Title fight! In one corner we have the new Olympus E-M1 Mark III. In the other is the Panasonic G9 – two years old, but sporting an impressive mid-life firmware update. Find out who wins the battle for Micro Four Thirds supremacy!
There seems to be some conflation of the mark II and mark III going on. The mark III has two UHS-II slots, not one. Face and eye detect are dramatically improved over previous models. And it can be run and charged via USB PD.
There is no question that the G9 is the better deal, but I’m don’t think it’s the better camera.
I agree. G9 is the better deal but EM1 III is the better camera if you don't want the best video (out of the two). But then EM1 III also has good 4K video with much better AF.
"The mark III has two UHS-II slots, not one" – so every source on the net, every review and even the specs Olympus themselves have published on their several websites are wrong?
Well it took 2 years to olympus to add second Uhs-2 slot and still lag behind the G9 in terms of EVF Rez and usability. At that price the G9 falls heavily ahead of the m1.3 when it comes to bangs for the buck. That’s a no brainer
I'm mostly an Olympus guy, and have always been impressed by all the Panasonic cameras I've had.
Things that matter to me that the E-M1mk2 has and that the G9 doesn't:
- Phase Detect Autofocus (PDAF). The only thing that can decently AF with legacy 4/3 lenses via adapter (including Panasonic's own beautiful lenses, all four of them :) ) - Pro Cap mode: sounds like a gimmick till the day you get those birds starting their flight, or catch those lightnings in a storm
Things that the E-M1mk3 has, on top: - Customisable AF clusters. This is sweet. One can, for example, in regular landscape mode, shape the AF area in the shape of a vertical "stick" that goes vertically across the screen. Useful to shoot sports with running humans for example.
Otherwise, if not for the lack of PDAF (I still have 4/3 lenses that have no equivalent in the m43 world), the G9 would be a very worthy choice.
I don't care about the supposedly longer lasting shutter on Olys. Plenty of other can fail.
The G9 has pre burst, which is RAW. It works very well - I've shots of dolphins breaching showing a full sequence from the beak breaking the water to the animal having completely left the water and on its way back down.
When the E-M1 III launched, it was literally double the price of the G9 in Canada if you had access to Panasonic preferred pricing. There are also aspects where the G9 is legitimately superior to the E-M1 III (EVF, top plate, video, etc.).
It's always a pleasure to watch your videos: informative, entertaining, fast-paced, well-produced, and concise. I have difficulty watching video reviews by talking heads who drone on and on.
I'm a happy G9 owner, but this struck me as a balanced review, despite Olympus being declared the "winner." :-)
Having a wife who hates photography with a passion (probably something to do with my ever growing wish list), Jordan is the highlight of my week. Keep making me laugh and more Pentax songs please!
For me, the one feature in the G9 that I wish was in the E-m1 mark III is the OLED viewfinder. I need to wear polarized sunglasses ALL of the time when I'm outdoors due to migraines, and the Olympus TFT LCD in the E-m1 mark I/II/III viewfinder is very hard to use when shooting landscape orientation (about 1/2 of the image is distorted). Fortunately, the new E-m5 mark III has an OLED viewfinder, and I went with that.
The G9 and all Olympus cameras have a 30 minute limit on video shooting, and when I'm recording video, it is typically for longer events, like recording a whole 1.5 hour show. So there I go back to the G85 which doesn't have a limit.
I've found over the years that Olympus is more forgiving for shooting scenes with white blotches without burning out highlights, while with Panasonic, I have to more carefully monitor the scene & dial in exposure compensation. Also, out of camera high ISO JPG is better on Olympus.
Jordan mentions that for video the E-M1 II is as good as the mark III. Just wondering however if anyone has experience of the IBIS in both models for handheld video shooting - is there any/much difference?
The difference is not enough to make or break a shot. The Video and IBIS in my E-M1.2 is virtually identical to my E-M1X, which is known to have the best IBIS on the market.
The picture is identical. There may be some more to come for the mkiii through firmware. What they didn't mention in the video, was 120fps fhd and that the mkiii has about the best face recognition focus out there, no exaggeration. The Ibis seems even smoother too.
Thanks, again very useful. Have you done much handheld video with the two? I’m wondering whether onerous the other would make a nice run-and-gun solution with out the need for a gimbal while delivering fairly smooth footage.
Nice review. The G9 looks like a great bargain right now for what it offers. One thing that would make a video like this even more useful would be side-by-side comparisons of photo colours and video stabilization.
