We've spent some time with the OM-1, the first camera from OM Digital Solutions. It gets a lot right, but there are a few changes we'd love to see in future Micro Four Thirds cameras and lenses.
I just realized. It was Panasonic that broke through the "stuck" MP barrier all four times. First it was the 12mp barrier (G1), then the 16mp barrier (GH2), then the 20mp barrier (GX8), then finally the 25mp barrier (GH6). Panasonic has always been first to push resolution further for m4/3.
Fitting considering they released the very first m4/3 camera.
I started converting from Canon to Olympus about a year ago. Currently I own the M1 II, the M10 IV, six lenses (3 PRO), and the two tele-converters. I am also downsizing all my support systems; BH55 to BH30 for example. While I still have a lot to learn about what I already own, I pre-ordered the OM1 within a hour of reading the announcement on B&H (the film OM1 was my first camera). What irritates me most before my order is even shipped is that OMDS does not include an external battery charger with the OM1. $149 for a battery charger is ridiculous. No charger was OK with the M10 IV, because I simply ordered two Watson charging plates. But, I'll have to wait - who knows how long - for Watson to introduce charging plates for the BLX battery. Not having an external charger is a hassle because it means I can't be shooting with one battery while charging the other. I encourage those of you who have pre-ordered or plan to order the OM1 not to order either of the OMDS chargers.
In response to comments that the sensor seems to have a readout speed of half its potential, I checked with a friend in the semiconductor design & manufacturing industry who said it's possible OMS chose this speed for camera architecture, bus, memory - some design reason, that it's possible to raise the readout speed or order a faster sensor. It could be the limit of this particular sensor, but it could also be tunable for faster readout or upgradable for one that is. This could be the beginning of the performance of the OM-1 product line, not the end. Seems the new OMS & Panasonic are getting closer to FF capability in different ways due to product differentiation. FF may lift the bar but are we getting close to the limit of the human eye? Well, no we could exceed it in the dark but do we need that? Is it possible M43 will eventually satisfy almost everybody & become to FF what FF is to MF? Tracking can improve. It could be early days. What if OM-1 tracking was as good as any?
OM have obviously kept cards up their sleeve for further iterations. The automotive industry does it all the time. By the time the OM-1 series is done, I expect the OM-1 MkIV or whatever, it will indeed be a wow camera just as the X and the III is to the E-M1.
I just got myself 5D and D700 (the classics) recently to accompany the Z5 and E-M1 Mk2 and also the E-1 (the 20 years old 5Mpix CCD E-1). Even the E-1 is still a fine and lovely camera if not used to maximize detail retrieval in landscape or wildlife photos. So I'd say that OM-1 is fine with its 20Mpix, even more so because 24 won't make a ton of a difference. If I'm honest I enjoy low Mpix photos due to their lite size and fast processing times. The 12Mpix classics are lovely as well. For me, they are the equivalent of shooting film these days when compared with modern mirrorless platforms: classics are slow and with a character. A different brand and their color science are like a different film: only better because it's already scanned :-) Their ISO 1600 just adds to the appeal. Seems most problems exist in the head rather than outside of it.
Strangely, dpreview wasn't all that stressed by the 20mp on the EOS R6/R3. And most cameras out there are in the 24mp family. The difference between 20mp and 24mp is negligible.
Canon (and all other large sensor brands) make higher resolution models. The 20mp 1Dx and R6 variants are specialized for low-light and fast action. They are useful for direct from camera output without cropping for high volume, tight deadline uses. I used the R6 side by side with an R5 so I had a high res option.
The entire m43 ecosystem is capped at 20mp native resolution and has been for 8 years. If you want higher resolution capture in m43 you cannot because it doesn't exist.
@jbuzzinco And whoops there was the GH6 and the handheld high res from both Panasonic and Olympus. Not that it matter, I doubt you can see the difference without pixel peeping on your PC screen!
" If you want higher resolution capture in m43 you cannot because it doesn't exist."
Pretty much every recent body from Olympus/OM has Hi Res modes. Hand held works well for everything (excluding fast moving subjects). Tripod Hi Res mode (80mp) works great for studio and landscapes.
The fact that it's "excluding fast moving subjects" is exactly my point. That excludes 100% of sports and wildlife which are the genres Olympus (or "OM" now) specifically market their products for. "Hi Res mode" is NOT the same as high resolution. It's computation photography for static subjects.
Checking the landscape files from my 'new' e-m1 mk II I am letting go of my 24mpx A7 mk 1 full frame. The difference is hardly obvious even when pixel peeking and that's in standard non-hires mode. First micro 4/3 cam that can do it all for me, and if I want to go superlight I grab my Panasonic GM1. That one is to stay with me too. So downsized now completely to micro 4/3, keeping one system only.
The phase detect with e-m1 mk ii in video is surprisingly good too.
Re: "Canon (and all other large sensor brands) make higher resolution models. " If you want to talk resolution, 20Mpix M43 has the "resolution" (pixel density) of 80MPix FF, just cropped. So where are the 80Mpix Canon (and all other large sensor brands)?
@RSTP14 - the A7R IV comes pretty close with its 61mp.
The problem isn't in creating an 80mp sensor - you have to have the processing power and cooling system to handle this. And customers have to accept the noise/DR level from such a sensor.
Interesting points, but the fake bokeh, no, thank you. From a Marketing point of view, I think it would be essentially perceived as "admitting defeat", not a good way to come across. If soaking your subjects in bokeh is your thing, you are probably not going to buy MFT ever. If you want to do that occasionally, the f/1.2 lenses or some cheaper f/0.95 lens should do just fine. For other situations, well, with my full frame cameras I am usually between f/4 and f/5.6, with medium format (the real thing with 120 film mind you!) between f/5.6 and f/8. To get the kind of look I like, I just need f/2 to f/2.8 on MFT, which virtually any prime delivers. And which, incidentally, catches up much of the noise advantage FF has at equal ISO/shutter/aperture. If you think about it, the real difference between MFT and FF is that it's "f/4 and be there" rather than f/8 and be there".
They’re discussing sensors as though either OM Digital or Panasonic has anything to do with it. Neither designs their own sensors, or has any real input with Sony.
Sony was working a 24MP sensor for 4:3, but abandoned it well over a year ago. Instead they decided to come out with a sensor with the new generation “standard pixel” size they will use in all of their other sensors. So that meant 20MP again. It’s better because the larger pixels allow higher dynamic range and lower noise, with the loss of the higher resolution. Not as good as OM is saying though. But this sensor is still well behind larger sensors, and will Sony ever again have an update to this sensor?
The OM-1 is the last body that Olympus was working on when they gave the photo division to PIC. It’s a continuation of the previous camera. If OM had to come up with a new body, it’s likely we wouldn’t see it until the end of this year, at least.
They can’t do more computation because of room, expense and power/heat.
I have had 16MP for almost a decade. I don't need more and I've been telling that ever since. This 20MP is another big mistake, OMS should listen to m43 users and go back to 16MP. The 16MP sensor is so good, in good light it almost matches any high res FF even! Even the 12MP is almost as good as the 16 so please listen to us and go back to 12MP. That's good enough for me.
Well, I'm still struggling doing wildlife with an E-M1. It's not the MPs, it's the abysmal low light capability. That's why I'm so looking forward to the stacked sensor of the OM-1, MPs be damned. With a very sharp lens and good light, even the 16MPs on the E-M1 is amazing.
No manufacturer listens to the end user. End user wants a Lamborghini but only pay Kia prices. The real customer of a manufacturer is the retailer. The retailer tells the manufacturer what they can shift so that's what the manufacturer makes. It makes no sense to do anything else. So if you want cameras with particular features, talk with your wallet.
I didn't realize that there were compatibility issues where in lens stabilization doesn't work between manufacturers even though they are" compatible" MFT lenses. Seems like a major fail that goes against the main marketing point of a shared mount.
@Snoddas, what then is the purpose of sharing a lens mount? The lenses attach and "mostly" work, wow what is the point?
If each company does their own thing and implements incompatibilities, then you just have propriety systems that attach to each other. You essentially have separate systems where you are locked in, not the "promised land" of compatibility of a common mount.
It's the Dual IS that doesn't work, IBIS or IS do. Not a major problem in most cases. I don't know the MFT standard, but I suspect that Dual IS is not in the standard. It's a later invention. But I fully understand that the companies want to have some protection and unique USP for theirs own products.
There is not any big issue there, like already said, you just need to select whether to use ibis or is in lens. The systems just don't cooperate like on its own brand. They can possibly iron this out too by sharing some data you know.
