What do you get when you send two crazy Canadians to Barcelona, Spain, and turn them loose with Panasonic's first full frame camera? A Panasonic S1R hands-on preview with a nod to a Woody Allen film, that's what. Only cinema at its finest here on DPReview TV.
Are those images at default AWB setting? They look very orange, almost similar to AWB of Canon 6D.
Whereas your fingers cramped a bit holding on to this big camera, your finger will become numb holding on to the A7III especially if you use an adapter and your fingers get trapped for long between the grip and the adapter/lens. So which is which, should we give it to the grip of Nikon for the Z6 and Z7 grip, or of the EOS R?
The Panasonic Lumix S1R is actually heavier, deeper, and wider than Nikon D850. Except tor those who want an EVF, I see no reason to switch from a DSLR to this camera. The D850 is among the best cameras in the world (don't own one). I think I would actually be downgrading, if traded in a D850 for the LUMIX S1R.
Agreed... the same thought occurred to me. And besides being generally smaller, the D850 will have surer autofocus and the OVF will not have the DR issue of the Panasonic's EVF.
The pic done with the handhed Oly looks staggeringly good I have to say. Other than that: this Panny is not for me. No smaller than any other DSL FF and it offers more for sure but mostly not where it matters to me.
Great video! I especially like the narrations during the segues! You know, one time I was driving on 17th Avenue SE in Calgary when two blondes in a green VW bug pulled out of the Tim Horton's parking lot right in front of me, and I had to slam real hard on the brakes. They abruptly stopped too, and the one who was driving rolled her window down and apologized profusely. They both were kinda cute, so maybe that's why I was uncharacteristically quick to just let it go. Their car stereo was loud. They were listening to that Bob Marley song about jammin'. As far as all this full frame, high res mirrorless stuff goes, I'm still kinda behind the times. Right now I'm trying to figure out if I can assign ISO to one of the fn buttons on my second-hand D5100. Thanks!
Thanks Chris for letting us know the true feeling of shooting with the camera. I had hoped that it might be for me as I had good experience with its GH4. Now I think Sony or the new Canon R fits me better, even though the Panasonic S/SR is a great camera and many will like it.
Big camera with big lenses. Completely kills point going with mirrorless. If i want a brick camera to hold comfortably i'd get D850 with 100' native lenses instead. Don't know what were Panasonic guys thinking. Probably wanted to make something different at all cost. When sales be terrible they blame smartphones but their incompetency.
I don’t know how people come up with this “kills the point of mirrorless” argument. Mirrorless isn’t all about size and not everyone wants/likes teensy cameras with crap ergnomics for serious work. And these cameras are aimed at pro’s, not couch-photographers. Plenty of people want a chunky robust work tool with EVF, reduced or eliminated black-out and no issues with focus adjustment.
If you want a small camera - there are plenty of those. Fuji just unveiled an X-T30, Sony also has small APS-C offers and MFT is still a good option too. Full frame cameras on the other hand are and will be chunky to at least some degree, because they are mounted with big, chunky and heavy FF glass.
@Melchiorum While agreeing with you, there are some non-trivial benefits from having a lighter and smaller gear. Pana is definitely not making any effort in leveraging what mirrorless can offer in this regard, and that is definitely a negative. Some people used to lugging around heavy gear will deny that, but just wait a few more years and pretty much everyone will look back in time and shake their heads on the size and weight of older stuff. I used to to carry around on me two 1D bodies for weddings in the past. Now I shake my head every time I pick up my 1DX, which, in total honesty, is not happening much at all nowadays.
@Melchiorum Actually mirrorless is mostly about smaller and lighter cameras without sacrificing on IQ and AF. If you have to carry 1 or 2 cameras all day long on events/weddings every extra gram you don't have to carry matters. In 2019 large bricks are absolutely pointless especially when yo can have it all in smaller and lighter body. Company which doesn't get it will end up like Kodak.
"Actually mirrorless is mostly about smaller and lighter cameras without sacrificing on IQ and AF."
People have been saying for a decade that mirrorless cameras will eventually replace the DSLR, but when a mirrorless camera is released that has a similar size or ergonomics as a DSLR, they complain that it "defeats the purpose" of a mirrorless camera. That complaint only makes sense if mirrorless cameras are seen as an alternative to DSLRs, but if they ever are going to actually replace them, then they must also offer similar bodies (in size and shape) for all those who actually prefer DSLR-sized and-shaped cameras for ergonomic reasons. And the release of such cameras takes nothing away from the smaller models that are also available.
