Articles tagged "lens-news"

The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.

Amid its full-frame mirrorless announcements, Canon has also made room for some L-series lens updates, with new 400mm F2.8L and 600mm F4L super-tele primes.

Alongside the new RF system, Canon announced the EF-M 32mm F1.4 STM, which offers an equivalent focal length of just over 50mm when attached to an M-series mirrorless body.

With the launch of the RF mount, four lenses have debuted alongside the consumer-grade EOS R, providing a tantalizing glimpse into Canon's future ambitions.

Tamron has updated its 15-30mm F2.8 ultra-wide zoom with a 'G2' model. The lens features new elements and coatings, a new autofocus processor and an enhanced Vibration Correction with 4.5 stops of shake reduction. The lens will be available in Canon and Nikon mounts.

Nikon has laid out its ambitious plans for the next three years of Z-mount lenses. The most eye-catching is a 58mm F0.95 'Noct' lens and, naturally, standard focal lengths such as an 85mm F1.8, 24-70mm F2.8 and 70-200mm F2.8 will be appearing in due course, as well.

You can't launch a new camera system without lenses, and Nikon has three Nikkor Z-mount lenses available at and slightly after the launch of the Z 7 and Z 6. They include a 24-70 F4 S, 50mm F1.8 S and 35mm F1.8 S.

The previously-announced 500mm F5.6E uses a Phase Fresnel design for a lighter and smaller body, and will arrive in September for $3600.

Previously available for Canon shooters, Rokinon's ultra-wide 14mm F2.8 with autofocus will be available this fall for Nikon.

Sigma is now shipping the FE versions of its 14mm F1.8 DG HSM, 70mm F2.8 DG MACRO, and 135mm F1.8 DG HSM Art lenses that were announced in February.

Tamron has introduced the 17-35mm F2.8-4 Di OSD zoom lens for full-frame Canon and Nikon bodies. This compact lens is weather-sealed, features a minimum focus distance of 28cm (11") and uses an 'Optimized Silent Drive' AF motor.

Venus Optics has announced a new probe-shaped macro lens that captures 2x life size images down a 40cm / 15.7in barrel. The Laowa 24mm f/14 Macro Probe lens is designed to produce extreme macro on full frame bodies, and to reach subjects that are hard to approach.

Fujifilm has announced the XF 200mm F2 R LM OIS WR telephoto lens along with a matching 1.4x teleconverter. This weather-sealed lens - 'matte silver' in color with a bold green hood - has a total of 19 elements, a nine-blade aperture and five stops of shake reduction according to Fujifilm. The lens and teleconverter kit will be available in late October for $6000.

Fujifilm has updated its X-mount lens roadmap with three intriguing new models, which include 33mm F1.0 and 16mm F2.8 primes and a 16-80 F4 zoom.

Fujifilm's widest X-series zoom lens to-date, the XF 8-16mm F2.8 R LM WR, will hit the market in late November for $2000. The weather-sealed lens features ED, Super ED and aspherical elements along with a Nano GI coating.

Lens manufacturer Cosina's Macro APO-Lanthar 100mm F2.5 E-mount lens is due to begin shipping in August 2018, and is quoted on the Japanese website as having a price of ¥148,000 – approximately $1350/£1050 before tax.

First announced last October, Ricoh is ready to ship the HD Pentax-D FA* 50mm F1.4 SDM AW, a weather-sealed fast prime for the company's full-frame DSLRs. It will be available in late July for $1199.

Sony's previously announced 400mm F2.8 GM OSS received a full introduction today. The pro-grade lens will ship in September for $12,000, and aims to deliver superior autofocus and handling.

Samyang has launched its latest lens, the Samyang AF 85mm F1.4 EF. This telephoto prime is a direct competitor to Canon's $1,600 alternative—and considering it's expected to retail for half the price, it looks like quite the bargain.

Nikon has announced the development of the AF-S NIKKOR 500mm F5.6E PF ED VR lens. Thanks to its use of 'phase fresnel' optics, Nikon claims that the lens will be small and light enough to be used handheld.

One week after it was first seen in leaked images, Samyang—also known as Rokinon in the US—has unveiled a ‘tiny but wide’ 24mm F2.8 lens for full-frame Sony cameras.

Canon has announced a new version of its popular 70-200mm F4L tele-zoom. The new Canon EF 70-200mm F4L IS II USM features numerous improvements over its predecessor, including 5 stops of stabilization and a reduced minimum focus distance.

The third version of Canon's 70-200mm F2.8L features the same optics and 3.5 stop image Stabilization system as its predecessor but adds Air Sphere Coating and fluorine coating on front and rear elements.

German brand Lemuro has launched a Kickstarter campaign to fund mass production of its iPhone accessory lenses.

Chinese company Machang Optics is preparing to launch its new Kamlan 28mm F1.4 mirrorless lens on Kickstarter. The company plans to offer the lens in Canon EOS M, Micro Four Thirds, Sony E, and Fuji XF mounts for an eventual retail price of $200.

The Sigma 105mm F1.4 DG HSM Art lens—colloquially referred to as the 'bokeh master'—will cost just $1,600 USD when it ships for Canon, Nikon, and Sigma mounts in 'late June.' That's $600 less than the Nikon 105mm F1.4E.