It’s a shared mount, but the companies are competitors. Each wants you to find their systems feature set as being better than the other. If they share stabilization and focusing, along with the same mount and sensor, why would anyone pick one system over the other?
Yes, as a user, you want to pick and choose, but as manufacturers, they don’t want you to.
But they don’t fix it because they WANT to create (artificial) benefits by keeping some things proprietary. Panasonics DFD focus system is another example, that only provide benefits with Panasonics own lenses, all other m43 lenses fall back on vanilla contrast detect.
In plain words, this is just bad, and weakens the appeal of the system for all involved. They can ill afford it.
Looking at the GH6 I think it's perfectly OK to differentiate between video-centric and stills-centric cameras. I don't feel like I need all the lenses to work with all the bodies. I'm a sports-action guy who shoots an occasional landscape. I have everything I need in an OMS lens so I don't; care if the Panny lenses work at all with an OMD.
You are absolutely correct. And in fact, when the Panasonic GX-8 debuted eight years ago, the DPReview was openly critical of its departure from the M43rd's Consortium standard with its new "Dual-IS" stabilization. (Since their original review, DPR -- in its typical mealy-mouthed fashion -- excised all its original critical language.)
@Vit Adamek "There is not any big issue there, like already said, you just need to select whether to use ibis or is in lens. The systems just don't cooperate like on its own brand. "
If I understand correctly, the systems sometimes don't even cooperate on the same brand. Eg Olympus 100-400 F5-6.3 IS, which I believe does not syncronize with IBIS.
It actually does with that lens. Not on all bodies but only on more recent pro-oriented ones starting with E-M1 mk ii. It is also not full blown "Sync-IS" but I think the camera IBIS ads roll correction with that lens.
Now that the war for the souls of photographers is mostly a uber high tech computer coding issue - the smaller companies just can't compete. I predict the smaller companies who cannot afford an army of programmers and a library of years of learning will fall farther and farther behind
Small teams of effective coders who can make decisions quickly beats a team of 3,000 people run by layers of management of a giant company that manages by committee. You can trace all the innovation to a few people. Much of the wonder code came out of US government-funded university labs dating back to the 1970s and is the public domain. A lot of the imaging work is open source software. You pick it up for a small license fee & adapt it. It takes a small group of people who have clear product goals, know what they are doing and are allowed to do it. We were doing digital image tracking in the 1970s & digital sattellite image analysis in the early 1980s. We had remote automated farming from digital satellite images on PCs. We don't have billions of lines of code in cameras. The vendors don't need thousands of coders. They need good product management, a few efficient people who know what they are doing & a lot of testing and tuning. Small companies actually have an innovation advantage.
They may need more than two. I gave you an example, not exactly what OM needs. They have to know who can do the work. They have to be available and affordable. You don't need a big team. You need the right team. CISCO built IP routers quickly with a small team. Siemens needed 3,000 programmers & seven years to build a competitive product & it was two generations behind when it was completed. They never released it. They had phone people. They needed a small team of data people. HP tried to replicate 6 months of the code of a network company written by a few coders with a team of 1500 software developers in HP Labs in India, worked for two years on it, failed. HP people could generate millions of lines of code but didn't know how the product worked & what it was supposed to do. It does take a lot of testing & tweaking. That's why we are seeing so many firmware updates 6 months after camera product release. They have to get the product out for the business cycle. They improve it later.
Smart-**s brownie with a snarky post. I spent 23 years in the software business, a lot of it with startup companies in Silicon Valley. You are entitled to your opinion and have the right to post it. You don't know anything about it.
On the contrary - I do. Researchers can make breakthroughs in small teams - might even be better. To make a competent product requires more than just lines of smart code. It takes a team to make a product that makes sense. And as I said before - it takes the right people who have experience in this field.
You said smaller companies can't compete and will be left further behind when you started this thread. I know what I read. It's up there if you want to read it. You contradicted yourself. Then you implied you can't hire a small team and compete with C&N, made a snarky remark about it. Small companies are the innovators in most every industry. That's how they compete. They have to offer something newer, better, or for less money by innovation or there is no reason to buy their products. OLY was the most innovative camera company for many years, and one of the smallest, dwarfed by C&N. We did not get new tech from Nikon and little from Canon. We got FF mirrorless from SONY. That's the way they broke the C&N FF duopoly.
Is beating them at AF your criteria or their criteria? You can't beat perfection. What makes you think they tried? OLY dropped PDAF with the PEN & EM5. Tracking & CAF was not their interest at the time. They have to play catchup since the EM1.1 brought a PDAF sensor back in the system. They are catching up. If you think OLY was trying to make world-class CAF all this time that's speculation. If beating S/N/C is the only measure of camera superiority, that's your opinion. Why can't they beat OLY at IBIS? Why did OLY have it years before any of them did in MILCs? Why did OLY have in-camera focus stacking first? Sonic wave sensor cleaning first? Why does it have starry night? HDR first? Tilting LCD first? Fully articulating LCD first? Mirrorless ILCs years sooner? Live bulb? In-camera NDfiltering? HiRes tripod & hand held? Focus assist? Manual focus assist? PRO-Capture. I'm may be forgetting a few. Why didn't S/N/C have all these things before OLY? Because they aren't innovators.
But - it should be easy for OM to beat scn right? They are a smaller company where you say "the best innovation occurs". Unless we are talking about video - AF systems are one of the most important things about cameras like this. If they can't excel at the most important thing - then they have their priorities all wrong.
Priorities for which customer? Not for landscape, street or portrait photographers. On further discussion with the semi-expert, sensor read-out is fixed. Some posters said they think it reads out at half the speed they think it can/should. It seems like this impacts AF. The faster the sensor the better the camera can track accurately. Focus has to change quickly to stay sharp & on the subject. M43 has always been hardware handicapped because it's thought to be inferior to larger sensors. It attracted buyers who expect to pay ~ $1,200 for an OMD, $700 for a PEN. People will pay up to $6,500 for a C/N/S body. With $2,400-$6,500 retail, you can use a faster sensor & memory & the AF system can be faster & more accurate. I'm speculating on top of speculators & I'm no semiconductor engineer. Seems to me customers not the number of OMS engineers holds OMS back because they won't pay enough for hardware. Not a software resource problem. OLY beats them at software.
Then why doesn't OM just innovate there way out of the problem? They are a small company - the best kind according to you. They should have a big advantage over SCN. Yet - we see big white lenses on NFL sidelines - not Olympus bodies. Somehow SCN continuously beats them in almost every way. The one thing OM does better is stabilization. That is pretty much it. I am sure SCN could do sensor shift if they wanted to - but who needs a 200Mb image? OM does it because their sensors are, relatively - low resolution. If small companies are the best innovators - OM (formerly Olympus) must not be a very good one.
A matter of opinion. Canon and now SONY throw money at the professional sports camera business. It's supported by funds from their marketing department. They are buying the business. They have support programs, instant on-site loaner gear at big events, funded by large consumer camera businesses. The consumer gear buyers pay for it with their purchases. The AP switched from C to S. Because C has an inferior product? NO WAY. Canon's cameras and lenses are GREAT. Can pros make good photos with M43 sensor cameras? Of course they can. Look at the photos OMS pros take with them. As good as any. You keep saying SNC is better. I don't think they are. I can buy any gear I want. I have zero desire for a larger sensor camera or better photos. I need better eyes. I'm of the belief that all cameras will get so much better, the worst camera you can buy will be so good anything better is wasted. It will be beyond your eyesight. For me - it's already here.
Please don't make me use more resolution/bigger files. They are already painful and the IQ is good enough. I'll use sensor shift when I need to. 16MP is enough. Even 12MP is when you don't have to crop.
EZGritz - you are deflecting. You said that small companies are where the best innovation occurs in every industry. I don't think so. SCN are killing it in AF performance. OM isn't. The OM-1 is just (from the reviews I have read - and here on this site) slightly better than the OM-D 1 iii. How could this be - if SCN have made huge advances during that same time period. And - I agree - sensor size isn't that big of a deal any more. If OM could bring an AF system like SNC in this small body - photographers would flock to the OM system. But - OM didn't bring that AF system. It is literally the only thing they had to do to sell their system. Bring that fantastic SNC AF system and BOOM - done. They win.
AF is only one measurement and it is not innovation. Watch OMS improve AF+Tracking. It may take a faster sensor and faster and more memory. Parts cost will be higher. Customers may have to pay more but they have improved steadily and they can get there. SNC had a big head start when OLY dropped PDAF for a while. They have to catch back up. There is no technical reason I can find from talking to associates in the semiconductor business that prevents them from doing it.
