In this video, we go behind the scenes with professional ski photographer, Angie Smith, for a photo shoot with Tamron's 18-300mm lens in Sun Valley, Idaho, home to some of the world's best skiing.
Articles tagged "tamron"
According to Tamron Japan, the three prime lenses will switch from autofocus to manual focus mode when shooting videos on Sony's full-frame a7 IV camera system.
We took the second generation of Tamron's well-priced F2.8 standard zoom with us to Louisiana and Florida over the Thanksgiving weekend, to show what the 28-75mm F2.8 Di III VXD G2 can do.
The Tamron 35-150mm F2-2.8 may seem like an odd focal range at first, but Chris argues that it hits the sweet spot for many people like wedding photographers, portrait shooters, and even for travel. It's also fast. Watch his full review to find out what he thinks of it.
In his hands-on review for DPReview TV, Chris Niccolls found the Tamron 35-150mm F2-2.8 to be optically excellent, but not flawless. Check out his gallery of sample images from this lens to see if you agree with his conclusions.
The original Tamron 28-75mm F2.8 was a Goldilocks lens for many Sony E-mount shooters. Now Tamron is back with a second gen version that promises to be even better. Does it deliver on that claim? Chris and Jordan did a side-by-side comparison to find out.
Chris and Jordan from DPReview just reviewed the Tamron 28-75mm F2.8 G2 for Sony E-mount. Check out their gallery of sample photos to judge critical image quality for yourself.
Lens availability is a critical part of choosing a camera system. We've updated our guide to Nikon, Canon, Sony and Panasonic/Sigma/Leica mirrorless mounts to see how their lineups and technologies currently compare.
Tamron has announced a 35-150mm F2-2.8 fast, flexible zoom for full-frame Sony E-mount bodies, alongside a second-gen version of its 28-75mm F2.8 standard zoom lens for the same system.
Following an earlier development announcement, Tamron has officially announced the pricing and availability of the 18-300mm F3.5-5.6 superzoom lens for Fujifilm X-Mount, following the availability of the lens for Sony E-mount.
The lens features a 27-450mm full-frame equivalent focal length, weighs just 621g (21.9oz) and is set to ship later this month. A Fujifilm X-mount version is expected to ship later this year.
Tamron is working on a fast-aperture 35-150mm F2-2.8 telephoto zoom for full-frame Sony E-mount bodies. Expected this year, this versatile lens will use the company's 'VXD' linear focus motor with promises of speedy autofocus.
Tamron announced the development of the 28-75mm F2.8 Di III VXD G2, the second-generation of one of our favorite lenses. The 'G2' will feature redesigned optics, a 'VXD' linear focus motor, a shorter minimum focus distance and refined ergonomics.
Despite continuing issues with wildfire smoke, Chris was able to put the new Sigma 150-600mm F5-6.3 DG DN OS 'Sport' through its paces in a variety of situations. Find out how it performed, and how it compares to its peers, in this latest episode.
We took the Tamron 35mm F2.8 Di III OSD M1:2 to the Deschutes County Fair and Rodeo. Take a trip to Oregon's high desert country to see everything from rodeo clowns to roller coasters.
With smoke from forest fires keeping them out of the Alberta countryside, Chris and Jordan take to the streets of Calgary to test out Tamron's ultra-wide 11-20mm F2.8 lens for Sony APS-C cameras.
Chris and Jordan from DPReview TV just wrapped up their review of the Tamron 11-20mm F2.8 Di III-A RXD for Sony E-mount. Check out their sample gallery and judge image quality for yourself.
The Tamron 11-20mm F2.8 Di III-A RXD is a compact ultra-wide zoom for Sony APS-C E-mount bodies. See how it performed in a variety of situations in our sample gallery.
Tamron has just announced the 18-300mm F3.5-6.3 Di III-A VC VXD - a superzoom lens for APS-C, which will be available for both Sony E mount and (for the first time) Fujifilm X mount.
In this video, watch as photographer Joey Schusler takes the Tamron 70-300 F4.5-6.3 Di RXD III on a rafting trip along the Grand Canyon.
The new Tamron 150-500mm F5-6.7 super-telephoto lens enters a crowded field of options for Sony's E-mount cameras, but provides great optical performance with a compromise between existing 100-400mm and 200-600mm options.
The Tamron 150-500mm F4-6.7 Di III VC VXD is a super-zoom lens for full-frame Sony E-mount bodies. It's well-built, sharp and quick-to-focus. Learn what else Chris and Jordan thought about it in the DPReview TV review of the Tamron 150-500.
The new APS-C 11-20mm F2.8 offers a fast ultra-wide-angle zoom lens in a compact package, while the full-frame 150-500mm F5–6.7 offers a lot of range in a relatively compact package.
