The Sigma fp packs a lot of capability into the smallest full frame body on the market. What's it like to shoot a video with, though? We found a lot to like, and some things we hope can be improved.
Articles tagged "shooting-experience"
We spent 48 hours exploring the deserts of southern Utah with the E-M5 III, Olympus smallest, lightest 20MP camera. Click through to read about our experience shooting with the camera and to see what kind of photos it's capable of taking.
Both the EOS 90D and EOS M6 Mark II have the same sensor and processor, and they shoot similar burst speeds and 4K video. In this case, it's really what's on the outside that counts.
While on assignment in Japan, Chris and Jordan had a couple days to shoot with the Fujifilm XF 200mm F2 telephoto lens, which Chris nicknamed 'The Big White Sharp'. To make things more interesting, Jordan filmed this entire episode using the new Fujifilm GFX 100 medium format camera.
The new Fujifilm GFX 100 boasts some impressive specifications, including 100MP, in-body stabilization and 4K video. But what's it like to shoot with? Senior Editor Barnaby Britton found out on a recent trip to Florence, Italy.
The Olympus E-M1X offers a faster burst speed than the D5, but Nikon's legendary autofocus system and optical finder outshine this Micro Four Thirds beast.
They say that the best camera is the one you you have with you. Senior Editor Barnaby Britton has been taking the Ricoh GR III with him a lot recently.
A day spent shooting Panasonic's new S1R in the streets of Barcelona, Spain left us feeling satisfied with how the camera operates – but eager to get testing.
With a double grip and double batteries, the Olympus E-M1X is the company's largest mirrorless camera to date - and yet, the big story is all on the inside.
Photographer Nigel Danson recently had a chance to use the new Fujifilm GFX 50R for one of his landscape shoots. In this video, he shares his thoughts on the benefits and challenges of using a medium format camera like the GFX 50R for his work.
On a hot and hazy afternoon, DPR staffer Carey Rose took the Panasonic Lumix GX9 and Lumix G Vario 35-100mm F2.8 lens to a neighborhood music festival to gather some impressions of the autofocus system. Here's what he found.
Only Leica could have made the Noctilux-M F1.25 75mm ASPH – a manual focus prime lens that weighs more than a kilo and costs as much as a new car. We've been using one for a little while - click through for our take on what it's like to use.
Award-winning wildlife photographer Roie Galitz shares his experience shooting polar bears with the new Nikon 180-400mm F4E TC1.4 FL ED VR in one of the harshest places on Earth. Find out why Galitz calls his $12,000 behemoth "a dream lens."
This highly-specialized lens is perfect for sports, action and wildlife photography. Check out these first sample images for a taste of what it's capable of.
The Rotolight Neo 2 is an LED light panel with the capability to fire its LEDs fast enough and bright enough to act as a strobe. Is it enough to make stills photographers re-think their old-fashioned speed lights? Read on and find out.
The Canon EOS M100 is a likeable little camera that comes with Canon's latest APS-C image quality in an entry-level offering. But is that enough to make it stand out to beginning photographers in a crowded market? Find out in our full review.
Believe it or not, sports and live music photography have a lot in common – your reaction time as a photographer is crucial. Veteran music photographer Jeanette D. Moses gave the Sony a9 a try at a pro golf tournament recently – and was very impressed with the results.
From landscapes to motocross and white water kayaking to a wedding, exactly what can't the D850 do?
It's not perfect, but the TG-5 can go where most smartphones and traditional cameras can't. Throw in Raw capture, 4K and 20 fps bursts and you've got yourself a winner.
The Canon EOS 6D Mark II brings more resolution, better autofocus and faster continuous shooting to Canon's entry-level full-frame camera. And we've had the opportunity to shoot with one.
With the 24MP, 20fps full-frame mirrorless a9, Sony is clearly looking to shake up the sports and action photographer market. Read our full review to find out if we think it might succeed.
Reliable 3D tracking, a fast burst rate, deep buffer, responsive touchscreen and impressive battery life also contributed to an excellent shooting experience.
If you had to choose one camera to bring along for the ultimate West coast road trip, what would it be? DPR's Sam Spencer choose the X100F.
For stills photographers, the Leica M10 should be the most useful rangefinder that Leica has yet created, but how does it perform? Barney ditched his DSLR and took the M10 to Japan for a few days to find out. Read more
DPReview's Dan Bracaglia explores Tokyo for the very first time, alongside the Fujifilm GFX 50S medium-format digital camera. Did he like it? Read on
The Fujinon MK18-55mm T2.9 cinema lens is the first in Fujifilm’s new MK line of Super 35 cine lenses. We took it for a spin on a video shoot about rock climbing and discovered there's a lot to like. Read more
The Sony a6500 is the company's premium APS-C offering and well-suited for fast action photography. In our in-depth review we look at its features, operation and its performance. Read on
If there's one thing to know about the Olympus OM-D E-M1 Mark II, it's that it can handle mother nature with the best of them – rain, snow or hail. We recently spent a few days with the camera in beautiful Iceland. Read more
The Panasonic Lumix DMC-GX85 is a capable mid-range interchangeable lens camera with some neat tricks up its sleeve. DPReview's Dan Bracaglia took the GX85 out shooting in two very different shooting environments - a music festival and a beach picnic. Read more
The Olympus TG-Tracker is an action cam that not only records 4K video with a 204° field-of-view, but also logs a ton of data along the way. We sent it up (and down) Mount St. Helens to put it through its paces. Read more
A centerpiece of Sony's Cyber-shot RX10 III is its ability to capture 4K video utilizing its new 24-600mm equivalent F2.4-4 lens. We shot a lot of 4K video in addition to stills in San Francisco, and have put together a highlight reel and some first impressions on the camera. Read more
The Canon EOS 80D is an enthusiast-level DSLR geared toward photographers looking for a capable stills and video camera. The 80D sports a brand new 24MP APS-C sensor, a 3" articulating touchscreen, a new 45-point AF system (with dual pixel AF) and 1080/60p video capture capabilities. We've been shooting with it for a few days and have put together some first impressions. Read more
Sony invited us to come out to Miami and field test the company's new a6300 mirrorless camera. With 4K video capabilities, an overhauled AF system and new sensor, we were more than eager to put it to the test. Read more
UPDATED: now with larger 2000px samples instead of original VGA size. It may be true that much of the appeal of the Pentax K-1 lies with existing Pentax owners. But are its impressive spec sheet and even more impressive price going to sway owners buying into a new system? At CP+ 2016, we had a chance to use a pre-production K-1 around Yokohama. Find out what we thought. Read more
What looks like a Fujifilm X100T but has the focal length of a Ricoh GR II? Well, Fujifilm's newest and smallest X-series camera, the X70, may have a lot in common with these cameras at first blush, but extended use reveals a more complicated story. Find out what it's like to shoot with the X70 in the real world, and check out an updated sample gallery along with our studio test scene comparison. Read more
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