I'll throw out a theory to consider. SNC are AF perfection. You can't get better than perfection. You can improve on imperfection. O can improve their AF but SNC cannot. Therefore O can catch SNC and when they do they will as you said, "Flock to M43". It's just a matter of time when parts that are used in an M43 camera will be inexpensive enough, small enough, and fast enough to match the AF of SNC because the camera needs to be able to adjust AF to erratic subjects as fast as SNC does to track subjects without losing them. It isn't quite there yet. If a software update doesn't do it the next-generation hardware or maybe an M2X with dual image processors will, but SNC will not improve because you can't improve on perfection. I think maybe, the hardware isn't quite there yet in a low volume M43 camera in the $2K price range but the architecture is. O isn't all that far back from what I see in the videos. It's gaining on SNC. It will get there. Then when the gap is erased...
Well - as you said - AF isn't everything. SNC are riding very high right now on some very good bodies and very good AF systems. If OM had the 'perfection' in AF right now - they might be able to steal some business from SNC. They don't. And the longer they take to get there - the more entrenched SNC will get with people buying lenses and accessories for those other mounts. We will see if OM ever gets there, if they can take any business from SNC. Because all of that time that OM is throwing resources at perfecting AF - SNC will be throwing an even larger amount of resources at some other aspect of the camera that will leave OM even further behind.
It's just a theory. OMS has many things SNC doesn't & photographers who use OMS bodies think are valuable. Who is further behind? What aspect of camera will leave OM further behind? Name them. OMS is a little behind in AF in a pre-production system but it's perfectly usable for photographers who don't need tracking AND can't use the subject ID they have now. Chris's video demonstrates it's pretty darn good if you are tracking a plane, car, small animal, human, bird, and it's a pre-production camera test. How far behind was OLY with the EM-1.1? EM-1.2? They are catching up generation by generation and do they need to? For people who buy spec sheets, not for photographers and not everybody pans moving subjects. Few of the current generation do. Continued...
I for one, never had a problem with photos I took with a PM2 or an EM5, even panning moving subjects with CDAF. When OMS AF catches up they will truly have the best system for most photographers. I'm encouraged by what I see. It's already the best for me and has been since I bought an EM5. I'm perfectly satisfied now. I'd just like them to keep making cameras and lenses. I don't need a camera that's better than SNC. I only need a camera that works for me. The EM1.2 already does that. The EM1.3 has two things I'd like. ND filtering and HHHR but I haven't jumped on it because neither is critical. OM-1 does some things better and faster but the EM1.2 already does them well enough. I might just stick with the EM1.2 and go for more f/4 and f/1.4 PRO lenses. I have no interest in a camera with a larger sensor. I don't feel like I'm better off with the one I have.
For lots of people but it doesn't seem to be as well supported as FF for vendors that have both. Fuji is doing a good job. But not behind SNC? I borrowed a Fuji kit for a few days. I loved the body except for placement of a button, forgot which one it was. I was constantly ruining shots by accidentally hitting it. Probably a different body would fix it. I tried very hard but could not make a better photo with it. The ASP-C sensor is a stop faster but I don't shoot much in low light & I have lots of F/1.8 & 1.2 primes & f/2.8 zooms for that. The Fuji lenses are good but they don't have enough of them & they are bigger & heavier. You are reading out of an old book on noise. I use ISO3200 without a thought & can get away with ISO6400 when I need to before using & third-party NR software. Look at the OM-1 photos. ISO6400 looks great & ISO12,500 usable. A few posts above you said you don't need a big senser. Do you or don't you? Not much difference between M43 & ASP-C.
Lenses. Fuji needs more of them. NOBODY has anything like the OLY 40-150 f/2/8 PRO and the TCs. FF Range = 80-300+ 420f/4 and 600/f.5.6. IQ holds up great with the TCs. This lens alone is enough to keep me in the system. Covers the range of two lenses in any other system and a 2lbs, not real heavy. Can't wait to buy the 40-150 f/4 PRO. F/4 is a sweet spot for me. DOF is thin enough to isolate the subject by positioning. I'm usually stopping down to f/5.6 or f/8 to get everything I want in focus anyway. Thin DOF is overrated unless it's a shooting style you use a lot. I don't.
Yes - lenses is obviously where OM has an advantage on most other systems. It is really the only reason to prefer OM over other systems. I admit OM has better zoom lenses than Fuji. Better in the sense that they pack more FL into a smaller package. And don't get me wrong - that is very important. I thought long and hard about the OM1iii before commiting to Fuji system. In the end the noise difference does matter to me.
Fuji is VERY appealing. Very impressive what they have accomplished in a relatively short time. I found it a stop faster than the EM5.3 I compared it with testing them in the real world side by side at the same time with the same subject, f/stop & FL with both cameras on a tripod. If I had to increase the ISO too much Fuji would beat the OLY at noise but I find with f/2.8 zooms & f/1.8 & 1.2 primes OLY lenses collect so much light if the composition was any darker I couldn't see what I'm shooting at & would not take a photo with any camera. All systems are so good, pick any you like. I tested Fuji at a time when I thought I might have to trade my OLY system because the company might go out of business. I fully expected Fuji to make a better image & tried hard but I was unable to do it. My conclusion was for ME, because I shoot a lot of medium and long telephoto, the 40-150PRO range being a one-lens solution, OLY is better. I still think your assessment of OLY noise is out of date.
Worst video ever by your side pals. And yet, 470 comments. I conclude that your philosophy is that by talking nonsense your audience gets high!!! Not a bad idea at all...
I do not agree with Chris' and Jordan's assessment of Olympus having to compete with mobile phones on computational photography for things like fake shallow DoF and all that. iPhones may be getting better on their fake shallow DoF but it's still cannot cope with every use case. I also think they somehow failed to mention that the mobile phone computational photography only needs to meet the demand of low-res Instagram and Tik-Tok audience. If Olympus stretch their CP to do fake bokeh it's a slippery slope and they will find themselves in the scrutiny of a much more demanding crowd.
m43rds in general has its own merits and has a place in photography/videography's wide user spectrum. To pit them against mobile phones or against FF (even APS-C) cameras WRT _image quality_ is disingenuous at best. _AF capability_ is another matter, though...and Olympus need to be able to compete. If it's supposed to be flagship, compared to other flagship cameras, it's severely lacking.
All OM has to do is make 1 or 2 stops of digital Bokeh. Cell phones are creating 10 stops or more and that is when the issues start. Doing a more dental bokeh would stand up to scrutiny.
@Grimstod I don't think so. How many stops of blur it not really the point. More stops of blur are not harder to make than fewer, rather on the contrary. The difficulty is in knowing which parts of the image are how far away.
(That said, while until now the usual ILC sensors couldn't help there, the OM-1 sensor might now be able to, as its quad pixel structure might be quite similar to what actually lets the Pixel 4 and 4 XL phones build depth maps of their images, which then are used to create blur. I don't know those phones well enough, though, to be able to tell whether it already is good enough.)
Recently, DPR did an interview with a sports photog who shot with the flagship Nikon z9. The performance of that camera was impressive.
The only gripes the photog had were banding of the video screens (due to electronic shutter) that are now ubiquitous in the background during sporting events, and the unwieldy and time intensive post-processing of the large files generated by the camera. His only wish was that Nikon produce the same camera with half the MPs.
While true that more MPs are attractive to many photogs (many unaware of the downside of too-large file sizes), more pixels are not the be-all and end-all of digital photography.
It definitely speaks against the new names of the company and its brands if not even Chris and Jordan get them right in an official video (it's "OM System", not "OM Systems"), even after having made fun of the camera's name, while "OM-1" has at least has become substantially more comprehensible than "OM-D E-M1 Mark III"...
I have always liked their reviews. But I have to ask. Have they ever done a 2nd video right away telling a manufacturer how they screwed up? I honestly don't know because I don't remember one off hand. Seems a little odd that they give it a good initial review then do a second video talking about how they failed. I mean really, this could be said about every single camera made from every single manufacturer. Did Canon fail with the 20mp R6? Has Sony failed with the poor weather sealing on most of their lower end cameras? ? Did Nikon fail because their tracking is not as good as Canon and Sony? ( that's from one of their reviews) They all withhold tech for future bodies. Nobody puts everything into their latest. That's what keeps the FF sheep train moving. " ohhhh damn I wish I would have waited for this one!!!" Then they buy it anyway.
You are taking it too hard and maybe a bit too personal. Don't do that!
That said this is basically OMD's only shot to get the previous Olympus brand rolling again. If they fail with this camera it would be a bad start to progress and come back into the game.