Tamron's 70-300 F4.5-6.3 is among the smallest and lightest full-frame telephoto zooms for Sony mirrorless E-mount. And priced at around $500, this lens provides good sharpness and focal length versatility for the buck. Jump into our sample gallery to see its optical quality yourself.
The Tamron 17-70 F2.8 Di III-A VC RXD is a compact general-purpose lens for Sony's APS-C, E-mount mirrorless cameras. So how does it perform? Read our review to find out.
Tamron's 17-70mm F2.8 III-A VC RXD is a lightweight zoom for Sony APS-C E-mount shooters. Equivalent to a 25-105mm F4 in full-frame terms, this lens handles nicely on a6000-series cameras and offers great versatility for daylight shooting.
The Tamron 17-70mm F2.8 is a fast, large aperture zoom for Sony E-mount APS-C cameras. Does it hit the sweet spot between price and performance for an everyday zoom lens? We tested it to find out.
Tamron has announced its 17-70mm F2.8 Di III-A VC RXD lens for Sony APS-C bodies. The lens, with a 35mm-equivalent of 25.5-105mm, will be available in mid-January for $799.
The Tamron 70-300mm F4.5.6-3 Di III RXD for E-mount provides similar coverage to Sony's own 70-300mm lens, but at a fraction of the price. Is this another winner from Tamron? Watch our review to learn more.
70-300mm zooms are incredibly popular, particularly for travel. How does Tamron's newest model compare? Check out our sample gallery to judge sharpness, bokeh and pincushion distortion for yourself.
Tamron deems the lens, which is set to go on sale starting October 29, ‘the world’s smallest and lightest telephoto zoom lens for Sony E-mount full-frame mirrorless cameras.’
Tamron has announced it is extending the closures of its Hirosaki and Namioka factories due to 'decrease in global demand due to the worldwide spread of the [novel] coronavirus.'
Introduced alongside 20mm and 35mm siblings, the Tamron 24mm F2.8 is a lightweight and low-cost option for full-frame Sony shooters. It offers moisture-resistant construction and 1:2 macro reproduction – all for less than $400.
Tamron has announced the development of what it claims is the 'smallest and lightest' telephoto zoom for Sony E-mount: the 70-300mm F4.5-6.3 Di III RXD. This 544g (19.2oz) full-frame lens is expected to ship this fall.
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Tamron has released the 28-200mm F2.8-5.6 Di III RXD lens for full-frame Sony mirrorless bodies. This compact, lightweight zoom lens should be available in late June for $729.
Tamron says a number of units shipped out without having their internal floating optics calibrated properly to correct for chromatic aberration.
The teaser doesn't share much information but based on the visuals provided, it appears to be a mid-range zoom roughly the same size as its 28-75mm F2.8 lens.
The Tamron 70-180mm F2.8 Di III VXD is an affordable, compact telephoto zoom lens for Sony full-frame cameras. It lacks internal image stabilization, but produces sharp results throughout its range.
Impressively compact and no slouch in terms of sharpness: Tamron's 70-180mm F2.8 for Sony E-mount shapes up to be a solid option for a7-series photographers.
What better time to shoot with a telephoto zoom? Chris and Jordan took the Tamron 70-180mm F2.8 and a Sony a7R III into the empty streets of Calgary for some appropriately-distanced street shooting.
Tamron first teased the 70-180mm F2.8 Di III VXD for Sony E-mount last October. Now, we have confirmation of its price and the expected shipping date, pending any further interference from the COVID-19 pandemic.
The Tamron 20mm F2.8 DI III OSD M1:2 lens for Sony E-mount boasts close-focusing capability and a 1:2 magnification ratio. It's also incredibly affordable. Could this be a great wide angle macro lens for Sony shooters?
This week our crew from DPReview TV tested the Tamron 20mm F2.8 DI III OSD M1:2. Check out their sample photos from this affordable lens, including portraits, macro shots, sunstars, lens correction comparisons and more!
There isn't any information about the unannounced lenses, but Sony Alpha Rumors seems to believe all three will be for Sony E-mount cameras.
Tamron announced that its 20mm F2.8 Di III OSD M1:2 lens for full-frame Sony E-mount bodies will be available on January 30th for $350.
We compared sunstars from eight ultra-wide full frame zoom lenses, including both DSLR and mirrorless lenses, from Canon, Nikon, Panasonic, Sigma, Sony and Tamron. Which one is best? Watch the video and tell us what you think in our reader poll.
The new Tamron 35mm F2.8 Di III OSD M1:2 lens has an attractive price, but how does it stack up against Sony's own 35mm F2.8? According to Chris and Jordan, pretty darn well.
 |  |  |  |  |
| Elephant Procession by PTSC from Elephants Unlimited | Old Mate by old shutter bugger from People Photography 2022 | under construction by hozho from Under Construction | Anna's Hummingbird-5575 by vbuhay from Color me Wild - Shades of Green | Date by CarlosU from I get a Long |