@Revenant Similar size as per old DSLR would only be required with large telephoto lenses. For the rest smaller and lighter is always better especially if you have to carry it all day. All that said some people don't like changes or just cannot adapt. It is hard to teach old dog new tricks :)
"Similar size as per old DSLR would only be required with large telephoto lenses" That is actually a myth. Larger camera bodies might make sense for people with large hands. There will be an additional narrow range of photog (i.e. studio photog with cameras set on stands) that will still favour larger bodies but that is about it. I am pretty sure that most people complaining about the smaller size is because are simply used to large bodies. It is just matter of adaptation. You see, one of the big things that traditional "DSLRs" photographers are not used yet is the seamless way of switching from EVF to monitor, because it is so inconvenient in a DSLR to use the monitor. Using the monitor is becoming a common practice and large bodies are not ergonomically convenient for that. So realistically DSLRs ergonomics fit the bill for old school shooting, they lack the agility of a more modern shooting experience.
Armandino, I don't follow your logic. Miniaturization is not an end unto itself. Sure, for an x100f-type camera, mirrorless makes the whole thing nearly-pocketable. But the XT-2 I rented is barely any more holdable than my supposedly gigantic K-1. And it's not nearly as fun to use. While I might agree with you that the tactile advantages of DSLRs rooted in an analog tradition may seem less important to younger shooters, the basics of camera real estate haven't changed. Even if manufacturers make huge strides in touchscreen menu design, they are unlikely to beat SLR design in usability for some time - because SLR-type cameras have a century head start.
I have both, and small hands. I prefer the DSLR-style body, most of the time. It can't be a coincidence that every mirrorless manufacturer is moving away from a smaller form factor towards something more traditional; having reinvented the wheel inside the camera, they must see little value in reinventing it on the outside, too.
This is a large, expensive and heavy Real-Pro camera. Now compare this to the small, lightweight Canon EOS RP to be announced soon, or to the original Sony A7mkI.
@Adam007 Certainly everyone has different style of shootings and different needs. However "While I might agree with you that the tactile advantages of DSLRs rooted in an analog tradition may seem less important to younger shooters, the basics of camera real estate haven't changed" is deeply incorrect in my opinion. That is exactly what is in the process of changing right now, I do understand that many traditional shooters do not really see it coming. Note that it is not about trendy or younger shooters, that, granted, they are picking this fact up faster, but about expanded possibilities. For instance, when I shoot sports, a greatly reduced inertia from the bulk of the camera really improves on the ability of reacting to the action. Just an example. On a different note, I welcome your compliment to my age, although I am approaching 50 with 30 years of photographic experience :-)
Just a guess into the future, that this body was intended for more than what is present now. Could it be, based on past talk, that an 8k sensor with all it's signal processing and heat dissipation, will end up in this same housing?
I cannot follow what he says, because he talks too fast and his accent cuts things up, destroying emphasis and clarity, such that the entire video just left me shell-shocked by the incomprehensible commentary. You need to say one thing at a time, make one point clearly at a time, and stop tripping yourself up by the scrambled delivery of what may be very good. Plus, use an optics pro neckstrap and do NOT hold or carry the camera in the hand. one, you invite accidents (and do not even own the camera manufactured with more skill than your commentary possesses by people who paid your entire trip!); and two your hand tires and slows down your body's ability to react to situations as fast as you can.
English is my second language and I can understand him loud and clear. I have no idea what you're talking about! Did you know that, on YouTube, you can slow down the playing speed? Or maybe it's your setup?
As other have said, their English is perfectly clear and delivered at an interesting pace. Slow talking people are annoying to me, but fortunately, I can speed them up on youtube. You can do the reverse and slow down the playback to 0.75x if you struggle with north american English. Je vois que vous habitez en France et je me demande pourquoi attribuer le blame aux locuteurs natifs plutôt que de chercher à améliorer vos habiletés de compréhension de l'anglais? Par ailleurs, il vous est aussi possible de cliquer sur le bouton CC qui génère automatiquement une version écrite de ce qui est dit. Dans cette vidéo, la version écrite correspond réellement à ce qui est dit environ 95% du temps. C'est un bon départ!