With this release - Though fine for most current MFT users - they seem to have missed the mark. Sure it has a new sensor, more speed and all of that.
But.... it misses the appeal to attract new customers. They could have gone with a full new approach, yet they looked at it from an old fashion way of thinking. That is a marketing and design mistake.
OMD wants to compete on speed. Yet forget that every new camera as from 2022 will get a stacked sensor and that will get up to a framerate that is more than enough.
If you can't get an image right in a burstshot of 20-30 images. You won't get it right in 50 frames either. The difference between each individual shot is negligible.
So yes imho, OMD has to work harder to get it right
Quote: "Seems a little odd that they give it a good initial review then do a second video talking about how they failed." ... Pressure from unhappy sponsor(s) seeing this as potentially affecting their market share comes to mind. Who knows, I don't know if they are sponsored by the big 3, but I agree that this is rather odd, hence why I questionned earlier what their motivation was. Nobody does anything for no reason.
Now I am getting my tin foil hat..... a pizza and a coke. Really how bizarre thinking Amazon cares what OMD does. Or that Chris and Jordan would have been influenced by Canon, Sony or Nikon and so have been told to write bad about OMD.
Think mate - OMD needs to deliver or they will fail. It is that simple. They live of a loan in a shrinking market hold alive by an 'investment' group that is known to be an undertaker for companies. That is the harsh reality of things here. The total built up loss over the last 10 years of Olympus imaging was 1.2 Billion US. They were still given another 500 million by Olympus to rebuild the brand as OMD. That's a total loss of 1.7 billion US dollars if they fail.
It is not that OMD can keep going on as if nothing has happened... Yet they seem to do so with this release. As in no lesson learned. This company needs to change directions to survive.
Francis85 I don't agree that they missed the mark. I also don't agree it's only enough for current users. I think it will appeal to others who recognize that more MP is not the must to achieve great IQ. The things they mentioned IMO were petty. Artificial bokeh? Bokeh? Overrated and only longed after by FF dorks like Tony Northrup and other people who don't understand depth of field. M 4/3 as a system has so much going for it and this camera ( although people seem to be failing to realize) has addressed a LOT of the beefs people have always had about a smaller sensor. I think this is a huge step in the right direction and also think people will see that there really is a future for m 4/3's. In regards to your last sentence. Please explain what others got right where Om got it wrong? A huge improvement over their previous camera. Updated and improved features. New sensor, new technology. What are the others doing better camera to new camera? Watch some A7R Iv reviews.
If you think so, then so be it. I think it has no appeal outside its current user base. I see it as just another camera. Every new camera in 2022 and later will get a stacked sensor and so all this so called competitive advantage will fall away. Even to Panasonic whom may actually be their biggest competitor has managed to create more 'buzz' around its GH-6. And that camera still has to be released.
Thanks for the nice words. If you don't have any counterarguments - because you can't - then don't make it personal as you do now.
It is not that I can help it that OMD missed important marks. Point your finger at OMD's management instead. This is exactly why Jordan and Chris made this video. To give them clues to where OMD has to improve.
Panasonic needs to switch to FDAF, then both companies may have a chance for lens cross platform compatibility. I don't think there is a single company would jump into DFD AF technology anytime soon. Why is Panasonic is so stubborn?
Most likely because as with CDAF you can use every pixel as a focuspoint and so getting the best image quality out of a sensor. PDAF takes pixels away. Hence that banding that can occur. PDAF is a physical implementation of a focus system on a sensor where as CDAF is not. Besides PDAF being more costly to implement.
As processing power increases CDAF speed increases with it. You can debate if that is a good or a bad approach. I agree with you that implementing PDAF would give these cameras more appeal to a larger group of photographers. But it is not necessarily said it is the better deal. That depends upon how you approach it.
I agree with Chris and Jordan that cross platform compatibility in MFT is a necessity to keep this format attractive, or it may die out. That's not good news for both OMD and Pana as lens sales are as important as camera sales. So they better start working together or find new markets to attract new customers to this system.
More MP? Seriously?! A recent pole end of last year on one of the facebook groups showed that only 2% of users wanted more MP. The other 98% wanted better low light performance. I would say Olympus was spot on with this camera.
How representative is "one of the Facebook groups" supposed to be?
Fact is, OMDS is aggressively marketing their cameras for outdoor, nature and wildlife, which also makes sense specifically because of the smaller sensor's native advantage with regard to macro magnification and telephoto reach. The greater the megapixel advantage in larger formats becomes, though, the smaller will MFT's advantage for macro and telephoto become. They need to up their MP to at least stay competitive where they started out with a big advantage.
That said, I wouldn't mind OMDS selling the OM-1 as a specifically lower-res/high-speed camera, if they'd follow it up with a similar but specifically high-res/lower-speed camera. Personally, I"m good with 20 MP for much of what I do, too.
43rd rumor also ran a poll last year that had 3000+ submissions and in the comments many people were complaining because they did not give an option for just more ISO performance because they did not want more MP. This MP crazed crowed is really a fringe minority who are just suddenly loud.
No, it isn't. It's just that only the hard core of FT and MFT advocates, which is what populates these forums, blog comments and Facebook groups, have been a bunch of extremist conservatives since the very beginning, getting their knickers in a twist each and every time a new sensor was about to come up, fearing to get more pixels and thereby even more noise, just to be happy with more pixels *plus* more DS and less noise the actual sensor finally brought when it came along.
And to this day they still have not understood that more pixels don't cause more noise. More pixels do not make lower image quality. On the contrary.
While everyone else who's already in the system either wants more MP or wouldn't mind, and those who aren't there yet just won't come if 20 MP is all they can get there. Thing is, neither OMDS nor Panasonic can do without them. These days, they need each and every customer they can get.
Yes seriously. I own and shoot m43 exclusively these days, and I have one hell of a lot more use for higher native resolution than for 120fps RAW footage. I already use m43 High Res stacking, and no it doesn’t work well for scenes with moving parts - and in the time it takes for the camera to take the 8/16 shots, most motives contain moving parts.
Of course High ISO noise is the obvious weakness of the format visavi FF, but keeping resolution low doesn’t help with that. Undersampling the lens aerial image just creates moire and other problems. It DOES NOT provide better low light performance.
We must hope that no important organisation is relying on your market research or even just statistics or percentage calculation abilities. Your sample wasn't even 1‰ of the whole, rather something like 0.001‰, let alone that it would have been in any way representative for the market (or even just those parts potentially interested in such cameras). You cannot extrapolate from such a tiny minority which not just might, but will be strongly biased in their preferences. Bottom line, you probably know "what the market demands" less than we do.
I have what we could call an educated guess. But contrary to what you want to suggest there, even 'nothing' is better than 'something' which is obviously wrong and could also be described as 'lying with statistics', something propagandists of any provenience have been making an art of since the invention of numbers.
I explained that already, I have nothing to add there. The characteristics of the numbers your "educated guess" is based on is similar as a presidential election prognosis would be that was based on the answers of a sample comprised of the family members of one of the candidates. That also would be "data". And it would be worse than no data, just like yours.
I am still using the Olympus OM-D E-M1 and I never had the urge for more pixels.
Being a long time user I can state that there where firmware upgrades for at least 6 years. This upgrades introduced new features and significantly improved existing ones. So I would be no means take a verdict on a (assumingly) pre production sample as final, some of the demanded features could still find their way in this camera or the post processing tools.
My only complaint as an existing OMD user could be, that starting from OM-D E-M1 the successors gained bulk and weight. This camera might be the first in the line I would consider a significant upgrade for my kind of shooting, so will give it a chance to see how this feels in real life.
Still - if OMD would add more resolution. Let's say they would be able to up it from 20 to 32 Megapixels. This would mean they can up APS-C to 54MP and Full Frame to 123 Megapixels.
I would still give the feeling that 32 megapixels is a low number. The problem is not so the number of megapixels, but the perception you get from those numbers. Besides sacrificing image quality because each individual photosite will be smaller as well.
Yeah right - as long as nothing moves in the frame... That's the problem with all these super resolution options regardless the camera or brand that offer these options.
To continue the wishes list for the future OM cameras, given the computational photography is progressed, would be great: - To go further with the shallow DOF and introduce simulation of great bokeh lenses like Helios 44, for instance - To simulate popular film manufacturers, like Fuji does already - To have computational high iso noise reduction (we know m43 struggle with that)
Computational NR is already there, as well as handheld HR-mode that will reduce noise in static shots. DOF simulation is not needed if using prime lenses (there are f0.95 lenses, and even the f1.2-1.4:s are sufficient). And IF introducing FAKE bokeh, OM would sell less prime lenses... For video, a bit less DOF is and advantage (or use a booster with FF glass). MFT means more choices.
