x24 prints from a 24mp APS-C camera. I never print bigger than that, so why pay more for bulkier FF? The slight improvements here and there with FF ain't worth it to me.
Being a Fujifilm user since the first X100... mixed feelings! Indeed, the optical qualities and color science are excellent but I've had way too many manufacturing and reliability issues. Getting some of these problems resolved was a very frustrating story. Hard to understand why Fujifilm must be the only brand not getting a decent RAW-convertor support in Adobe without the typical 'worms', the least thing you'd expect from a major system. Why can't Fujifilm collaborate with Adobe - instead of pushing C1 with its ugly interface in the market? I don't own the X-T4 or GFX100s but anything before that was very disappointing in video too, not due to the sensor nor the camera, but the focus breathing I experienced with most lenses. I'm quite invested in the system, the only reason why I'm still living with it in my projects, but if I would have the financials to make the choice today, I'd go Canon EOS R, Nikon Z maybe even Leica SL2,... whatever.
I don’t know why I would buy any of these when I can buy a full frame Z5 new for 1000$. I guess low weight and small size would be why. But I’d rather adapt an M-mount rangefinder lens to the Z5 in wait for the compact 28 and 40mm lenses.
@ thx1138: If I was buying into a syste,, I would not go for a DSLR because of the limitations with the mirror (vibrations, size, weight, slows down everything, all lenses need to be calibrated for precise autofocus, poor manual focus control with OVF when focus is critical, low light limitations, lack of true depth-of-focus control, no visual feedback for the end result, amd more), and that future development is on mirrorless cameras.
@Magnar W Unsurprised to see you get brand specific. Switch out “Z5” for “RP” and the question holds. I mainly mentioned the Z5 because it’s unequalled at its price point.
I would certainly buy an APSC for reasons already mentioned – size and weight of the lenses.
To get a D500 or Canon equivalent for high speed action is a good argument. Especially taking into account of the broad selection of telephoto lenses.
The Z50 with both lenses and FTZ costs the same as the Z5 body alone. The Z50 has a better sensor than the Z5, albeit smaller. A used Z6 body costs what a Z5 body does. It's hard to justify the Z5 for anything other than studio stills when the closest members in the Z family outshine it.
@Urbex in my case a canon EF 17-50 F2.8 is cheaper than a EF 24 -70 F4. and I quote used gear mostly for other countries where you get a warranty on them. Here in argentina buying used gear is hit or miss.
Nice comparison, and really no surprise on the conclusion, as the Fujifilm X-System is their main "focus", and their equally superb MF GFX System is also expanding, and recognized as a superior alternative to the likes of Hasselblad, Pentax and Mamiya. Having had the Fuji X=T3 with some superb Fujinon XF optics, I agree that it's a stellar system. In fact, had I not gone with the Nikon Z7 (and some stellar Nikkor S lenses) for printing very large, I would be an X-T4 user today. Regarding your test categories, personally, the Image Quality is by far most critical, and battery life and video are least important. Thanks for the comparison!
Another user selecting Nikon over Fuji in terms of image quality and colour seems indisputable at this stage. Not that Fuji XT lacking in the lens department but Nikon taking the Z system to new heights destined for more followers.
Hold on a second, the Z7 line isn’t exactly entry level full frame and at 42 MP, the image quality is actually closer than you think. The price of the newer Z7 II bodies would be a turnoff to people in the sub $2000 budget and the AF certainly wouldn’t keep up with several of the APS-C bodies.
I found it unfair that the M6 was ranked higher than Z50 due to a couple of DX lenses, otoh it's a totally different mount and with Z50 at least it's the same mount than any other Nikon mirrorless camera. So with the M6 you are buying into a locked system and with the Z50 you can always go FF later if you like and keep your lenses. Also I mean we'll probably see (according to latest rumors) that Nikon expands the DX line and so overall some comments did not age very well...
Also, some errors like 2nd place saying third in the text and someone saying third, while it's actually second. Take some break, relax a little.
Too bad they didn't include a Leica APSC camera. It might have shown that it was superior, which it shoud be for the price, or it wasn't showing that the extra money really isn't worth it. I happen to own both APSC and FF Leica mirrorless cameras and I think such a comparison would have been worth it for would-be camera buyers. Mirrorless cameras are getting extremely close in ever higher performance now.
you have to take those videos with a grain of salt. those cameras are all capable and sometimes it is a simple thing like a button layout, a specific feature or a simply a lens that makes you choose a specific camera/system.
Fuji has one strategic advantage over Sony, Canon and Nikon: The gap between their APSC and their Medium Format line is so huge that they are free to build the very best APSC camera they possibly can - without having to fear any cannibalization of their MF sales.
