Now that our Panasonic Lumix S1R has final firmware, we couldn't wait to get out shooting with it - and we also tried the high-res mode, which combines files to get 187 megapixel images. Because sometimes, 47 megapixels just isn't enough.
Articles tagged "sample-gallery"
The Fujifilm GF 100-200mm F5.6 covers a range equivalent to 79-158mm when mounted on a GFX camera. It's also a medium-format Fujifilm shooter's longest zoom option for the foreseeable future – take a look at some sample shots.
The Leica Q2 has arrived on the scene and we've been busy pointing its 47MP full-frame sensor and 28mm F1.7 lens at as many subjects as possible. Initial impressions of image quality suggest excellent detail and ISO performance, but lackluster JPEG color.
Canon's EOS RP may be small on the outside, but it's hiding a big 26MP full-frame sensor on the inside. We've been pushing forward with our full review and have updated our gallery with fresh shots, and have taken a look at how how it handles our studio test scene – see for yourself.
As we discovered in our full review, Fujifilm's XF10 pocket compact may not be the most responsive camera to use, but we can't get enough of its beautiful color output. Take a look at our updated gallery to see what all the fuss is about.
Sony's announced the ninth addition to the G Master lens series in the FE 135mm F1.8 GM. We took it for a spin prior to launch and found it to be sharp, instantaneous to focus, with smooth bokeh and few aberrations at all to speak of.
We've had a little more time to shoot around with Panasonic's high-resolution full-framer and thus, top off our sample gallery. We've also had the chance to add a whole lot of Raw conversions.
Given that it uses the same sensor and processor as the X-T3, it's no surprise that the Fujifilm X-T30 is capable of producing some excellent photos. We took a pre-production X-T30 all over the Seattle area and have plenty of photos for your viewing pleasure.
Fujifilm's XF 16mm F2.8 is one of the widest lenses in the company's lineup of compact primes for its X-series interchangeable lens cameras. We've been up and down the streets of snowy Seattle - a rare sight - to see just what our pre-production copy of this petite prime is capable of.
We put a pre-production version of Olympus' versatile new zoom through its paces.
It lacks the impressive resolution of its sibling, but the Lumix S1 looks to offer plenty for the photographer who needs serious video and stills capabilities. Take a look at some of our initial sample images – shot with pre-production firmware.
We've been shooting with a beta version of the Sony a9's upcoming firmware 5.0. While there's much more analysis to come, we can say it makes for a dead simple AF tracking user experience. Take a look at some of our samples.
The Tamron 17-35mm F2.8-4 is a compact and light-weight lens for full-frame Canon and Nikon DSLRs. We took it on grand tour of Seattle's top tourist spots and found it makes a pleasant, albeit wide, walking around lens.
Photographer Jimmy McIntyre has been working with Nikon, shooting a pre-production sample of the new Z 14-30mm lens. We're reserving final judgement until we see a reviewable lens, but it looks pretty impressive.
Nikon's latest telephoto prime gives you a lot of reach in a compact package thanks to phase fresnel optics. We've taken the AF-S 500mm F5.6E PF to capture eagles north of Seattle in Skagit County, to a club Ultimate Frisbee match in our own backyard, and plenty of places in-between. See how it performs in our sample gallery.
Canon's announcement of the EF-M 32mm F1.4 got buried in all the hubbub surrounding the EOS R launch, but it's a lens we were excited to get our hands on. Take a look at our gallery using the first native 50mm equivalent prime lens for the EOS M system.
The 250mm F4 is Fujifilm's longest lens for its medium-format system. It's equivalent to about 200mm on a GFX camera, and we put it to work on some portraits as well as some scenes around Seattle's waterfront – take a look.
The Fujifilm XF 8-16mm F2.8 promises to appeal to everyone from landscape to architectural photographers thanks to its fast aperture, weather sealing, and dedicated field curvature correction element. Does it live up to expectations? We took it from the city streets to the Canadian Rockies to test it out.
We've just started shooting with version two of Tamron's SP-series 15-30mm F2.8 – take a look at how we're getting along with it so far.
Since publishing our full review, we've continued shooting with the Fujifilm X-T3 here and there – sometimes on assignment, and sometimes because we just like it so darn much. Our sample gallery has been updated with fresh images.
With tons of resolution and dynamic range, the Nikon Z7 is a great camera for shooting landscapes. But what about semi-pro wrestling? We spent an evening with the Z7 at DEFY Wrestling, which offered plenty of peak action and tricky lighting - see the results in our updated sample gallery.
The Pixel 3 represents another step forward in computational photography for Google's smartphone. We're just getting started with our testing – for now take a look at some sample images, including 'computational Raw' files available for download.
The weather and has most definitely taken a turn toward fall here, and our shooting opportunities have followed suit. We brought the Canon RF 35mm F1.8 along to a harvest festival of sorts and a few of our usual haunts.
The Panasonic LX100 II offers a higher-resolution sensor over its predecessor, but it's the addition of a touchscreen that makes the Mark II so gosh-darn enjoyable to shoot with. We've got some fresh samples from Panasonic's new premium compact camera.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.