What Fuji does is smart marketing - The film simulations are a representation, but they don't really come close to the original Fujifilm film. They here have had the advantage of being a producer of film and so could use this to their advantage and use it in their marketing.
Guys I really like your videos and your whole work but this one is a bit strange. Asking from a struggling company to create cine lenses (actually invest in video where they don't have experience) in a shrinking market does not sound so relevant to me.
Also, the bokeh issue could be solved either by buying f1.2-f1.8 lenses, either by buying a a cheap FF, either buying Luminar to fix bokeh or simply buying a smartphone.
Video is an expanding market. Getting more and more popular. Especially with youngsters. Besides video these days is implemented in every camera and starting to become a core part of a camera system.
If OMD doesn't do it, then Panasonic and DJI will. Basically making OMD obsolete.
Panasonic and DJI have seen the power of YouTube and the Youtube generation. The MFT format is very appealing to this usergroup.
I would not at all be surprised if DJI's next 'pocket' product will be outfitted with an MFT sensor. Aimed at the prosumer segment and multimedia content creator. If OMD doesn't extend to video, they will for sure miss that boat and segment which they will need to return and stay alive.
finally, they found their position. Cameras for Adventurers. Hard to disagree. Olympus camera is the only camera i dare take out when there is more than a drizzle. The size is just perfect for hiking and moving around.
Alas, i don't own m43 cam anymore but glad to see Olympus finally coming out with new cameras that not born from stupid echo-chamber from the old management. Em1x? what in the world were they thinking.
Echos of the wild perhaps? Em1x is for wildlife. It's a tank. Good grip, long battery life and feels more balanced when using a long lens like the 150-400/4.5. It's not for everybody obviously.
I don't understand some of the points they're making. Like they're saying it should be easier to track/focus on different subjects, the camera should decide whether it's human or animal, or something else. I don't think there are many cameras at this price point that do that. I have to select it on my Sony A7c, Nikon Z7 and I'm pretty sure I had to do it on the R6 I have tried a few months ago.
Why do they ask this from the camera that already has everything to prove and not from all the others on the market?
One, the more dedicated, AI-trained subject AF modes there are, the more I would expect that training to also enable the camera to recognise such a subject when one appears the frame.
Two, the difference is that those Sonys and Nikons still have decent subject tracking even if you wouldn't select that specific subject. As it seems, the OM-1 still hasn't.
They do say its tracking AF is behind competition if you don't select a specific subject, but they're also saying is that the camera should be easier to use, that it lacks the Auto subject recognition the Nikon (Z9) has. Nikon doesn't have it on their $2000 cameras either.
Generally speaking, I imagine it's only a matter of time before it comes to every camera. 10-15 years ago we had the same issue with compact cameras, were we had to manually select a scene, or else it would try and shoot at 1/200s in low light in Auto mode.
I guess we mostly agree there. Except maybe that it wouldn't have hurt OMDS to be the first $2000 camera to sport that auto recognition feature, either ;-)
I disagree with the comment that m43 needs more megapixels. I find 20mp sufficient for what I do, and of it were a trade off between mp and DR/high iso, of pick DR high ISO any day. OM systems made the right choice in not sacrificing these things to chase mp count. My humble 2 cents.
More megapixels are not needed for most practical purposes. Where more are needed, it has to be much more to make a difference (partly taken care of with hires modes). So I think they meant that more megapixels are needed for marketing purposes. It looks better on paper when it says 24 instead of 20 million.
But there is no trade-off between MP and DR/high ISO.
Throughout the existence of the Four Thirds sensor format, Four Thirds and Micro Four Thirds advocates have feared and opposed megapixel increases because of the already poor low light performance of the system (which they, of course, would never have admitted that clearly), in fear of that getting even worse.
Even though in the whole history of FT and MFT the actual sensors which introduced a megapixel increase always also brought a DR and low-light performance *increase* (except for the 10 MP CCD imager in the E-400 which was not only an outlier, but also marked the end of an era with Kodak CCDs in Olympus cameras), which naysayers always applauded to when it came about, they still opposed the next megapixel increase again when it became imminent.
Make no mistake, I also think 20 MP *is* enough for many people and for many use cases, and for much of what I do myself, too. [cont'd]
Then again, there are photographers and applications (and, potentially, customers) which demand more, and the stupidest thing OMDS could do would be saying "we don't want them as customers" if they could easily and perfectly well serve them, too.
But, maybe most importantly, by denying its customers further megapixel increases, OMDS would forgo the only real advantage of the smaller sensor format beside its compactness potential, which is its effective advantage for both macro magnification and telephoto reach. With APS-C at 33 MP and FF at 60 MP, no-one needs to increase focal length by full 50% (APS-C) or 100% (FF) anymore to get the same magnification or reach as MFT. And better still—for any other application that doesn't need cropping the APS-C or FF camera would retain its full format and megapixel advantage. [cont'd]
And with OMDS gear more and more being (rightly so) advertised for natur/wildlife/outdoor photography, that would be fatal. OMDS needs to continue to increase megapixel counts to keep its native advantage for those applications, lest more and more people rather go to larger formats even for those.
But are OMDS not depending on sensor manufacturers to actually offer them a higher pixel count sensor in the first place? Even if it can be said OMDS (Olympus before them) did at least some parts of the sensor design and had it manufactured, I think it is such a big thing, overall, that OMDS cannot, at this stage, already offer a sensor that BOTH offer less noise AND higher pixel count.
This time they went for (or, "managed to offer") less noise, and from early reports, a notable step in that direction is now made. Next time we may hope they will at least keep this new low level noise and offer a notable step upwards regarding resolution.
When the E-M5 came it was both less noisy and had higher resolution, the same for E-M1.2, albeit a bit smaller step up than that from 12>16 mpix.
This time it simply was too early(?) to enable BOTH higher res. and less noise.
In that context I think "less noise" was absolutely the best choice!! ;-)
I don't even say that I don't like what they did with the OM-1.
But if they would at least have upped the MP to 24 it would have been much easier for people who are still undecided to choose OMDS over something else. Or for existing users of other systems, who might have already been pondering the jump, to finally make that jump—which now, as it is, will still be a step back for many in terms of MP. If people buy something for a lot of money, they don't want to make a step back in one of the most obvious metrics...
By the way, we cannot really know what OMDS could have had if they would have wanted. See Panasonic...
Of course what "the market" feels it wants, is super important for manufacturers to know and act from. Always a balancing act, and we could always wish for a slightly different choice being made, than was made.
The worst omission of the OM-1, in my view, is there are still too many controls and buttons inoperable with gloved hands. To shoot in cold cicumstances and not being able to securely use many functions without taking gloves off, and thus get freezing fingers, is incomprehensible.
The four way controller, for example, is next to unusable with gloves on. I use the E-M1.1 & .2 and the OM-1 seem to have the same size of most buttons and controls as those two cameras have.
I don´t know how many times I have had to take gloves off when I needed to simply make any small change, because the controller and its middle button is way too small to safely use w gloves.
In, say, -10C or colder it´s not fun at all to get gloves off every now and then...
The C-AF performance seems to be extremely good, it's the general subject tracking algorithm that has been unchanged since the original E-M5 that is the problem.
Olympus supposedly told the DPReview guys that no changes had been made. More likely is the the reviewer still had face detect on and that's what was performing so well.
Possibly, but even if the basic algos haven't changed, they would still have many more focus points and much speedier processors to work with in the new O-M1, and they're likely to perform much better on that account alone.
Secondly, so we now have highly capable face and eye recognition plus AI based bird/mammal/car/bike/plane/train detect (anything else?). Which popular moving subjects are still missing?
Thirdly, many people who still associate Oly with poor tracking may only have experienced older models like the popular E-M1 and E-M1 II, which prioritized high contrast to identify the subject. The E-M1 III and E-M1X prioritize near distance instead and perform much better. I assume that the OM-1 would do the same, but with higher speed and precision.
Those that feel the autofocus is More then enough for their needs. I shoot portraits and only need one af point with no tracking so the af for this camera would be more then fine for my needs
Probably should have watched the review video then. The AF tests showed it to be much improved, but there is one test where it did not do so well unless used in combination with another AF feature.
"Which popular moving subjects are still missing?"
The obvious one that's missing is human detecting in scenarios where the face is not detectable by a camera. Panasonic has it on their cameras and it's great.
"The E-M1 III and E-M1X prioritize near distance instead and perform much better."
