Articles tagged "sample-gallery"

Canon's latest 70-200mm F4L comes with a five stops of image stabilization, a new coat of paint and impressive sharpness. We've been shooting with our copy for several weeks now - see how it stacks up in our sample gallery.

Sigma full-frame Art lenses are finally available in Sony E-mount. Here's how the 85mm F1.4 Art looks on an a7R III and a7 III.

Lensbaby's Sol 45 fixed-aperture selective focus lens is aimed squarely at photographers new to the manual, in-camera creative effects possible with Lensbaby's lineup. We took it out for a spin.

The Leica SL 75mm F2 is ever-so-slightly cheaper than its SL 90mm F2 counterpart, but still impressively sharp. We've been shooting with Leica's latest short telephoto prime for a little while, and we've put together a gallery of real-world samples.

The X-U is Leica's first ruggedized compact camera and is still the only waterproof camera on the market with a large APS-C sensor. That sensor sits behind a 35mm-equivalent, F1.7 lens, and we've taken it to the mountains and back to see just what it's capable of.

The Leica Noctilux-M 75mm F1.25 ASPH is a fast, high-quality and decidedly heavyweight short telephoto prime lens, designed for use with Leica's digital M-series rangefinders. We've been grappling with it for a little while - take a look at our sample images.

With enough reach to land itself in 'travel zoom' territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We've made a significant update to our initial sample gallery with plenty of samples from the past few weeks.

The Leica APO-Summicron-SL 90mm F2 ASPH is a high-quality short telephoto prime lens for the company's full-frame SL mirrorless interchangeable lens camera. We've been shooting with it for a few days, to see what it can do.

The Fujifilm X-T100 sits between the entry-level X-A5 and midrange X-T20 and features a 24MP APS-C sensor, eye-catching design and a unique articulating LCD. Our sample gallery was shot with a number of lenses, including the 15-45mm equiv. kit lens and a number of primes.

The Canon T7/2000D is about as affordable as DSLRs come – the 24MP camera goes for €470 with a kit lens in Europe and $500 in the US (from Canon directly only at the moment). See what this budget-friendly kit can do.

We first heard about Sony's pro-level FE 400mm F2.8 GM OSS back in the winter. This past weekend we finally got a chance to try it out. Here are our very first samples.

With plenty of daylight hours to burn lately, we've been getting out and shooting with some recently-released lenses like the SL 16-35mm F3.5-4.5 – Leica's widest lens for its full-frame SL system.

The Kamlan 28mm F1.4 is an all-manual prime lens for APS-C (and Micro Four Thirds) mirrorless cameras. Following a successful Kickstarter campaign, it'll go on sale to the public for just $200 – see what it can do on Sony and Fujifilm bodies.

The FUJINON GF 45mm F2.8 R WR is a 36mm equivalent fast prime for Fujifilm's GFX 50S. We've been shooting with one for a few days, and we're impressed. Check out our sample gallery to judge for yourself.

It's not every day you have the opportunity to shoot with a lens like the Hasselblad XCD 21mm F4. It's currently the widest lens in the company's medium-format lineup and as we discovered, incredibly sharp.

Our existing Sony RX100 VI sample gallery has been updated with more images from our initial outings with the camera.

The Sony RX100 Mark VI offers a versatile new zoom lens, and we're just getting started putting it through its paces – take a look.

The SeaLife DC2000, is a waterproof, rugged compact camera with a large 1"-type sensor and a fixed 31mm-equivalent F1.8 prime lens. It's primarily aimed at diving enthusiasts, but we've seen what it can do above the sea as well as below.

Tamron's 28-75mm F2.8 lens for E-mount is sharp, compact and is the first third-party standard zoom for the system. While we work through our full review, check out our preliminary sample gallery to get a feel for how it performs.

Our original gallery for Tamron's new 70-210mm F4 had portraits, slow-moving wildlife and city scenes, but was sorely missing fast action. We remedied that by photographing some motorcycles flying through the air.

The Laowa 9mm F2.8 Zero-D is an ultra-wide lens for APS-C mirrorless cameras designed with minimal distortion. We took an E-mount version of the lens out for a spin on the a6500 – take a look at the results.

Sony's 24-105mm F4 G OSS has been in the company's lineup since late 2017, and since then we've spent many-an-outing shooting with it. We've got a full gallery of samples from this versatile zoom.

The Sony RX10 IV is among the most capable all-in-one camera packages money can buy, and we've updated our gallery with plenty more samples.

