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Articles tagged "panasonic"
Canon just launched an entry level camera using the RF Mount! You should probably take a look at some photos it (and Chris Niccolls) captured in Florida.
We take a closer look at the latest lightweight, compact ultra-wide prime for Micro Four Thirds from Panasonic.
The new Panasonic Leica 9mm F1.7 sure is tiny and cute, but is it a good choice for Micro Four Thirds users? Our team at DPReview TV has the answers.
Panasonic's new 9mm F1.7 lens promises to deliver top performance in a pint-sized package. Does it raise the bar for ultra-wide angle lenses in the Micro Four Thirds system? Check out our sample gallery to find out.
Is the GH6 the best hybrid camera there is? Jordan has been shooting DPReview TV with the Panasonic GH6 for months, so he has plenty of experience to back up his strong opinions.
As we work towards our GH6 review, we've taken a closer look at some of the video options by shooting clips to highlight some of the compression options, picture profiles, image stabilization modes, the dynamic range boost mode, and low light performance.
We've shot and examined our studio scene, and its images are a match for the OM System OM-1 in a lot of circumstances. Digging into the shadows shows there's a dynamic range cost at low ISO for this clever, fast sensor.
It's hard to believe that Panasonic's video-centric GH series is 13 years old. Over that time, it's evolved from a scrappy upstart video camera into a product line with some of the most advanced video features on the market. We take a look back to see how far the GH series – and mirrorless video in general – has come.
In our latest 'Wooden Niccolls' episode, we attempt to recreate a scene from Shane Black's film The Nice Guys using a GH6 and some Vazen anamorphic lenses. Can Jordan play the tough guy? Is Chris even wearing pants? (Hint: no) We also take you behind the scenes to see how we shot everything.
In this article we go hands-on with the new Panasonic GH6 to take a closer look at how its designed and some of its exciting new features.
The Panasonic GH6 is clearly the best Micro Four Thirds camera for video shooters, but how does it compare to the full frame S1H? The results may surprise you.
DPReview's resident video expert, Jordan Drake, has been using the new Panasonic GH6 for several weeks. He tells us what improvements he was hoping to see compared to the GH5-series, and whether Panasonic delivered where it mattered.
The Panasonic GH6 is the latest in the company's line of video-focused Micro Four Thirds cameras. It brings a new, 25MP sensor and 10-bit 4K capture at up to 120p. We've dug into a camera with some of the broadest and deepest video feature sets ever.
The video-centric Panasonic GH6 has finally arrived and includes some big upgrades. Is this new Micro Four Thirds camera destined to become Jordan's new camera of choice?
The Panasonic GH6 raises the Micro Four Thirds resolution bar for the first time in years, thanks to its new 25 megapixel sensor. Check out our pre-production sample gallery to see how it compares to previous sensors.
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Feb 22, 2022 at 01:00
The Lumix DC-GH6 is the latest video-centric hybrid Micro Four Thirds camera from Panasonic that brings a slew of new and improved features and specifications over its four-year-old predecessor, the GH5S.
Panasonic has posted a countdown timer to the livestream release of its forthcoming GH6 Micro Four Thirds mirrorless camera system, which is set to be revealed at 1am UTC / 8pm EST on February 22, 2022.
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SponsoredJan 31, 2022 at 15:00
Panasonic was a pioneer in mirrorless cameras, and its video-oriented models are class-leading. But a great camera system requires great lenses. Find out how Panasonic's LUMIX S series of lenses is uniquely designed to meet the needs of both photographers and videographers.
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Dec 16, 2021 at 14:42
Despite plans to have the camera available to purchase by the end of 2021, it appears as though Panasonic users will have to hold out until 'early 2022' to get their hands on the company's latest mirrorless camera.
Chris and Jordan recently reviewed the Panasonic 35mm F1.8 lens. In the process, they compared it to another great L-mount option: the Sigma 35mm F2 DG DN. Check out this gallery of images from their review to see if you agree with their conclusions.
This week Chris and Jordan compare the new Panasonic 24mm F1.8 and 35mm 1.8 to their closest competitors: the Sigma 24mm F2 DG DN and Sigma 35mm F2 DG DN. Which is best for L-mount? TLDR; they're all good lenses, but there are some big differences worth knowing about.
Chris and Jordan just reviewed the Panasonic 24mm F1.8 for L-mount cameras. View this sample gallery of images from their review see how it compares to the competition.
The Panasonic Lumix S 35mm F1.8 is the fourth in a series of ergonomically-similar full-frame F1.8 primes for L mount. This full-frame prime lens is intended for both photographers and videographers, and we've had our hands on one. Click through for more details.