I can't say I agree with this at all. I've owned the E-M1ii/iii/X, even all at the same time for about a month, and I never saw any difference in the general tracking performance at all.
The generic C-AF + Tracking mode is simply better than before as do all AF settings. The algorithm has much more input (af-points) and computing power to its disposal. That shortage of computing power was the biggest reason it was not reliable. The same thing you can see with the dfd system of Panasonic. In the GH6 it's not perfect but really better than in the older GH5.
It's so funny people, esp old Olympus users, still crave and push for the latest cutting edge products from OMDS. You will all be orphaned again, and most likely for good, if OMDS continued to aim for glory and not survival. Let's hope this model and the 150-500mm are just things in the train and not specially designed by OMDS. The use of the label "Olympus" is probable due to this. OMDS models, when they are released, need to be more sensible, eg no more than $1900, no more big bodies and no more untealistic wow features.
No, I didn't. I already bought the GX9 and also the E-m5 III, as I prepare for Olympus' exit. I believe the GX9 is a better bet than E=P7 for my needs for that type of camera, and it also allows me to use Panasonic lenses with fully functionality, and helps to bridge over to Panasonic M43 products, just in case OMDS never bothers with compact lenses again or it vanishes entirely. I agree that the E-P7 and E-M5 III and IV are the types of cameras OMDS should focus on, compact, affordable and more purchaseable (Why buy very expensive products from companies that may disappear?)
OMDS ain't goin' nowhere! I've pre-ordered the OM-1 and the store rep told me I am 74th in line. 😊
As for why buy expensive products from them: because they are of terrific quality - the best at doing what I want my gear to do. Because they're insanely fun to use. And last (and least) of all, they're a fraction of the price of top-end gear from camera companies that you seem so sure will stick around.
This is the first time I'm even thinking about Olympus. It's to replace my old travel light birding/nature Canon 7Dmk2/100-400mm II. Specs look amazing.
I return to my primary camera retailer to pre-order a second OM-1 this weekend and they put me on a wait list. This camera going to be crazy popular. Clerk said they had 6 new orders for 150-400 this week whereas before they have about 1 per week. Good business for OMDS.
Chris and Jordan often have interesting observations, but i guess they missed where this new 20mp sensor is all about. It is effectively a 80mp sensor, but using it in a quad-bayer technique to get much better DR and lowlight capabilities. What is there to complain?
The quad-bayer structure is used purely for autofocus (quad pixel AF), there doesn't appear to be a mode which would use it for enlarging DR. Low-light capabilities have little to do with it (if anything, more pixels usually have more read noise).
don't know why there is this unrealistic expectation that Olympus/OM System need to release a "revolutionary" camera every single camera release. If they don't - its considered somewhat of a fail.
Not sure if any other brand is held to such high standards.Who really want's a revolution every 2 years? -- completely changing the way a camera works and how you use it? Doesn't make sense. Cameras have barely changed for the last decade.. since mirorrless, its just been incremental +DR, +AF, +MP, +ISO ++$
Phones are where the revolutions are happening in new processing techniques and tech. Innovation usually happens where the money is...
Maybe you're right, but I didn't see an "advice for Nikon/Sony/Leica" video.... for their recently reviewed models. They must have been truly revolutionary I guess.
Growing up with PCs I'd say revolutions every two years is great. Sure it's a little frustrating when you are constantly lusting for next year's model but a few decades down the road you have absolutely incredible, insane results.
And with the new stacked sensors I feel like the ceiling is raised so far, I thought you'd be stuck around 4K60 because of readout speeds but now I'm thinking you could probably do 8K240, 16K60 video with enough processing power and cooling behind it. And I'm sure you can find zany things to do with it for photography too.
I'd be really, really disappointed if we get to 2032 and we're like "Eh, pretty much the same as 2022.", of course there's only so much you can do for Instagram but I really look forward to seeing what's next.
M4/3 seems to be the meeting ground of sensor size and computational photography(CP). Fast readout speeds and low mass contribute to CP and IBIS respectively.
They are comparing it with full frame, OM don’t really have a competitor in its segment other than Panasonic but they target different people. These people want a full frame actually, fact is M43 will never be full frame for obvious reasons.
I guess it depends, for me - if I am using camera for travel / familly photo, then 20Mpix is more than enought, I have many photos on the A3 format and looks great. Nevertheless, when I do”more serious shooting”, means where I think I can use more resolution, there I use hi-res mode, and bringing down 80mpix raw to 50mpix, Including higher DR and better noise. This workflow works perfectly for me, having possibility to fit within 500-600 grams camera, 24-70mm and 70-200 lenses (35mm equivalent) if I need 🙂
I appreciate criticism. It improves us. So to make it clear, the title of the video "have some advice for om digital solutions" is rather a polite criticism statement. When the first OM camera launches, bringing so many features in the table, and one stays calm and wise enough to state "hmm lets see how we can help this new brand with our comments", for me its as if he already made a negative comment, securing the sales workhorse position from any threat. For me although I generally like the reviewers' videos, from this point I have been lately keeping distance because they promote specific ff and they promote never ending new tech without having a sensible and thorough approach. They actually promote and protect sales workhorses. Actually OM is a gem. Oh I forgot, fuji has 26 MP, and FF better DR, so OM needs to be improved. Thats not photography but statistics.
I know that they probably meant well with this video (being MFT fans themselves) but I can't help but feel that by highlighting where this £2,000 camera isn't as good as a £5,500 A1/R3/Z9 (readout speeds, etc.) and downplaying its strengths they actually damned it with faint praise and probably confirmed a lot of people's biases...
I also wonder if their being close to MFT actually dampened their impression of this cameras advancements, because they were somehow hoping for even more. They seem to be a little underwhelmed, whereas a lot of other reviewers have been far more impressed by it.
Their criticism of Olympus and Panasonic for not working together to offer cross compatibility with each other's bodies and lenses is absolutely right though. no point sharing a mount if you're just going to have two competing systems for that same mount.
I wish too the ibis cooperated with in lens stabe cross brand on Panasonic. I have the 14-140 Power I.O.S, second version of 14-140,and love that lens. And I am determining which of more prosumer/pro oriented micro 4/3 bodies I want, considering that possibly telephoto/wildlife will be my main usage scenario, leaning most to E-M1 mk II because of its buffer depth, phase detect AF performance for BIF and its price brand new in one reliable UK shop £639! Also already own 75-300mm mk II which I loved using on GX90 I sold recently.
For landscape and portraits I will resort mostly to my A7 mk1 and two smaller and light primes, Sony FE 28mm F2, the post 2018 version producing appealing sunstars and still having a appealing bokeh at closer focus distances, and the lovely Samyang 75mm F1.8 AF. Also keeping good'ol Canon 40D, you need this kind of ergonomics and haptics once upon a time, combined with 24-105mm F4 L USM IS it great weather sealed combo for smaller outdoor sports like tennis :-D
The point of the shared mount is shared compatibility with 3rd party lenses. You can't reasonably expect Olympus to share their own brand-specific features with Panasonic, or vice versa.
As far as Megapixels the theoretical maximum for a 4/3 sensor using the 150-400mm f/4.5 at f/4.5 without diffraction would be a sensor of 7,452 x 5,589, or 41.6MP rounded off. This is with green light at 550nm and an acceptable diffraction of 2.5 pixels.
For f/4 lenses the theoretical maximum diffraction free resolution at f/4 is 52.7MP for a 4/3 sensor.
For a consumer lens with a max aperture of f/6.7 we would have a maximum diffraction free sensor of only 18.8MP
A consumer lens with a maximum aperture of f/6.3 the max diffraction free sensor would be 21.2MP.
So, there is room to grow with professional fast lenses. The slow consumer lenses are already maxed out at the current 20MP resolution of the current sensor.
All calculations done with an acceptable diffraction of 2.5 pixels. Obviously, if you use a 2 pixel acceptable blur these numbers will be quite a bit lower.
Maybe we should average these with the green light numbers above and use that as a better common ground number, which would have a better red resolution compared to just using green as a basis for maximum diffraction limit.
Average the green and red and we get these numbers.
Very interesting to see these numbers. I wonder how camera manufacturers actually decide on a maximum for a certain format. Just green light, or do they average the Green and Red. Maybe they average all 3 colors. Maybe I will crunch those numbers next.
Well, that got me thinking. So, I crunched the numbers averaging 450nm Blue, 550nm Green, and 650nm Red light and came up with the following table of maximum diffraction limited sensor megapixels.