He doesn't sound much different from anyone else I've met here in the US, minus some slightly different pronunciations and emphasis on different syllables on some words, due to the Canadian thing and all.
I am English, born in London at have taught U.S students. I even went to college with a canadian for 3 years. I have american friends. I have had american girlfriends. I watch and completely understand dozens of U.S soaps, and even more movies, and I have no problem with Leonard Cohen or Joni Mitchell. I am patient, I listen well, but I stand by my earlier post in its entirety, and if I with my experiences have difficulties, you can be very sure many others do as well.
On the desktop view, if you go to the area directly below the video with thumbs up/down, share, and save, the triple dot menu to the right of that has the option to view the complete transcript without watching the entire video. Just set video to 144p and you won't have to worry about data even when it starts to load.
If it was on the BBC as a documentary they'd have to use subtitles, or the volume of complaints would crash the servers. The problem is many online are so arrogant they dont think they have to bother, or, far worse- to go by uTube video reviews, are so in your face loud and uptight that their explanations are similarly things your brains dont retain. Like a Human Fly! ( do you know that fantastic track? by the Crammps?
That was supposed to happen in 2016. Figures those people would lie about it, considering their lying candidate couldn't swindle her way into power. Then again, if they left, that really would make America great again. ;)
Are New Canadians coming to Canada to make it great again? And if so, will they speak Great Canadian or New Canadian, and will that make life online easier?
@decooler, Most Americans who come to Canada are or quickly become indistinguishable in speech from ordinary Canadians. Everything tends to sound normal to us because we have such a huge proportion of recent immigrants (40 percent.) from all over the world.
Didn’t exactly feel like a noir film with Jordan giving an atmospherical description of the situation... Worried about that bigger grip for my smaller hands as I do like to walk around with the camera always in hand.
Kudos to Lumix for embracing a retro look. I always found 80's SLR's to be fetching in their Lego blockiness, much nicer than that 70's half-silver "no grip" look beloved by other throwback manufacturers.
One thing I know for sure from the old days of Minolta 7000 and all the good cameras of any brand followed thereafter... The photogs that were complaining for AF were those who did not "fiddle" with their cams. I know guys that they would have had the same nasty results no matter if their camera was equipped with a lazer range finder a state of the art radar and an active ultrasonic sonar all together. No, it was not their problem it was lazy Nikon, frustrating Canon, crazy Olympus, arrogant Minolta's problem... All bad cams, they don't print money because...
For still picture, all camera in 2018 -2019 are all pass good enough. Video side need more improve. My thought video 4K 60P at least 422 internal with no fan is very difficult (no A7sIII yet and warning about overheat at 4K 60P in this new camera) is alarming.
Yes, one less artifact (that can be worked around - see Sony) and one massive deficiency compared to all of its rivals and even vastly cheaper cameras.
DfD improvements remain putting lipstick on pigs even for something like the G9 and GH5 with their larger DoF. I'm watching closely but I remained unimpressed by DfD.
paleodawg: I have no idea what that means. Anything that has non zero mass has its own gravity. In fact, if you stand about 3mm close to someone, you will exert the same amount of gravitational pull on them as the Sun does. It is all about mass and distance.
That lens looks stupidly enormous - puts me off both the Canon and Panasonic efforts - mirrorless should not mean bigger and heavier than the biggest and heaviest DSLR bodies and lenses.
Why?... If you want smaller you have plenty of options. Surely for people like me, bigger than a A7 is ok. I have no problem hiking with 10kg of camera gear.
In fact some of the new mirrorless camera's are stupidly small.
To each their own. Sometimes I want small, but sometimes I want the best...and great glass is usually big.
I think one fault of many...and I've been guilty of this as well...is projecting our own likes/dislikes onto the entire market, and not realizing that there are different users of cameras out there, with different needs and wants.
So sure make some mirrorless small and light...that has its purpose. But make some mirrorless to be industrial strength workhorses as well. There's room for both.
I have large hands, this is the perfect size. I get to relaxed into a creative state in comfort instead of getting in grown fingernails from holding my A6000 lol
Damn physics, always requiring the requisite light to be gathered on a front element and then focused on a large area, why can't we have our teeny cake and eat it?
Chris, ...quadrupling the Resolution..." isn't real. In fact, x4 the MP is physically double the Resolution.