We've been using Panasonic's new Lumix S 35mm F1.8 L-mount lens for the last few days, and we've prepared a small initial sample gallery to show a little of what the new lens can do.
Panasonic has announced the Lumix S 35mm F1.8, the latest in its full frame prime lenses for the Leica / Panasonic / Sigma L-mount.
Panasonic has released firmware version 1.1 for the Lumix DC-GH5 II, adding support for wired 4K streaming, among several feature enhancements.
Panasonic China has posted a pair of images to various Chinese social media sites that tease what appears to be a new lens launch.
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Nov 3, 2021 at 19:43
It's been three years since we last saw evidence of this sensor's development, but Panasonic has used the 4K/8K Technology Expo 2021 in Japan to once again highlight its ongoing efforts to make this sensor a reality.
Finding the perfect camera to travel with can be challenging. The ideal travel camera should be reliable and versatile enough to handle any shooting situation, while not taking up too much space in your luggage. In this article, we take a look at the Panasonic LUMIX DC-S5 to see if it fits the bill.
In this video, musician and filmmaker Chris Cunningham takes the Panasonic Lumix DC-GH5 II out to a park overlooking Seattle, for an outdoor music performance, streamed live on YouTube.
The DC-BS1H is Panasonic's second box camera, packing the essential pieces of its full-frame mirrorless video flagship, the S1H, into a modular body designed for video shooters. We go hands-on to see what's the same and where the models differ.
This week Jordan reviews the Panasonic BS1H, the company's first full-frame box camera. How does it compare to the S1H and Panasonic's first box camera, the BGH1? Tune in to find out if boxy is better.
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camera newsOct 7, 2021 at 15:00
Panasonic has announced the Lumix BS1H, a modular box-format camera offering comparable capabilities to its S1H full-frame mirrorless camera.
Lens availability is a critical part of choosing a camera system. We've updated our guide to Nikon, Canon, Sony and Panasonic/Sigma/Leica mirrorless mounts to see how their lineups and technologies currently compare.
The Panasonic GH5M2 is a refresh, rather than complete reworking, of the company's image-stabilized, video focused GH5. We didn't find live streaming as reliable as we'd hoped but we appreciated the improved feature set.
Panasonic has announced the compact Lumix S 24mm F1.8 full-frame lens for L-mount. It features seven special elements and a linear focus motor, and weighs just 310 grams (11 ounces).
We've been shooting with the new Panasonic 24mm F1.8 L-mount lens for the last few days and have published our initial gallery. Click through to see how it performed in a variety of situations.
We've shot and processed our standard studio test scene for Panasonic's Lumix DC-GH5 II (GH5M2). Our review will focus mainly on video, but talk of improved dynamic range made us want to check whether we could see an improvement over its predecessor.
Panasonic's Leica DG Vario-Summilux 25-50mm F1.7 ASPH is a fast zoom lens aimed at photographers and filmmakers using Micro Four Thirds camera bodies. Read our review to find out how it performs.
Chris and Jordan have spent a few days with a pre-production sample of the new Panasonic Leica DG 25-50mm F1.7. Jordan loves this lens for video, but take a look at their collection of still images to find out why Chris recommends it for photography, too.
The Panasonic Leica DG Vario-Summilux 25-50mm F1.7 ASPH is a fast short-tele zoom for Micro Four Thirds. We got hands-on with this video-optimized lens to take a closer look at what it offers.
The new Panasonic Leica DG 25-50mm F1.7 is a perfect companion for one of Jordan's favorite video lenses, the Panasonic 10-25mm F1.7. Find out why he likes it so much, and why Chris thinks it's nifty for photos as well.
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sample galleryJul 8, 2021 at 02:00
The Panasonic Leica 25-50mm F1.7 ASPH is a high-quality zoom lens for Micro Four Thirds, and with its fast maximum aperture, could potentially replace a handful of primes for telephoto shooting. Check out how it performs in our sample gallery.
Panasonic has announced the Leica DG Vario-Summilux 25-50mm F1.7 ASPH, a fast short-telephoto zoom for the Micro Four Thirds system.
Panasonic's new Lumix S 50mm F1.8 is a compact and lightweight prime, aimed at full-frame L-mount shooters. Priced at $450, join us as we take a closer look at the handling details and construction of this modern-day nifty fifty.
Panasonic's new Lumix S 50mm F1.8 is a compact and lightweight prime for L-mount cameras. It's nice and sharp, offers quick and silent autofocus, and it's capable of producing lovely bokeh.
Panasonic has announced its Lumix S 50mm F1.8 lens for L-mount. This compact lens has numerous special glass elements, a linear focus motor, weather-sealing and weighs in at just 300 grams (10.6 oz).
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