The M.Zuiko Digital 20mm F1.4 Pro is the first new lens from OM System (replacing the legacy 'Olympus' brand name), and we've put together a gallery of images from around Seattle so you can get an idea of what this fast, well-built prime is capable of.
Articles tagged "samples"
We had the opportunity recently to shoot with pre-production samples of the Canon EOS R3, including a long session at a soccer practice, and a trip to the Point Defiance Zoo and Aquarium. Check out what this all-new sensor is capable of in our sample gallery.
As we work towards our full review of the Pentax K-3 Mark III in the next few days, we've updated our previously-published gallery of sample images, including both out-of-camera JPEGs and converted Raw files. Click through to take a look!
Back in February, Ricoh released three HD Pentax-FA Limited lenses: the HD Pentax-FA 31mm F1.8 Limited, HD Pentax-FA 43mm F1.9 Limited and HD Pentax-FA 77mm F1.8 Limited. We've been shooting with the 43mm recently and we've just posted a gallery of samples.
Back in February, Ricoh released three HD Pentax-FA Limited lenses: the HD Pentax-FA 31mm F1.8 Limited, HD Pentax-FA 43mm F1.9 Limited and HD Pentax-FA 77mm F1.8 Limited. We've been shooting with the 77mm recently and we've just posted a gallery of samples.
A production copy of the Leica Vario-Elmarit-SL 24-70mm F2.8 ASPH just arrived in our offices, and we've taken advantage of an unbroken few days of sunny spring weather to start a gallery of photos, on the Leica SL2.
We've just received a production-ready Pentax K-3 Mark III, and we've gotten straight to work with it to see what it can do. Check out our samples from a variety of lenses and a variety of sites (and sights) up and down the Puget Sound region in Washington State.
With an innovative design and advanced optical makeup, the Canon RF 70-200mm F4L IS USM offers the promise of high image quality in a package not much larger than most standard zooms. So how does it perform? Click through to see our gallery of sample images.
With its competitive price-tag and compact form-factor, the Fujifilm GFX 100S brings ultra high-resolution medium format shooting to the enthusiast camera market. With official Raw support now available from Adobe, we've updated our GFX 100S sample gallery with several new images taken on the Washington coast.
The NiSi 15mm F4 Sunstar is an all-manual ultra-wide prime for mirrorless camera systems, and it also happens to be the first lens that NiSi has ever released. We tested it out on the 50MP Sony a1, and we have to say, we're impressed.
Flowers. Snow. Trees. Beer. Birds. Dogs. Humans. Printing presses. A giant ferris wheel. We've been using Fujifilm's XF 16-80mm F4 lens to photograph a big gallery with a little bit of everything in it – check it out to see how this versatile, water-resistant zoom lens performs.
We're taking a look back through 2019 by focusing on one of our all-time favorite photographic subjects – Belvedere, a rescue pup who joined the DPReview team last fall and graced many of our sample galleries over the past 12 months.
If Sony's new 600mm F4 is a bit too much lens/cash for you, not to worry, the 200-600mm F5.6-6.3 is here for all your telephoto needs. And what it lacks in terms of a fast constant aperture, it makes up for in it in focal length versatility. See our samples.
Now that our Panasonic Lumix S1R has final firmware, we couldn't wait to get out shooting with it - and we also tried the high-res mode, which combines files to get 187 megapixel images. Because sometimes, 47 megapixels just isn't enough.
Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.
The Tamron 17-35mm F2.8-4 is a compact and light-weight lens for full-frame Canon and Nikon DSLRs. We took it on grand tour of Seattle's top tourist spots and found it makes a pleasant, albeit wide, walking around lens.
Tamron's 28-75mm F2.8 lens for E-mount is sharp, compact and is the first third-party standard zoom for the system. While we work through our full review, check out our preliminary sample gallery to get a feel for how it performs.
When it was announced in 2016, the Rokinon AF 14mm F2.8 FE was among the first full-frame autofocus lenses for Sony's a7-series mirrorless cameras. We wanted to see how this affordable wideangle prime performs on Sony's latest a7R III.
Inside Canon's new EOS M50 lies a new Raw format dubbed CR3, and with it, an option to record compact C-Raw files that are 30-40% smaller than their losslessly compressed CR2 equivalents. But what – if any – impact does that have on image quality for everyday shooting? Let's find out.
We've already posted lots of images from the Sony a7 III launch event, but now we've had plenty of time with the camera around our home base in Seattle. Check out our updated gallery to see the cherry blossoms at the University of Washington, historic coastal lighthouses and more.
The Rokinon AF 35mm F2.8 FE is a budget-friendly option for users of Sony's a7-series that are looking to get into the 35mm focal length.
Lensbaby’s newest lens, the Burnside 35, is a Petzval-inspired lens that offers swirly bokeh in a 35mm lens, plus an additional creative control of a vignetting slider. We wanted to see what it's all about.
Considering buying Sigma's exciting new 16mm F1.4 DC DN Contemporary lens for crop-sensor E-Mount and M43? Check out these official full-res samples first!
Bison, drift cars, horseback riders, antelope – from the beach to the race track, the Sony 100-400mm G Master is one versatile piece of kit.
Google has shared a set of high-resolution, unedited sample photos captured with the new 'world's highest rated smartphone camera': The Google Pixel 2. Check them out for yourself here.
The Canon EF 35mm F2 IS USM is an understated jewel of a lens, and one that we've enjoyed on a variety of cameras since its release almost five years ago. Its relatively small size and image stabilization make it a versatile tool for a variety of photography - check out our sample gallery.
Light.co, the company behind the 16-module 52+ megapixel Light L16 camera that takes photos using up to 10 camera modules at a time, just released three full-res image samples for you to pixel peep.
The Tamron 10-24mm F3.5-4.5 Di II VC HLD is an ultra wide angle lens for crop sensor DSLRs, and we've been shooting with it for a few days.
The Sigma 14mm F1.8 Art is truly one-of-a-kind. It offers the fastest aperture of any lens that shares its focal length, produces beautiful sunstars and is incredibly sharp to boot. If you're in the market for a fast ultrawide prime, this looks to be the one to get.
The Sigma 14mm F1.8 is a fast, wide lens that holds particular appeal for astrophotographers. We sent it to Badlands National Park in South Dakota to get some dark sky photos.
Nikon's new AF-P 10-20mm F4.5-5.6 DX zoom is affordable, compact, and for the most part, well-built. Since it's summer in Seattle, we've taken it to the Pacific Ocean and back to see just how well it performs.
Nikon's 28mm F1.4E ED appears to roundly complete the company's updated lineup of fast, professional prime lenses. We've already seen some initial images from a Nikon ambassador, but we've worked through a gallery of our own, with a lens of our own over the past week. Take a look.
Sony's newest G Master telephoto zoom, announced alongside the a9, is the first of the company's FE lenses to reach 400mm natively. We had one in California and photographed horses, portraits, and landscapes - check out how it did.