I often used this Example, 6 MP resoluton is 3000x2000 Pixel, whileas 24 MP is 6000x4000 Pixel, and you see what happened here? ;) Real Life Resolution physical doubles with 4 times the MP.
I have started to use the phrases "resolution in MP" or "MP of resolution", which recognise the surrogacy involved in using MP.
Resolution is not a hard-definition term, i.e. there is not one absolute and completely sufficient definition or measure. LPWH at MTF 50 is the most ubiquitous measure, but even that only works to compare sensors with a common aspect ratio.
Also, 4x the MP count does not guarantee a doubling of LPWH measure, unless a number of other factors are also constrained. LPWH will not exactly double if, for example, a different mosaic is used, an AA filter is added or removed, or if the individual pixels are smaller and the resolution of shadow detail declines. It is a complex thing. And pixel shift is one of the complexities, where the shift pattern influences the LPWH increase, so that for example, the Olympus shift pattern does create 4x the MP count in the finalised image, but less than 2x the LPWH score -- indicating how neither Chris (4x) nor you (2x) are right
MP of camera sensors are calculated over an area not a line, so resolution increase is squared.
If this was in a thrown-dice, enlarged to a room, resolution increase would be cubed.
If you are stuck in linear increases, just don't measure ink that way when you print big! Yep, 2x the linear dimensions = 4x the ink, that's real-life.
It really depends on whether or not those listening understand what he is communicating. If they don't, he's saying the wrong thing. You being pedantic about it doesn't change anything.
Quadrupling pixel count doubles resolution. Linear resolution is what counts and if you want to see detail 1/2 the size you do now, (doubling resolution) you need to quadruple pixel count, there is no way around it. Provided your lenses support it. Resolution of a lens: This should be modified to indicate that "D" would be the non-abberated diameter of the lens. In other words, if the lens is 2 inches across, the non-abberated (stopped-down) diameter might only be 1.5 inches or less. A diffraction-limited lens should be able to utilized its full diameter. https://en.wikipedia.org/wiki/Angular_resolution
Well people don't "want to double resolution" they just are saying there are 4x as many pixels, it's a very simple thing to communicate that isn't going to kill anyone. Just cause some nerd says "actually..."
@marc petzold, Yes, It's doubling the rez. Strictly speaking your highly academic point is correct. I would call that an 'apparent resolution' anyways.
3000 x 2000 to 6000 x 4000 is doubling the resolution. Twice. One time on two axes. Unless you consider 24MP to be 2x 6MP. Just like UHD vs FHD, the resolution is quadrupled. 4K has 4x the resolution of 1080p, despite doubling the resolution on each side. You can fit 4 1080p images inside one 4K frame, just like you can fit 4 6MP images inside one 24MP frame. You count ALL of the pixels in the image, not just the ones along the edges.
Nice to watch a review without the irrelevant video capability part,... as I only shoot stills. And as everyone here in Edmonton knows, Calgary sucks,... but hey...... :D
He was born and raised in Pennsylvania according to some sites on the internet. Thought that was a state in the USA, close to New York, but what do I know I’m from Sweden He was just an example
Ha ha! It struck me also. I think the microphone was too close to him during the recording of the narrative, or he wanted to get very personnal with us.
I wish you guys would show what the camera is showing in the viewfinder via the Atomos AND THEN switch directly to a comparison of the photos you took.
Anecdotal evidence from some of my friends who are early adopters of various brands say that what the viewfinder is telling you and what you get as an actual hit rate can be two totally different things (e.g. the Nikon seems to "miss" via the viewfinder 5/10 on a burst, but when looking at the photos the miss rate is like 2/10... the Sony is the opposite). Again this is just anecdotal but I'd love it if you could do that kind of back-to-back comparison
Keeps same size and weight as DSLR, gains AF deficit disorder. It's almost as if Panasonic had a DSLR line to protect. Jordan is so right in that commentary: indecision 2019.
the script writing for that voice-over was hilarious :-) nice job of narrating it as well... I like the production value that you guys bring to these videos.
there are still a lot of unanswered questions about this camera, particularly with the proprietary dfd… will it only work with lenses that were made by the three l-mount alliance companies? will it ever be comparable to ospdaf?
"will it only work with lenses that were made by the three l-mount alliance companies?"