This is much different from Nikon, Sony or Canon who see their APSC cameras just as the lower end of a continuous spectrum, their cheap FF cameras being somewhere in the middle and their high-end FF cameras (A1, R5, Z7ii) being the top of the crop.
If the A6600 provided internal 10bit 4:2:2 oversampled 4k recording it would eat away a lot of Sony's A7siii sales. So, Sony keeps the APSC line deliberately lower specced in order not to draw away potential customers from their FF models.
Fuji does not have such problems and can go "all in" with their XT models.
The extra difference is not that huge and Fuji has no cross compatibility. So yes, they pour more into APS-C but that only gives them a competitive advantage FOR APS-C. However their competition is from both APS-C and full frame.
It’s not that they don’t have one, it’s that it is very customizable based on the subject and for that it requires tweaking.
The camera conspiracies guy was struggling with getting it right and Fuji straight up told him how to setup his camera for AF tracking, based on what he was shooting. Since that time he has never had another AF Issue.
The one thing that I find interesting about Fuji, is that they will listen to you. I had a complaint about the way my X-T4 was rendering hair, and I let them know it! They turned around and had one of their specialists reach out to me to try and work through the settings in the camera to resolve it. In the end, we found a setting that corrected the issue and I was very shocked to have such a high and tech reaching out to me.
Leicas are fantastic. The founders of modern photography. Their latest mirrorless cams are superb, especially regarding their user interface which is best in the business. And I’m not pretentious !
I guess it is good thing to be spoiled with choice, maybe not for ecology and environment as our endless consumerism we are forced into creates a lot of damage. But look at the second hand market. You can take stunning images with 10+ years old gear on cheap, however that would be against current economical doctrine.
What doctrine, to create new and better cameras people want to buy? Sure, there are some products with built-in obsolesence but I don't see the ILC manufacturers doing anything malicious here. If you want to use a 5Dmk3 it's as good as it was in 2012 - knock yourself out. Do you think the R5 shouldn't exist, simply because people will sell/scrap their old gear and replace it?
I don't mind trying to be greener, within reason... but "pull the handbrake" stunts to kill progress and innovation isn't going to help, it'll just get you sidelined as some modern Amish. Like I can get behind switching out coal and oil with solar and wind power, but I'm not giving up my car for a bicycle. If you want to good for you, but you'll walk that path alone.
This entire market is small and getting smaller. Should this evil consumerism stop as you wish it would, the entire industry would collapse and there would be no 10 year old cameras 10 years from now.
While your wish for a mad-max world is curious, it's not practical in any sense other than to collapse civilized society.
These "best" videos are getting boring and are not getting views on YT (esp. for audience who dont come to the site often). Not surprised they have so few subscribers given the popularity of this site. DPR should consider making more comprehensive or non-standard comparisons (e.g., FF vs APS-C vs M43), taking advantage of their access to many cameras.
Restricting on sensor size is stupid. If I am in marketing and ignore Fuji's offerings (X or GFX) when researching market for FF, I will probably get fired. I am in market for a new system (from Canon 7D with some good lenses) and considering x-t4/Z6/R6 + lenses, but I found most of these reviews not helpful (e.g. how much FF is really better, if that's true, how about GFX 50R).
Chris and Jordan are a good YouTube duo. It all depends what their employers are aiming to achieve.
Number of subscribers isn't necessarily a key metric. You have to keep in mind that the viewing public have very short concentration spans. Attaining notoriety in a click bait environment is a race to the bottom.
I think they would get more YouTube traction if they stopped following the crowds and went back to more detailed reviews.
I feel like people argue for Fuji's lens selection based on some time period before Sigma dropped their excellent F1.4 primes, Sony released the new G lenses, and the latest Tamron zooms.
I personally looked at switching from APSC E Mount to Fuji X and concluded that the lenses on the "other side" were generally FF expensive without the advantages of a FF system. Indeed, you can often get third-party FF glass with a wider aperture (e.g. F2.8 vs F4) for a cheaper price.
Fuji does some things better (and some worse) with their bodies, but the lens lineup is a weird mix of sane, ancient, and stupidly expensive.
Yes, third party support for E-Mount is the best around. Fuji do have some third party support and more seem likely. I like my Fuji (just like I like all my other systems), but their lens lineup is a bit all over the shop. Tamron on Fuji I think would make a nice difference as they are the only third party doing zooms (for APS-C). Though to be fair, apart from the 18-200mm they hadn’t until very recently done anything in the APS-C space. The 17-70 and UWA only just very recently came out. It’s an evolving market.
Now I wish Sony would make a nice APS-C camera I’d want to use for all the excellent lenses they have for APS-C now. While Fuji’s lens line is as discussed, they do have a body to suit most users. Sony have iterated on only one body type in the history of APS-C E.
