Jarred Land, CEO of RED Digital Cinema, shared an Instagram post that shows off the screen of an unreleased RED camera system.
Articles tagged "video-news"
While DaVinci Resolve received native Apple silicon support back in March, Blackmagic RAW was left behind—until now.
Canon has announced the EOS C70, a digital cinema camera with a design similar to that of a mirrorless stills camera. Notably, the C70 uses the RF lens mount, making it the first Cinema EOS model to adopt Canon's newest lens system.
Atomos and Olympus have announced their plans to bring Apple ProRes RAW video recording capabilities to the OM-D E-M1X and OM-D E-M1 Mark III when connected to an Atomos Ninja V recorder via HDMI.
Sigma's fp full-frame mirrorless camera is now able to output a 4K raw stream that can be captured as ProRes Raw by an Atomos Ninja V or Blackmagic Raw on the Blackmagic Video Assist 12G, as part of a major update.
The Canon EOS R5's video specifications look very powerful. We break down what everything means, and what the limitations might be.
Panasonic has added 5.9K Raw video output to its Lumix DC-S1H full-frame mirrorless stills/video camera, allowing the recording of ProRes RAW with an Atomos Ninja V recorder.
We don't typically cover camcorder launches, but a trio of new models from Panasonic caught our attention due to one interesting feature: the ability to live stream directly to video platforms such as YouTube, Facebook or other services using RTMP.
Last week Panasonic announced a major firmware update for the G9, adding video features once exclusive to the GH5 series. Does Chris love the autofocus? Can Jordan replace his beloved GH5s? Tune in to find out.
Production houses will need to shoot with specific settings in place, but this certification makes the S1H one of the most compact and budget-friendly options on Netflix's small-but-growing list of cameras that can be used to shoot Netflix Original content.
Atomos, a leading manufacturer of off-camera recorders, has announced that it is working with Panasonic to bring Raw video recording to Panasonic's video-oriented S1H mirrorless camera.
Thanks to an optional firmware update, the Panasonic S1 now offers advanced video features historically reserved for the company's GH series of cameras. Does this make the S1 the best full frame camera for video on the market?
Blackmagic Design has announced the Pocket Cinema Camera 6K, a compact cinema camera with a Super 35 sensor capable of Raw shooting with up to 13 stops of dynamic range.
Alongside the a7R IV, Sony has unveiled a new shotgun microphone that, when used with the new camera, offers built-in audio/digital conversion to provide digital audio recording in camera. A new XLR adapter mic adaptor kit is also on its way.
Panasonic has announced an upcoming firmware upgrade for its Lumix S1 full-frame mirrorless camera, adding a number of advanced video features similar to those found in the company's video-oriented GH5 series of cameras.
Premiere Rush is targeted at Youtubers and vloggers who want to edit video on the go.
Apple has updated its professional video editing app Final Cut Pro X to version 10.4.6. The update brings full 64-bit support, a new feature that helps convert older formats and much more.
Atomos has announced two of its most popular monitors/recorders will support 10-bit 422 HDR recording with Panasonic's new Lumix S1 full-frame camera.
Nikon's new Z6 Filmmaker's Kit includes most of the gear a budding videographer needs, including a 3-axis MOZA Air gimbal, Atomos Ninja V external recorder and Rode external microphone. You also get a 24-70mm F4 S lens, FTZ adapter, extra battery and, of course, the camera itself. Savings are around $650 compared to buying it all separately.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
Three videos published by Blackmagic Design highlight the capabilities of its upcoming Pocket Cinema Camera 4K, which is expected to launch next month.
Adobe has announced development of Project Rush, a cross-device video editing application that consolidates the entire video creation workflow, from shooting to social media sharing, in a single application.
In a bid to clear up online speculation, surprise entrant to the full frame cinema lens market Nisi has answered some questions about its relationship with brands marketing lenses very similar to its own F3 series.
The free firmware update allows users of the Atomos Shogun Inferno and Sumo19 to begin recording in both ProRes RAW and ProRes RAW HQ right away using any of the nine supported cinema cameras from Panasonic, Sony, and Canon.
