The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Articles tagged "sony"
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
The Cyber-shot HX95 and HX99 are a pair of slim, compact high-zoom cameras featuring the BIONZ X image processing engine, front-end LSI, and 4K video recording and will be available in October for European customers.
Sony just launched a new high-end smartphone. The XZ3 comes with the same 19MP camera module as the XZ2.
Both Nikon and Sony now offer a $2000 mirrorless full-frame camera. Spec-wise, the two have a lot in common, but small differences between them might affect your preference.
Now that Nikon has entered the full-frame mirrorless camera market, the natural question that comes up is how its first model, the Z7, compares to Sony's high resolution king, the a7R III. We take a look at how these two cameras stack up against one another.
Sony's new 'tough' SD cards are targeted at "photographers who are reliant upon their photographs remaining safe when their SD cards are removed from the camera". The cards are bend, water and drop-proof.
The European Imaging and Sound Association has announced the winners of its 2018-19 awards, with Sony doing particularly well and coming away with five of the eighteen prizes.
A veteran wildlife photographer and typically a Nikon shooter, Aaron Baggenstos took the Sony a9 on a recent trip to the Alaskan Wilderness. Find out his impressions of the camera and see some of the incredible images he was able to capture.
In a press release issued this morning, Sony announced it has sold more full-frame cameras than any other brand in the US over the past six months, measured both by units sold and by value.
Sigma full-frame Art lenses are finally available in Sony E-mount. Here's how the 85mm F1.4 Art looks on an a7R III and a7 III.
Elinchrom has released a firmware update for its Transmitter PRO that enables Sony and Olympus users to shoot with the ELB 500 TTL strobe.
Sony's upcoming flagship smartphone is likely to be the first device to make use of the company's latest and greatest mobile image sensor.
Sony's latest high-end smartphone sensor uses Quad Bayer arrays for improved low light performance, higher resolution and improved dynamic range.
Sony's new 400mm F2.8 G Master rounds out the company's commitment to provide a complete range of pro-level lenses to photographers who use the Alpha system. In this week's episode of DPReview TV, Chris and Jordan take this behemoth for a spin and share their first impressions of Sony's exciting new telephoto.
The Sony Cyber-shot DSC-RX100 VI earned high marks in our recent review, and we've revisited our collection of buying guides to reflect our final conclusions. Click through for links to our updated guides covering the best pocketable and long zoom compacts as well as the best choices for travel, which has a new winner (hint, hint).
Gitzo and Sony have teamed up to launch a new tripod and L-bracket designed specifically for Sony α-series cameras.
There have now been seven variants of the Sony RX100 series, and at least six of them are still current models. Confused? Here's an updated look at their differences, and our recommendations among them now that we've tested the Mark VI.
Sony has quietly updated its RX100 V, bringing a couple of the goodies from the RX100 VI travel zoom. The updated RX100 VA gains a new processor and various firmware tweaks but misses out on the VI's other hardware improvements.
The Sony RX100 VI is a spectacularly capable travel camera, combining a flexible zoom range with impressive autofocus. But there's no getting around the fact that it's an expensive camera, and a longer lens comes with certain trade-offs. Read on for our full analysis.
Tamron's version 2.0 firmware update for its 28-75mm F2.8 Di III RXD claims to have addressed reported issues with autofocus during video shooting.
With enough reach to land itself in 'travel zoom' territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We've made a significant update to our initial sample gallery with plenty of samples from the past few weeks.
Sony's previously announced 400mm F2.8 GM OSS received a full introduction today. The pro-grade lens will ship in September for $12,000, and aims to deliver superior autofocus and handling.
Read our first impressions of Sony's new pro-level 400mm F2.8, from the sidelines of a professional soccer match.
We first heard about Sony's pro-level FE 400mm F2.8 GM OSS back in the winter. This past weekend we finally got a chance to try it out. Here are our very first samples.
The launch of the RX100 VI, with its 24-200mm equiv. zoom, sees Sony enter the large sensor travel zoom market. This puts it squarely into competition with the much less expensive Panasonic TZ / ZS100 and 200. How do the three compare?