Agree with the comment about sigma f1.4 primes. and the comment about older lenses and FF comparison. An additional point is that fuji doesn't work with class leading DXO PL4 Elite with deep prime Noise Redux which is so good that it is worth at least an extra stop..
Elisam, 100% agreed on Sony bodies. I left Sony APSC, because they keep iterating the A6000 and artificially holding back features instead of just making a damn good $1,000+ or $1,500+ camera from scratch like Fuji.
But to Sony APSC is a way to lure people in to the brand, whereas for Fuji it's how they survive. Sony probably sees every FF sale lost to APSC as a failure of segmentation.
I do wish LENS selection would have played a bigger part in this comparison. Lenses like the Tamron 17-70mm f2.8 and the Sony 70-350mm and the new auto-focus Samyang 12mm f2.0 ánd the Sigma 16-30-56mm f1.4 trio are just plain GOLD and such excellent value.
I can learn to live with bad menu's, and my hands have gotten used to the small(er) form factor of the A6600. It is the lenses that make (much of) the quality and attraction of a system. Now if only I had an eye for photography... 😉
It did play a role, he mentioned Nikon not supporting the Z dx system and Sony having plenty of lenses, third party or not. The video even shows a Tamron 17-70 for a brief moment. The price of a "trinity" (10-18, 16-55, 70-350) is so awfully close with FF Tamron/Sigma offerings though (and even Sony's) that 400 usd savings on the body make you ask yourself many questions, specially if you aren't looking for the maximum reach on your 200-600 but shoot other things then birds.
Seems to me that the XT-4 'cropper' is quality enough and worth the price, particularly with that (unmatched) APS-C lens selection.
My biggest concern would be: how much to spend on lenses that don't cover a FF sensor. Too much in my case, not enough 'need' or desire for extreme telephoto.
It's not really "unmatched APSC selection," though. The system has many old slow-to-focus lenses and lacks all the cool new third-party glass like the 17-70mm F2.8 or 11-20 F2.8.
I feel like people argue for Fuji's lens selection based on some time period before Sigma dropped their excellent F1.4 primes, Sony released the new G lenses, and the latest Tamron zooms.
I personally looked at switching from APSC E Mount to Fuji X and concluded that the lenses on the "other side" were generally FF expensive without the advantages of a FF system.
Fuji does some things better (and some worse) with their bodies, but the lens lineup is a weird mix of sane, ancient, and stupidly expensive.
FUJIFILM XF 70-300mm f/4-5.6 R LM OIS WR Lens - New Release
FUJIFILM XF 27mm f/2.8 R WR Lens - New Release
perhaps you know better than I, but is there a better APS-C wide angle zoom on the market than the FUJIFILM XF 10-24mm f/4 R OIS WR?
Sigma and Tamron will follow the money, eventually, and Fujifilm is obviously committed to the APS-C format, long term. Unlike the other three camera companies in the comparison review.
SoW, you're making my argument for me. XF 18mm is almost three times as expensive as the excellent Sigma 16mm F1.4. Again with Fuji you pay FF prices. It's more expensive than the excellent Sony 20mm F1.8G, and that's a FF lens!
The XF 10-24mm F4 is as expensive as Tamron's 11-20mm F2.8 lens. Sure the Fuji has IS and better build, but it collects a lot less light. For LESS, you can even get an F2.8 UWA zoom on FF (Tamron 17-28mm).
By the time you pay Fuji prices, it's no-brainer just to go FF. Even Fuji sees the writing on the wall and is transitioning to MF.
No, I'm not making your point for you. An 11-20mm is NOT the same as a 10-24mm on any format.
Read, again: "Sigma and Tamron will follow the money".
"By the time you pay Fuji prices, it's no-brainer just to go FF. Even Fuji sees the writing on the wall and is transitioning to MF". I just pointed out THREE 'new releases'. For people focusing mostly on telephoto, the "no-brainer" aspect of your argument holds no water. APS-C sensors can continue to evolve just as FF sensors do, and the lens base exists (and thrives) with Fujifilm.
I don't know the details about why Sigma and Tamron "chose" not to release their newer lenses on XF, do you? E mount was the main initial target for Sigma and Tamron, is that a surprise for you?
I expect APS-C to survive in some form for beyond 10 years, I'd be betting on Fujifilm and Canon, personally. And I wouldn't be counting out m43 either. Way too many (good) lenses already out there.
