The Sigma 56mm F1.4 combines a sensible sub-$500 price tag and excellent performance, providing a portrait-friendly 85mm equiv. view on Sony's APS-C mirrorless cameras.
Articles tagged "sample-gallery"
The 250mm F4 is Fujifilm's longest lens for its medium-format system. It's equivalent to about 200mm on a GFX camera, and we put it to work on some portraits as well as some scenes around Seattle's waterfront – take a look.
The Fujifilm XF 8-16mm F2.8 promises to appeal to everyone from landscape to architectural photographers thanks to its fast aperture, weather sealing, and dedicated field curvature correction element. Does it live up to expectations? We took it from the city streets to the Canadian Rockies to test it out.
We've just started shooting with version two of Tamron's SP-series 15-30mm F2.8 – take a look at how we're getting along with it so far.
Since publishing our full review, we've continued shooting with the Fujifilm X-T3 here and there – sometimes on assignment, and sometimes because we just like it so darn much. Our sample gallery has been updated with fresh images.
With tons of resolution and dynamic range, the Nikon Z7 is a great camera for shooting landscapes. But what about semi-pro wrestling? We spent an evening with the Z7 at DEFY Wrestling, which offered plenty of peak action and tricky lighting - see the results in our updated sample gallery.
The Pixel 3 represents another step forward in computational photography for Google's smartphone. We're just getting started with our testing – for now take a look at some sample images, including 'computational Raw' files available for download.
The weather and has most definitely taken a turn toward fall here, and our shooting opportunities have followed suit. We brought the Canon RF 35mm F1.8 along to a harvest festival of sorts and a few of our usual haunts.
The Panasonic LX100 II offers a higher-resolution sensor over its predecessor, but it's the addition of a touchscreen that makes the Mark II so gosh-darn enjoyable to shoot with. We've got some fresh samples from Panasonic's new premium compact camera.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
Our Canon EOS R sample gallery has been updated with fresh images – including more portraits – and Raw conversions.
We've updated our Nikon Z7 sample gallery with a handful of Raw conversions, courtesy of a beta version of Adobe Camera Raw.
We've just returned from two launch events for Nikon's new Z system - one in New York, and one in Tokyo. After spending a little more time with two more pre-production cameras, we've updated our previously-published samples gallery.
Canon's latest 70-200mm F4L comes with a five stops of image stabilization, a new coat of paint and impressive sharpness. We've been shooting with our copy for several weeks now - see how it stacks up in our sample gallery.
Sigma full-frame Art lenses are finally available in Sony E-mount. Here's how the 85mm F1.4 Art looks on an a7R III and a7 III.
The Leica SL 75mm F2 is ever-so-slightly cheaper than its SL 90mm F2 counterpart, but still impressively sharp. We've been shooting with Leica's latest short telephoto prime for a little while, and we've put together a gallery of real-world samples.
The X-U is Leica's first ruggedized compact camera and is still the only waterproof camera on the market with a large APS-C sensor. That sensor sits behind a 35mm-equivalent, F1.7 lens, and we've taken it to the mountains and back to see just what it's capable of.
The Leica Noctilux-M 75mm F1.25 ASPH is a fast, high-quality and decidedly heavyweight short telephoto prime lens, designed for use with Leica's digital M-series rangefinders. We've been grappling with it for a little while - take a look at our sample images.
With enough reach to land itself in 'travel zoom' territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We've made a significant update to our initial sample gallery with plenty of samples from the past few weeks.
The Leica APO-Summicron-SL 90mm F2 ASPH is a high-quality short telephoto prime lens for the company's full-frame SL mirrorless interchangeable lens camera. We've been shooting with it for a few days, to see what it can do.
The Fujifilm X-T100 sits between the entry-level X-A5 and midrange X-T20 and features a 24MP APS-C sensor, eye-catching design and a unique articulating LCD. Our sample gallery was shot with a number of lenses, including the 15-45mm equiv. kit lens and a number of primes.
The Kamlan 28mm F1.4 is an all-manual prime lens for APS-C (and Micro Four Thirds) mirrorless cameras. Following a successful Kickstarter campaign, it'll go on sale to the public for just $200 – see what it can do on Sony and Fujifilm bodies.
The SeaLife DC2000, is a waterproof, rugged compact camera with a large 1"-type sensor and a fixed 31mm-equivalent F1.8 prime lens. It's primarily aimed at diving enthusiasts, but we've seen what it can do above the sea as well as below.
Tamron's 28-75mm F2.8 lens for E-mount is sharp, compact and is the first third-party standard zoom for the system. While we work through our full review, check out our preliminary sample gallery to get a feel for how it performs.
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from The retail store of tomorrow
|Rower by gary0319|
from -Man Power- (Portrait in Full Colours Only)