G9 is great bargain on paper. In real life AF is quite limiting and made me return this camera twice. If AF performance for moving subjects would be useable I would kept G9 as otherwise I liked it very much.
As someone with large hand and left-eye dominance, I've tried to get into Olympus bodies but just can't operate them comfortably. That G9 grip looks smexy.
I easily went with the Olympus, I just really like their bodies and the way they are put together. The handheld pixel shift is also great. Panasonics feel and look like heavy bricks to me, if I was ok to carry around that sort of body I would be using full frame.
While HHHR is a convenient way to do this it has the same limitations of any pixel shift mode and does not deliver the image quality of the excelelnt tripod mode. You can do what any pixel shift mode can by doing a little work in post. The difference in weight between the two cameras is 3oz so I think your "heavy brick" things is a wee bit of drama :-) Price wise here in the UK at least the E-M1III is almost double the price . The G9 has just as good ergonomics, better EVF , better video . The only advantage I see for the E-M1III is tracking which does not matter to me. Either way it would be hard to go wrong with which ever one you prefer
...and I definitely preferred the Olympus. It's personal of course, but it just sat right in my hands from when I first picked it up, the Panasonic didn't and it kind of felt way bulkier, heavier and generally less compelling. The hand held mode does not give the same results of the tripod mode of course but its way more usable than I imagined it would be, it just works and the results are a big step up from the standard twenty megapixels. I have it on a custom settings and I find myself using more often than I thought.
Panasonic's contrast detect AF has a flaw, at least for me, that is rarely mentioned. Put a slow travel zoom on it like their 14-140, and in low light it hunts, even when good technique is used. By good technique I mean putting the center focus spot on an area of high contrast. As a wedding photographer I find this lens acceptable for reception work, but the hunting in a problem. Here's an example: When the bridal couple is being introduced, I'll put that focusing spot on both the dark lapel and the white shirt. Still, in low light it hunts. I tested to see if the focusing spot is really where the viewfinder indicates it is, asnd kit was OK. (This was a problem with some older Nikon bodies).
If money matters, then get the G9. If video matters then get the G9. If money doesn't matter the EM1 III is a slightly better camera. But why stop there? If money didn't matter, then I'd get a Sony a9 II....
There's another side that is often ignored when comparing those cameras since day one.
The difference in size and weight.
They are both great cameras, but for some people, G9 is simply out of the question because how bulky it is. I know this is definitely the case for me. E-M1 form-factor is as far as I'm willing to go. So no matter how great G9 is, I would never choose it over E-M1. The same reason I would never even consider E-M1X, even if it had magic inside.
Indeed Brandon. And when I go to a hardware store to buy myself a new hammer I take it in the hand and feel how it fits and how it handles. I do the same with camera's and that's where Sony hardware unfortunately is eliminated in the selection for me.
I've had the chance to use G9 and the difference in person is quite noticeable, at least to me. It's simply above my threshold. Frankly, E-M1 II and III sit right at that threshold. I actually preferred the form factor of the original E-M1 more and I can't say I was too excited to see Mark II growing. But I came to terms with that, as Mark II was a huge improvement over the original.
For me, it was all about how the Oly and the G9 fit in the hand. For me, the G9 was better. And that was tipping point 2 years ago. It makes us wonder why there aren't two sizes of the leading cameras.
I think it depends on what you shoot I find Panasonic { all mirrorless cameras really} S-AF to be near instantaneous . I have no need for C-AF or tracking but for those who do I can see the disadvantages of Panasonic DFD. Though in saying that there are certainly plenty of action/BIF type shooting posted in the m43 forum. The wee wobble you can sometimes notice in the corners of videos when using this AF can be a bit distracting. But frankly to excellent cameras
I completely agree with you. I own the EM1 mkiii and while I haven't tested the tracking abilities, there really is no excuse if it's as poor as they say. My Sony A6600 is a gem in this regard. The mark III does have an new processing engine and my hope is that Olympus will improve tracking in a firmware update. Any thoughts on firmware improving the tracking?
- EM1mk3 has a faster SD card read/write speed than the G9 on the UHS-II card slot. So on the G9 you get two UHS-II but the the EM1mk3 writes faster on its single UHS-II. The other is a UHS-I. So in real life, the olympus could be faster.