So it HAS to be exactly a 10-24mm f/4? Seems like a way of building a strong argument. Well Sony has a much much better 24mm lens than Fuji does because 23mm is NOT the same ;)
With the price of these APS-C body and lenses it is indeed better to go FF for high IQ stills only. Hybrid shooters that want 1 billion mb/s bitrates have a reason to chose Fuji. People that stick to kit lenses: Nikon is best value. Canon: nobody cares. Sony? 200-600 and birds. To each his own. More choices are good. The usual.
man, I am delighted, how easy Bender79ita breaks the camera system decision tree down for us. should have read it earlier, I picked the wrong brand, damn... next time, I buy a medium format camera, and not a cropper or cropper-cropper or god forbid, a cropper-cropper-cropper...
@kreislauf, do you buy micro 4/3 or aps-c for maximum stills IQ? You don't. That doesn't mean these systems are useless or don't have a future. Well... except Canon M. I mostly shoot APS-C and 1" btw. I'm more then ok with the compromises in IQ, but that doesn't mean there aren't any.
You could be right Elisam, but I'll likely hold out for the SigRon(O'Kina) 12-15mm f1.8 for those special wall-hugger landscape prints. At f1.8, of course.
People were blocked from making lenses on the Fuji X Mount, but I think they’re about to change that as Tamron said they will be making them for the X Mount.
As far as FF goes, it isn’t that simple.
Many Fuji shooters hate dealing with Sony colors.
Many Fuji shooters also know that their camera is largely easier to use and generally better implemented for features, when compared to the Nikon Z bodies. Also, the X-T4 is higher resolution than the Z6 and Z6 II (it does show in side by side comparisons.
Canon colors are decent, their AF is very fast, and they’re certainly building quality lenses. However, they want $700 more for the R6 than the X-T4, and the R6 didn’t get half the features or optimizations of the R5. If you watch how comparisons, you’ll see that it is not only lower resolution than the X-T4, but the color science isn’t even close to the same as the R5.
So, saying I would just go full frame isn’t really that easy.
WARNING! USE THIS INFORMATION AT YOUR OWN RISK. THIS ARTICLE IS FOR MARKETING AND ENTERTAINMENT PURPOSES ONLY. ANY SIMILARITIES TO FACTUAL OR USEFUL CONTENT IS PURELY COINCIDENTAL.
Honestly, what is the point of comparing cameras at such different price points as this, and aimed at such different market segments? It just ends up looking like there's some commercially-driven ulterior motive at play and undermines credibility. Anyone looking at the XT-4 is far more likely to be weighing it up against the Z5 than the Z50, for example.
The output I get from Z50 and a6400 with native lenses are way superior to Fuji and Canon. I think a fair comparison should have been: Xt3 / a6400 / Z50 / any M. Canon´s mount varieties will always set them 4th place. Also, Z50 battery gives almost 1000 shots and a6400 1200...
To be honest X-T3 would still win, A6400 would still be second and Z50 still be last.
Z50 competes to the Fuji X-S10 or better said X-S10 competes to the Z50 considering the fact that the X-S10 came after the Z50.
What's wrong in this title is that DPR decided to use the wording 'High-End' while everybody should know the only high-end cameras in this test are the X-T4 and A6400.
Both, the Canon and Nikon are aimed towards a complete different group of users in terms of marketing and feature-set by their respective manufacturers.
So it is basically a biased review in which one clearly needed to be the looser and the other clearly needed to win this beauty contest.
Who you think would win the streetrace? A fully outfitted Ferrari, or the basic Renault Clio?
The Z50 doesn't really compete with anyone. Behind on specs, no native lenses, and no interest from the manufacturer. At least EF-M has a full casual lens lineup on the cheap.
BrentSchumer - But is merely forgotten by Canon, also the lens support is rather poor next to the fact that it failed in Europe and never got any real traction. Add the strong rumors that Canon wants to quit the M-Series and you would be a fool to invest in it. Not to say that it is completely incompatible with the RF and so a waste of an investment if you ever would like to go Full Frame. You can then start all over again including the ability to switch brands.
At least you can use every Z and F lens on the Z50 natively or with the FTZ adapter. There may not be many DX lenses but at least you can upgrade anytime you want to.
If APS-C is your thing there is only one to go after and that would be Fujifilm. You are then tight to this system, but it has the best APS-C support of all brands and moreover a full line-up of lenses.
I disagree on EF-M/XF. If you're someone looking for a reasonably-priced camera for travel you want small inexpensive lenses and svelte bodies. And if they want say one good larger lens there is always EF with endless selection.
The general APSC market is very different than the Fuji "I want full frame price and size with APSC characteristics" market. I know people who shoot both and they're very different segments.
The Z50 continues to be junk, from the outdated sensor to the weird limitations (no touchpad EVF?), to the dearth of native mirrorless lenses. It's a shame as the body is great to hold, but it's clear that Nikon shoved it out the door as a placeholder.
