Sirui's second anamorphic lens for mirrorless cameras is a slightly wider model than the original, and is aimed at Micro Four Thirds, Nikon Z, Sony E and Canon EF-M filmmakers. It offers letterbox aspect ratios as wide as 2.35:1, and it carries on the principles of being compact, light and affordable.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Compact and affordable, the new Sirui 50mm anamorphic lens comes in options for three camera mounts – so we tried it on each of them. See the lens in more detail and read about the benefits of using it on each system.
The lineup includes four tripods, a standalone center column and an optional ball head.
A new budget-priced anamorphic lens from Sirui offers APS-C camera users 1.33x squeeze for 2.4:1 widescreen movies - without the usual expense
SIRUI's latest products include a 400mm (equivalent) telephoto lens and an anamorphic lens designed specifically for smartphone camera systems.
What makes a tripod a good travel companion? We test out five carbon fiber 'travel' tripods that while compact and light, are also comfortably tall and capable of supporting a reasonable amount of gear. This review covers five models, examining their features, functions and ergonomics in use both in the studio and out in the field. Click through to read the roundup.
What makes a compact tripod a good traveling companion? We've collected 5 aluminum 'travel' tripod and head combinations that are compact, but are also comfortably tall and hold up a reasonable amount of gear. In this roundup we cover their features, functions and finish quality, and we put them to work in the studio and in the field. Read more
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