Articles tagged "sample-gallery"

With the arrival of some much-needed sunshine and final production firmware for the Panasonic S1, we've been able to get outside and really start putting the camera through its paces.

Now that our Panasonic Lumix S1R has final firmware, we couldn't wait to get out shooting with it - and we also tried the high-res mode, which combines files to get 187 megapixel images. Because sometimes, 47 megapixels just isn't enough.

The Fujifilm GF 100-200mm F5.6 covers a range equivalent to 79-158mm when mounted on a GFX camera. It's also a medium-format Fujifilm shooter's longest zoom option for the foreseeable future – take a look at some sample shots.

We spent a little more time with the Ricoh GR III out and about in Yokohama, updating our initial sample gallery to a total of over 50 images.

The Leica Q2 has arrived on the scene and we've been busy pointing its 47MP full-frame sensor and 28mm F1.7 lens at as many subjects as possible. Initial impressions of image quality suggest excellent detail and ISO performance, but lackluster JPEG color.

Canon's EOS RP may be small on the outside, but it's hiding a big 26MP full-frame sensor on the inside. We've been pushing forward with our full review and have updated our gallery with fresh shots, and have taken a look at how how it handles our studio test scene – see for yourself.

As we discovered in our full review, Fujifilm's XF10 pocket compact may not be the most responsive camera to use, but we can't get enough of its beautiful color output. Take a look at our updated gallery to see what all the fuss is about.

Sony's announced the ninth addition to the G Master lens series in the FE 135mm F1.8 GM. We took it for a spin prior to launch and found it to be sharp, instantaneous to focus, with smooth bokeh and few aberrations at all to speak of.

We've had a little more time to shoot around with Panasonic's high-resolution full-framer and thus, top off our sample gallery. We've also had the chance to add a whole lot of Raw conversions.

The Ricoh GR III made its official debut today, and DPR contributor Damien Demolder got his hands on the camera for a quick photo walk through London. Take a look at the results.

Given that it uses the same sensor and processor as the X-T3, it's no surprise that the Fujifilm X-T30 is capable of producing some excellent photos. We took a pre-production X-T30 all over the Seattle area and have plenty of photos for your viewing pleasure.

Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.

A pre-launch event gave us a chance to shoot a sample gallery to show what sort of image quality you can expect from the least-expensive digital full frame camera ever launched.

We put a pre-production version of Olympus' versatile new zoom through its paces.

We've been able to do a little shooting with a Lumix S1R running pre-production firmware. While we wait to get our hands on a fully testable camera, take a look at some initial shots.

It lacks the impressive resolution of its sibling, but the Lumix S1 looks to offer plenty for the photographer who needs serious video and stills capabilities. Take a look at some of our initial sample images – shot with pre-production firmware.

Olympus has released the ultimate Micro Four Thirds sports camera in the E-M1X and we've been busy pointing it at as many fast-moving subjects as humanly possible. Peep our first samples.

Announced at CP+ in 2018, the Sigma 28mm F1.4 Art has proven itself to be one heck of a sharp lens in our use so far.

We've been shooting with a beta version of the Sony a9's upcoming firmware 5.0. While there's much more analysis to come, we can say it makes for a dead simple AF tracking user experience. Take a look at some of our samples.

The Tamron 17-35mm F2.8-4 is a compact and light-weight lens for full-frame Canon and Nikon DSLRs. We took it on grand tour of Seattle's top tourist spots and found it makes a pleasant, albeit wide, walking around lens.

We've been busy shooting with Sony's newest mirrorless camera, the mid-range a6400. Have a look at our initial samples.

Photographer Jimmy McIntyre has been working with Nikon, shooting a pre-production sample of the new Z 14-30mm lens. We're reserving final judgement until we see a reviewable lens, but it looks pretty impressive.

Canon launched the mirrorless full-frame RF-mount with a handful of impressive lenses including the versatile, fast 28-70mm F2 L. Though it feels a tad oversized for the EOS R, we're impressed with the results.

The Nikon Z 50mm F1.8 is one of three lenses to launch with the Z system, and though we've only been shooting with it a short time, it's quickly becoming a staff favorite.