Most likely. It needs a FW library of OOF images for each and every individual lens to use DFD properly. The whole Depth from Defocus thing means it reads the image while OOF to determine which direction to move the lens in. It's more advanced than standard CDAF (like Nikon DLSR LV), but in the end, it's still CDAF.
"will it ever be comparable to ospdaf?"
No. Biggest limitation? Lens AF speed. Making lenses with huge optics isn't going to help remedy this. Even then, it's still very distracting, seeing the image pulsing all the time. This is a necessity of all CDAF-based AF systems.
agreed, it looks like there needs to be a way to create and interpret those images with 3rd-party lenses, and then ingest that data into the Panasonic body.
so far we haven't seen any sign of that happening, and dpr seems to be avoiding the subject entirely, despite having done multiple reviews of dfd af equipment.
in the meantime, that pulsing/pumping even with native glass does challenge the definition of 'working' :-0
@BlueBomberTurbo: the DFD info will hopefully not be in a database in the body, but provided by the lens through the mount. L-mount.com says: "including the lens-to-camera transfer of digital compensation values". @photomedium: The camera employs AI. If it was your girlfriend instead of Chris, it would be sharp for sure ;-)
it is still in preview, I didn't see any AF test or the guy riding his bike yet. Grant they test and reported the Af of other cameras way earlier in the stage then this one. Guess it is a new system and they are looking at the basic first.
@Ruekon - "but provided by the lens through the mount"
not when there isn't any "digital compensation values" to transfer, which is the entire point of what's been said.
the only way that non-l-mount lenses can work is if there is a way to create and transfer the data... dfd has been around for years now, and that still hasn't happened; it's a proprietary format.
I think its pretty obvious from the tone of this piece that DPR are worried about their future and that of Amazon camera sales. The Lumix G9 is an amazing camera and the S1 steps up the game in every way. For most people these two cameras do it all hands down which means people may be content enough to stop continually swapping brands and systems. In other words sales will slow, hence the overwhelming ''maybe" tone. Well done Chris you are the master of instilling doubt so as to keep us all hand wringing about our choices.
So what you're saying is that people should swap their cameras for this camera in order to stop swapping cameras?
If they wanted to sell more cameras, they should say this camera is amazing, everyone should buy it and that you can't miss the new lenses that no one has. That way people would buy more stuff.
And in 3 months, say that a new camera is even better and they should sell it.
This is almost the only major issue with Pana's cameras although their CDAF implementation is second to none ... I own GX85 and oddly its AF is worse than my FZ1000 which I think when the lens is fixed Pana did the best optimization for its full range. On video mode, GX85 AF is useless disregarding day or night. It is unfortunate that Panasonic did not have phase AF pixel on sensor, otherwis they have a competitive FF camera to any one.
I think if those new Panasonic S1's would have had a very good PDAF, I could have look past the high price tag asked for them and the scares lens selection.
But as they are, expensive and lacking in AF department, they are not very interesting to me. :(
Haw you even seen that Richard used an DSLR adapted lens on the Z6? DSLR lenses a not optimized for fluid video AF. For the test to be really conclusive, a Z lens should have been used. The S1's continuous AF is exactly as bad a the GH5's. Noting can change this until they use a proper PDAF system!
Memo to Chris & Gordon: 1- Should had checked, before packing, the fact that Barceloneses or Catalans, are recognized, not only in Spain, but in Europe, as sharp dressers. 2-Chris, those mustard pants and docker shoes are asking to be promoted to The Salvation Army Reserve. 3-Gordon...That tuque...South Park Looks are no longer a fashion. OK, It's common knowledge that North American males are not sharp dressers. That's why we get wives. Being dressed in rags and totting a $3,697.99 – $6,895.98 camera, well, it may send a cross message.
For what I know they have Walmart stores in Seattle and in New Zealand. It couldn't hurt them to pay a visit to their local branch before flying to Barcelona. I believe that they are in the business of image. From the camera and from the self.
Was out today at a school event facing a lot of difficult light: had to shoot against windows disturbing exposure while only offering dreary clouds. Combined with fluorescent light from inside and partly fast moving childs in a sports hall. The D500 did a decent job. Nevertheless this was the first time I wished to have an EVF to directly see what's going on. 5.76M dots sound like a potential alternative for my beloved OVF! Not to speak about a large grip and well placed buttons + illuminted!
