Sigma full-frame Art lenses are finally available in Sony E-mount. Here's how the 85mm F1.4 Art looks on an a7R III and a7 III.
Articles tagged "sample-gallery"
The Leica SL 75mm F2 is ever-so-slightly cheaper than its SL 90mm F2 counterpart, but still impressively sharp. We've been shooting with Leica's latest short telephoto prime for a little while, and we've put together a gallery of real-world samples.
The X-U is Leica's first ruggedized compact camera and is still the only waterproof camera on the market with a large APS-C sensor. That sensor sits behind a 35mm-equivalent, F1.7 lens, and we've taken it to the mountains and back to see just what it's capable of.
The Leica Noctilux-M 75mm F1.25 ASPH is a fast, high-quality and decidedly heavyweight short telephoto prime lens, designed for use with Leica's digital M-series rangefinders. We've been grappling with it for a little while - take a look at our sample images.
With enough reach to land itself in 'travel zoom' territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We've made a significant update to our initial sample gallery with plenty of samples from the past few weeks.
The Leica APO-Summicron-SL 90mm F2 ASPH is a high-quality short telephoto prime lens for the company's full-frame SL mirrorless interchangeable lens camera. We've been shooting with it for a few days, to see what it can do.
The Fujifilm X-T100 sits between the entry-level X-A5 and midrange X-T20 and features a 24MP APS-C sensor, eye-catching design and a unique articulating LCD. Our sample gallery was shot with a number of lenses, including the 15-45mm equiv. kit lens and a number of primes.
The Kamlan 28mm F1.4 is an all-manual prime lens for APS-C (and Micro Four Thirds) mirrorless cameras. Following a successful Kickstarter campaign, it'll go on sale to the public for just $200 – see what it can do on Sony and Fujifilm bodies.
The SeaLife DC2000, is a waterproof, rugged compact camera with a large 1"-type sensor and a fixed 31mm-equivalent F1.8 prime lens. It's primarily aimed at diving enthusiasts, but we've seen what it can do above the sea as well as below.
Tamron's 28-75mm F2.8 lens for E-mount is sharp, compact and is the first third-party standard zoom for the system. While we work through our full review, check out our preliminary sample gallery to get a feel for how it performs.
The Panasonic Leica DG Vario-Elmarit 50-200mm F2.8-4 is a powerful - and portable - telezoom for Micro Four Thirds cameras, providing the equivalent of a 100-400mm focal length range. See how it performs in our sample gallery from Yellowstone National Park.
When you're traveling with kids, it's not always practical to bring all of the camera gear you'd like to take. That's why DPR's Wenmei Hill packed the Panasonic ZS200 on a recent theme park trip.
This highly-specialized lens is perfect for sports, action and wildlife photography. Check out these first sample images for a taste of what it's capable of.
When it was announced in 2016, the Rokinon AF 14mm F2.8 FE was among the first full-frame autofocus lenses for Sony's a7-series mirrorless cameras. We wanted to see how this affordable wideangle prime performs on Sony's latest a7R III.
With spring rolling around, the Panasonic ZS200 / TZ200 is likely catching the eyes of photography-minded travelers with upcoming trips. While our testing continues, we thought we'd post a few more samples (including some Raws) from this handy little travelzoom.
We're continuing to shoot with and test the Lumix GX9, Panasonic's latest rangefinder style Micro Four Thirds camera. Priced at $1000 with kit lens, the GX9 offers a 20MP sensor, 5-axis stabilization and promises a 90% reduction in shutter shock.
We've already posted lots of images from the Sony a7 III launch event, but now we've had plenty of time with the camera around our home base in Seattle. Check out our updated gallery to see the cherry blossoms at the University of Washington, historic coastal lighthouses and more.
We were recently able to follow local frame builder Max Kullaway as he created one of his AirLandSea bikes. Here are our picks of the photos we got, as the project progressed from bare tubes all the way to rideable bicycle.
The Rokinon AF 35mm F2.8 FE is a budget-friendly option for users of Sony's a7-series that are looking to get into the 35mm focal length.
We've been shooting with Sigma's new 14-24mm F2.8 Art, both close to home and in Yokohama, Japan. Its dust- and splash-proof design, 'Art' series pedigree and attractive $1300 price tag have made it one of the more hotly anticipated lenses debuting this spring.
Lensbaby’s newest lens, the Burnside 35, is a Petzval-inspired lens that offers swirly bokeh in a 35mm lens, plus an additional creative control of a vignetting slider. We wanted to see what it's all about.
Fujifilm's newest X-series camera takes video very seriously, but also offers a strong stills feature set largely borrowed from the X-T2. We've had some time with a full-production X-H1 that luckily coincided with a little bit of rare February sunshine.
Though it has a slow maximum aperture, the Tamron 100-400mm F4.5-6.3 Di VC USD lens covers a very useful focal range, and more importantly is sharp throughout said range. Its image stabilization is also very good.