- the EM1mk3's EVF can keep it's 120 fps during CAF, the G9 can't. So G9 gives better resolution, but the EM1mk3 gives faster fps and less lag time: 0,005 sec vs 0,025 sec.
EDIT: all I said also applies to the EM1 mk2. Both the Pana and Oly are great, can't go wrong.
The reason Olympus' EVF in the E-m1x, E-m1 mark I/II/III and E-m5 mark I/II is faster is they use TFT LCD viewfinders which refresh faster than the typical OLED viewfinder.
But for me, the issue is TFT LCD displays have one orientation where either about 1/2 of the image is distorted or is completely opaque if I wear polarized sunglasses (which I need to do outdoors). On Olympus cameras, the problematical orientation is landscape (no issues in shooting portrait orientation).
On the other hand, most cameras use a TFT LCD rear display, and for both Olympus/Panasonic, the problematical orientation is portrait orientation.
I find in general, the colors seem more natural on TFT LCD displays, and a little over saturated on an OLED display. I just have to mentally tune down the saturation (or if I liked it, bring up the levels in post processing to match what I saw in OLED).
On the other hand, I will take a viewfinder that I can see over a high refresh rate that is distorted because I must wear polarized sunglasses. We each have different needs.
@Funny Valentine you say G9's OLED EVF lag is 25 ms but Panasonic press release* clearly says it is less than 5 ms -- and E-M1 Mk2 press release says 6 ms.
@Funny Valentine, unfortunately the high frame rate slows down the AF and frame rate, Try getting 18fps with CAF, Depending on what other setting you use you will get between 9 and 14 fps. and the AF will not be accurate. Try it with a continuous burst and when the camera uses up the buffer, count how many shots have the same time stamp. This is with the MKII I would hope that the MK III with its newer processor is better.
I don't understand why you "have" to wear polarized glasses. I stopped wearing them because they became so annoying in so many ways particularly in photography. Also, being plastic, I found them not very sharp. These days I tend to wear a broad brimmed hat instead. I still have polaroids in the car for driving but If I wanted sunglasses for outside generally, I'd get a non-polarized pair with high quality glass lenses.
Because when I don't wear polarized sunglasses, my migraines become more frequent (sun is one of my triggers). And in fact this is one of the coping mechanisms that my migraine doctor explicitly has said to me, so it is doctor's orders. Be glad you don't need to wear polarized sunglasses all of the time.
So when I go out, I have a pair of pure polarized prescription glasses that I switch to as I'm approaching being outdoors. I prefer having wrap around sunglasses the prevent sun from coming in at any angle, but in the last few years it has been harder to get them (Oakley/Ray Bans seems to have dropped them). Also, you can't get bi-focals/tri-focals in wrap around.
In addition, my normal glasses are all sun-sensitive and will darken in bright light (except when I'm driving, because the glasses are triggered by UV rays which are blocked by the car windshield).
Michael: Point taken. Yes, that would be a bummer. It reminds me of my younger days. For skiing I wore prescription sunglasses. Once on a cross-country tour, I came back late, the sun had set. I found myself alone on a mountain of frozen slush in the dark with sunglasses. I never wore prescription sunglasses skiing again :)
I used to get industrial strength migraine from 11 years until some time in my 50's. then it disappeared to be replaced by a occasional tunnel vision and mussy head that lasts only 1/2 hour, things can change with time,
big dpreviewtv production, they even had a cameo pass of the Killer Rabbit of Caerbannog - it seems to have survived The Holy Hand Grenade of Antioch attack by those Python Knights
Someone from within Olympus was reported to say, if I remember correctly, they wouldn't have the processing power that would be necessary for a sufficiently good performance with that sensor. Which may be one of the reasons why they're still using that old EVF panel that only resolves 0.7 MP, too. There's a good chance that will change in time, but with the general course Olympus has been taking since after the E-M1II I wouldn't bet my life on it happening before the Japan Olympics.
That said, I don't see why Olympus couldn't simply offer a slower 41 MP E-M1 III "R" or something like that as another option, with the lower-megapixel E-M1 III and E-M1X staying what they are.
Kid of depends. A camera with 41 mp sensor will lack many of the advantages of those cameras. Most of all, it will not be as general purpose.
I can see Panasonic putting it in GH6 for example. They already demonstrated that they are willing to put non-typical sensors in their cameras to serve a certain niche. And those 8K capable sensors are designed with video in mind already.
But will this sensor really be good enough to put it in a stills oriented camera?
