In our continuing series about each camera manufacturer's strengths and weakness, we turn our judgemental gaze to Leica. Cherished and derided in equal measure, what does Leica get right, and where can it improve?
I’m not a dentist and have an M7. None of the Leica owners I know are dentists, doctors, etc, just a sad old stereotype from people who are upset others can afford nice things.
This is all a lot of blabla. If you use a camera you will know very soon what is acceptable, what is good and what is only marketing (meaning lies). What dpr here offers is only blabla and marketing, so cannot be taken seriously. Let’s simply forget it and turn to other topics. Do you really expect a serious camera maker to react to the BS that dpr offers here ? All is completely unimportant to a daily (Leica) user - especially the BS about auctions and special editions.
They never write about firmware updates or other issues important for a serious user. Useless ... Hopeless ...
Leica are making things in small quantity like Rolex. This has drawbacks for availability but should be lauded in todays world of vast electronic output and generation of, amoung other things, ever increasing mountains of lithium and other metal waste (possibly the worlds longer term polution challenge?). i would be happy if more electronic/optical companies got closer to that Leica approach. Lets face it, most of us including myself have much too stuff! some of which we hardly use for more than a year before it becomes obsolete and is replaced. Long live Leica - Although I could never afford to buy a real one!
Jordan, I wonder, you didn't mention the difficulties of accurate focussing lenses at 50mm, and above, wide open with an M11 (FF 60Mpx) by using the rangefinder.
Have you ever tried portrait with the summicron 90mm or the telyt 135mm yet? IMHO this is nearly a lottery game to get the focus right with 90mm and 135mm wide open.
I use an M6 since it apperas on the market in the eighties and it works well with the 'thick' film, but I struggeled with the digital versions (I tried the M9 for several years: wide angel ist ok, but as I sayed 50mm and above is even with finder magnifier difficult (btw you are losing partly the advantage of the rangefinder by using finder magnifier).
That sounds more like a saxo2 problem not Leica's. I have had no issues focusing 50mm & 90mm wide open with all my M's. Your RF probably needed adjustment.
@ saxo2: I know what you mean from my experience with such cameras. Then try a medium format camera with rangefinder ... film was more forgiving, and expectations were in general lower, though.
Tight portraits with handheld camera, using manual focus medium telephoto lenses at bright apertures, is still a challenge. You focus, and then both you and the subject moves slightly before the shutter is released. :-)
You are absolutely right. I have owned and sold both my 90mm and 75mm Leica lenses precisely because of the difficulty of focusing those lenses on my Leica rangefinder. Same problem at the other end, where my 21mm Leica glass forces me to use either the live view or external EVF for adequate framing and focusing, as there are no framing lines for anything below 28mm. Just want all the Leica glass to be usable in a pure rangefinder setup, but even Leica, the absolute ruler of the rangefinder world, will not allow you to do that adequately without dishing out a lot of extra cash for the EVF contraption which in my opinion, does away with the rangefinder experience.
@eric Its a problem with range finder cameras, not leica. The wider you go in the viewfinder the smaller the focus brackets for the different focal lengths. If you could see the whole view for a 21mm you might not be able to use a 90mm properly because the box is so small
@janispaw: my m lenses and the digital body was readjusted with no help. But the film M works perfect. The film emulsion of the film is thick, compared to the ultrathin digital plane of focus, and forgives little defocus. Btw, readjustment by leica is expensive , but as long as money is no object...
@saxo3 I've no problems focusing 50/90mm on my M9's. Even without magnifiers, but the 1.25x and 1.4x magnifiers do make it easier. Also I don't see how it would take away from the rangefinder advantage?
Real world situation: company needs a portable 60 Mpixel+ camera for a new application. Must be rugged, compact with a large sensor (i.e. no phone sensors yet, although they are showing promise). With help of DXOMark narrowed choice to guess who? Yes, the price is eye watering, but where is the competition? I am sure Leica would not survive if it just did "ME TOO". Add side benefit once we looked into it more = we could swap out the M11 for an M-A or even an old M6 TTL and avoid electronic dependence. Still, just about, recover 60 Mpixels with the right film and a professional scan. Never thought I would say it, but I can see a reason for Leica.