Sony recently announced the RX100 VI, the newest addition to its compact camera line. How does this new model stand out from the rest? Chris and Jordan take the camera for a spin and tell us what they think – and even manage to fit in some well earned hammock time in the process.
Our existing Sony RX100 VI sample gallery has been updated with more images from our initial outings with the camera.
DPReview's Technical Editor Richard Butler was in New York for the launch of the new Sony Cyber-shot RX100 VI. Find out his first impressions of Sony's powerful new pocket zoom.
The Sony Cyber-shot RX100 VI is a 1"-type compact camera with a 20.1-megapixel Exmor RS stacked CMOS sensor and a 24-200mm equivalent F2.8-4.5 zoom lens. We've been shooting with one since its launch and have prepared a brief overview video.
The Sony RX100 Mark VI offers a versatile new zoom lens, and we're just getting started putting it through its paces – take a look.
The Sony Cyber-shot RX100 VI offers a 24-200mm equivalent zoom lens, 4EV image stabilization system and full-width oversampled 4K video capture. Here's what you need to know.
Sony has announced the Cyber-shot RX100 VI, a 1"-type compact camera with a 24-200mm equivalent F2.8-4.5 zoom lens, 315 phase detection points and the ability to shoot at 24 fps with autofocus.
Tamron's 28-75mm F2.8 lens for E-mount is sharp, compact and is the first third-party standard zoom for the system. While we work through our full review, check out our preliminary sample gallery to get a feel for how it performs.
Sony has unveiled a faster, higher-resolution OLED panel for use as an electronic viewfinder. The UXGA panel gives a 25% increase in each direction, compared with the 2.36M-dot finders in recent high-end models. The panel also promises a 240 fps mode to give a more lifelike preview.
According to a recent investor presentation, Sony intends to occupy the top slot in the overall camera market by the end of 2020, beating back Canon and Nikon by boosting its interchangeable lens systems.
One man's feature is another man's bug. Photographer Robert Hall has discovered a quirk about how the live view and EVF on Sony's full-frame mirrorless cameras respond when you attach a flash. Fortunately, he's also found a way to work around it.
Photographer David Oastler got his hands on an early copy of the Tamron 28-75mm F2.8 Sony FE lens, and while he couldn't take pictures with it, he did get to test its focusing capabilities. The great news: this thing focuses just as fast a Sony native lens.
If it feels like we've been writing a lot about Sony recently, you haven't been imagining things: we've been writing about its products and technologies quite a bit. Here's why.
Sony's 24-105mm F4 G OSS has been in the company's lineup since late 2017, and since then we've spent many-an-outing shooting with it. We've got a full gallery of samples from this versatile zoom.
This week on DPReview TV, Chris and Jordan are off to the sunny shores of the Pacific Ocean in Monterey, California, where they review the Sony RX10 IV. Watch to find out how this all-in-one superzoom camera held up to the sun, surf and a challenging range of shooting scenarios.
The Sony RX10 IV is among the most capable all-in-one camera packages money can buy, and we've updated our gallery with plenty more samples.
Chinese lens manufacturer Meike has added a new version of its existing 50mm F1.7 lens to its range—this time for full frame Sony users. The previous model was aimed at users of mirrorless cameras systems and comes in APS-C and MFT mounts.
Sony has released new firmware for its a7R lll to insert a new option for Pixel Shift Multi Shooting that reduces the delay between frames to 0.5 sec. Firmware v1.10 adds the 0.5 sec delay setting to the menu so users can halve the current shortest time between frames taken with the camera in Pixel Shift Shooting mode.
The Sony a7 III impressed us in our recent in-depth review, and we've revisited our collection of buying guides to reflect our final conclusions. Click through for links to our updated guides covering the best cameras under $2000, and the best cameras for people and events.
Photographer Matt Granger puts three different Nikon F to Sony E-mount autofocus adapters to the test. Along the way, he found out that they're not nearly as different as each manufacturer would like you to think.
Tamron has officially launched the 28-75mm F2.8 Di III RXD lens for Sony full-frame mirrorless cameras. The lens—the first third-party standard zoom to be created natively for the Sony FE mount—will arrive at the end of May and cost $800.
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