I would love to see some action in that area, but I'm not holding my breath and I am personally unlikely to jump on that ship myself.
Why would you wait if the G9 or E-M1 III serve your needs? The 41 mp sensor is almost certainly going to cost (a lot) more than the existing G9 and E-M1 III. Also, can you honestly say you need that much resolution? I can see the case with 35 mm cameras (Z7 lets you shoot in an APS-C mode with 21 mp), but for m4/3, I'm not seeing the benefit.
I'd like to see a new sensor in the Oly as well. However, I'd like to see more tech put towards DR and colour rendition rather than just MPs. Can't we just accept that a small sensor will always be MP challenged then try to compete on other quality aspects?
I wonder if Chris realised he came within a hair's breadth of being mauled by a savage lagomorph at 13:50? Must have been stalking him all day before deciding to pounce.
A good comparison . I have two issues with it though. First , not sure if the category that Chris calls handling include ergonomics but if it does , it is difficult to argue that the G9 has much better and more intuitive ergonomics . The top LCD is never mentioned in the video but makes a real difference in every day use. Frankly , the style of the camera (a very subjective factor if there was one) should not be part of the handling global note !!
Secondly, unless the Em1III changed compared to previous EM, I do not see how Chris can say that the interface of the high res is simple. On the Olympus you need to activate the settings in the menu and then go to the SCP to start it. Not very intuitive at all. The G9 offers several advantages like being able to shoot a non high res photo at the beginning of the setting. I agree that Olympus wins this category because of the handheld option but am surprised by the comments in this category
@panther fan. Try a camera with top LCD - and you know why. You can fast - without having to take the camera to your eye or turning the LCD out - immediately control settings, battery status, your SD card capacity (and that the SD card is in the camera). That's why many professional and top end cameras have had this feature for decades.
Yes I think photomino is right . you do not appreciate the advantage of a top LCD .. until you get a chance to try one Now I remember why I used to like my E3 so much ..
“On the Olympus you need to activate the settings in the menu and then go to the SCP to start it.”
On both the Mark II and Mark III, you just press the top button next to the on/off switch and select it as a shooting mode there. No need to go to the menu or the SCP.
“The G9 offers several advantages like being able to shoot a non high res photo at the beginning of the setting.”
On the Olympus, a non-high-res RAW is saved as an .ORI file next to the high-res .ORF.
@spider-mario. Thank you for the link . But this article is biased from the get go against the top LCD.Now that I have used the G9 for more than a year , I am not sure I would want a camera without a top LCD. having all this info clutters to the EVF and is very distracting when composing an image . if one uses the EVF a lot the top LCD is much better than the LCD. on the G9 I only use the back lCD if I compose on a tripod or when I need to review the images
As soon you've set up your camera to your liking, which is something you have to do once (and in the worst case, with a camera that's completely new for you, a few more times until you really have it like you want it), Pro Capture is and stays enabled in the menu. So what counts for the feature's usability is only how you switch it on when you're out shooting – which is as trivial as switching from single-shot to continuous shooting or switching between mechanical, shutter-shock-preventing mechanical and electronic shutter, since it's all in the same SCP selection of shooting options – even if you don't want to use the dedicated button @spider-mario mentioned. It's really beyond me how this should be anything but simple for anyone.
That said, I agree that the top LCD is a valuable feature, and I miss mine since I exchanged my good old Olympus E-30 for the E-M1.
@spidermario. good to know they changed it. On my em5markII, it was really not convenient on my em5 mark II , I am pretty sure the high res shots were saved as .ORI files because I have to get special software to open them
@Photomino I don't get it. See your SD-Card capacity? What year is it 1999? I never ever ever have run out of SD-card space. You can fit thousands of photos on there and I change it for other reasons far more often than capacity would dictate
Also see your settings? What's that good for without seeing the effects those settings have? If I am in manual mode the settings are valuable in combination with the view of my exposure. The settings alone are useless. And 99% of the time I would shoot in A or S modes since metering in cameras is as good as it needs to be. So keeping track of the one setting I set seems doable without a screen
I agree anyone with an SD card camera that worries about running out of space should get a larger card. I have 384GB in my camera. It wasn’t that expensive and it is plenty.
I don't see the point in questioning the usefulness of a feature, since a lot of people do in fact find it useful, and have been for decades. It's fine if you don't have any use for it yourself, but why question others?
And it's not true that the settings alone are necessarily useless, if you can't see their effect. It wasn't true in the film days, and it isn't true today.
