We took the new YI M1 out on the town, and to eastern Washington, in search of some fall color. See gallery
Articles tagged "micro-four-thirds"
A Japanese company has a series of Micro Four Thirds lenses in the works that provide a 250° field of view. Read more
The Sigma 30mm F1.4 DN DC Contemporary was announced in February 2016, and sits atop Sigma's line of DN mirrorless lenses, with a 2-stop advantage over their previous 30mm F2.8 offering. As a Micro Four Thirds lens, how does it compare to the Panasonic Leica 25mm F1.4? Read more
The E-PL8 valiantly takes place at the bottom of Olympus' Micro Four Thirds lineup, but don't assume that makes it low-end. We take a closer look at this refreshed entry-level shooter to see if the changes are only skin deep. Read more
Panasonic is working on the Lumix GH5 which will include 4K/60p video and a 6K Photo mode. Read more
Panasonic's 12mm F1.4 brings a weather-resistant, fast 24mm equivalent prime to the Micro Four Thirds system, with a build quality and price tag that scream premium. We've been out shooting it on the Panasonic GX8. See gallery
Panasonic has just announced a new prime lens for Micro Four Thirds. The Lumix G Leica DG Summilux 12mm F1.4 ASPH is a metal-bodied prime that provides an equivalent focal length of 24mm in full-frame terms. And we've got one in our hands. See more
Panasonic is introducing a new prime lens to the Micro Four Thirds family: the dustproof and splashproof Lumix G Leica DG Summilux 12mm F1.4 ASPH. Read more
The DJI Inspire 1 Raw Edition quadcopter with Micro Four Thirds Zenmuse X5R camera will begin shipping on March 28, the company has announced. Read more
With the start of CP+ 2016 just one day away, Panasonic is introducing the Lumix G Vario 12-60mm F3.5-5.6 ASPH Power O.I.S. to its family of Micro Four Thirds lenses. Featuring a splash and dustproof design, the lens is compatible with Panasonic's Dual IS feature, currently available on the Lumix DMC-GX8. Read more
Sigma has added two new fast-aperture lenses to its Art and Contemporary lineups. For owners of Canon, Nikon and Sigma APS-C bodies there's the 50-100mm F1.8 DC HSM Art, which is equivalent to 75-150mm. This lens has a redesigned Hyper Sonic Motor, nine-blade rounded aperture and internal zoom. The other lens is for Sony E-mount and Micro Four Thirds bodies, and it's a fast 30mm F1.4 prime, equivalent to 45mm and 60mm, respectively. Read more
With its new 20MP sensor, high-resolution electronic viewfinder and slick rangefinder styling, the new Olympus PEN-F has been receiving Texas-sized portions of praise around the DPReview offices. But it's not all southern hospitality for the PEN series' newest flagship. DPReview writer Carey Rose been shooting with it in Austin all week; find out how it fared. Read more
Olympus has announced the revival of its classic 1960s half-frame film camera in digital form – the 20MP PEN-F. The first digital PEN to feature a built-in viewfinder, it offers an impressive 2.36 Million-dot OLED panel as well as a fully articulating LCD. Read more
Chinese lens maker Zhongyi Optics has added M42, Canon FD and Minolta MD lens adapters to its second-gen Lens Turbo lineup for Micro Four Thirds cameras. Like Metabones' Speedboosters, the adapters shorten the effective focal length, reducing the F-number by a stop and partially negating the crop factor. Read more
Recently we got a chance to take a close look at Olympus's brand new M.Zuiko Digital 300mm F4 IS Pro - which the company says is the sharpest lens it's ever made. Join us for a walk-through of the lens' features, capabilities and fine details. Read more
Olympus has launched the M.Zuiko Digital ED 300mm F4 IS Pro, which it claims it the sharpest lens in its lineup. The 600mm equivalent prime lens features built-in IS that also works in conjunction with the OM-D E-M1 and E-M5 II bodies to offer 6 stops of stabilization, measured to CIPA standards - the best we've yet encountered. Olympus says it expects the lens to be used for bird photography, landscape and sports. Read more