The Z50 is the nicest small camera i have ever used. The IQ is superb. And as you say the battery seems to lst forever. I pair mine with a samsung 14mm and get fantastic results. I have lots of others including fuji, but this is the one i use the most. Also, with the adaptor i can use hundreds (well not quite) of great older sigmas and tamrons at not too much money.
1) I use Z50 as second camera from Z6 with all native Z (Z20, Z35, Z50 1.8s, Z70-200 2.8 and waiting for Z14-24 to come home) Dont´have that option on RF. 2) I had Canon R5 and sended back with RF35mm f1.8. Is for me the most expensive system and the least effective. CA everywhere on RF lenses and same result as EF. Also Had 5D mII. 3)Got a6400 (will be selling it) and a7III with failure on shutter with just 8000 actuations. As a street parade, theater, concert, landscape, astro, portrait, birding, and sometimes sports photographer who also print, the quality even with a Z50 with Z lenses is far superior than R5 with RF leneses which some are not even weather sealed. My job gets under heavy rain eventually. Imposible with a7III and same with most RF lenses by now. But guys is just about time! When Nikon realeses a D500/D850 mirroless the system will be highly solid.
DPR is comparing the Z50 (900 CAD on amazon.ca) with the M6 ii (1200 CAD on amazon.ca), the XT-4 (1900 CAD) and the A6600 (1600 CAD) in a "high end APS-C mirrorless comparison". In what sense is the Z50 high end ? In only one: it is the high end of the APS-C ML line of cameras produced by Nikon. And BTW, the only one :-) When are DPR people going to understand that apples should not be compared to bananas, and peaches should not be compared to pizzas ? AFAIK, this is taught in elementary school.
I should have added an obvious thing : The Z50 is a great camera :-) It can be compared but intelligently. As far as the number of bananas a miserable canadian (i.e. commie) dollar can buy, well, the answer is 0.0001 banana. That's why people die of hunger in socialist Canada. And if you look at performance with Covid, Canada is indeed a total mess compared to the sterling performance of the US
Well the X-T4 is possibly the only camera you will ever need, given the good AF and 4k60p, the lens line up and stuff. I would be happy if it was my only camera.
Vit Adamek - I did away with the X-T4 as its AF completely sucked!
It is horrible when there is backlight - It doesn't function properly in dim light and often started to hunt. It can't properly track moving subjects as it goes too easily out of focus because it looses track. For video it hunts as hell and can't even keep your face in focus.
Worst camera for video I ever had!
But the real problem with Fujifilm these days is that they don't even want to admit the X-T4 AF is faulty. Not even the slightest love from Fuji for a hard needed firmware update to solve all of its problems its clearly End Of Line.. and no Kaizen love.
Nikoolix - I would suggest you do a youtube search on Fujifilm X-T4 autofocus problems in video.
I can assure you NO user error. I have had a near 12 years of Fujifilm experience and have had most of their X-T series cameras. But there is a day that you need to say enough is enough.
If Fujifilm can't solve the problems they have with their AF implementation. And if it is just unreliable in a professional environment then it is better to put a point behind it and tell them you quit as a X-Photographer.
I am really enjoying the "ancient" Canon 40D at the moment, and its AF-C. I am f. tired of all the lazy and gimmicky tracking modes although the eye-af tracking on mirrorless is useful indeed. I still rather 'track' the subject myself through OVF using af-on button and fire at will. Much more fun and enjoyable shooting experience to me at the moment, much more rewarding.
It's more likely that these flagships aren't the bulk of their APSC sales. The A6100/M50/X-T200 probably outsell the flagships. But yeah the current pricing of APSC doesn't really reflect the heavy segmentation on these models (*cough* A6600) or how cheap FF is getting.
Oh I see. No I don’t deny it is possible he had issues, I’m just stating the obvious from what I know about the camera. AF tracking is something you likely have to tweak to your style and subject. This is pretty much how it has always been in the X-T bodies.
Fuzzydice - playing it on the man doesn’t make i am wrong. It only shows you being another Fuji groupie with a biased view.
You may find it good enough. But there are many more that complain besides me. I would suggest you do a youtube search and find many others have problems too. So many problems with so many lenses for video.
I think you better keep shut if you’ve never used the video features on the X-T4 extensively. And NO i am not doing it wrong. It is the algorithm that s*cks my friend.
What I took out of this piece was more the extent to which the aps-c mirrorless segment looks over-priced. Historically, the aps-c vendors have charged a huge premium for IBIS, which is pretty much standard on FF MILC. Plus, the trad vendors allow fairly wide access to a bigger range of lenses at different price points.