Tamron's 70-210mm F4 VC is a decent bit cheaper than similar on-brand Canon and Nikon offerings. We're just getting started testing this tele-zoom; take a look at some of our first sample images.

We took the Canon variant of Rokinon/Samyang's AF 14mm F2.8 for a spin to see how this affordable wide-angle option performs out-and-about.

The Pentax K-1 II is a 36MP full frame beast of a camera, offering ample weather-sealing and excellent ergonomics. We've been shooting around Seattle with it as we finish our full review.

The Panasonic Leica DG Vario-Elmarit 50-200mm F2.8-4 is a powerful - and portable - telezoom for Micro Four Thirds cameras, providing the equivalent of a 100-400mm focal length range. See how it performs in our sample gallery from Yellowstone National Park.

When you're traveling with kids, it's not always practical to bring all of the camera gear you'd like to take. That's why DPR's Wenmei Hill packed the Panasonic ZS200 on a recent theme park trip.

This highly-specialized lens is perfect for sports, action and wildlife photography. Check out these first sample images for a taste of what it's capable of.

We recently got our hands on Samsung's latest and greatest smartphone, the dual camera, variable aperture Galaxy S9+, and took it to mostly sunny Southern California for a long weekend.

When it was announced in 2016, the Rokinon AF 14mm F2.8 FE was among the first full-frame autofocus lenses for Sony's a7-series mirrorless cameras. We wanted to see how this affordable wideangle prime performs on Sony's latest a7R III.

With spring rolling around, the Panasonic ZS200 / TZ200 is likely catching the eyes of photography-minded travelers with upcoming trips. While our testing continues, we thought we'd post a few more samples (including some Raws) from this handy little travelzoom.

We're continuing to shoot with and test the Lumix GX9, Panasonic's latest rangefinder style Micro Four Thirds camera. Priced at $1000 with kit lens, the GX9 offers a 20MP sensor, 5-axis stabilization and promises a 90% reduction in shutter shock.

Having debuted just about a month ago, the Canon EOS M50 has made its way into our office where we put it straight to work. Take a look at some of our first sample images.

We've already posted lots of images from the Sony a7 III launch event, but now we've had plenty of time with the camera around our home base in Seattle. Check out our updated gallery to see the cherry blossoms at the University of Washington, historic coastal lighthouses and more.

If you're on a budget and looking to get into Fujifilm's X-system, the X-A5 is likely on your radar. We've been out shooting with this updated entry-level camera.

The Rokinon AF 35mm F2.8 FE is a budget-friendly option for users of Sony's a7-series that are looking to get into the 35mm focal length.

Olympus' latest update to its light-and-compact Pen series comes in the form of the E-PL9. The camera offers some hardware and design improvements like a more substantial grip and a newer sensor capable of 4K.

Spending time in Japan for CP+ also means that we've been able to get out and take some photos on the vibrant streets of Yokohama. With a 20MP 1" sensor and 24-360mm equiv. zoom, the Panasonic ZS200 / TZ200 was up to the task.

We've just updated our Sony a7 III sample gallery with a new batch of photos, including downloadable Raw files. There are no new photos of hipsters with beards and banding. We promise.

We've been shooting with Sigma's new 14-24mm F2.8 Art, both close to home and in Yokohama, Japan. Its dust- and splash-proof design, 'Art' series pedigree and attractive $1300 price tag have made it one of the more hotly anticipated lenses debuting this spring.

Lensbaby’s newest lens, the Burnside 35, is a Petzval-inspired lens that offers swirly bokeh in a 35mm lens, plus an additional creative control of a vignetting slider. We wanted to see what it's all about.

The Sony a7 III brings many of the advanced features of Sony's a9 flagship into a "basic" model that—to be fair—is anything but basic. Check out our results with the camera so far.

We've spent some time getting acquainted with Panasonic's freshest mirrorless camera, the GX9, putting its tilting EVF to good use. Check out our initial samples.

Fujifilm's newest X-series camera takes video very seriously, but also offers a strong stills feature set largely borrowed from the X-T2. We've had some time with a full-production X-H1 that luckily coincided with a little bit of rare February sunshine.

The GH5S is heavily video-focused Micro Four Thirds camera, but nevertheless we were interested in its still photo output. And so, we've added a full stills sample gallery to complement our existing video tests of the camera.

We've spent a ton of time with Google's latest flagship camera. While our full review is in the works, have a look at what the best of computational photography is capable of.

We're nearing completion of our iPhone X camera review. In the meantime, we've been doing plenty of shooting testing portrait mode, lighting modes and everything in between. Take a look at a fresh batch of sample images.