Canon's 28mm F2.8 IS USM may be small in size, but it's big on fun. We wrote about our experience using it as our only lens in Big Sur, California, but in case you missed out on our full gallery, take a look to see what this little lens can do.
Articles tagged "sample-gallery"
Bison, drift cars, horseback riders, antelope – from the beach to the race track, the Sony 100-400mm G Master is one versatile piece of kit.
It's not exactly a revolutionary device, but the iPhone 8 Plus does promise some evolutionary updates in the camera department. DPR contributor Jeff Carlson has been putting the 8 Plus to the test in some everyday shooting situations – take a look at how it fared.
It’s not Canon’s most affordable full-frame lens, but the 28mm F2.8 is a handy little stabilized prime that DPR staffer Carey Rose came to appreciate on a recent trip to California's gorgeous coast.
We've had more time to shoot with Sony's ultra wide 12-24mm F4 zoom; see how it performed in a variety of shooting scenarios.
Fast, stabilized and affordable is an appealing combination when it comes to lenses. With its latest 24-70mm F2.8, Tamron aims to upgrade autofocus speed and stabilization. We've got a full gallery from this updated full-frame zoom.
Sure, the price tag is outrageous. But Sony has made some real leaps forward with its RX10 series in this latest iteration. We've been able to shoot some fast-moving action and get some initial impressions of this souped-up superzoom.
This lens, for Sony E-mount cameras, strikes a unique balance of small size, wide field of view (110 degrees) and fast aperture. Even more impressive is its promise of almost zero distortion.
Seattle's Freeway Park is a labyrinth of trees, towers of concrete and tourists. Turns out, it's also a great place to practice parkour. With several Sony a9's in hand, we turned our lenses to the skies to capture some flying humans in our latest sample gallery.
The Nikon AF-P 70-300mm F4.5-5.6 VR provides a healthy 4.5 stops of stabilization and a focal range that covers portraits and beyond. Take a look at how we've gotten along with it in the past couple of weeks.
The Canon EF 35mm F2 IS USM is an understated jewel of a lens, and one that we've enjoyed on a variety of cameras since its release almost five years ago. Its relatively small size and image stabilization make it a versatile tool for a variety of photography - check out our sample gallery.
The Voigtländer 65mm F2 Macro APO-Lanthar is a manual focus lens for Sony E mount cameras. We recently got our hands on one – read on for details on our experience, along with sample images.
Lens manufacturer Venus Optics unveiled its Laowa-branded 7.5mm F2 earlier this year. Take a look at the view from one of the widest lenses available for Micro Four Thirds.
There's wide, and there's the Nikkor Fisheye 8-15mm F3.5-4.5. We've spent some time shooting with this unusual zoom.
The Tamron 10-24mm F3.5-4.5 Di II VC HLD is an ultra wide angle lens for crop sensor DSLRs, and we've been shooting with it for a few days.
Tamron calls it an 'ultra-telephoto,' and for good reason: this lens offers a massive 27-600mm equivalent zoom range. But is it sharp?
The Sigma 14mm F1.8 Art is truly one-of-a-kind. It offers the fastest aperture of any lens that shares its focal length, produces beautiful sunstars and is incredibly sharp to boot. If you're in the market for a fast ultrawide prime, this looks to be the one to get.
The Sigma 14mm F1.8 is a fast, wide lens that holds particular appeal for astrophotographers. We sent it to Badlands National Park in South Dakota to get some dark sky photos.
The Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4 featured in our Panasonic GH5 review sample gallery, and lately we've been putting it through its paces on another 20MP body: the DMC-GX8.
The EOS M6 is one of Canon's most enthusiast-focused mirrorless cameras and, when paired with the diminutive EF-M 22mm F2, should make a convenient carry-anywhere camera. See our gallery from its travels in Paris, London, Madrid and, er, Northampton.
The Olympus TG-5 is one of our favorite cameras for hiking and days on the beach. And with the recent addition of preliminary Raw support, we've taken the opportunity to add some Raw conversions to our gallery of sample images.
Nikon's new AF-P 10-20mm F4.5-5.6 DX zoom is affordable, compact, and for the most part, well-built. Since it's summer in Seattle, we've taken it to the Pacific Ocean and back to see just how well it performs.
With a full review just about finished, we had a number of new images and converted Raws to add to our already-existing D7500 gallery.
The Canon 6D Mark II will ship to consumers in August, but we've been able to do some shooting with a pre-production unit well in advance.
Nikon's 28mm F1.4E ED appears to roundly complete the company's updated lineup of fast, professional prime lenses. We've already seen some initial images from a Nikon ambassador, but we've worked through a gallery of our own, with a lens of our own over the past week. Take a look.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
We took the new D7500 along to an all-day music festival to shoot sweaty musicians thrash around in challenging lighting conditions.
Sony's newest G Master telephoto zoom, announced alongside the a9, is the first of the company's FE lenses to reach 400mm natively. We had one in California and photographed horses, portraits, and landscapes - check out how it did.
The Boeing 737 first flew in 1967, and it's been in continuous development ever since. The latest model is the Max 9, which flew for the first time last month. We were there and we took the Sony Cyber-shot RX10 III along for the ride. Read more