Again, aps-c lenses can be quite expensive against some of the FF options which often have wider equivalent apertures. Sure, they'll be sharp, but they should be because of the limited image circle.
The systems are not even that small, that only really kicks in with M43 or 1".
@ Vit Adamek: Or you could use the same physical focal length with a larger sensor and make a crop, since there are full frame cameras that are as compact and light as some smaller sensor cameras. Each to their own, as you write.
Vit Adamek - The 'reach' advantage is also falling away. These days there are plenty of FF cameras that even cropped to the same field of view retain more resolution than your MFT or APS-C camera.
Also your weight advantage does not exist any longer if you take equivalence to the matter.
@Magnar W - indeed, the market segmentation where FF sensor == Pro == $$$$$ has now thankfully eroded, which a) asks the relevant question - how come aps-c prices are not reflecting costs better, and b) has allowed me to buy into FF.
Perhaps most of the vendors don't care, and aren't inclined to risk the main bright spot in their offerings, namely FF MILC and associated new lens systems.
A Nikon Z 7 ii body costs approximately 3.5x as much as a Z 50 body. Why compare those two? Their sensors’ pixel densities are roughly equal. If a picture taken on a Z 7 ii and cropped down to APS-C the result is a 20.3 MP image. The Z 50 has a 20.9 MP sensor. Why do that? Super-telephoto work! Crop-sensor bodies make less sense when using wide angle, normal, or short telephoto lenses. But they are extremely useful when super-telephoto lenses are considered. Shorter, less expensive lenses are needed for crop-sensor cameras. With some subjects you can only get so close, so cropping is the only option anyways. It is for that reason that professional wildlife and bird photographers supplement their full frame bodies with crop-sensor bodies.
Johnny - APS-C is not reflecting cost better because of several reasons:
- Shift in production capacity of APS-C to FF. Making production cost not go lower for APS-C but does for FF. - Better yield of larger sensors due to improved manufacturing makes for less spill. - Revenue earned (profit) in higher end FF cameras are basically subsidizing and financing lower end FF to make it more attractive to the mass. - Money in this industry is not really being made by camera sales, but much by lens sales. Lenses for FF are generally spoken a little more expensive and do have a higher profit margin.
- R&D costs for an APS-C camera are not less then they are for FF or SMF. The most expensive part in any camera is its sensor, but many other components are just the same for any camera.
And so the largest differentiator in cost is the sensor An APS-C sensor on average goes for $185 OEM. An FF-Sensor on average goes for $295 to $350. So the actual difference on average is only 100 to 150 dollars.
Whereas they mostly sell a FF camera at 3 to 6 times the price of an APS-C camera. Making FF a more interesting market segment to invest in from the manufacturers point of view.
You can sell a lot less FF cameras while still being more profitable. APS-C is a large volume but low profit segment. FF is a more luxury product with a much higher profit margin.
As sales volume is dropping so is revenue and profitability. This is the reason why you see CaSoNikon moving away from APS-C and why they will keep on pushing FF. They want to take as many people on board as they can. But not at all costs.
Same for Fujifilm why it is now heavily investing into SMF and trying to attack FF by a lower price for SMF, in the end putting even more pressure on APS-C as price triples down.
CaSoNikon are forced to sell their FF cameras at a lower price point as well to keep hold onto their marketshare. And so they dump APS-C and reason why Fujifilm actually bites into their own tail.
@Francis85 - 3-6x price of aps-c camera?? I've gone down the cheapskate route of FF-sensor dslr with a D750 and couldn't be happier. For my applications, much superior and cheaper than aps-c MILC.
If I want small, then the rx100 is pretty good too.
You did not get the point. Check i.e. weight of 600 equivalent lens for FF vs Micro 4/3 and then check the prices and overall weight for these combos. Even if you crop in with FF there is no direct proportions comparison.
Well saying that, I just ordered the BigOS Sigma 50-500 to use on my Canon 40D. Because I just love the photographic experience with this tank like equipment. Not best for hiking I guess but supplemented with my Panasonic GM1/GX9 with 12-32 pancake and other small and brighter lenses, i.e. 20mm 1.7, 45 1.8 etc., and the great and best value ultrawide angle zoom ef-s 10-18 I have all fields covered on cheap :-D
@ Vit Adamek: I am talking about using the same physical focal length, and making a crop from the larger sensor to get the same image quality.
I am not talking about this confusing "equivalence" stuff, where you assume that longer focal length is needed for a bigger sensor. If you do so, though, the larger sensor will always win when comparing technical image quality.
Because the sensor isn’t the only factor when it comes to building a camera. You have custom chipsets, AF Motors, build material (Magnesium Alloy), Battery, card readers, connectors, LCD, EVF, and dials. All of these things add to the cost.