More seriously, I had a hands-on with these cameras last weekend and I'd echo Chris's comments about the over-sensitivity of some of the controls - particularly the joystick - and the weight! Over 2kg with the (albeit excellent) 50mm lens. If I were in the market for this camera, I'd have to think very hard about whether I really wanted to lug all that around. That said, mind, a D850 with some of the Art lenses would come in at a similar weight, so I guess cameras are jus getting heavier as well as better.
All things considered, these are awesome cameras - and lenses. And you can use the Leica SL/M/S lenses, too. And soon, Sigma. Mmmm...
Yeah, you are right 2/3 a stop. I think it's less significant than you think. However, the key point is the S1/S1R is way heavy. Chris mentioned that. I've heard other reviewers dance about the point.
a good first effort. price is high for new system and doesnt make it tempting to get a good user base started.
I think its wrong to get people to pay for oem firmware updates for more features. they should be more then happy to give them for free and get people excited with their cameras.
Why it is wrong? It is very common practice. Sony app shop was nothing different, except sony charged for basics like panorama mode, while Panasonic is charging more for functions that costs thousands and are used by few.
But didn't Sony give up the app thing in later cameras? Personally, I think it's a terrible idea unless they open the platform up to 3rd parties. And that drags a lot of issues along. Also, some things should never be a paid add on - like an intervalometer.
Cept those were apps. Do you complain when you buy apps for your phone? The apps add new features that were never included, while FWs improve/repair things. Not to mention many useful ones were free. You can also share the paid apps to multiple cameras, only buying once, while paid FWs are usually tied to the camera's serial number.
"except sony charged for basics like panorama mode,"
Actually, panorama mode was on the mode dial of many cameras. ;) And no, there is no panorama app.
"while Panasonic is charging more for functions that costs thousands and are used by few."
While Nikon is giving them away for free. Time for Panasonic to get with the times, when a non-video company is offering more for less.
"But didn't Sony give up the app thing in later cameras?"
Yes, to improve system speed. The entire OS was rewritten starting with the A9. And owners and reviewers complained about it. They wanted the apps back! Seems like the only people that didn't like the apps were people that didn't use Sony cameras! XD
Surprising negative bias. Not what I used to expect from dpreview. Examples: 1. Backlit buttons are described as "bare minimum". Chris, tell us please, what other ff mirrorless have that bare minimum? 2. Stabilisation. 1/6s for 100mm is "in line with other brands". This is 4 stops. What other brands have it, fuji or canon? On my sony A7R3 getting more than 2 stops is not guaranteed. Going below 1/10s is very risky. Additionally, is 1/6s a limit? No sharp pictures lower than that? 3. Price. Certainly it is more expensive that some other cameras. This is because premium build, premium controls, premium market best EVF, 4K at 60p - they all cost money to make. It just Chris conveniently doesn't mention any of it in his comment about price. 4. AF - are you getting good ratio of pictures in focus or not? This is a key information. If you dont comment on this, dont comment at all.
I don't agree that all these are "negative" bias points.
"1. Backlit buttons are described as "bare minimum". Chris, tell us please, what other ff mirrorless have that bare minimum?"
None and that sucks. But regardless it still is the bare minimum of illuminated buttons - not compared to other mirrorless but compared to what other cameras (DSLRs) offer. Mirror or not has nothing to do with number of buttons illuminated. We all want good usability, and - given that this is an aspect DSLRs have gotten right for some time - it's disappointing that no brand has taken that onboard with their mirrorless FF; and it's disappointing that Panasonic went for the bare minimum.
"3. Price"
Well it is objectively more expensive than other options. And as I said elsewhere - you can't look at a single price point of a lens or a body. You need to look at the whole system and your use case. (cont.)
For quite a lot of people premium build, premium controls, premium EVF, 4k 60P are not important. Buy the tool you need. Not the one you might want. That's not something a general review can answer for you.
"4. AF - are you getting good ratio of pictures in focus or not?"
I think there's no purpose to do that test at this point. As they mention - firmware updates will likely change the picture. At the moment they observe similar behaviour to the focus system as the GH-5 which is an indication. Remember this is an early impression not a review. That's informative. It's not a final judgement.