@Revenant: I agree. Also, the advantages of a top LCD could be obvious if someone wasn't expressly intent on denying them. Back when I started photography, the most important settings of my camera were visible without even taking it up in my hands, just by looking at it: aperture, shutter speed, frames left to shoot. Later, when cameras used to have metering included, film sensitivity. If I was about to shoot something, that was often enough to know whether I would want to change something beforehand.
The top LCD does nothing but add size and weight, without any added benefit (given that the settings information is already available on the LCD). And your statement about ergonomics reflects your subjective preferences; I'd rather be holding an E-M1iii than a G9.
The Oly E-3 had a top LCD. Yes, it was useful but I learnt to live without it and it seems rather redundant now. I use the rear screen. It's bigger, brighter and has more on it.
I think a fair review, in that personal preferences were declared. If starting new to M43 and aiming for ultimate quality and features, with money not a factor, then Olympus it is. Existing Olympus users have already settled on a look, feel and modus operandi, so it's just a matter of waiting until the price drops to a point that they willing to pay for the upgrade. Panasonic users, like me, who waited, can now grab an absolute bargain. The G80 was a big step up from the G7. The G9 is an even bigger step up from the G80. Yes, it's physically bigger too but, to my pleasant surprise, it's a non-issue (my hands are not big). And I'm not interested in video, though I know it's there if I want it. Stick the 100-400mm on and enjoy the combo :-) Whichever camera you plan to buy, it's always worth waiting for the right offer.
Theres always going to be plusses and minuses , throw the EM1.2 in there too which is 99% of a Mk3 and can be had for a song on the used market ......
I`m generally a Pan-Fan but couldn`t get past the feather light shutter release and the EVF optics of the G9 (far prefer Both in my GX8) , I also found the grip too thick for comfort too but totally loved the top LCD , all the func buttons , the Canon/nikon DSLR mix Command dials etc ..... ended up with a boxed mint used EM1-II from a dealer . Grip & shutter button are bang on , Dials are just as good though different , EVF doesn`t drive me nuts and prefer the size of the camera too , add that the Oly 12-40 and 12-100 have been on my roadmap (even for use with the GX8), that the face tracking is usable and the amazing IBIS (though the G9`s was way better than expected) and it`ll do ............ of course if a later G11 hits the spot , I`ll be back with Pan
left eye.. the EVF in the G9 is better ... and this is not all abut IQ . the ergonomics on the g9 are better than on any other m4/3 camera The rest of your comparison is apples and oranges and bananas so I won t comment on it Harold
...the G9 optics make the view larger in the EVF but there's barrel distortion and fuzzy edges, the GH5 EVF view is slightly smaller but optically zero issues.
Nice comparison. I picked up my E-M1 mk II, second hand, at a time when I could have had the G9, brand new, for a very similar price. At the time, it was the DFD autofocus that put me off. Since then, I've also picked up a GX9.... It turns out that DFD (if you can put up with the wobble) can be spectacularly effective.
At the end of this long comparison between the cameras, the conclusion is not scientific or impartial, the conclusion is only a personal preference, not objective enough and not in-depth and sufficiently investigative. Those Dpreview guys say and do whatever, you do have to make your own opinion about any camera system.
That is the case with any review. One can objectively measure any sort of metrics, but the conclusion section is never more than a subjective assessment of how the total of those measurements, as well as purely subjective issues like ergonomics, fit one’s preferences. We deem the review as valid if it meets our biases, and flawed if it doesn’t.
thanks for this timely comparison, i was just checking the new olympus studio test images. i guess i will have to study the options more but m43 looks more and more promising as a lighter setup. this oly with the 12-100 lens you have could be the do it all travel camera.
If you are happy with the system that's great, but how is that combo more "travel-friendly" than other mirrorless cameras?
An E-M1 III + 12-100 F4 is 1135g in weight A Nikon Z6 + 24-200 is 1245g in weight
And the Nikon lens is actually a tiny bit smaller in length and diameter, with the cameras being similar in size. So compared to what setup exactly is this Olympus system lighter?