So, averaging all three of these wavelengths of light we see that even the f/6.7 consumer lens can resolve well on a 20.1MP sensor. The 150-400 f/4.5 up to 44.6MP. f/4.0 Pro lenses a whopping 56.4MP!! Not too shabby.
That is very theoretical and inspiring figures indeed. Unfortunately there are downsides with tiny pixel sites. But in 22 hours we'll see what GH6 brings to the table. Personally I'll take 20 MP & PDAF over DFD & 25MP any day of the week.
Theoretical indeed. Went a bit further and researched the current lenses to see what they can resolve in line pairs/millimeter, and it dampens this quite a bit.
Found line pair/millimeter tests from LensTips.
Olympus 17mm f/1.2 Pro @2.8 98.6lp/mm is the sharpest = 37.8MP Resolved Olympus 45mm f/1.2 Pro 96lp/mm = 35.8MP Resolved Olympus 300mm f/4 Pro only 73lp/mm = 20.7MP Resolved (Bad Sample? Don't know) Olympus 75mm f/1.8 82lp/mm = 26.1MP
So, we really need outstanding lenses to get to 35MP or so. Don't think we will see any improvement at 40MP and beyond without some kind of super lenses near 100lp/mm or higher. You would need a lens resolving 110lp/mm to resolve 47MP in a 4/3 sensor.
I wonder if some computational approach could be used with the 4 subpixels on this new sensor to reduce diffraction. Many cameras come out with firmware updates a year or two later that extend the functionality and features.
20 MP MFT is about the same per-pixel performance as 30 MP APSC, or 77 MP FF. In other words, they are already using comparable or higher pixel densities.
This has me thinking. At 400mm f4.5 has a diffraction limit of 44.6MP. Suppose you want that level of DOF achieved.
A 800mm FF lens would have to be stopped down to f9 to achieve the same DOF at the same focus distance. So if you NEEDED that level of DOF, your diffraction drops the lens below the resolution of a current OM-1?
tmascolo: how did you compute those 'MP resolved'? Those tests by Lenstip are done at 16Mpx or even 12Mpx, so it seems quite nonsensical to obtain such high numbers. At 100lp/mm I get:
@kolyy Hope you are well. Example computation Line pairs per millimeter for the 17mm f/1.2 shot at f/2.8 was 98.6lp/mm. Formula is (1000/(98.6*2))/2) = 2.54 microns of pixel pitch resolved. Sensor size of 4/3 is 18mm x 13.5mm. 18mm / .00254 = 7,099.2 , 13.5mm / .00254 = 5,324. 7,099 x 5,324 = 37,795,076 or 37.8MP.
tmascolo: Thanks, I think you might have an error there, what is the reason for the additional factor of 2 in that 'pixel pitch resolved' calculation? Also, the sensor size is 17.3x13mm, but that is a minor factor.
@GXAlan on a 35mm sensor pixel pitch is going to give you better numbers. No worries at f/9 on 35mm sensor, theoretical diffraction limited megapixels, if we average red/green/blue light, would be 39.33MP. Sensor size does matter. Also, easier to design lenses for 35mm since the pixel density won't be as high at the same megapixels.
At f/9 on a 35mm sensor of 35.9mm x 23.9mm the Diffraction Limited Resolution in Megapixels are:
Green light = 36.8MP Red Light = 26.3MP Blue Light = 54.9MP
Thinking about lens resolution more now on 4/3 vs 35mm sensor. 4/3 really needs outstanding lenses, and 35mm can get away with lesser lenses for a given megapixel count.
This makes no sense to me. We know the pixel size. For example, it's 3.8um for the E-M5 II used in the test of the 17mm/1.2. That's 3456 pixels per picture height. The line widths per picture height measured by Lenstip (in the center) is 2x99x13 = 2574 lines (at MTF50). That's reasonable, though substantially lower compared to what Opticallimits have found with same camera (around 3100 lw/ph).
Then you apply a completely arbitrary factor of 2, which is then squared to 4, to arrive to some 'MP resolved' metric, which has many times the real pixel count of the sensor and has no basis in the number of lines resolved.
I will use the 35mm sensor size of 35.9mm x 23.9mm and a lens that measures 73lp/mm.
73lp/mm = 146 lines per millimeter (multiply by 2 to get lines per millimeter)
Next step convert from lines per millimeter to microns
1000/146 = 6.85 microns
Next step: What is your application Monochrome or Color?
If Monochrome divide by 1.41, so 6.85/1.41= 4.86 micron pixel pitch
If Color Bayer divide by 2, so 6.85/2 = 3.43 micron pixel pitch
Will use Color sensor of 35.9mm x 23.9mm and divide the horizontal and vertical by 3.43 micron pixel pitch. Have to convert from microns to millimeters first.
35.9mm / .00343mm = 10,466 horizontal pixels
23.9mm / .00343mm = 6,968 vertical pixels
10,466 x 6,968 = 72.9MP max resolution resolved on a 35mm sensor with a lens measuring 73lp/mm.
It's not enough to just use the formula, it's quite crucial to understand what it means. Looking around that site I think I understand where the confusion comes from. What they are talking about is whether the lens, presumably tested on a purely optical bench, "supports" a sensor with a particular pixel density. What they mean, I think, is that the lens is then good enough for such a sensor, as they explain here:
A few points: - the site is very outdated. An ideal lens in their thinking is such that it does not induce moire, because the alternative is "an (expensive!) so called “OLPF” (=”Optical Low Pass Filter”)". But OLPF was a standard part of sensors for decades, so a too sharp lens has not been a problem for a very long time. Furthermore, OLPFs has been recently ommited as the users are demanding more perceptual sharpness, false detail being damned. A good lens is often identified by its ability to induce moire and thus outresolve the sensor. In other words, the standard they are applying is pretty low and most tests would evaluate a lens which can only resolve 1/2 of the pixel pitch as soft (e.g. less than 2000lw/ph on a 20Mpx M43 sensor with 3900 pixels per ph). - looking at the performance of a lens on a low Mpx sensor and concluding it can "outresolve" a much higher Mpx one is circular reasoning. One would need an optical bench (no sensor) to evaluate that.
Exactly. Therefore if your pixel density of your sensor is denser than the calculated value then the lens can not resolve the full resolution of the sensor.
Therefore in my 17mm example, if you go to a 90MP 35mm sensor than the lens will still only resolve 72.9MP not the full 90MP of the sensor. The lens becomes the limiting factor of the system. You will, however, get a bigger version of that 72.9MP image for printing purposes obviously.
And one more point - we are only talking about center sharpness on the 17mm/1.2. The outer parts of the image are much softer, so concluding it "outresolves" a very high Mpx sensor based only on the performance in the center is not quite correct.
@kolyy Alright, fair enough. You disagree with the reference site, and how I applied their formula to create data points.
Can we agree that it is easier to design a lens that can resolve 25MP on a 35mm sensor than a 4/3 size sensor of the same MP count? Is that point at least valid?
If we agree on that, then the theoretical numbers do indeed support that hypothesis.
Did you have any issue with my diffraction limited resolution data?
@kolyy You are indeed correct, with the 17mm @f/2.8 in the center was the highest lp/mm measured. Once you change the aperture, those numbers decrease. Also, at the edges the lp/mm measures worse. Almost no lens is perfect across the range. You would need to design a perfect flat field optic, and it would only be optimal at one aperture most likely.
"Can we agree that it is easier to design a lens that can resolve 25MP on a 35mm sensor than a 4/3 size sensor of the same MP count? Is that point at least valid?"
Yes, I agree with that, at least that's the conventional wisdom. But I am not a lens designer by any stretch, so I can't say how much more difficult it is in practice. Where I am very sure is that, for example, an F1.2 lens for MFT requires a more complicated optical formula to correct aberrations than an F2.4 lens for FF. And similarly, an F4 zoom for MFT lens has to be pretty much perfect wide open for deep DOF shots, as there is not much room to stop down, diffraction hits it right away. A zoom lens for FF can be typically stopped down quite a bit to F8.
Well, maybe one answer why they don’t do a lot of these smart things is that they don’t have the budget like Nikon let alone smartphone makers, both in regard to software development as well computing hardware.
Well… If they have the budget to develop several camera releases then they have the budget to basically do software development.
For example. Instead of actually changing much on the OM-1, could do an upgrade of the processor (for more processing power, if that is even needed), and get a sony sensor that can read out at the speeds of the A1 but for the smaller sensor size (lets say roughly 2-4 times faster.
The rest of the budget should go to SW development. Cause if they can get that to work as they are suggesting here, then it is an investment that would pay long term. Any stacked sensor that has a high readout speed would be able to make use of the algorithms they develop now. With some tricks and fine tuning they maybe able to get some of the features trickled down to the lower end cameras.