Short answer: for the Sony it is form factor - the camera is being attached to equipment in the field. Also explains why pixel shifting is not an option - needs to record output at an instant. Not trying to justify Leica's existence just pointing out that you can arrive at Leica being a solution without being a dentist.
Just one thing I missed in the video: Leica is about keeping your aperture wide open. The lenses are designed for that and the M is the only camera where this doesn't mean I have to carry a big bag with me. Agree on everything else.
As a digital ‘M’ rangefinder user for many years, it’s the first time in my life that the resale value of my photographic equipment hasn’t fallen off a cliff.
Sure, I’ll lose a little money if I ever sell my digital M body, but the lenses I purchased are now worth more than when I purchased them.....
Compared to my last Japanese DSLR lenses that’s a huge advantage in owning Leica kit........my old DSLR lenses, assuming the AF motors still work probably will need a firmware update and an adapter to use on the current models and their 2nd value have, as I said, fallen off a cliff.
No issue with my Leica lenses as they are all manual and the mount hasn’t changed for over 50 years........
It's interesting to think that you've thought about the exit strategy with a lens as a selling feature to get the lens in the first place. The trade off with a DSLR (or now mirrorless) from one of the big 3 Japanese companies is that you can get a couple of bodies and some lenses for the price of one digital M body.
Your justification on spending $8k on glass is you can sell it for the same price? Why not just not spend the money? Arent there better reasons to buying cameras then reselling them?
3pgrey See, this is the problem with social media nowadays, I say one, just one example of justifying the purchase of a Leica lens and you assume that literally this is the only reason I purchase them, completely ignoring the fact that I might be using them with my M rangefinder to take pictures and also completely missing the message that other Leica users may find helpful in justifying an expensive purchase to his/her partner……’hey why give cash to our kids when we expire if we can have fun with it first!’. 😁
@King Penguin Many people on social media seem to have a short attention span and/or poor reading comprehension. . . You are swimming against the tide when you offer an explanation that requires some thought on the part of the reader.
There are almost no consumer items that do not depreciate a lot much less appreciate in value. Leica M cameras and lenses cost more up front for good reasons. It is well made gear that is a pleasure to use and that will hold up for many years.
I wonder about the sensor issue with Leicas (will they be available when they inevitably need replacing?) but the film cameras and glass are the closest thing to an investment when it comes to photography equipment.
Even in the pre digital days there was a slogan - you buy camera bodies, you invest in lenses.
Buying lenses for the oldest currently in production lens mound seems to make more financial sense to me than buying the latest lenses for whatever the current lens mount du jour happens to be.
Especially when there are no internal electronics / mechanisms that would further destroy forward compatibility - you can even see this in Leica lens values. The lenses that for whatever reason don't mount easily on current bodies (e.g. goggles, dual range, etc.) don't sell for as much as other lenses that are easily mountable on modern Leicas.
@king Maybe I was looking to press a couple of buttons but passions require no justification. You want leica for your photos get 1. Assuming you don't need to start selling your organs of course
@3pgrey I never place a value on a consumer product based on its price. And unlike some folks here, I do not think that Leica M cameras and lenses fit Veblen's definition of "conspicuous consumption."
@light Maybe once upon a time leica lenses were in a different league to other brands but new tech is changing/has changed that. As for cameras the range finder gets sold for a decent price compared to others. Leica is absolutely a veblen good... every limited edition says so
Having owned LEICA M6 and enjoyed using it decided to buy a "normal" camera because other cameras do exactly the same job at less expense. LEICA as the first 35mm camera still clicking is a tribute to their company having changed ownership more times than a jumping cat on a hot-tin roof. LEICA cameras reliant on Panasonic association? More Chinese collectors (than ever) may help them in the future?
I too owned an M6 and enjoyed using it. I then became a serial purchaser of “normal” cameras trying to recreate — for me and me alone — the user/shooting experience of the Leica. They may all “do the same thing” but photography is a pursuit. The proof is in the result, but the process is the reward.
I’ve finally come very close with the Fujifilm X100V. I’m extremely happy with the camera and it may eventually replace the M6 as my all time favorite. However the cameras on my shelf, and the filed invoices from B&H, Hunt, Midwest Photo Exchange, etc., make a good case for “buy once, cry once.”