Panasonic is adding a high-end super telephoto zoom lens to the Micro Four Thirds lineup: the Leica DG Vario-Elmar 100-400mm F4-6.3 ASPH. This lens is equivalent to a whopping 200-800mm when attached to a MFT body and features much-needed 'Power' optical image stabilization to keep things steady. The lens has several aspherical and extra low dispersion elements, a nine-blade aperture, and a minimum focus distance of 1.3m. The lens also features a compact tripod collar that rotates with the camera and it's weather-sealed, too. More details
Chinese lens manufacturer Shenyang Zhongyi Optics has redesigned the optical construction of is Turbo Adapter that allows Micro Four Thirds users to mount Nikon and Canon lenses to their cameras. The details are slight, but the company says the configuration is completely different, although still using four elements, and new coatings have been applied to reduce flare and increase contrast. Read more
Chinese optics company Shenyang Zhongyi Optical and Electronic has announced that it is adding a super-fast standard lens to its range designed for the Micro Four Thirds system. The new 25mm lens features a maximum aperture of F0.95 but has a very small and lightweight body. Read more
Drone maker DJI has announced a pair of Micro Four Thirds aerial cameras including a model that can shoot lossless 4K Raw footage. The Zenmuse X5 and X5R are built around 16MP Four Thirds sensors, are compatible with a handful of small Micro Four Thirds lenses and can be flown on the company's Inspire 1 drones. Read more
Caldwell Photographic and Metabones have announced the Speed Booster Ultra for Micro Four Thirds: an updated design that uses more sophisticated glass and has been optimized for use with the relatively thick Micro Four Thirds filter stack. The latest Canon version also gains AF-S autofocus when used with Panasonic cameras: an improvement available via firmware update for existing users. Read more
Z Camera, a China-based photography startup, has introduced a connected Micro Four Thirds camera called the E1. Shaped like GoPro's HERO action cameras, the E1 carries a 16MP Four Thirds sensor and can record video at 4K 4096x2160 resolution. It provides Wi-Fi connectivity and an open platform for developers. Read more
Chinese lens adapter manufacturer Kipon has announced plans to introduce the first adapter that allows AF operation when a Canon EF or EF-S lens is attached to a Micro Four Thirds camera body. Previous adapters have either been entirely manual or, more lately, offered aperture control, but the Shanghai-based company has said that its next model will allow full frame and APS-C EOS system lenses to focus automatically too. Read more
Japanese optical manufacturer Kowa has released pricing for the three Micro Four Thirds lenses it first announced a year ago. The trio, Kowa Prominar MFT 12mm f/1.8, Prominar MFT 8.5mm f/2.8 and Prominar MFT 25mm f/1.8 are available now and will come in a choice of black, silver or green finishes. The lenses are all manual focus, and do not feature electrical contacts for communicating aperture or focus distance data to the camera. The company had them on show at the Broadcast Video Expo in London. Read more
We thought we'd try something a bit different for our video overview of the Olympus OM-D E-M5 II. Given that two of the major changes are improvements in its video features and stabilization, we thought we'd use the camera to shoot its own video and see how it behaves handheld. And, since the camera is environmentally sealed, we thought we'd venture beyond the office for a bit. See video
Three companies joined the Micro Four Thirds system standard group this morning, including DJI, maker of both consumer and professional-level drones. JDC (GuangZhou) Optical Co., a small Chinese optics manufacturer, and Flovel Co., a Japanese optical company, both also announced support. Read more
Flash manufacturer Cactus has updated firmware for its V6 wireless flash transceiver to include profiles for top end guns from Olympus and Panasonic's Micro Four Thirds and Four Thirds systems. Firmware 1.1.004 makes the V6 transmitter/receiver units compatible specifically with Olympus FL-50R, FL-36R and Panasonic FL-500R and FL-360R. Read more
Panasonic has announced it is developing a 30mm f/2.8 Macro lens for the Micro Four Thirds system. The lens will be compatible with the latest generation 240 frame-per-second autofocus and will include image stabilization. No further details of specification, price or time-scale have yet been provided.
