The Sony ZV-E10 may be aimed at vloggers, but it's a capable stills camera too. Check out this gallery from our team at DPReview TV that includes everything from landscapes to portraits.
Articles tagged "sample-gallery"
The Nikon NIKKOR Z MC 50mm F2.8 is a standard prime lens for the Z-system, offering true macro reproduction of 1:1. Given its focal length and light weight, the Z 50mm F2.8 also lends itself well to being a standard 'walk-around' lens. Check out our gallery of samples!
Chris and Jordan have spent a few days with a pre-production sample of the new Panasonic Leica DG 25-50mm F1.7. Jordan loves this lens for video, but take a look at their collection of still images to find out why Chris recommends it for photography, too.
Back in February, Ricoh released three HD Pentax-FA Limited lenses: the HD Pentax-FA 31mm F1.8 Limited, HD Pentax-FA 43mm F1.9 Limited and HD Pentax-FA 77mm F1.8 Limited. We've been shooting with the 43mm recently and we've just posted a gallery of samples.
The Panasonic Leica 25-50mm F1.7 ASPH is a high-quality zoom lens for Micro Four Thirds, and with its fast maximum aperture, could potentially replace a handful of primes for telephoto shooting. Check out how it performs in our sample gallery.
The Nikon Z 28mm F2.8 (SE) is a compact wideangle prime lens for the mirrorless Z-system, styled to recall classic Nikkor designs of the manual focus era and weighing in at only 160g (5.7 oz). Check out our gallery of samples!
The Nikon Nikkor Z MC 105mm F2.8 VR S is a short telephoto macro prime lens for the company's full-frame mirrorless Z mount. We've just added several more images to our ongoing gallery of samples, including 1:1 and 1:2 macro shots.
Chris and Jordan took plenty of photos at the Calgary Zoo while filming their review of the Canon RF 600mm F11 IS STM. Click through for a virtual trip to the zoo.
Back in February, Ricoh released three HD Pentax-FA Limited lenses: the HD Pentax-FA 31mm F1.8 Limited, HD Pentax-FA 43mm F1.9 Limited and HD Pentax-FA 77mm F1.8 Limited. We've been shooting with the 77mm recently and we've just posted a gallery of samples.
Photographer Wasim Muklashy recently took Sony's FE 14mm F1.8 GM to a professional real estate shoot in Sherwood, Oregon – take a look at the results from this ultra-sharp and ultra-wide lens.
The new Tamron 150-500mm F5-6.7 super-telephoto lens enters a crowded field of options for Sony's E-mount cameras, but provides great optical performance with a compromise between existing 100-400mm and 200-600mm options.
We're wrapping up our full review of Canon's EOS M50 Mark II, and we've added a ton of new images to our gallery that really show off the high ISO capabilities of this modestly sized and modestly priced camera – and boy, is it nice to safely see live music again.
The Nikon NIKKOR Z MC 105mm F2.8 VR S is a short telephoto macro prime lens for Nikon's full-frame mirrorless Z mount. Offering several upgrades over previous generations, the new Z 105mm is being pitched as a versatile prime lens for everything from macro shooting to available light portraiture.
You've watched the video, now see the stills that Chris and Jordan shot while reviewing the new Olympus 8-25mm F4 Pro zoom. Find out why this lens will appeal to photographers and videographers who use the Micro Four Thirds system.
The new Olympus M.Zuiko Digital ED 8-25mm F4 Pro offers Micro Four Thirds shooters a really useful 16-50mm equivalent focal range. Compact and weather-sealed, it's especially well-suited for landscape and nature photography.
The Pentax DA 20-40mm F2.8-4 Limited zoom lens was released in 2013, and remains a solid, weather-sealed zoom for the company's DSLR's – take a look at how it performs on a variety of cameras including the latest K-3 Mark III.
A production copy of the Leica Vario-Elmarit-SL 24-70mm F2.8 ASPH just arrived in our offices, and we've taken advantage of an unbroken few days of sunny spring weather to start a gallery of photos, on the Leica SL2.
We've just received a production-ready Pentax K-3 Mark III, and we've gotten straight to work with it to see what it can do. Check out our samples from a variety of lenses and a variety of sites (and sights) up and down the Puget Sound region in Washington State.
Nikon's Z6 II is a really pleasant camera to use – so pleasant, in fact, that one of our editors took it on a road trip vacation down the west coast to the California redwoods. Check out some coastal scenes in our updated sample gallery here.
Our team at DPReview TV just wrapped up their review of the Olympus E-M10 mark IV. As Chris explains, it's now 'third winter' in Canada, so don't be surprised to see some snow in this sample gallery.
Our team at DPReview TV recently reviewed the new Sigma 35mm F1.4 DG DN. This gallery includes many of their test photos so you can judge image quality for yourself.
Sigma's new 35mm F1.4 DG DN Art lens has an entirely new design built from the ground up for full-frame mirrorless cameras. Available for Sony E-mount and L-mount bodies, we tested it with both the Panasonic Lumix DC-S1R and DC-S5.
You've read the review, now view our massive Sony a1 sample gallery! There you'll find a mix of out-of-camera JPEGs and Raw conversions as well as samples shot on both native and third-party glass.
Earlier this week we published our DReview TV episode on the new Sony FE 14mm F1.8 GM ultra-wide lens. This compact, lightweight prime is optically impressive and a great option for a wide range of photographic uses. Have a look at the episode's samples, including plenty of astrophotography shots.
You've watched the video, now see the stills that Chris and Jordan took while reviewing Fuji's impressive new XF 18mm F1.4 R LM WR lens for X-mount.
We've been shooting with a pre-production copy of Fujifilm's new XF 18mm F1.4 R LM WR lens for a few days, which offers a 27mm full-frame equivalent field of view, and optically, we're impressed.
Tokina's atx-m 33mm F1.4 X is an affordable fast prime for Fujifilm's X-mount cameras that offers autofocus and solid image quality. Check out what it can do and our impressions of its image quality right here.
Tokina's 23mm F1.4 is one of two of the company's new primes available for Fujifilm X-mount shooters. With a 35mm full-frame equivalent focal length, this lens is perfect for casual, candid, and street photography, even in low light.
Canon's latest RF 50mm F1.8 is compact and so affordable that it might seem like a no-brainer for any RF-mount shooter to snag one for themselves. But is it right for you? Take a look at how it performs on a handful of RF bodies in our sample gallery.
With an innovative design and advanced optical makeup, the Canon RF 70-200mm F4L IS USM offers the promise of high image quality in a package not much larger than most standard zooms. So how does it perform? Click through to see our gallery of sample images.
Sony has announced three new high-quality, compact primes for full-frame E-mount, the widest of which - and maybe the most interesting for some E-mount shooters - is the 24mm F2.8 G. Take a look at our samples to see how it performs.
Sony's trio of new 'G'-series prime lenses are aimed at enthusiast photographer that want high quality and good manual control without the bigger size and higher cost of faster-aperture lenses. So how do the new FE 24mm, 40mm and 50mm lenses perform? Check out Chris and Jordan's sample images from their recent video review.
The FE 50mm F2.5 G has the longest reach of the three lenses Sony announced today, yet it maintains the compact size and weight of the other two. This lens may also appeal to owners of Sony's APS-C bodies, with a 75mm equiv. focal length. Check out how it performs in our sample gallery.
Sony's FE 40mm F2.5 G is one of three compact, budget-oriented prime lenses that the company just announced for its full-frame mirrorless E-mount. We've been shooting with one for a few days: click through to check out our initial samples.