Also, if Sony has to customize the chip that will cost extra as well, so Fuji X-Trans likely has a higher cost than other Bayer sensors.
Of course you also have lens costs. The best lenses for the Fuji, are usually cheaper than the best lenses for the Full Frame Sony and Canon.
Then you will have people like Johnny who think just because their DSLR is full frame it will automatically beat an APS-C body. It won’t!
People like Johnny probably think that all cameras are compromises, and have different strengths and weakness, whose value depends on individual priorities against the cost of the system.
For what I normally want to do, my FF dslr is better and cheaper than an APS-C body (and yeh, I have a Fuji aps-c too).
The Nikon and the Sony are the only cameras in this comparison that have a decent grip. When you’re travelling, or taking photos for hours, or even just walking outside, a grip become extremely useful. The Fuji has a lot of nice dials, but doesn’t have a decent grip because Fujifilm cares more about aesthetics than functionality.
I agree. When I was looking at upgrading my Sony A7s to the A7III, and then picked up the Nikon, I said to myself "Now THIS feels like a real camera" and I switched back to Nikon. Feel is subjective, but the Z bodies are solid and feel good in my hand.
What? The X-T4 grip is great! The bottom portion comes out more so your bottom 3 fingers can cup the camera nicely. The top portion cuts away to give your index finger more room to move. However, if you want it deeper, there are several grip extenders fairly cheap for the Fuji bodies.
The Fuji way too big for an APS-C, the Nikon I didn't even know existed, the Canon lacks an EVF and not many good native lenses, if you add larger lenses plus adaptor defeats the purpose of a small and light camera. I have the a6400 because it had EVF and good native lenses. But I hate the menu and I prefer image quality out of Canon . So there is no perfect camera. Canon could make one with good EVF and more native lenses and it would be a winner by all accounts
only reasons for APS-C to exist: 1. Significantly smaller/lighter 2. significantly less expensive than FF gear and 3. decent enough IQ and functionality.
Canon EOS M delivers on all 3 counts. Fuji too big and expensive. Nikon no system at all. Sony bodies too expensive and ergo problematic. Canon clear winner for me.
Canon EOS RF will remain FF. Canon will never launch an RF body with APS-C sensor. No matter how much Canon Rumors guy and a few forum denizens believe in it.
EOS M will remain as Canon APS -C system. Extremely compact, very capable and very affordable.
I can fully recommend EOS M/EF-M system to anyone lookkng for max. bang for the buck - at a budget less than 1/4 of FF.
Since the target market would mostly go for $1,000 or less Cameras, Fuji does have the FUJIFILM X-S10 Mirrorless Digital Camera with 16-80mm Lens for $1,499.00. You could then add the FUJIFILM XF 70-300mm f/4-5.6 R LM OIS WR Lens for an additional $799.00. That pricing relative to what you are getting compared to the rest of the APS -C systems seem to be an decent deal.
Honestly, I think EF-M has a better APSC lens lineup for today's market. Fuji covers more ground, but their lenses are stupidly expensive vs FF, large, and heavy.
With EF-M, you get lenses that are priced for a more casual buyer with weight and size that is perfect for travel. If you're going to drop $1,700 on a body and $1,000+ for your zoom lenses, why wouldn't you just go FF?
nothing wrong with the Fuji X-S10 plus the 2 zooms. Except, too large and too expensive for a crop kit.
compare any Fuji camera + lens combo to an EOS M50 (II) with 11-22 + 18-150 zooms and 22/2.0 or 32/1.4. that's the absolute sweet spot in terms of APS-C systems in terms of capability, IQ, handling/performance, size and price on entite market today. Perfect travel kit. More than enough for any normal income amateur.
And even with M6 II, the same lens kit will be more compact and a lot less expensive than any Fuji combo - with very little "sacrifice", if any.
i don't think Canon will ever launch EOS R crop sensor camera. Except a few "super35" video cams with RF mount. But not stills/hybrid EOS R models. It just does not make sense. FF cameras after R3 will all have 40+ MP and crop mode. no need for extra crop sensor R bodies or "RF-S" lenses.
@BrentSchumer: As I see, the cheap Fujifilm's lenses are rather similar to the Canons. The biggest difference is that you can not get "premium" options on EF-M and probably will nether do..
Some lenses are big, some others are lightweight. An XC 14-45 is about 150g while the XF 16-55 F2.8 (tack sharp wide opened) is about 650g
for less money than "higher grade" Fuji X lenses cost, i can get and use any Canon EF glass ever made - from 50/1.8 STM for € 99 all the way to L lenses. Especially if bought second hand - in near mint condition from folks who can't wait to spend a lot on money buying RF glass. To me a much more rational and better route than spending lots of money on Fuji X crop-only glass.