Nikon's latest telephoto prime gives you a lot of reach in a compact package thanks to phase fresnel optics. We've taken the AF-S 500mm F5.6E PF to capture eagles north of Seattle in Skagit County, to a club Ultimate Frisbee match in our own backyard, and plenty of places in-between. See how it performs in our sample gallery.

Canon's announcement of the EF-M 32mm F1.4 got buried in all the hubbub surrounding the EOS R launch, but it's a lens we were excited to get our hands on. Take a look at our gallery using the first native 50mm equivalent prime lens for the EOS M system.

With a nickname like 'bokeh master,' we had to see what the Sigma 105mm F1.4 was all about. Take a look at our gallery of samples shot with the Sony a7R III.

The Sigma 56mm F1.4 combines a sensible sub-$500 price tag and excellent performance, providing a portrait-friendly 85mm equiv. view on Sony's APS-C mirrorless cameras.

The 250mm F4 is Fujifilm's longest lens for its medium-format system. It's equivalent to about 200mm on a GFX camera, and we put it to work on some portraits as well as some scenes around Seattle's waterfront – take a look.

While we had a chance to shoot with a pre-production model at Photokina, we were eager to really put the Sigma 40mm F1.4 Art to work when a full production lens rolled into the office. Take a look at our sample gallery.

The Fujifilm XF 8-16mm F2.8 promises to appeal to everyone from landscape to architectural photographers thanks to its fast aperture, weather sealing, and dedicated field curvature correction element. Does it live up to expectations? We took it from the city streets to the Canadian Rockies to test it out.

Nikon's D3500 may be an inexpensive DSLR, but the company didn't cut corners when it comes to image quality. See how it handled fall colors and tropical seas in our sample gallery.

We've just started shooting with version two of Tamron's SP-series 15-30mm F2.8 – take a look at how we're getting along with it so far.

The Nikon Z6 is the lower-resolution, faster sibling to the Z7, and has already shown impressive results in our preliminary testing. Take a look at how it performs outside of the studio.

Since publishing our full review, we've continued shooting with the Fujifilm X-T3 here and there – sometimes on assignment, and sometimes because we just like it so darn much. Our sample gallery has been updated with fresh images.

With tons of resolution and dynamic range, the Nikon Z7 is a great camera for shooting landscapes. But what about semi-pro wrestling? We spent an evening with the Z7 at DEFY Wrestling, which offered plenty of peak action and tricky lighting - see the results in our updated sample gallery.

The Hasselblad XCD 80mm F1.9 isn't just the fastest lens for the medium-format system, it's Hasselblad's fastest lens ever. With a 63mm equivalent view, it's a solid candidate for portraiture among other things.

In the time since we posted our first look at the iPhone XS' image quality, we've continued shooting with its larger sibling, the XS Max. Take a look at some additional sample images from Apple's latest flagship phone.

Armed with Leica's new screen-free M10-D, we took a fall tour of the Pacific Northwest. As expected, the samples look exactly like that of a Leica M-10.

The Pixel 3 represents another step forward in computational photography for Google's smartphone. We're just getting started with our testing – for now take a look at some sample images, including 'computational Raw' files available for download.

The weather and has most definitely taken a turn toward fall here, and our shooting opportunities have followed suit. We brought the Canon RF 35mm F1.8 along to a harvest festival of sorts and a few of our usual haunts.

The Panasonic LX100 II offers a higher-resolution sensor over its predecessor, but it's the addition of a touchscreen that makes the Mark II so gosh-darn enjoyable to shoot with. We've got some fresh samples from Panasonic's new premium compact camera.

Our XF10 gallery shows what this handy little 28mm equiv. compact can do in a variety of lighting conditions.

Sigma debuted a number of lenses at this year's Photokina, including two Art lenses. We got our hands on a beta sample of the 40mm F1.4 Art – take a look at some initial images taken around Cologne.

The rangefinder-styled Fujifilm GFX 50R has arrived, and we've taken our pre-production model to the mountains and back to see just what it can do.

The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.

There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.

We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.

Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.

We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.