Could always rent one to scratch that itch... I'd like to do that with a digital M at some point if possible. I'd seriously consider buying a Q2 if I wanted to pare down my FF kit tho...
Nicely balanced video, guys. Good idea about going electronic shutter with hopefully space for an IBIS in the M, that would be a real improvement. I also like how they innovated with the TL camera.
@User123...: I own both a Q2 and an A7R4 -Arguably, my Q2 does take better pictures than my Sony -It's plenty fast enough for what it's intended for -I don't shoot video. Ever. And I suspect there are very few Leica owners that consider video to be a 'make or break' feature.
There is no pride of ownership with a Sony camera. When I use my M it feels special, people stop and ask about it. There is nothing silly about having pride in something you have worked hard to afford.
@janis correct. I had Sony cameras in the past and never felt any kind of inspiration to go out and shoot with them nor pride of ownership. (And has nothing to do with the amount we spend on things).
In a world where millions of tons of electronic junk is ending its life in dumpsters at increasing speed, Leica should be prized for producing quality equipment with lasting value. If their cameras are too expensive for me (which they are), or the waiting list too long, I just have to wait then, and save some money. The notion that every new gizmo should be available to anybody right now is a perversion.
Leica has the decency of manufacturing their cameras in their home country, creating jobs locally and maintaining a German industrial tradition. That's good. I wish more camera brands did the same and that more photographers were willing to pay the cost associated with that.
What a great comment - can't agree more. The joy to receive something for which we have waited a while and which we really appreciate to get is so much higher than quick purchases. Also using things longer is certainly more sustainable.
Great justification for a classic marketing bluff: artificial scarcity. Both by ridiculous pricing and ridiculous delivery times Leica may be the prime textbook example of this tactic.
I agree overall with your full statement except for 1 part.
How do you define „lasting value“ for a digital camera body? Those bodies are the electronic junk of the future. Not because the mechanic breaks but because the electronic breaks. M9 anybody?
This is not to confuse with the mechanical analog Leica bodies, which can be used for a lifetime. Using a digital camera for a lifetime will be the huge exception, if possible at all.
Leicas don't last longer or retain relative functionality better than say Canon or Nikon's professional flagships; sunk cost just convinces people that they contain magic dust and should be used past obsolescence.
Digital cameras don't become obsolete. The M8 still sells for $1,500 to 2,500 used. That's 30-50% of its new price 16 years ago. My Nikon D2Xs, which is more or less the same age, still works flawlessly and I use it regularly. It can be had for less than 10% of its new price though.
Then there's repairs. Leica keeps spare parts for old models in stock much longer than other brands. With the Nikon D2Xs, that was a problem already 10 years ago. If it breaks now, it's a goner. And that's a high quality camera for professional use. With cheaper cameras it's much worse. I have several cameras that couldn't be repaired even 4-5 years after launch.
Dead electronics didn't start with digital cameras. I have several film cameras that died after a few years due to electronics. Olympus OM-2S, Contax RX, Rollei 35T... dead, dead, dead, no spare parts.
Then there's the lenses. Any Leica M-mount lens, regardless of age, will most probably work unless it's been used for tennis practice.
Digital cameras do become obsolete as sensor tech, AF tech, et cetera improve.
Paying 2x, 4x, or more for the initial purchase price just for the privilege of paying even more for repairs later doesn't make any sense compared to...buying multiple newer cameras spread out with the same budget. It's just a self-justification for massive price tags. And with a healthy used market, used gear helps proliferate the hobby without creating e-waste.
@BrentSchumer "Obsolete" is just a word in your brain. Any old 12MP camera can be used to take photos that are good enough for nearly any use. With those files, I print images up to A2 size. I, like most people, don't have wall space for anything larger. Most high-end DSLR cameras have excellent AF. The only reason for me to buy anything newer is because my work requires me to deliver high quality video. So I have a bunch of Panasonic cameras for that.
But please, keep buying new cameras as your old ones become obsolete. Thanks to people like you, I am able to buy high-end equipment for a fraction of the new price, and they deliver exactly the same fantastic image quality as they did when they were new.