PS: The Canon RF 24-240 is also not much larger or heavier when you come from that side
thanks for pointing to those 24-200, i was going to check new FF mirrorless options too, although those are not constant aperture. 100-200g is not a problem, but if you add a few more lenses FF and even aps-c will be heavier and bulkier no doubts. i already have 645D with several lenses for heavier and bulkier, and those features like live ND and other are very cool
@Uladzimir Oh the live ND features are cool no doubt about that. (Although the current limitations often mean you need at least some normal ND)
Regarding the aperture, you can just set them at F6.3 and treat them as constant aperture. At F6.3 they are still faster in equivalency than the Olympus. I guess you also wouldn't complain if the Olympus instead of being constant aperture was F2.8 to F4
And regarding other lenses. It very heavily depends on what lenses you want. They bigger problem than the size is that currently both RF and Z mount just don't have many options. Sony E-mount has a ton of options and also small lenses, but their 24-240 is a bit bigger and older so if you want that lens I don't know if that would be my first choice
The Panasonic for me. Video is why I shoot. Stills are nice with either. I would want the more inline with stills life though small from Panasonic. I had a Panasonic camera before and loved the menus. Excellent menus. Olympus reminds me how to over complicate like Sony. The Sony is outright silly clumsy. But you just need to get used to their conventions, and optimize. The Panasonic and Canon and Nikon have excellent menus. All of which I have lived with. IBIS is important, and I would love the Olympus better but really by how much? The bodies are a tie in my hands. I liked the G9 but the quality of the Olympus is first rate. The controls are nicer, and you feel the body will stop a .45 acp. Please don't try that. It is really built for the rigors of life. But I think overall I am good with the Panasonic overall. Glass is MFT easy. Olympus and Panasonic have a good selection. I would get the Panasonic and save to get more glass vs. the Olympus body.
It is a good point . It is worth noticing that Olympus has only TWO lenses for which you can have the benefit of dual IS. the G9 has many Panasonic lenses with dual IS, which means in practical use , you might get better IS results with the g9
Nex user. Well we don t know about that . And even if this is true for normal focal lengths, I doubt this is still the case if we talk about focal lengths at 300mm fov (35mm equivalents) and over
For some lenses like the Pana Leica 12-60 (maybe others have other differences) i've read on forums that the result is not exactly the same on Pana or Olympus bodies : it seems that chromatic abberations was not as good corrected on Olympus E-M1 II as with the Pana G9 and lens IS in not used on Olympus bodies. So it remains exchangeable but it seems it can have some limitations when it is not used within the primary intend of use. Even for primes it seems that focus performance is not the always the same. An important limitation to IQ being the lens itself, it would have been interesting to compare one lens of each manufacturer installed on the other body. For example 12-60 PanaLeica and 12-40 F2.8 Olympus. Is the body acceping the other brand lens with top performance ?
Like Super Nintendo VS Sega MegaDrive? As Olympus user I do like the G9 very much. For that price hard to beat. I also like both company's lenses. Although I only own Olympus ones the Panasonic 100-400 is very tempting.
The scary thing is the G9 is currently cheaper than the EM5 III the Olympus mid range camera yet competing well with a Olympus top end camera. For a budget user it looks like the only real route for improvement from the EM10 II is Panasonic.
Olympus will keep the E-M1 Mark II in production as a cheaper option. Still more expensive than the G9. Don't know why the G9 is so heavily discounted.
the DFD focusing is a joke on G9. For continuous autofocus, the sony A6400 wipes the floor with it. Panasonic marketing dept tried their best, the tech dept need to live up whatever advantages that the DFD has, which so far have been more hype than performance.
To be fair the real-time tracking in the A6400 wipes the floor with pretty much everything out there. It's not like the E-M1 III would win that standoff
I suspect you do not even have a G9. The DFD maybe an issue for video ( I would not know , never shoot video) but is remarkably efficient for SAF for stills
I have both cameras in use - the killing feature for me is the viewfinder. The G9 vf is not perfect at all (some distortion) but way better then Olympus E-M1III and 1M1X! And the use of AF-Features handles a lot better with G9. But I like the specials on the E-M1III like fisheye correction with 8 mm, live composite, live ND - which no other camera-maker has today.
Olympus needs a much better viewfinder! Panasonic needs a lot better continous-AF and both needs a lot better sensor/prozessor to compete against Sony VF or Fuji HV. I can shoot with 7RIV on HV with 26 MP and even crop it and get better results (less noise, far better AF) then every mFT camera.