Lens adapter manufacturer Metabones has launched a pair of long-awaited Canon EF to Micro Four Thirds lens adapters. The first adapter is the Smart Mount version which allows electronic control of the aperture in a Canon lens from a Micro Four Thirds camera, as well as correct recording of EXIF information and activation of Image Stabilization where present. Also debuting is an EF to Micro Four Thirds Speed Booster. Read more
Kodak is arguably the most famous name of all in photography, but it ultimately failed to manage the transition from film to digital, and ended up exiting the consumer imaging business altogether in 2013. But now JK Imaging, which licenses the Kodak name, has created an interchangeable lens camera. The Pixpro S-1 is an entry-level model that's designed to attract budding photographers who are buying their first system camera. Click through to read our first impressions.
Update: Consumer electronics maker JVC Kenwood has joined the Micro Four Thirds standard and said it will develop products for the system. The company is showing two prototype 4K-capable cameras, including a compact, handheld model at NAB in Las Vegas. We stopped by the JVC Kenwood booth and got a first glimpse of the cameras on display. Interestingly, the company says both cameras will have Super 35 sensors (around 21 x 12mm), which is wider than the original Four Thirds sensor format which the standard was designed around. Learn more
Kodak famously failed to adapt to the transition from film to digital photography, and finally stopped making digital cameras in early 2012. Now the famous old brand has been resurrected by JK Imaging Ltd, which is producing cameras in partnership with Asia Optical. We got a quick look at some of the 2014 product portfolio earlier this year at CES but this week we had a more detailed briefing at a European press event. Click through to take a closer look.
Japanese optical company Kowa - best known for its spotting scopes and binoculars - has revealed that it plans to make three lenses for Micro Four Thirds cameras. The Kowa Prominar 8.5mm F2.8 MFT, 12mm F1.8 MFT and 25mm F1.8 MFT will all feature manual focus and aperture control, and use low-dispersion XD glass and aspheric elements to minimise distortion and aberrations. They're due to be released in summer 2014.
Panasonic has announced its latest flagship Micro Four Thirds camera, the Lumix DMC-GH4. It's designed as a 'hybrid camera' that can shoot both stills and videos, and the emphasis of the improvements is clearly on the latter. Its revised 16MP Live MOS sensor and Venus Engine IX processor allow for 4K video, 12 fps continuous shooting and 1080p shooting at bitrates as high as 200Mbps. An optional 'interface unit' adds five SDI and two XLR terminals, and permits 10-bit 4:2:2 output with time code.
CES 2014: Panasonic has formally announced the Leica DG Nocticron 42.5mm F1.2 ASPH OIS fast portrait prime for Micro Four Thirds. The lens, first revealed in prototype form back at the Photokina trade show in September 2012, offers an 85mm equivalent field of view, optical image stabilisation, and the brightest aperture of any autofocus lens on the system. It's The lens will be available during the first quarter of 2014 at suggested prices of $1,599/€1,499/£1,299.
Hong Kong-based lens maker SLR Magic has announced an addition to its family of video-oriented manual focus fast primes for Micro Four Thirds. The 17mm T1.6 offers an angle of view equivalent to 34mm on full frame, and has geared focus and aperture rings. It will be available at the end of December 2013.
Forget the Zeiss Otus 55mm F1.4, Sony Alpha 7R and RX10, Nikon 58mm F1.4 or the tiny Panasonic GM1 - last week's real news was Lomography's introduction of an 'Experimental Lens Kit' for Micro Four Thirds. Comprising a 24mm F8 standard lens, a 12mm F8 wideangle and a 160° F8 fisheye, the kit costs £79 / €89. Each of the lenses even has a built-in shutter with speeds of 1/100sec and Bulb, allowing in-camera multiple exposures, plus a T mode to hold the shutter open for normal live view. In addition all three have a slot for colour gel filters. Click through for full details.