Unfortunately, I can't buy a used Leica on my budget. They hold their value far too well, the lenses in particular.
Digital Leica cameras are a true liability. The electronics last much less time than the mechanics and become unfixable after a decade or so if there are no spares.
Zakk I usually buy used bodies, so your generalizations are silly.
And sure you can create art with old digital cameras; people have made art with old Kodak disposable film cameras with plastic lenses. That doesn't mean that cameras with newer features and capabilities don't allow for additional options in convenience and expression. Especially if you move outside of still subjects to something like children's sports.
Some of the comments on the video are hilarious… I’m not interested in Leica particularly but the amount of people who just don’t ‘get it’ is startling.
I'm really grateful that Leica are still going. I've loved using them for decades and the strange thing is that goes for vastly different cameras like a 3g and a T. As cameras these days become more and more about ticking boxes (can the focus track a train, can it shoot a higher frame rate than you need for cinema, can it cook you breakfast, etc.?), Leica remain very good at simplifying the process of photography. For a lot of us, that is very appealing. Plus they do make very good lenses which put the overall look above how well they can shoot a chart.
Okay, the cost puts them out of reach for many of us (I've bought mine second hand) but the other side of that is not needing a new camera every year.
Probably their biggest problem on a website like this is people who think they are being hilarious making disparaging jokes about them; and younger people who have been brought up on a diet of latest-and-greatest technology who mock the perceived value for money. They sell anyway!
As a long-time Leica-M user I think the idea of removing the mechanical shutter and putting a microphone with a fake sound instead to accommodate IBIS was hilarious... why not remove the rangefinder and put an EVF? lol
"putting a microphone with a fake sound instead to accommodate IBIS was hilarious.."
Some cars (looking at you BMW) have replaced exhaust note with simulated sound coming through the sound system speakers. Really pathetic. Leica--stick to your purity, don't listen to armchair experts.*
*I'm not a Leica guy, but I respect purity of design.
I didn't know about the BMW fake engine sound! Yes, that's pathetic LOL
The thing is Chris and Jordan are NOT Leica M users. What they want is basically a Q with interchangeable lenses because it might be closer to what they actually use. Same thing with "The Fro" when he reviewed one M body, he simply didn't get it and decided it was a piece of trash because his Sonys have far better specs.
"why not remove the rangefinder and put an EVF? lol"
Because the RF system has to do with functionality, and an EVF would massively change the functionality of the system. Also Leica has 3 FF cameras with built in EVFs, and one of those cameras resembles an M.
The real world mechanical shutter sound has effectively nothing to do with functionality, especially now that cameras like the Z9 have proven how well non-mechanical shuttered cameras can work.
Now, having the capacity to turn on an indication of the e-shutter firing and the sensor capturing would be totally useful. But it can be any sound.
Ever try/use the M8 Mk 1? Remember the horrid shutter reset sound? It was there with the Mk 2 too, but one could delay the shutter reset. It was an embarrassment given how quietly the metal shutter on the Konica Hexar RF reset. As an aside: No, if you don't know, the M8 didn't just work; there were significant failures way beyond the IR issue and shutter reset sound.
Glad that Chris and Jordan, themselves, brought up the comparison with other high-ticket-prices items, like luxury cars and luxury watches.
Now, step back back a bit and imagine how odd a similar piece would sound, defending the virtues of such price-deferentiated goods in a regular-products site.
This series of camera system critiques started with Sony, Nikon, Canon & Olympus. And now... Leica. Following the trend line, the next review will be Daguerrotype. ;-)
My second "professional" camera was a Leica M2 in 1964, which carried me through 1999, when I bought my first SLR, a Nikon F3. I am not just familiar with the "Leica Experience," I revel in it. It is the perfect camera for "in the moment" photography because of its simplicity and the feeling of being connected to the scene.
After a sequence of Nikon SLRs and DSLRs, I bought an used Leica M9P. While it took beautiful photos (the last major CCD), I shortly switched to Sony, which has a similar footprint, but with the precision I prize. The M9 is there, waiting for me to pick it up again. Having passed through the big zoom phase, I'm ready to carry on with three prime lenses again, or even one.