Up to that point all Sony cameras had the "app" system, where you could add functionality via the app store. For example on the Sony A7 II and A7R II, there were some really nice functions in there for example
-a digital ND feature, which similar to the Olympus system could stack up to 32 images in-camera to give you an ND effect -a "live composite" feature where you could see the image buildup in real-time -a digital grad ND feature where two or 3 exposures could be blended in-camera with blending interface modeled after a grad ND -Focus and aperture bracketing -And many many more
But on all cameras with the new A9 LSI they removed the system. That means on the A7 II, A7R III, A6400 and newer cameras you don't have those functions anymore and Sony never replaced them
Panther fan, you had to pay for all those separately as long as I remember and not all those are user friendly. In Olympus you just use the function. For example time lapse is in all cameras as standard but in Sony you had to pay to get it. Sony had to keep that Playmemories but make all those apps free and open the system to public so that programmers could create their own apps. Anyway, right now those are free and easier to use in Olympus.
@NexUser People did create their own apps for the Sony cameras and some were pretty useful. But those also "hacked" the camera as you could remove stuff like the 29min record limit etc... that's probably also the reason Sony removed the whole app system
And sure having all those functions for free would be great. But I rather have a function for 10$ than not having the function at all. It is ridiculous that Sony cameras in 2012 had more computational photography features than they have now
A few observations regarding the assessment Ergonomics: -You mentioned the back switch on the E-M1 III but not the front custom switch on the G9 -The On/Off switch on the Olympus is a two-handed operation. For some types of photography that is a no go
Stabilization: -You tested dual IS vs sync IS. But the Olympus has only one (fairly large) normal zoom that supports sync IS, while on the Panasonic nearly all zooms support it. So a shoutout between regular IBIS vs IBIS or IBIS vs dual IS would have been a little more representative
Price: In Europe, a G9 has sold at 1000€ for a year now, and on the used or grey market you can easily get a G9 at 800-900€ or sometimes less
The price for a E-M1 III is 1800€, there is not really a used market and even the grey market pushes the price down to just 1600€
So you can buy almost two G9s for the price of one E-M1 III. Usually, they shouldn't compete at those prices
Edit: Just saw the price was the very last part of the video
- First two are connected, you can customize back switch to be on/off - I don't know what is wrong with Dual IS, but I see almost no effect from it. I can get equally good result with 12-35 and sigma 16mm up to 1 sec, I can easily get sharp image with 75/1.8 at 1/4sec, but I need a big fortune with 35-100/2.8. Exception is PL42.5/1.2 - up to 1 sec - G9 often kitted with 12-60/3.5-5.6 (easy to sell, but worth to keep). mine came with free grip and -100e cashback
@SonyX There is an art getting it in to a small box though. Olympus are better than Panasonic in this respect. Easing size and weight constraints off the planning guidelines is a massive help to any engineering task I am sure.
“The On/Off switch on the Olympus is a two-handed operation. For some types of photography that is a no go”
Are those use cases satisfied by the “Quick Sleep” mode? That’s what I use e.g. on hikes and I pretty much don’t have to think about the on/off switch. I turn on the camera for the first shot, and then just leave the switch in that position throughout the hike and wake up the camera when necessary.
@AllFlawed the answer was about D750, not sure why you changing the subject to Panasonic. G9 has bigger and dipper grip, LCD on top, larger EVF. It needs better heat distribution for shooting 4k/60 & 6K/30... so, yes, it reasonably larger.
I may have missed something but why are we still discussing the D750 at all? It is an entirely different product. That it doesn’t shoot 6K or 4K at any framerate at all is one of many examples of that.
@spider-mario it will be many situations where I would prefer one camera over another, but that doesn't make them "nothing to talk about". Olympus doesn't shoot 6K , no HHHR in Panasonic body. D750 can be alternative at this price range with its own advantages, why not.
Sure, it’s not something to never ever talk about, but also likely not what interests someone hesitating between the G9 and the E-M1 III, in the context of that hesitation.
I’ve owned a d750 and it certainly has its place with regard to high iso performance. For “my needs”, the EM1 Mark was the better choice overall, and I was particularly swayed by the accessibility to the 12-100 f4 Pro which speaks for itself. A spectacular, dual stabilized, unique lens among super zooms, nearly prime sharp at every aperture, any focal length, and unknown to most, flat field at the closest focus, corner to corner wide open...beautiful combination.
The Olympus OM-D E-M1 Mark III is our favorite Micro Four Thirds camera for stills shooters to date. It jam-packs plenty of cool/useful features into a small, tough-built package that's a pleasure to shoot with and thus, has earned our silver award.
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