Personally I won't use 3rd party adapters. Especially not, when I get native Canon EOS M bodies and native Canon EF-M glass and native Canon EF/EF-S lenses with native Canon adapter - all for a lot less money than Fuji gear.
Also much dislike the Fuji retro design and UI philosophy. It was the best solution for analog-mechanical cameras. It is not for digital cameras. Don't see any reason why my 2021 camera should look like a 1960s camera with mono-functional dials and aperture rings.
@Brent I fully agree. EF-M is missing only a few things on the lens side to be perfect for its intended use:
-a cheap but decent zoom that goes out to 350 mm -a good (I didn’t say fast) standard zoom
For everything else you can just adapt EF and call it a day. On the body side, they need something with IBIS and an EFC shutter. The amount of shutter shock on the M6 II with telephoto lenses is truly atrocious.
As for Nikon Z DX, an 18–140 is on the roadmap and a DX UWA is also rumoured to be in development. Add a few primes and it will be as fleshed out as EF-M, but share a mount with Z FX.
I hear this bunk about the Fuji lens prices a lot, it is simply not true. The majority of the X-Mount lenses are under $1000 and that includes most of their best prime lenses.
If you look at the Canon, Nikon, or Sony, most of their best lenses are nearly doubt that or more. Plus, many of the Fuji lenses are smaller than what Nikon, Canon, or Sony have.
Also, if you buy used Fuji lenses, that ceiling is now around $600 for most lenses and some are $400 max.
The Fuji plays in a completely different league. It should be compared to FF cameras IMO.
If you are not going to buy expensive (and big and heavy) FF f1.4 and/or f1.2 lenses, the Fuji has a lot of sense. It's the rationale I made when I chose Fuji half a year ago.
In my case the X-T3: a lot of high end specs and features and a very enjoyable UI cheaper than an entry level FF and you only lose 1/3 of a stop of dof control and noise with the f1.4 lenses against FF f1.8 lenses. You also get the colors and jpeg output of the Fuji wich I like a lot.
The X-T4 seems like a v nice camera, but I just don't want to pay that much. I've always liked Nikon ergonomics and wish they'd take APS-C seriously. IMO, a 2.3m "dot" EVF is unacceptable. Shocked that everyone is okay with this. What's that, 0.75 mp? That Canon charges extra for an awkwardly mounted EVF is a deal breaker. I have a6400, and sadly, I hate it. I don't mind the ergonomics, it just behaves too much like a computer, and computers ain't fun to me.
I own Z50 and its 2.3M dots EVF is absolutely fine for me. I also have a Nikon Z6ii with its 3.6M dots EVF and even if I can see some resolution difference between both, the difference in experience is not that big. But maybe it is so just because I didn't use any of the high-end 5-8M dots EVF. Who knows, maybe they are really like a world apart. The main problem of Z50 is not its specs, it is the missing APS-C lenses in Z mount.
I agree the lack of DX lenses has always been an indication that Nikon didn't take APS-C seriously (and smaller bodies and lenses). Imagine if they'd worked on a super compact APS system instead of the dopey "1" system.
Well there is certainly an bias tone being seen here, but it isn't' coming from Chris. Also, FF lens heavier than APS-C lens doesn't necessarily always equate to Heavy.
I don't want to start a war here, but M4T is not doing very well. There are some great cameras out there, they take great pictures and even greater videos, but it is not selling well. I do hope I'm wrong but I think that they will end up in a niche market, if they make it at all. And what is even more, many M4T cameras are as large or larger then FF cameras and a lot of them come in the same price range, the same goes for the good lenses. So what is the main reason to go M4T? In the end there is no good reason any more. I know there are some small cameras and lenses that are not to expensive, but in the end M4T is loosing to APS-C and FF.
This is supposed to be a comparison of “high-end” APS-C mirrorless cameras. The Nikon Z50 is Nikon’s “high-end” APS-C mirrorless camera because it is Nikon’s ONLY APS-C mirrorless camera. The other three are much more expensive, and really belong to a higher category relative to the Z50.
Not in my area. There is a $150 CDN difference with kit lens at my favourite local store. The price differences with the Fujifilm XT-4 and Sony A6600 are quite a bit more.
As Chris explained, it's not a comparison of high-end cameras, but of "the best camera each system has to offer". As such, it's a valid comparison, but I'm not sure how useful it is.
Perfectly happy thanks. I not only have the 2 superb lenses supplied, but with the adaptor i can use literally hundreds of other great lenses from the past. Anyway, how many lenses does an amateur need. I do also have a Z6 and a few fujis. All great none better than others. Probably every camera today produces fantastic images.
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