Which Sony did you switch to? Was it the A7R IV in your gear list? Despite the body not being wide enough, that's quite a camera. And the Batis, Loxia, and Sony EF GM lenses are excellent to extraordinary.
Chris - haha! I love your videos, and I love the design and engineering of many Leica products, but you haven't convinced me that they are the right product for me. I'll stick to Japanese cameras - and I'm sure your Japanese speaking would give us great entertainment!
@entoman - I don't think Chris or Jordan were trying to convince anyone to buy this brand of camera. What I heard was just a fairly straight take of their opinions of the strengths and weaknesses of the product line.
I wondered, if it should just be called the Leice expensience. For me, the ambivalence is not really resolvable. Leicas have become luxury items, sold in boutiques located in very expensive streets. At the same time, this strategy helped Leica survive. At a high price, you can get cameras that offer a unique shooting concept, the rangefinder (get here doesn't mean afford and unique does not mean superior). I love shooting the M10. But I also know that 1 out of 6 people in Germany go with one meal less a day due to the increased living costs (https://taz.de/Armut-und-Inflation/!5859671/). When I make myself aware of that fact, it feels absurd to use the Leica. "So you need this for your experience? Do you know that other people need food. Or electricity. Or natural gas, to heat their homes?" A way to deal with that is to see the Leica as a reminder of ones' privilege. Understand it as a form of responsibility.
Apart from that: I have never had a camera where I found the results as touching as with the Leica. They are luxury items, but they are such amazing tools, too.
Although a Leica is out of reach for most people, they manufacture their cameras in Germany, creating jobs for Germans, so that more Germans can afford the cost of living.
@anwiko: Leica is in no way responsible for any poverty problems in Germany. As noted, in fact they make available plenty of good paying jobs for Germans. No Leica employee is going hungry and that's a win for society.
What is needed isn't to somehow single out Leica, but a renaissance of humanity and compassion among the society at large. That's a harder ask but in reality until you elevate the thinking and compassion of society at large, then these deeper problems will not be solved.
@TRU: Maybe I was unprecise or you read too fast. I was not talking about Leica as a company but made an agrument from a consumer/photographer perspective.
It's good that some people can, keeping the concept alive.
Some of the greatest artwork and architecture was financed by extremely wealthy patrons. Those beautiful things exist in our world because someone was able to spend the money.
Now that I can afford a new M-Leica I am deeply indebted to internet photo samples and, above all, DPR's, for disabusing me of that silly goal. Thanks, DPR!
Good video gentleman. (sorry forgot that part lol)
The M series needs 1/8000th of a second shutter speed like decades ago. Dropped after the M8, it's one of those head scratchers that has seriously bugged me. Especially when you consider that so many M mount lenses have a really fast aperture.
Fujifilm doesn't have 1/8000 sec in the GFX, either, and plenty of people adapt fast lenses to that – they successfully use the electronic shutter even though it has a slow readout. The M11 has extended shutter mode with electronic shutter now – plus ISO 64 – so it's less of an issue. Would have been better if they had used a stacked sensor with faster readout of course.
Absolutely, but the M shutters mechanically cannot do 1/8000 without significant noise and vibration. The small body stuffed full of rangefinder mechanics doesn't allow for a shutter as efficient as most mirrorless cameras. If the M12 is EVF and drops the optical rangefinder, they may be able to upgrade the shutter mechanism. However, it's much more likely they will use a stacked sensor in the M12 and drop the mechanical shutter completely like the Z9 did.
From what I've read, it was the complaints about the loud sound of the M8 shutter that moved Leica to drop 1/8000 sec.
I do not want 1/8000 sec. if it means the M shutter will get one tiny bit louder than it already is in the M11. In any case, it will be irrelevant once they move to a stacked sensor since the electronic shutter will no longer have rolling shutter as a downside.
Nice video, I wasn't aware of the waiting time for Leica lenses, it makes sense as made at a slower pace in smaller items luxury items (with corresponding prices). And as you say, full frame digital rangefinder? Few competitors.