Zeiss has announced a new lineup of 13 'Supreme Prime' lenses for large format cinematographers who want smaller and lighter glass that still produces top-quality results. The kind of lenses that make your salivary glands work... and your wallet groan.

In a bid to clear up online speculation, surprise entrant to the full frame cinema lens market Nisi has answered some questions about its relationship with brands marketing lenses very similar to its own F3 series.

Yongnuo has released version II of its ultra-affordable nifty fifty lens for Canon EF Mount: the 50mm F1.8 II. Version II drops the minimum focusing distance to 35mm, adds a focus distance indicator to the lens, and more, but costs only $75.

The Sigma 70mm F2.8 MACRO Art lens—the first macro lens to join Sigma's much-beloved "Art" lens lineup—will be available in Canon EF mount at the end of this month for $570. Sigma shooters will have to wait until June.

Chinese lens manufacturer Meike has added a new version of its existing 50mm F1.7 lens to its range—this time for full frame Sony users. The previous model was aimed at users of mirrorless cameras systems and comes in APS-C and MFT mounts.

Budget camera gear brand Yongnuo has debuted a new lens. Made for the Canon EF mount, the YN 60mm F2 MF macro lens offers a 1:1 magnification ratio at a minimum focusing distance of 23cm. No word yet on how much (or how little) it will cost.

The limited edition lens joins the original black and brass versions, as well as the chrome-plated version released last year. You just have to be willing to pony up an extra $150.

Hasselblad is finally releasing the previously announced XCD 21mm F4 lens for the mirrorless medium format Hasselblad X1D system. According to Hassy, the 17mm full-frame equivalent lens is the company's widest lens ever.

Tamron has officially launched the 28-75mm F2.8 Di III RXD lens for Sony full-frame mirrorless cameras. The lens—the first third-party standard zoom to be created natively for the Sony FE mount—will arrive at the end of May and cost $800.

German lens manufacturer Meyer-Optik Goerlizt is expanding its range of F0.95 aperture lenses with the release of the Nocturnus 75mm. That makes it the world's fastest lens for that particular focal length.

The APO-Makro-Plasmat 105mm F2.7 is Meyer Optik's latest Kickstarter lens revival, and it promises "natural sharpness, unbelievable color reproduction, and a glowing bokeh united at every step of the aperture" ... whatever that means.

Chinese accessories brand Meike has announced it will introduce an 85mm F1.8 lens for Canon and Nikon full frame DSLRs that will feature autofocus. This will be the company’s first AF lens.

Venus Optics has unveiled four new lenses that will ship later this year: a wide-angle zoom for Sony FE, a circular fisheye for Micro Four Thirds, a wide-angle lens for the medium format Fujifilm GFX, and a 2x Ultra Macro for multiple full-frame mounts.

Pricing and availability have been announced for Tokina's high-end Fírin 20mm F2 FE AF autofocus lens for Sony E-Mount. If you're curious about this lens, you'll be able to pick up your own starting in June for $950 USD.

The longest telephoto lens in Fujifilm's medium format lineup has arrived with the introduction of the GF 250mm F4 R LM OIS WR. The lens features image stabilization, a linear AF motor and a weather-sealed body. It will be available in late May for $3299.

This new CINE lens lineup from SLR Magic features five lenses in all, four of which will be ready to ship next month: a 25mm T1.5, 35mm T1.3, 50mm T1.2, and 75mm T1.5. An 18mm T2.9 will follow "by Q3 2018."

The Super-Vario-Elmar-SL 16-35mm F3.5-4.5 ASPH is the first ultra-wide angle zoom for Leica's full-frame mirrorless SL-system. It promises "unparalleled imaging performance and versatility, coupled with supremely quick and quiet autofocus."

Filter maker NiSi surprised everyone this week by unveiling a set of cinema primes. The new NiSi F3 cinema lenses can cover a full-frame sensor and will be available in PL, Canon EF, and Sony E mounts.

Following an incredibly successful Kickstarter campaign for the 3-in-1 Neptune Convertible Art Lens System, Lomography has added the new ultra-wide front lens to the lineup. Meet the Naiad 15mm F3.8 Art Lens.

Meyer Optik Gorlitz has redesigned its super-fast 50mm F0.95 lens both inside and out, and has added a Leica M mount option to the existing Fuji X and Sony E fittings.

The new Laowa 9mm F2.8 Zero-D is "the world’s widest rectilinear f/2.8 lens for mirrorless APS-C cameras." It boasts a 113° angle of view, fast F2.8 aperture, and a Zero-D design that promises "close to zero" distortion.

The Laowa 25mm F2.8 2.5-5x Ultra Macro lens offers professional and amateur macro photographers alike a compact, lightweight option that can get you extremely close to your subject.

Japanese optical manufacturer Cosina has announced three new Voigtlander lenses at the CP+ show in Yokohama. The trio consists of two lenses for full-frame Sony E-mount cameras, and a new 50mm F1.2 Nokton lens for Leica M shooters.

Full-frame Canon and Nikon shooters have a new 50mm F1.4 lens to consider. The Tokina 50mm F1.4 FF features an ultrasonic motor, weather-sealed design, and a focus ring that rotates the same direction as native Canon and Nikon glass.