Articles tagged "sample-gallery"

With a nickname like 'bokeh master,' we had to see what the Sigma 105mm F1.4 was all about. Take a look at our gallery of samples shot with the Sony a7R III.

The Sigma 56mm F1.4 combines a sensible sub-$500 price tag and excellent performance, providing a portrait-friendly 85mm equiv. view on Sony's APS-C mirrorless cameras.

The 250mm F4 is Fujifilm's longest lens for its medium-format system. It's equivalent to about 200mm on a GFX camera, and we put it to work on some portraits as well as some scenes around Seattle's waterfront – take a look.

While we had a chance to shoot with a pre-production model at Photokina, we were eager to really put the Sigma 40mm F1.4 Art to work when a full production lens rolled into the office. Take a look at our sample gallery.

The Fujifilm XF 8-16mm F2.8 promises to appeal to everyone from landscape to architectural photographers thanks to its fast aperture, weather sealing, and dedicated field curvature correction element. Does it live up to expectations? We took it from the city streets to the Canadian Rockies to test it out.

Nikon's D3500 may be an inexpensive DSLR, but the company didn't cut corners when it comes to image quality. See how it handled fall colors and tropical seas in our sample gallery.

We've just started shooting with version two of Tamron's SP-series 15-30mm F2.8 – take a look at how we're getting along with it so far.

The Nikon Z6 is the lower-resolution, faster sibling to the Z7, and has already shown impressive results in our preliminary testing. Take a look at how it performs outside of the studio.

Since publishing our full review, we've continued shooting with the Fujifilm X-T3 here and there – sometimes on assignment, and sometimes because we just like it so darn much. Our sample gallery has been updated with fresh images.

With tons of resolution and dynamic range, the Nikon Z7 is a great camera for shooting landscapes. But what about semi-pro wrestling? We spent an evening with the Z7 at DEFY Wrestling, which offered plenty of peak action and tricky lighting - see the results in our updated sample gallery.

The Hasselblad XCD 80mm F1.9 isn't just the fastest lens for the medium-format system, it's Hasselblad's fastest lens ever. With a 63mm equivalent view, it's a solid candidate for portraiture among other things.

In the time since we posted our first look at the iPhone XS' image quality, we've continued shooting with its larger sibling, the XS Max. Take a look at some additional sample images from Apple's latest flagship phone.

Armed with Leica's new screen-free M10-D, we took a fall tour of the Pacific Northwest. As expected, the samples look exactly like that of a Leica M-10.

The Pixel 3 represents another step forward in computational photography for Google's smartphone. We're just getting started with our testing – for now take a look at some sample images, including 'computational Raw' files available for download.

The weather and has most definitely taken a turn toward fall here, and our shooting opportunities have followed suit. We brought the Canon RF 35mm F1.8 along to a harvest festival of sorts and a few of our usual haunts.

The Panasonic LX100 II offers a higher-resolution sensor over its predecessor, but it's the addition of a touchscreen that makes the Mark II so gosh-darn enjoyable to shoot with. We've got some fresh samples from Panasonic's new premium compact camera.

Our XF10 gallery shows what this handy little 28mm equiv. compact can do in a variety of lighting conditions.

Sigma debuted a number of lenses at this year's Photokina, including two Art lenses. We got our hands on a beta sample of the 40mm F1.4 Art – take a look at some initial images taken around Cologne.

The rangefinder-styled Fujifilm GFX 50R has arrived, and we've taken our pre-production model to the mountains and back to see just what it can do.

The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.

There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.

We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.

Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.

We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.

Our Canon EOS R sample gallery has been updated with fresh images – including more portraits – and Raw conversions.

We've been shooting around with Fujifilm's newest APS-C camera for some time now. In short, this 26MP camera has a lot to offer for both stills and video shooters. Take a look at its stills capabilities for yourself.

We'll have plenty of opportunities to get to know the camera much better in the short and long term, but for now we've published our very first images with Canon's new EOS R.

We've updated our Nikon Z7 sample gallery with a handful of Raw conversions, courtesy of a beta version of Adobe Camera Raw.