And speaking of a lack of sales..I don't think I've ever seen a Voigtländer E-mount lens on sale. Older Sony lenses and newer Sigma and Tamron lenses tend to yoyo quite a lot, the two or three Voigts I've been eyeing for a couple of years have remained the same price, both at the one or two resellers in Sweden and a larger mainland euro one. Overall I think that's a good thing.
Travelling 35 miles to work and needing to change my car because it will have 120000 miles on it is not the first world problem you’re making it out to be. The fact it is an Audi is irrelevant, it’s a car the same as any other and shouldn’t take a year to arrive from date of purchase.
@Stuart VC: I am not seeking to trivialize your car transit needs...
But...first, traveling 35 miles to work is a lot but by all means not the longest of a commute either. I know people who have longer daily commutes.
Second, 120,000 miles is not that much for most modern vehicles...an Audi should be able to handle that mileage easily if it's been taken care of.
Third, if all you care about is transportation, then it's possible to find some make and model of car that is available. I respect the fact that you prefer Audi, but then you are making it into a first world problem and a luxury choice.
I'm not trying to demean you, but just add some perspective. The fact that you have a job, a perfectly fine current vehicle, and want a newer one by a luxury brand but has to wait, is not really much of a problem.
We are not used to waiting a year to get the exact vehicle we want, but it's really not a big deal.
Oh believe me I’m fully aware that my situation could be far worse, I’m just pointing out that having to wait a year for a car (that’s kind of luxury but still a factory production line vehicle with nothing overly special about it) is completely ridiculous. If it was Porsche or Morgan telling me I’d have to wait then I’d say fair enough, but when it’s made at some huge car plant in Mexico the same way most other cars are it becomes a sore point.
I also understand that I could get far more out of my current car if I wanted to, but I’ve been riding my luck with it so far (only one set of brakes changed since new, a steering shaft UJ and ABS sensor) I’m preparing to change before that luck runs out and the car starts costing me money.
Those who can afford Leicas are cross-financing the best and affordable printed photo-magazine in the world. Leica does a lot to keep photography alive and don't do much marketing BS, at least not in that fantastic magazine. So I can't afford one and stay.
I can afford a Leica, an iphone, and a Porsche. However, I own a Canon, an Android, and a Toyota. They all basically do what the pricey items do, but with much less style :)
Sustained high quality video articles from C & J: kudos for the steady output of interesting discussion. Leica has been Leica for a long time. Although not suited to everyone, long may they live, since others then benchmark some of Leica's dogged pursuit of excellence. Reading one article about the "leica look," now the word triggers those attributes named: glow, shallow DoF, microcontast. And photowalkers have early Leica users like Cartier-Bresson to thank for the photojournalistic legacy of scenes long ago and today, too.
As an architect I disagree. I've had it in the back of my mind for a while so I decided to find out who designed it. Apparently it's https://www.gruber-kleinekraneburg.de/projekte/leica-firmenzentrale which is basically a no name architect. Perhaps locally known but certainly not internationally.
It's interesting that Leica didn't work with a more distinguished firm.
Leica being a high end brand should be aware that high level designers are there to make the project better than you, as a non expert, could imagine. You hire top people not to execute what you planned but improve the plan and level up the whole thing.
The point was that the architecture of the Leica buildings is mediocre. This made me look up the designers which turned out not to be well known. If the buildings were fantastic and the architects unknown that would have shown great insight and knowledge from Leica. I would actually expect Leica, being a design oriented brand, to have the in house talent to spot great architects even when they aren't yet famous.
Let's assume that Leica, having the budget for a new building, also had the budget for a good architect. They then would have chosen the one they did for a good reason, the most likely being that the proposal put forward from that firm appealed to them. The least likely being that they were worried some random person on the internet would find the design mediocre.
There are plenty of amazing architects who are not "well-known" in an international sense, simply because they are selective about their projects. Quality over quantity. Some very good friends of mine are architects, who have done stunningly well. They have produced designs which are widely used, yet neither of their businesses are household names (though their clients can be). Their (very large) bank balances don't care.
Leica is a German company located in Germany, so they chose a German architect who gave them a distinctly German style building, as opposed to some internationally renowned architect who would have given them a style that was distinctly his, but that could have been seen anywhere in the world.