@arbux... 1) a camera isn't just compared to other mirrorless cameras... it only makes sense to also compare the backlit setup to other cameras that have backlit controls. 2) Nikon and Sony have similar IBIS and all of the evidence contradicts your (likely biased) opinion. 3) price is simply a valid criticism.. period. There is nothing to complain about here. 4) Who knows how many shots were in focus but it doesn't matter. You have to know the shots are in focus unless you are suggesting just roll the dice every time you press the shutter button. The hunting shown surely makes it more challenging to have confidence that you have nailed focus even if in many cases focus was achieved.
@Mnemon - it's difficult to argue with someone that says "it's disappointing that Panasonic went for the bare minimum" and then "For quite a lot of people premium build, premium controls, premium EVF, 4k 60P are not important."
This is clear contradiction. Either you want good usability or you don't. And - wait for it - better features cost money. It looks like you're trolling - you didn't try to see the review or my criticism as a whole but tried to argue with individual statements taking different position each time.
@Clayton - you can always select a camera and say that it has something better than Panasonic. It's nonsense. With that approach you can criticize almost every aspect of every camera. 2. I own A7R3 and I know for a fact that Sony offers 2 max 3 stops. Sony IBIS is poor. I don't know Nikon IBIS. I'm interested in Panasonic IBIS but I can't say i learned anything from review that got 4 stops and says "comparable". To what? Was 4 stops maximum? 3. if you don't have anything to say, the don't say it. "period" is an agument for people to limited to express or understand the matter. 4. It looks you have no camera. So for your information - you can check if picture is in focus by displaying it in evf or lcd. It is not possible to judge sharpness during capture when you see whole scene on small evf. but to know it you first need a camera.
@arbux... I didn't select any camera or anything at all and say that is has something better than Panasonic... what in the world are you talking about? As far as your "facts" there are plenty of other "facts" from certainly more trusted sources than arbux that say otherwise. Price - I didn't just say period in case you again are some serious reading comprehension issues. I said the price is a valid criticism... consider watching the video instead of asking me to waste time here repeating what has already been said. Finally, your last point #4 is ridiculous..... you can do lots of things given enough time. Maybe we should just use manual focus so that you can make the same absurd arguments. What a whiny little post you have here. You seem to think I was disparaging the Panasonic camera when really I was just disparaging your overly defensive post.
"This is clear contradiction. Either you want good usability or you don't."
How is it a contradiction? Just as a lot of people don't necessarily need all the premium factors not all need backlit buttons. For those that do it's a pity they didn't get all the way on those. In general terms.
For me personally: I like aspects of the camera, but at the moment I don't yet get the impression that the build quality doesn't necessarily outweigh the potential shortfalls of the AF ... which is yet to be tested come release Firmware. I am looking to switch systems as I am still with Pentax (and manual focus lenses!) for my DSLR (and making money that way) - but it is time to move on. Soonish.
Nikon's build quality is probably good enough. Sony's could be a bit better - but their AF is a pretty big pull. I am not yet convinced that the extra cost of Panasonic is quite worth it for my personal needs. But that`s subjective. Am not in a rush so will see what full tests of the Panasonic will bring.
@arbux I wouldn’t take Chris’s word for physical handling of any camera. No offense to him but he’s a “small” guy. To be fair, he usually mentions that he has small hands.
Could be the way his fingers are angled. I know on DSLRs, my fingers tend to go straight inwards, while on smaller cameras, my fingers slant downwards, so there's always enough room, as long as the camera has any kind of grip (unlike most Fujis). I don't use a death grip on my cameras while just walking, so mainly my finger tips are holding most of the weight inside the grip, while my palm is keeping the camera from falling out. Grip height is a different issue, and most DSLRs aren't tall enough to fit all of my fingers or palm.
We've had our hands on the new Panasonic Lumix DC-S1 and S1R, and in this article we'll pull out the key specifications, and walk through the major features and ergonomics of both cameras.
The S1 and S1R are Panasonic's first full-frame mirrorless cameras so there's a plenty to talk about. We've taken a look at the design and features of both cameras and have some initial impressions, as well.
Panasonic has released full details of its two pro-oriented full-frame mirrorless cameras. The Lumix S1R, aimed purely at stills shooters, will debut in April with built-in 5-axis IS, a 187MP multi-shot high resolution mode and 6 fps burst shooting with AFC.
We've been able to do a little shooting with a Lumix S1R running pre-production firmware. While we wait to get our hands on a fully testable camera, take a look at some initial shots.