Thinks like “portrait mode” won’t even require a stacked sensor. Same goes with something like “night mode”.
Thing is that load of people have been saying it for a while. The reason why the smaller format phones are beating the entry level camera industry is due to their innovations in computational photography. And that the camera industry is behind the times.
They most definitely are, and the excuse that they don’t have the budget (generalizing here) is BS. I mean sony produces their own phones right? You telling me that they don’t have any plans on including computational photography in their phones if they aren’t already? Porting this over to cameras should be simple for them.
Same goes for canon. They are in the medical imaging industry. They surely have computational stuff going on there (automation, image processing and analysis etc). Technique that are developed for either market could be beneficial to the other.
But hey… this is a problem with sandboxing in companies. The camera division likely doesn’t know what is available in the medical decision
Well we can see from the OM-1 that the AF system is actually not the issue. When it comes to speed and focusing. It’s the image or target recognition part of the software that seems to be lacking. Nikon/canon/sony has addressed this by machine learning/training. The same sort of technique would need to be used.
Not saying I am a programmer, but I think they would be able to pull it off if they make it a priority.
You are aware than Olympus/OM have said since the E-M1X that machine learning was used for their subject-specific AF tracking? They are using machine learning, just not with a sufficiently large training pool, smart enough code or computing power to do the things Nikon does with the Z9.
And have a look at what billions Apple spends on silicon development and production, can you really say with a straight face that the camera makers could afford the same procession power as Apple has in its mobile devices?
And since when has a company that has made losses most years for about a decade plenty of money around to invest whatever it costs? Even Nikon is using older, cheaper components (look how long it took them to offer USB-C) to stay in the black.
Camera companies can't afford to poach top software talent from phone companies and the like, and OM's niche marketshare puts them in an even worse spot for R&D. 100% disagree with this:
"Well… If they have the budget to develop several camera releases then they have the budget to basically do software development. "
Oly had subject specific AF before anyone else, this was at their height though, fortunes change but there’s also the matter of hardware limitation, AI assisted AF still needs light.
On the topic of computational photography trickling down from smartphones, I think this might actually be an advantage for Sony. We all know they have negligible mobile phone market share, and are chasing niches such as using Xperia Phones as OLED displays for their cameras (why not a recorder too, like Ninja?). But their expertise in mobile phones can pay off really well if they can implement the related mobile processing and interface developments to their cameras. If I were making decisions at Sony I’d try to keep one feet in the mobile industry for as long as possible.
Sorry, but you also can’t say anything about apple’s investment in silicon. After all that terms is extremely broad and generic. Apple heavily develops it own chips for several products. Think A and M processors. That is a whole different ball game. When it comes to camera silicon, those things are dirt cheap, and they are likely bought from places like sony.
When it comes to AI learning, once you have the algorithm there, if the issue is that the pool if images you use is small, then you simply need to increase that pool At lot of the work involved is automated.
And my suggestion about them improving this is about low hanging fruit. Canon’s, and Sony’s investment in that segment. You don’t think it pays dividends in the long run? The subject tracking algorithm was developed once (for the R6 for example, and basically ends up in the R5, R3, and eventually the R1 and any other camera they release.
Sure they will improve on it over time, but the major portion of the R&D investment is for the first version.
If OM wants to stay relevant with there cameras, they they pretty much have no choice but to make improvements here. It is pony up or fade aware. They promote this thing like a sports/adventure/wild life camera. One would expect the AF to do well. Especially when comparing it to other cameras.
I would consider getting an oly due to the potential of a smaller/lighter setup and most importantly a really well weather sealed camera. But for the cost… why would I not just get an R6 instead? I rather put a rain coat on and R6 and have great/awesome AF, than simply have the oly for its weather sealing. After all… I am already on the RF system.
"But hey… this is a problem with sandboxing in companies. The camera division likely doesn’t know what is available in the medical decision"
Olympus, during many years, literally spoke out about their camera division vs medical division both sharing technical advancements from each other. At least they said the camera division contributed, and thus was not going to be tossed out of the company. Maybe that was pure marketing BS , or it may have been completely or partially true. Until, finally, they had to realize the camera division did not contribute enough to remain "in house".
So, at long last, that didn´t save the camera division into producing black numbers in the books, sorrily.
The point remains that camera companies cannot have low profits or no profits at all and at the time lots of money in spare to spend on software and hardware. Yes, the SOCs of cameras are pretty cheap (just look what processing size they use). But there are cheap because the camera companies are struggling to make profits and thus have to save money wherever they can.
And all that ignores the vastly larger economies of scale of smartphone components.
Follow the MONEY - youtube video generates money for the producer... more views, more money... content in many cases, is secondary or even non-existent. opinion is cheap and doesn't require any substantiation. And since it's free tto the viewer... well people will watch just about anything.
I see my first impression confirmed. This camera is so ordinary that there are better options. Most of these suggestions just translate to: OM, good try, but you should do better to stand out.
It's more like Nikon would bring out a Z90 that is better than the Z9 for 65% of the price. Obviously this is a solid upgrade camera for Olympus shooters. Not even the Z9 or R3 will make people jump ships. The A1 did, but not anymore.
I think the 20mp resolution is fine. I would focus more on body design/feel, battery performance, AF performance, Video performance and Lenses. The new sensor seems solid.
Agreed, increasing resolution for the main reason because it's just been too long is not a good reason. We forget how many incredible images have been taken with 20MP.
Canon 1DX series, Nikon D5/D6 have taken incredible images. Yes they're full frame but even my 20MP RX10IV takes incredibly sharp and beautiful pictures.
I have several cameras and a lot of times shoot side by side with a 45mp and a 20mp body. There is not a huge difference. I notice more the sensor readout speed (e-shutter) differences and noise/high iso performance. The new sensor on the OM-1 seems worlds better than the one in the E-M1 mkIII camera. both might be 20mp and the same size but looking at some sample images the new sensor is A LOT better.
20-24MP is where we have been for the past 7 years. It seems like a fine resolution. Good compromise between having enough resolution and being able to shoot really fast and process the raws.
It would be easier to create a higher megapixel sensor and use pixel binning for lower res lower noise images/video, than it would to use a lower megapixel sensor and try to stack images for a higher res image. The first can do this in one step for stills or video, the second multiple steps, and its much more complicated requiring hyper speed or still subjects. The first would be beneficial to both stills and video in one easy step.
So if they came out with say a 36mp sensor, they could output beautiful 9mp stills for low light or use it for video (4K is about 8mp resolution). So to me this would be the smartest way.
Probably the biggest thing that irks folks outside of the known factions, are this viscous attacks anytime anyone slightly offers up viewpoints about an camera different than one's own. Then some are shocked with any kickback. If 1 MP is fine for one, why make the claim it's should good enough for everyone else. Well if that be the case, well everyone should just use their so called smart phones good enough cameras.
I don't see the OM-1 as being some bad camera, it's an good camera. However I would think anyone that has been paying attention would tend to agree that pricing will be key. The Sony a7iv was ripped on this very same site. So why folks someone how think the OM-1 will get an free pass is beyond me.
Yet at the end of the day, the A7iv is setting sales records for Sony. So the OM-1 will have to prove if it can do the same for OM Digital Solutions. I certainly hope so.
"If 1 MP is fine for one, why make the claim it's should good enough for everyone else. "
In every heated discussion I've had here the issue was always that people wouldn't consider any other requirement than their own. Sometimes it could be resolved by saying the camera fits my needs better. Also, if the vast majority of users want something, or let's say the industry is leading progress in a particular area, are we still allowed to not agree, and have different requirements?
The A7 IV and OM-1 are in different places. I don't think people had any big expectations for the Sony, considering the A7 III was still selling well and had raised the bar for the whole industry. Like Apple in the smartphone world, they can probably get away with less groundbreaking products and hit sales records. The pressure on OM-1 is huge in comparison. And regarding pricing, a price set too low - even if it's more realistic - can kill sales just the same way...
Dear Chris and Jordan, This "perceptually big deal for the market" -as for Mp rally- is for marketeers and audience who like to "be treated" marketing wise. It's this very marketing approach that prevents your wishful thinking about lenses, aha..! Btw the "smartphone way" goes with the "this cam takes good pictures" staff as well with "perfect worlds" where companies jointly split their niche and cooperate for the common good et such. Anyway and "perceptually speaking" depicting something in a media and photography/videography still remain two different things. Interface and GUI may be and they both are the holly grail of any device, but it seems that takes decades for manufacturers to get it, though there are some good efforts.
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