Leica is distinctively German as well as distinctively non-globalist. I hope they continue to be that. If they don't, the whole point of being Leica disintegrates.
zakk9 Leica is a global company with manufacture in several countries and sales across the globe. The term "globalist" is an antisemitic dog whistle coming from neo nazi culture that they've successfully seeded into right wing discourse. These two points taken together make your point odd. I do think I understand what you're trying to say though and yes the architecture is indeed in line with recent (30 years) of german commercial architecture. It also seems well made and detailed. I also agree that there is a risk with certain world renowned architects that you may get something in line with their brand rather than leicas.
Liking the design of a building or not is very personal. I have to say after following the link you posted that I actually liked the architecture of the Leica building very much - and would love to see the building in person!
While the main building does evoke the look of a lens, the windows immediately reminded me of film perforations (sprocket holes)...
In the Swedish Film Institute building, the beams rising above the sprocket hole windows look like sprockets! I found the design interesting but did not like it - subjectivity...
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Sony, the Associated Press and 'Photo Mechanic' maker Camera Bits have run a month-long field-test to evaluate capture authentication and a subsequent workflow.
A color-accurate monitor is an essential piece of the digital creator's toolkit. In this guide, we'll go over everything you need to know about how color calibration actually works so you can understand the process and improve your workflow.
What's the best camera for travel? Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we've rounded-up several great cameras for travel and recommended the best.
It's that time of year again: When people get up way too early to rush out to big box stores and climb over each other to buy $99 TVs. We've saved you the trip, highlighting the best photo-related deals that can be ordered from the comfort of your own home.
The LowePro PhotoSport Outdoor is a camera pack for photographers who also need a well-designed daypack for hiking and other outdoor use. If that sounds like you, the PhotoSport Outdoor may be a great choice, but as with any hybrid product, there are a few tradeoffs.
Sigma's latest 70-200mm F2.8 offering promises to blend solid build, reasonably light weight and impressive image quality into a relatively affordable package. See how it stacks up in our initial impressions.
The Sony a9 III is heralded as a revolutionary camera, but is all the hype warranted? DPReview's Richard Butler and Dale Baskin break down what's actually new and worth paying attention to.
What’s the best camera for around $2000? This price point gives you access to some of the most all-round capable cameras available. Excellent image quality, powerful autofocus and great looking video are the least you can expect. We've picked the models that really stand out.
DJI's Air 3 and Mini 4 Pro are two of the most popular drones on the market, but there are important differences between the two. In this article, we'll help figure out which of these two popular drones is right for you.
The Sony a7C II refreshes the compact full-frame with a 33MP sensor, the addition of a front control dial, a dedicated 'AI' processor, 10-bit 4K/60p video and more. It's a definite improvement, but it helps if you value its compact form.
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
The iPhone 15 Pro allows users to capture 48MP photos in HEIF or JPEG format in addition to Raw files, while new lens coatings claim to cut down lens flare. How do the cameras in Apple's latest flagship look in everyday circumstances? Check out our gallery to find out.
Global shutters, that can read all their pixels at exactly the same moment have been the valued by videographers for some time, but this approach has benefits for photographers, too.
We had an opportunity to shoot a pre-production a9 III camera with global shutter following Sony's announcement this week. This gallery includes images captured with the new 300mm F2.8 GM OSS telephoto lens and some high-speed flash photos.
The Sony a9 III is a ground-breaking full-frame mirrorless camera that brings global shutter to deliver unforeseen high-speed capture, flash sync and capabilities not seen before. We delve a little further into the a9III to find out what makes it tick.
The "Big Four" Fashion Weeks – New York, London, Milan and Paris - have wrapped for 2023 but it's never too early to start planning for next season. If shooting Fashion Week is on your bucket list, read on. We'll tell you what opportunities are available for photographers and provide some tips to get you started.
Sony has announced the a9 III: the first full-frame camera to use a global shutter sensor. This gives it the ability to shoot at up to 120 fps with flash sync up to 1/80,000 sec and zero rolling shutter.
What’s the best camera for around $1500? These midrange cameras should have capable autofocus systems, lots of direct controls and the latest sensors offering great image quality. We recommend our favorite options.
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