We've just returned from two launch events for Nikon's new Z system - one in New York, and one in Tokyo. After spending a little more time with two more pre-production cameras, we've updated our previously-published samples gallery.

The Nikon Z7 is here and we've had the chance to shoot with a pre-production model here in Seattle. Take a look at our first sample images.

We spent a few weekends with the M10's stealthier sibling, taking it for a spin around town from the neighborhood block party to balcony portrait sessions. Check out our initial samples.

Canon's latest 70-200mm F4L comes with a five stops of image stabilization, a new coat of paint and impressive sharpness. We've been shooting with our copy for several weeks now - see how it stacks up in our sample gallery.

Sigma full-frame Art lenses are finally available in Sony E-mount. Here's how the 85mm F1.4 Art looks on an a7R III and a7 III.

Lensbaby's Sol 45 fixed-aperture selective focus lens is aimed squarely at photographers new to the manual, in-camera creative effects possible with Lensbaby's lineup. We took it out for a spin.

The Leica SL 75mm F2 is ever-so-slightly cheaper than its SL 90mm F2 counterpart, but still impressively sharp. We've been shooting with Leica's latest short telephoto prime for a little while, and we've put together a gallery of real-world samples.

The X-U is Leica's first ruggedized compact camera and is still the only waterproof camera on the market with a large APS-C sensor. That sensor sits behind a 35mm-equivalent, F1.7 lens, and we've taken it to the mountains and back to see just what it's capable of.

The Leica Noctilux-M 75mm F1.25 ASPH is a fast, high-quality and decidedly heavyweight short telephoto prime lens, designed for use with Leica's digital M-series rangefinders. We've been grappling with it for a little while - take a look at our sample images.

With enough reach to land itself in 'travel zoom' territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We've made a significant update to our initial sample gallery with plenty of samples from the past few weeks.

The Leica APO-Summicron-SL 90mm F2 ASPH is a high-quality short telephoto prime lens for the company's full-frame SL mirrorless interchangeable lens camera. We've been shooting with it for a few days, to see what it can do.

The Fujifilm X-T100 sits between the entry-level X-A5 and midrange X-T20 and features a 24MP APS-C sensor, eye-catching design and a unique articulating LCD. Our sample gallery was shot with a number of lenses, including the 15-45mm equiv. kit lens and a number of primes.

The Canon T7/2000D is about as affordable as DSLRs come – the 24MP camera goes for €470 with a kit lens in Europe and $500 in the US (from Canon directly only at the moment). See what this budget-friendly kit can do.

We first heard about Sony's pro-level FE 400mm F2.8 GM OSS back in the winter. This past weekend we finally got a chance to try it out. Here are our very first samples.

With plenty of daylight hours to burn lately, we've been getting out and shooting with some recently-released lenses like the SL 16-35mm F3.5-4.5 – Leica's widest lens for its full-frame SL system.

The Kamlan 28mm F1.4 is an all-manual prime lens for APS-C (and Micro Four Thirds) mirrorless cameras. Following a successful Kickstarter campaign, it'll go on sale to the public for just $200 – see what it can do on Sony and Fujifilm bodies.

The FUJINON GF 45mm F2.8 R WR is a 36mm equivalent fast prime for Fujifilm's GFX 50S. We've been shooting with one for a few days, and we're impressed. Check out our sample gallery to judge for yourself.

It's not every day you have the opportunity to shoot with a lens like the Hasselblad XCD 21mm F4. It's currently the widest lens in the company's medium-format lineup and as we discovered, incredibly sharp.

Our existing Sony RX100 VI sample gallery has been updated with more images from our initial outings with the camera.

The Sony RX100 Mark VI offers a versatile new zoom lens, and we're just getting started putting it through its paces – take a look.

The SeaLife DC2000, is a waterproof, rugged compact camera with a large 1"-type sensor and a fixed 31mm-equivalent F1.8 prime lens. It's primarily aimed at diving enthusiasts, but we've seen what it can do above the sea as well as below.

Tamron's 28-75mm F2.8 lens for E-mount is sharp, compact and is the first third-party standard zoom for the system. While we work through our full review, check out our preliminary sample gallery to get a feel for how it performs.