We've been shooting with the Olympus PEN E-P5 for some months now and have just completed our review. The arrival of the E-M1 may have grabbed the limelight in recent weeks but the latest PEN deserves its share of the attention. Although it continues the classic PEN look, it shares most of its specifications with the E-M5, which should make it pretty special - but what's it like to use? Read our review to find out.
We've had more time to shoot with the Olympus E-M1 and have extended our coverage of its AF performance. In addition to incorporating real-world Continuous Autofocus examples and commentary, we've also spent more time shooting with it alongside an E-5, to see exactly how the two compare, and amended our impressions accordingly.
The O-MD E-M1 has just been announced and takes its place as both Olympus' flagship Micro Four Thirds camera and the successor to the E-5 DSLR. We've been spending some time with a production unit, taking the new 16.3 megapixel Live MOS sensor for a spin in a variety of conditions. Follow the link to learn more about this high-end mirrorless interchangeable lens camera.
Olympus has announced the OM-D E-M1, now the flagship of its Micro Four Thirds lineup. Rather than calling it the follow-up to the E-M5, Olympus says that the E-M1 is actually the 'successor' to the E-5, the Four Thirds camera introduced back in 2010. The E-M1's standout feature is its new 16.3MP Live MOS sensor with on-chip phase-detection autofocus, designed to work with legacy Four Thirds lenses.
Olympus has unveiled a high-end standard zoom to match the E-M1: the M.Zuiko Digital ED 12-40mm F2.8 PRO. It offers a 24-80mm equivalent range and is dust, splash and, freezeproof, and uses a manual focus clutch design similar to the 12mm F2 and 17mm F2.8 primes. Olympus has also announced the development of a matching 40-150mm F2.8 telezoom, which is scheduled for release next year. Click through for more details.
It's an open secret that many compact cameras are produced by OEMs - companies that produce large numbers of products that are then sold under other brand names. There are also consumer-grade zooms from big name manufacturers that look much alike (we know for a fact that third-party makers commonly create lenses for the bigger brands). But we were still surprised to read about Sigma's latest patent for a 75mm F1.8 prime lens...
Panasonic has announced the Lumix DMC-GX7 - the follow-up to the DMC-GX1 - which is its first mirrorless interchangeable lens camera to include in-body image stabilization. This 16MP, rangefinder-style camera also includes a high-resolution, widescreen EVF that can be tilted upwards 90 degrees. Panasonic claims that their newly designed Live MOS sensor improves both detail and color saturation by 10%. Other features of note include a tilting LCD, a 'silent shooting' mode, focus peaking, 1080/60p videos, and Wi-Fi with NFC capability.
Alongside the enthusiast-oriented DMC-GX7, Panasonic has announced the Leica DG Nocticron 42.5mm F1.2 - the fastest autofocus lens ever created for the Micro Four Thirds system. If you're getting a sense of deja vu that's because Panasonic actually announced this lens already (sort of) at last year's Photokina tradeshow in Cologne, Germany. But what was then a dummy lens behind glass now appears to be a real product, albeit one without any firm availability date or pricing information.
Just posted: Our review of the Olympus Body Cap Lens 15mm F8. In essence this is a tiny three element optic hidden inside a body cap, and probably the cheapest lens of any description made by any camera manufacturer. But is it any good? In the latest of our lens reviews in collaboration with DxOMark, we take a look both at how well it performs in studio testing, and in real-world use. Does it have any place in the Micro Four Thirds user's camera bag? Click through to find out.
|High Altitude Rocky Mountain Railroad by cjf2|
from On the Rails...
|Evening at the lake. by Murat ÜNSAL|