Sony has announced the impending arrival of its latest professional Super 35mm camera, the FS5 II. Aesthetically, little has changed compared to its predecessor, but the features included with the FS5 II mean you won't have to shell out money for firmware updates like the FS5.
Filter maker NiSi surprised everyone this week by unveiling a set of cinema primes. The new NiSi F3 cinema lenses can cover a full-frame sensor and will be available in PL, Canon EF, and Sony E mounts.
Apple just released version 10.4.1 of Final Cut Pro X, and the big news is a brand new video format called ProRes RAW. The new format combines the editing flexibility of RAW video with the performance benefits of compressed ProRes.
Atomos is preparing an AtomOS update that will enable the Shogun Inferno and Sumo19 HDR monitor/recorders to pull 5.7K Raw video out of the popular Super 35 Panasonic AU-EVA 1. Best of all, the upgrade is free.
A sensor designed to be used in space has gone on general release from cinema camera manufacturer Red. The Gemini 5K S35 was originally created especially to work in very low light conditions, but has been adapted to offer dual native ISO settings so it can also shoot in normal conditions.
Canon has announced the EOS C700 FF, an updated version of the company's C700 cinema camera that includes a full frame sensor in place of a Super 35 sensor. This allows the camera to use Canon's entire line of EF-mount lenses at their standard focal lengths.
eMotimo has introduced a motion control kit that motorizes the popular Dana Dolly using an eMotimo spectrum ST4 for a massive range of control. Together, the kit starts around $4,250, compared to the $15K to $20K of current industry-standard set-ups.
Video camera maker Blackmagic Design has announced the "world’s most affordable and flexible professional" camera aimed at broadcast and studio film makers. The URSA Broadcast shoots Ultra HD resolution, uses an interchangeable lens mount and costs just $3,495.
Cinema camera manufacturer Arri has launched a completely new, 'large format' 4K system comprising a camera with a new lens mount and 16 new lenses to go with it. The Alexa LF camera uses a roughly 'full frame' sensor and can record up to 4.5K at frame rates of 150 fps.
A firm launch date is still forthcoming, but in the meantime a sample reel from Kodak's new Super 8 camera has been released.
DJI has launched the Zenmuse X7, a Raw video capable Super 35 camera module. The camera/gimbal system which mounts to the company's drones features a new, proprietary lens mount.
If you still use Apple's Final Cut Pro 7, you have a choice: either you don't update your Mac to macOS High Sierra, or you make the jump to Final Cut Pro X. The older version won't even launch on the new operating system.
Avid just released Media Composer First, a free version of its pro-level video editing software. Surprisingly, it only comes with a few omissions that most non-professionals will easily be able to live with.
Sony has teased its customers with news of an upcoming announcement: it will soon take the wraps off a new CineAlta motion picture camera, one sporting a 36x24mm sensor.
The VMic Pro, VMic Recorder and VMic microphones are targeted at DSLR users who want to record high-quality audio.
Panasonic has announced a 5.7K Super 35 format cinema camera that sits between the GH5 and the VariCam LT 4K.
Fujifilm has officially launched the MK 50-135mm first introduced in February.
Canon has announced the Cinema EOS C200 and C200B, two variants on a 4K/60p capable production video camera that shoots in a new 12 or 10-bit Cinema Raw Lite format.
In this terrifying video, Iraqi journalist Ammar Alwaely narrowly misses a sniper's bullet, which takes out his chest-mounted GoPro. Warning: strong language.
Saramonic's new PMIC range is aimed at those users who would like to try out filmmaking with a DSLR and want better sound than built-in microphones can provide.
The AI-powered stock/sharing website is looking for aerial shots, food, nature, urban and travel clips. Clips can be from 5 - 45 seconds long and are licensed on a 50:50 basis.
Go behind the scenes with Director James Gunn and Director of Photography Henry Braham to learn why they went with the RED Weapon 8K.
Firmware v2.5 for Blackmagic's Video Assist 4K monitor/recorder will bring a variety of professional 'scopes' to the device for quickly assessing exposure and color. Read more