We don't often get excited about $900 cameras, but the Fujifilm X-T30 has really impressed us thus far. Find out what's new, what it's like to use and how it compares to its peers in our review in progress.
The Olympus OM-D E-M1X is a more powerful dual-grip evolution of the E-M1 II. Aimed at sports shooters it promises improved AF, including advanced subject recognition, along with the highest-ever rated image stabilization system.
One of three lenses launched alongside the Nikon Z6 and Z7, on the face of it the Z 50mm F1.8 S might appear the most pedestrian of the group, but it might just be the niftiest fifty we've ever seen.
The Nikon Z6 may not offer the incredible resolution of its sibling, the Z7, but its excellent video quality and faster performance make it an impressive camera at a considerably lower price.
Following testing of the Panasonic Lumix DC-LX100 II, we've added it to our Pocketable Enthusiast Compact Cameras buying guide as joint-winner, alongside Sony's Cyber-shot RX100 VA.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
A question frequently asked on the Internet is 'what's the best DSLR?' In this buying guide we've answered that question – but also whether it's the right question to be asking in the first place.
What's the best camera for under $500? These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. In this buying guide we've rounded up all the current interchangeable lens cameras costing less than $500 and recommended the best.
Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
Full-frame cameras get a lot of attention lately, but Technical Editor Richard Butler thinks that APS-C makes the most sense for a lot of people – and there's just one company consistently giving the format the support it deserves.
The 12th International Garden Photographer of the Year winners have been announced. We've gathered the top photos from each category and rounded them up into a slideshow.
Uber software engineer Phillip Wang has created a website that shows a portrait of a person that doesn't actually exist by using AI to merge multiple faces together.
Want to know more about the Canon EOS RP? Dying to ask a question that hasn't been addressed anywhere else online? Join the editors of DPReview for a live Q&A about this new camera next Tuesday, Feb. 19 on our YouTube channel. Click through for details.
Got a couple of minutes? Then you have all the time you need to learn about Canon's second full-frame mirrorless camera body – and why it's a compelling option for someone stepping into full-frame for the first time.
A quick glance at the spec sheet doesn't make the Canon EOS RP look that exciting. But having shot with it, we've become oddly fond of this little full framer.
Pixelmator Pro has received an update with new and improved features, including support for Portrait Masks with images captured by the iPhone's Portrait Mode.
Alongside the EOS RP, Canon showed us mockups of the six lenses it says are in development for 2019. There's a distinct high-end flavor to the options in the works.
The new X-T30 may not be Fujifilm's flagship model, but it arrives with some very impressive features and specifications. Chris and Jordan have been shooting it for a few days and share their first impressions, along with a look at an iconic new building in their hometown of Calgary.
We don't often get excited about $900 cameras, but the Fujifilm X-T30 has really impressed us thus far. Find out what's new, what it's like to use and how it compares to its peers in our review in progress.
The Fujifilm X-T30 is equipped with the same 26.1MP X-Trans sensor and X-Processor 4 Quad Core CPU as the X-T3, along with some autofocus improvements. The new camera arrives in March for $900 body-only.
Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.
Canon has unveiled its second full-frame mirrorless camera: the entry-level EOS RP. Touting its compact size and approachability for beginners, the RP uses a 26.2MP sensor and will sell for $1300 body-only this March.
A pre-launch event gave us a chance to shoot a sample gallery to show what sort of image quality you can expect from the least-expensive digital full frame camera ever launched.
Nikon has taken the wraps off a new standard zoom lens for mirrorless, the Z 24-70mm F2.8 Z. The new 24-70mm has been on Nikon's Z-series roadmap since the mount was announced last August, and it will ship in spring for $2299.
Canon has announced the development of six RF lenses, including the incredibly compact RF 70-200mm F2.8L IS USM, two variations of an RF 85mm F1.2L USM, plus a 15-35mm F2.8L IS USM, 15-35mm F2.8L IS USM and 24-240mm F4-6.3 IS USM.
Nikon has announced more details of firmware in development for the Z6 and Z7. As previously reported, firmware is being planned that will add Eye-detection AF, CFexpress support and Raw video over HDMI.
Tripod manufacturer Three Legged Thing has developed a new L-bracket designed to fit a wider range of cameras and allow users to mount their camera in a variety of ways.
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